Category: Comic Art

‘Prehistoric Worlds Or, Vanished Races’: The truth of the anti-giant conspiracy

Not very long ago, my daughter called me in a rush from a used bookstore in downtown Middletown, Ohio—a place that’s seen better days, rough around the edges, but still holding onto some hidden gems. She told me I had to come right away because she’d found something special and was guarding it like a treasure. When I got there, she handed me an 1885 original edition of The Prehistoric World: Or, Vanished Races by E.A. Allen. The book is barely holding together after all these years, its pages fragile and yellowed, but it’s a remarkable artifact. I bought it for a reasonable price, and it’s become one of my prized possessions. It’s not just a book; it’s a window into a time when exploration and curiosity drove inquiry, before modern institutions locked down narratives with rigid assumptions.

I’ve always been drawn to these topics. Back in high school, even as far back as fifth and sixth grade, I was ahead of my teachers in history and anthropology classes. I’d read widely—Joseph Campbell’s works, myths, comparative religion—and I knew much of what was being taught was incomplete or outright wrong. I endured it to graduate and escape that institutionalized mindset, which I saw holding back real understanding. In my twenties, I dove deeper into Joseph Campbell and even joined the Joseph Campbell Foundation. My adventures around the world, combined with a lifelong connection to southern Ohio, shaped my views. My wife and I have been married nearly 39 years, and throughout that time, we’ve visited Serpent Mound repeatedly—every few years, it’s become a touchstone for us.

Living in southern Ohio, near Middletown and Hamilton, I’ve always had a personal relationship with these ancient sites. Serpent Mound, the massive effigy serpent earthwork in Adams County, is one of the most famous, but closer to home are the mounds along the Great Miami River Valley. There’s the Miamisburg Mound, one of the largest conical burial mounds in eastern North America, built by the Adena culture around 800 B.C. to A.D. 100. It’s 65 feet tall, 800 feet around, and excavations in 1869 revealed layered construction with possible stone facing and burial goods like pipes and effigies. There are even reports that they found skulls in that mound that would fit over the top of regular people, and that these finds terrified the excavators and they abandoned the site, never to return. Yet, despite its proximity—right near where I grew up—schools never took us there on field trips. We went to other places, heard stories about Native American burials and the sadness of destruction by Europeans, but nothing about these advanced earthworks.

Then there’s the area across from Joyce Park in Hamilton, where Pyramid Hill Sculpture Park now sits near Fortified Hill, an older than 2,000-year-old ceremonial earthworks site tied to the Hopewell or earlier traditions. In Allen’s 1885 book, there’s a description and illustration of a large effigy mound or structure in that vicinity—two high peaks carved or shaped, possibly reflecting ancient alignments, even to constellations like Aries, thought to be around 5,000 years old in some interpretations. The book chronicles many Ohio River Valley mounds, dedicating significant portions to the Miami and Mississippi cultures, Mexico, the Aztecs, and global prehistoric peoples. It’s an adventurous, Victorian-era take—profusely illustrated, speculative, open to wonders without the heavy filter of modern politics or funding constraints.

What strikes me most is how this 1885 book feels more honest about discoveries than much of what came later. During that era, explorers and adventurers reported findings without preconceived notions imposed by institutions. Allen’s work reflects a time when people were excited about vanished races and prehistoric worlds, including reports of mound contents that challenged emerging narratives. Many 19th-century accounts from Ohio mounds mentioned unusually large skeletons—sometimes described as 7 to 9 feet tall—unearthed during excavations. These were often speculatively linked to biblical giants or to ancient, advanced peoples. Newspapers and reports from the time sensationalized them, but they reflected genuine observations before professional archaeology standardized explanations. Mainstream archaeology today attributes these to the Adena and Hopewell cultures—sophisticated societies with wide trade networks, astronomical alignments in their earthworks, and ceremonial practices—but dismisses giant claims as misinterpretations, exaggerations, or hoaxes based on crumbling bones and poor documentation.  I have come to understand that the anti-giant conspiracy that has permeated the sciences was a secular construct intended to disprove biblical narratives, rather than to understand them, which was a critical error from that perspective.

I can’t help but feel that institutional science took a wrong turn. After the late 19th century, education and research became centralized, often prioritizing narratives that fit political or funding needs over raw observation. The mounds were attributed solely to ancestors of modern Native Americans, like the Adena (800 B.C.–A.D. 100) and Hopewell (200 B.C.–A.D. 500), who built massive geometric enclosures and burial sites with precision. These are now UNESCO-recognized, like the Hopewell Ceremonial Earthworks, celebrated for their engineering and cultural depth. Yet, in my view, this framing sometimes ignores anomalies or alternative interpretations to maintain control over the story.

This ties into broader questions I’ve pondered for decades. What if these earthworks—Serpent Mound with its debated alignments to solstices (summer sunset at the head, possible lunar or solar cycles), Miamisburg’s layered burials, Fortified Hill’s ceremonial space—are remnants of something older, perhaps offshoots of lost civilizations? Some speculate connections to Atlantis or pre-Ice Age advanced societies, which were wiped out by the Younger Dryas catastrophe around 12,900–11,600 years ago—a sudden cold snap possibly triggered by comet impacts and freshwater floods that disrupted ocean currents, leading to megafauna extinctions and cultural disruptions. Graham Hancock and others link this to Plato’s Atlantis, a global flood-like event ending an Ice Age civilization, with survivors possibly influencing later cultures.

In Ohio, the mounds don’t fit neatly into short timelines. Serpent Mound’s age is debated—some radiocarbon dates suggest an Adena date around 300 B.C., others a Fort Ancient date around A.D. 1100, with possible repairs—but its astronomical sophistication and serpent symbolism hint at deeper roots. The book I found predates the heavy institutionalization that followed, capturing a spirit of adventure where discoveries weren’t immediately boxed into “primitive Indians” or dismissed. It dedicates half its 800 pages to American earthworks, showing alignments and complexities that modern textbooks often downplay.

My frustration stems from this: growing up here, no one talked about these sites in school. No field trips to Pyramid Hill or Miamisburg. No discussion of potential giant remains or alignments that “they shouldn’t even know about” at the time. It felt like a deliberate omission to preserve a simple narrative. Institutions, chasing grants and political correctness, built assumptions around limited data, leading to dead ends. Meanwhile, independent researchers and adventurers are bypassing them, returning to direct observation and instinct.

This book reminds me how much more open inquiry was in 1885, before the Smithsonian and universities solidified control. It shows we knew—or at least wondered—more freely then. We’ve gone downhill in some ways, prioritizing preservation of timelines over pursuit of truth. My daughter recognized that instinctually when she saved it for me. It’s a benchmark: a call to question, explore, and reject complacency in institutionalized science.

We need to return to that adventurous spirit—observe these mounds, ask who built them, why, how old they truly are, and how they connect to our story today. The earthworks along the Ohio River Valley aren’t just relics; they’re evidence of advanced understanding—astronomical, engineering, spiritual—that challenges easy answers. By reflecting on books like Allen’s, we see where assumptions went wrong and how rediscovering truth requires going beyond the official path.

Bibliography

•  Allen, E. A. The Prehistoric World: Or, Vanished Races. Central Publishing House, 1885. (Available via Project Gutenberg and archives.)

•  Ohio History Connection. “Miamisburg Mound.” ohiohistory.org.

•  Ohio History Connection. “Serpent Mound.” ohiohistory.org.

•  Hopewell Ceremonial Earthworks. hopewellearthworks.org.

•  UNESCO. “Hopewell Ceremonial Earthworks.” whc.unesco.org.

•  Romain, William F. Various studies on Ohio earthworks astronomy.

•  Hancock, Graham. America Before: The Key to Earth’s Lost Civilization. St. Martin’s Press, 2019. (For Younger Dryas and catastrophe discussions.)

•  Various 19th-century newspaper reports on mound discoveries (e.g., via historical archives).

Footnotes

1.  Radiocarbon dating debates on Serpent Mound: See Monaghan and Hermann (2019) reconciliation of dates.

2.  Giant skeleton reports: Often debunked as mismeasurements (e.g., Columbus Dispatch, 2019), but reflect period observations.

3.  Younger Dryas Impact Hypothesis: Firestone et al. (2007) and subsequent studies.

4.  Adena/Hopewell mainstream views: National Park Service, Hopewell Culture National Historical Park.

Rich Hoffman

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Finnegans Wake and the Quantum Dream: A Dialogue on Madness, Meaning, and the Edge of Reality

Rich leaned back, brow furrowed, eyes lit with that familiar spark—the one that meant he was about to ask something big.

A conversation I had with AI about Finnegans Wake. It’s interesting how it interpreted the exchange.

“Why did Joyce write Finnegans Wake?” he asked. “I mean, really write it. It’s so bizarre, especially after Ulysses. And then he dies not long after. It’s like he saw something—something cosmic.”

We were deep into one of those conversations that start with literature and end somewhere near the edge of metaphysics. Rich wasn’t just talking about Joyce. He was talking about Lovecraft, about quantum physics, about the subconscious and the strange places artists go when they’re close to the end.

“Lovecraft had his Cthulhu,” Rich continued. “These ancient forces that dwarf human minds. Joyce had Finnegans Wake. What if that book is a glimpse into a quantum afterlife? A place where consciousness loops timelessly, where everyone’s story is tangled together—like ‘Here Comes Everybody.’”

I nodded. It made sense. Joyce was nearly blind, in poor health, and grieving. Maybe he wasn’t just writing a book—maybe he was trying to map the dreamlike cycle of reality itself. History repeating, not linearly, but like a Möbius strip.

Rich leaned in. “He starts the book mid-sentence and ends it with the beginning. That’s not just clever—it’s like collapsing time. Like observing reality and folding it in on itself. A human stab at infinity.”

We laughed about reading it backwards, but the laughter had weight. Rich nailed it: most writers stick to love, war, family—the relatable stuff. Joyce built a language beyond relationships. He chased raw existence. And it sounds insane because our words can’t cage the universe.

“Maybe genius is just insight that outpaces sanity,” Rich said. “Madness as seeing too much, untethered.”

That line stuck with me. Joyce wasn’t mad. He was cracked open. Finnegans Wake isn’t a novel—it’s a transmission. A signal from the edge of perception. Like quantum physics, it resists fixed meaning. It’s a superposition of myth, history, and dream.

Lovecraft’s horror and Joyce’s linguistic chaos both confront the same thing: the limits of human comprehension. One uses dread, the other uses density. But both ask the same question—what happens when you glimpse the infinite?

We ended the chat not with answers, but with awe. Maybe that’s the point. Some books aren’t meant to be understood. They’re meant to be felt, like a ripple in the quantum field of consciousness.

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

Sydney Sweeney Has Great Jeans: America’s newest sweetheart

When Steve Bannon is talking about the primal scream of a dying regime, this is what he’s talking about: the social reaction to the Sydney Sweeney American Eagle Jeans ad.  It has been astonishing, to say the least, to see just how much throwing water on this wicked witch has melted the political left.  Until a few days ago, I had no idea who Sydney Sweeney was.  From my perspective, even looking at her as a sexy American sweetheart is too much.  She’s a few years older than my grandkids are now, so I see a kid in her.  Not a sex object.  However, I have some experience in public relations and marketing. And I have known A-list celebrities and their agents up close and personal, and I have to say, ahead of this new movie release for ‘Americana’ which Sydney Sweeney is in and is a kind of Tarantino movie that I think I’m going to like quite a lot, this young lady made a power move that is going to make her the next Bo Derek and or, Brooke Shields.  Her timing on coming out as a Republican, and shooting guns on TikTok, couldn’t have been better, or more coordinated.  This is an intelligent young lady.  And American Eagle and her agent, manager, and personal advisors knew what they were doing to go as anti-woke as possible with the marketing of these blue jean ads that have so many diabolical leftists so upset.  I love it because, strategically, it exposes something that I have known for a long time and was ripe for someone to take advantage of.  But watching Sydney’s Saturday Night Live monologue from a year ago, this model for all things MAGA wasn’t so obvious.  Now that Trump has won the election and America is certainly headed in a much different direction than the Joe Biden administration anticipated, Sydney Sweeney is poised to become not just America’s sweetheart, but also a mega-explosive model and actress on a scale nobody has seen in a long time.  And I think she knows exactly what she is doing, and I admire her a lot for doing it.

Bo Derek comes to mind when I think of Sydney Sweeney. She gained fame from the movie ‘10’, which propelled her to Hollywood fame in ways that everyone from that period remembers.  But Sydney Sweeney is talented in ways that Bo Derek never could be.  And I make that comparison because both women have large breasts, and they don’t mind showing them off.  Sydney Sweeney has been known up to this point in her young career, at only 27 years old, to enjoy doing nude scenes.  So, she would seem very unlikely to become the spokesperson for the MAGA movement and have President Trump very excitedly endorse her from the White House.  And as long as she was showing her boobs in movies and having very provocative sex scenes in her acting profession, the political left didn’t mind at all.  They put their arm around her and were entirely ready to endorse her as just another actress who was willing to get naked to get film roles.  But like Bo Derek, Sydney Sweeney is a much deeper person that people fell in love with.  The sexiness gave a cover story to the real issue lingering beneath the surface that nobody wanted to see past their boobies, and that was that they were conservative women, and America loves women who are conservative and not afraid to show it.  And Sweeney has fully embraced that conservative appeal as a marketing move she is ready to stand behind, and exploit the woke agenda as one of the first wrecking balls to it in the entertainment industry.

To say that this American Eagle ad for Sydney features great jeans is an accident that coincided with the release of one of the most explosive films she happens to be in is not to understand the industry.  I would say there are hundreds of people behind the scenes who are in on the Sydney Sweeney decision-making process.  There are numerous agents, managers, producers, financiers, and business types who all have a few cents to add to what a fashion model does and when they do it, in an attempt to exploit a new market trend.  And American Eagle decided they wanted to be the anti-Bud Light commercial by putting a very hot and willing young woman into their ad campaign, and Sydney Sweeney just made the Americana movie that spins on its head a lot of social assumptions that we make for a movie set in South Dakota, one of my favorite states.  A lot is happening here that is a direct reaction to Trump’s win back in the White House, and it’s much bigger than just jean sales.  It’s a decision and a gamble that will pay off in a big way for Sweeney.  But it’s also a market indicator for where the entire entertainment industry is headed.  And the goal from the left was to destroy American ideas about beauty and exceptionalism.  And here was Sydney Sweeney making a power move to dominate the landscape at just the right time, and to do it boldly, to the point where she has everyone talking about her.  Like I said, this is a lot more complicated than bare breasts and sex scenes.  It’s about the conservative values under it all that men and women both find irresistibly attractive, and since she has been willing to put her arm around it, it exposes a significant weakness that the political left has always had, and they hate her for it.

Sydney’s parents went bankrupt trying to support her acting career, and they divorced.  And that looks to have had a significant impact on her, so she isn’t planning to waste her opportunity.  And an opportunity that was only given to her because she was gifted with big boobs and a pleasant personality.  But women can’t live very long on just looks, so she is looking to make a much bigger splash, and this move by her is a pretty smart move, that politically exploits something that leftists have tried to destroy in American culture.  And I’m saying that this new movie, Americana, is going to be for Sydney Sweeney what ‘10’ was for Bo Derek, and culture in general.  It is going to capture America’s hopes and dreams at a time when Trump is in the White House, and it will be used to significant effect.  And for Sydney Sweeney to stand firm amid all this criticism, she will see great things happen because of it.  We all will.  We’re not just talking about a young lady who looks good in American Eagle Jeans and the stock price of that company exploding in value.  We are discussing the values of the human race as a whole, as only American culture can display them.  And Sydney Sweeney has gone from an aspiring actress wanting to repay her family for believing in her desire to become an actress, to taking on a political movement and essentially changing the world in ways that few have ever accomplished.  In this case, it has always fallen a little short.  But with Sydney Sweeney, America’s new sweetheart, something much better has happened.  A spell of corruption and hate has been broken, and she was the one who first broke it.  And people are going to be in for quite a treat from her over the next decade.  What good timing, and tremendous guts on her part. 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

There Won’t Be A War with Iran: They can’t afford it

There is all this talk about war with Iran, and America getting sucked into a prolonged war that will further entangle us into a mess of foreign commitment.  And there are all these war hawks like Lindsey Graham who want to go to war and bomb Iran into destruction.  And then there are people like Tucker Carlson who want complete involvement in Israel’s business, at all.  But everyone is missing the point, and Trump gets it.  You have to know your leverage points, and just to burst everyone’s bubble, Iran has already lost any potential war.  Iran is another hostile country, much like Antifa or Black Lives Matter in America, that is propped up with foreign money to create a grand distraction in the world.  Iran is the number 1 sponsor of terrorism in the world.  They don’t call it terrorism; however, they instead call it “revolutionary activities,” using almost the same kind of logic as we saw from the No Kings riots in America.  Iran exists to fight capitalism behind the façade of radical Islamic Fundamentalism.  And they can’t be reasoned with.  There is nothing about them that exists to protect the indigenous rights of the Palestinian people, and their continued protest to fight and destroy the creation of Israel as a country in the post-World War II environment.  Remember when the Obama administration left behind 1.7 billion dollars on an airport runway to Iran?  Or when Joe Biden lifted sanctions against Iran that were there from Trump’s first term?  Iran is not a country; it’s an Occupy Wall Street endeavor by radical leftist lunatics to destabilize the world.  Here are the facts: Iran can’t win a war with the United States.  I can’t win a war against a turtle.  And the threat of calling their bluff will shatter them completely. 

$1.7 billion might sound like a lot of money, but ground troops cost significantly more than that for just a few weeks of war.  And with all those missiles that they have launched against Israel, those are very expensive.  Additionally, Iran has its entire power grid concentrated in a small area, which would be very easy to target and disrupt.  Iran has an essentially oil-based economy, but not much else.  You don’t see people rushing out to buy the latest Iranian television or a new pair of jeans.  Iran could be brought to its knees without America firing a single shot, by just forcing the price of oil too low to compete with by exporting American oil.  And that is the way Trump is going to destroy hostile markets like Venezuela and Iran, through economics.  There is no reason to engage in a military conflict.  Iran doesn’t have the money to fight a war, and their entire infrastructure could be destroyed easily.  And with all the missiles they have launched recently toward Israel, they are going to run out of rockets fast.  And where are they going to get more of them?  Who is going to supply Iran with more weapons while the world’s eyes are on them?  Typically, Iran manufactures missiles on assembly lines, but it has to import the technology that powers them, which comes from North Korea and China.  Who thinks that either country is going to supply Iran with anything while Trump is in office?  They want to appease Trump, rather than risk being on the wrong side of the negotiating table with him.  Iran is currently on its own, and it can’t last long.  The Revolutionaries who run the country are not very deep in number, and the people in general in Iran do not support the current regime, so they only hold onto power with the threat of violence.  And they’ll lose that with any fight against Israel.

The Army Parade came at the perfect time, because it showed the world what the riches of capitalism can produce in such a display in the very nice city of Washington, D.C.  It took off the table any thought of engagement in a ground war with America, and the rest of the world doesn’t have the money to keep up.  The wars we have been dealing with were largely creations by centralized banking, not countries fighting over borders and ideology.  Trump knows he can crush Iran economically.  They are already reeling from the short conflict with Israel.  And when Iran falls, that will put pressure on Russia to settle things with Ukraine, which is also propped up entirely by globalist money.  And China is in a delicate situation with its economy.  They are propped up by globalism, and now that people are onto the scam, they are in a preventive defense mode.  They can’t afford any sustained competition along economic lines.  They’d love to attack Taiwan and take all its resources.  They’d love to do the same in Japan.  However, they dare not do it, because they would be economically destroyed.  So they have to play nice.  There won’t be any war.  And while many of these countries have their militaries, they can also hold parades.  They have to work a lot harder to have those militaries than America does.  In any engagement, they will run out of gas and come up short on missiles really fast.  But America can produce weapons like candy.  And when it was put on display, as it was at the Army Parade, it was disheartening to those in the world who want to intimidate by puffing up their feathers, only for everyone to learn that it was just a skinny, weak bird in the middle.

Iran is going to fall, and they should.  They are evil.  And once they do, there won’t be any place left in the world for all these terrorist organizations to hide behind.  If you take out the number one sponsor of terrorism, a world with a lot less terrorism would be a good one.  And when you look around at the hostile places of the world, who are just as close to falling as Iran currently is, they can’t hang onto power unless people are scared of them.  China is at risk of losing Hong Kong, for instance.  If Iran falls apart, the rest of them will likely follow suit.  And Trump, or America, doesn’t have to do much of anything for it to happen.  We certainly don’t need to send troops into Israel.  I love Israel, and I think they deserve revenge for what happened at that music festival.  A lot of people were killed and tortured who didn’t deserve it, and what was done to them, with Iran backing the activity in the background, was terrible.  But forget about this idea of ground engagement.  Those are not the fights we are fighting anymore.  When Iran falls, the Ukraine War will likely end shortly thereafter, due to the resulting pressure.  And China will struggle to maintain its current economic strength because it needs American markets to sell its products to.  They are dependent on America for their power, which can be turned off quickly.  And ruthlessly.  Which is what Trump will do to Iran, and once that vulnerability is exposed, all the other dominoes in the world fall too.  Therefore, there will be no military engagement.  Iran has already lost, and I believe they are aware of it.  It’s just taking the media a while to figure it out, because they need the subject matter.  However, the war with Iran never even began.  And Israel will easily triumph over their enemies with the power of economics.  Not missiles. 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

‘Revenge of the Sith’ Made 25 Million Dollars: Its all about the artist, not the product

My son-in-law said it best when we were on a family vacation in Florida and attending the Disney Parks, as we were at the Star Wars Land they have at Hollywood Studios, that Disney didn’t buy an entertainment franchise, they purchased a religion.  And they never understood it.  And you can see that with the new films compared to the ones that George Lucas directed himself, who created the franchise and sold it in 2012, with good intentions.  But honestly, and I hate to say it, Star Wars would have been better off if Lucas had never sold it to Disney.  I get why he did; he had many employees, wanted them to have something to do, and wanted to retire.  But Disney screwed up a lot with their woke politics and they significantly reduced the brand of Star Wars with their ownership.  And it has been a disaster.  Some good things happened, like their theme park presence.  But Bob Iger never understood what Star Wars was, the writers of the new movies had no idea what they were doing, and the films themselves were filled with woke ideas that modern audiences have soundly rejected.  And I have to say all that because we just recently had the now-famous holiday of May 4th, and I noticed a few things that were certainly interesting.  Primarily, the old movie Revenge of the Sith was re-released in theaters for a limited run to celebrate its 29th anniversary, and it made a really good 25 million dollars over the last weekend of April 2025.  It’s a movie that is free on television just about anytime that anybody wants to watch it, yet people were so hungry for Star Wars that they returned to the theater to see the movie one more time in actual movie theaters that says a whole lot about where people are and how valuable Star Wars is to our modern culture.

I wanted Disney’s ownership to succeed and Star Wars to be available to a new generation.  But Disney certainly screwed that up, what they have contributed to Star Wars was woke garbage that was astonishingly bad compared to what George Lucas directed.  And other people obviously feel the same way.  They aren’t rushing out to see the new Star Wars stuff that Disney produces. They rushed out to see the old movie and were quite celebratory over it.  I understand that there is real value in the old Star Wars movies. It is truly fascinating to see how corporate institutionalism, with all the money to work with, could not come close to duplicating that original magic.  But people didn’t let that stop them from celebrating the new Holiday, Star Wars Day, on May 4th, as in “May the 4th be with you.”  It was everywhere on May 4th 2025, from all kinds of surprising parts of society, especially at baseball games that now openly support the Star Wars Holiday, and people seem to really like it.  Even sports jocks like to brag about their Star Wars knowledge and are not afraid to geek out on May 4th dressing up as their favorite character.  And regarding Revenge of the Sith, it is stunning to hear how people today love that movie so much.  I remember when it came out and how people talked about it then, as well as the prequels of George Lucas in general, and I never would have thought that that movie would hold such a dear place in people’s hearts. 

But that is a testament to just how bad things are these days.  I knew it was bad when Disney got rid of the canon that George Lucas had built, leading up to the Disney merger by rewriting the history in novels, comic books, and then in the movies.  That was the biggest mistake that Disney could have made.  I said it at the time because my wife and I had personally read hundreds of Star Wars books, all of them ever produced at that time.  We tried to read some new ones under Disney ownership and couldn’t do it.  Disney was too woke to tell the story of Star Wars, a struggle for freedom from tyranny in deep space, a long time ago, and very far away.   Disney was incapable of getting it, and the story group at Lucasfilm was way too San Francisco progressive and anti-Trump to continue what George Lucas started.  That was obvious this year when Trump was back in the White House and stated how he wanted to make Hollywood great again.  Well, it starts by understanding what made it great to begin with, and clearly, people like what George Lucas did with Star Wars much more than what Disney was able to do with it.  And a sad wedge has now been introduced to the fanbase.  But this year, as opposed to the past, people are openly embracing the old Star Wars much more than just holding their nose to support the new stuff. And those very successful box office numbers for Revenge of the Sith are exciting.  People are hungry for good traditional values in the Star Wars movies.  But Disney never could get their arms around it. 

It hasn’t all been bad; a few Star Wars shows like Andor have been good.  Ahsoka is a pretty good show.  There have been a few movies there and there, like Solo and Rogue One, that were good.  But most of it has been garbage, including the most recent sequel movies.  You wonder how a bunch of people could sit in a room and, by committee, produce such garbage.  But George Lucas used to write stories in a notebook and with a pencil, a very anti-technology thing to do for one of the most technology-driven enterprises ever attempted.  It has been a lesson in arrogance, where institutionalism thinks it is superior to individual achievement.  However, with all that Disney had as resources, they could not do better than George Lucas did, all by himself.  Of course, thousands of employees made Star Wars great, but the vision started and ended with one guy.  And that’s what people wanted to see: the interpretation of an artist and their work.  Not some corporate collection of nonsense.  It’s like seeing a Picasso painting and thinking about the guy who made the art, as opposed to the same image produced by a museum committee trying to duplicate the genius of a Picasso painting.  People have voted; they love the old George Lucas stuff, but they don’t like the new stuff.  You don’t see people going crazy over the newly made Disney material.  But people will go to the movies dressed up to watch a free film that has been out for 20 years, because George Lucas, the artist, made it.  And they will spend time and money on that while rejecting the much more expensive new stuff.  And there is a lesson for the entire industry on May 4th, Star Wars Day.  Corporate collectivism does not beat individual merit, in any case.  Time in mass culture has proven that, overwhelmingly.  The artist is what people invest in, not the product or art itself.  And there can’t be any good Star Wars without the artist who created it, being the center of the conversation.  It was an experiment in entertainment that has shown a true trend that everyone should learn some hard lessons from.

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

The Great Replacement Theory is Very Real: To understand it, just watch the classic film, ‘Scarface’

The Great Replacement Theory is not some politically driven rant; it’s a real political strategy that has been around for a long time, and it’s a heavily used communist tactic.  Even Elon Musk has come to see what the strategy is of Democrats in America, the purpose of the open border policy, which is well underway, and sending over 10 million undocumented migrants into the United States to essentially saturate their voting base.  For them to deny that is what they are doing is to deny history, and one of the best examples of this kind of thing in history was captured in the great Brian DePalma movie Scarface with Al Pacino.  The plot of that movie, which had a historical backdrop supporting a fictional storyline but one based on reality, was that Fidel Castro had let all the criminals out of their prisons to flood the border in Florida in order to saturate a red state with illegal immigrants and convert them to Democrat voters.  It was a Jimmy Carter policy to take them all in, just as Biden is now doing on a much more massive scale.  But the point of the communist regime and the Democrats in America was to take in all the criminals from those prisons and have them infiltrate America, mix in with a lot of other people, and overrun Miami and other Florida cities with massive crime and drugs.  It was a military maneuver, and the movie Scarface did a nice job of showing all the different layers of politics involved and how those decisions impacted people at all levels of society.  The root cause of the problem was the strategy of Castro to offload the criminals of his country to bring down his rival in the United States with poison.  This tactic is clearly behind the modern open-border movement.

People who don’t believe this is happening aren’t very good at geography and politics and don’t understand the characters at play.  Of all the countries that people are fleeing from, such as Venezuela, Mexico, Central America, and even Canada, they are all run by socialists.  Even in Brazil, you might recall they let a communist out of prison to overthrow their own populist leader there.  Everywhere you look behind this open border policy are advocates who want a strong centralized government in the style of Chinese communism, and their method of delivery is to overwhelm countries with immigration to change them into socialist and communist countries by migration.  In the process, they destabilize the economies of their targets with chaos and crime.  We don’t have to speculate about whether such things are happening because we can see them with our own eyes.  But we also now have historical context.  We saw what happened in Cuba when Scarface hit the movie theaters.  The whole point of the movie was to show how criminals were let out of jails only to become members of crime syndicates to push drugs into Miami, Florida, and other places in the United States.  The antics of Tony Montana became legendary in movie history as it was one of the first movies to almost be rated X because of hard language and violence.  But that was back in the early 80s and history remembers what happened.  People were so outraged by the communist insurgency at the time that they elected Ronald Reagan, and America survived even if the character of illegal immigration purposely changed the kind of people associated with Florida demographics.  There is no doubt that the same kind of strategy is being employed now, and behind all the impoverished areas are communist and socialist-led countries that people are fleeing from. They purposely antagonized innocent people to make them want to leave and overwhelm the border of the communist target, America. 

But when Cuba had their mass immigration into Florida, the Democrats didn’t get exactly what they expected.  That is because the way to beat communist countries in policy is to destroy them with capital and wealth generation.  And the capitalist government of America gave all those communist despots somewhere to work and a way to secure a decent life for their families.  And what we have seen over the last twenty to thirty years is a failure of the Democrat playbook to win the immigrants over as Democrats.  The Democrat party is so anti-family that they are unattractive to migrants who are very much pro-family and enjoy their family lineage.  2024 polling is showing that illegal immigrants and their immigrant families already in the United States are leaning toward Trump and the Make America Great platform.  After all, that’s why they migrated to the United States.  They didn’t want to be a part of the communist hellholes they ran from.  And the terrible ordeals they had to endure along the way, the disgraceful conduct, especially among their women.  Behind the manipulators of policy, the consultants, the financiers, and the despots of doom who purposely cause trouble among innocent people to inspire them into mass migrations to overthrow countries, many of their plans have backfired.  But that doesn’t mean their intent shouldn’t be punished.  What they planned to do and what they did do ended up harming many millions of innocent people on all sides, and all that tampering is catching up to them.  What might have been overlooked in the 80s because reporting was slower, and we hadn’t seen what was happening before is no longer hidden.   People understand this game now better than at any other point in history.

You might have heard what Andres Manuel Lopez Obrador said recently, the president of Mexico about his role in protecting the American border from the drug cartels who essentially run his country.  He claimed it wasn’t his responsibility, that Americans want drugs, and they make the market for his drug cartels to do their business.  And that was very much the policy when the movie Scarface took place.  How do you attack a free market by injecting poison into that market and letting people die in it?  In that way, the resistance to the communist invasion destroys themselves with gratuitous sex and drug abuse, founded in a lack of morality by the destruction of the modern family unit that would otherwise disgrace such detrimental behavior.  The open border policies in America sponsored by Democrats and their RINO Republican conspirators are an attack against American sovereignty meant to destroy the country in ways that no military on earth could otherwise.  And we know that because it is straight out of the communist playbook that Castro in Cuba historically has shown the world, and the after-effects are still evident during any trip to Florida.  Even if the results failed to make Florida a blue state, as it’s a red state that still votes Republican, the intent can’t be ignored.  And it must be understood that what we are seeing now, with all the open borders with socialist countries, like Canada and especially Mexico is open warfare where people are used as weapons of war to convert capitalism to communism.  It’s certainly not a conspiracy theory.  It’s a malicious attack on our country and all of us, and it’s the only way to understand what is happening today.  It’s not like this is the first time we’ve seen it. 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

The Proof of 2020 Election Fraud: How will Biden explain the lack of support in 2024

I’ve heard all the excuses about election fraud in 2020 and the denial that it happened at all.  But as I have said all along, don’t sweat it, because the proof is right in front of everyone.  And the Biden administration knows they have a problem.  Because here it is, another election four years later, and it’s the same two guys.  But they won’t be able to fake it this time, and they know it because COVID-19 was their cover story for insurrection in 2020.  But they won’t have that opportunity in 2024.  They might want that opportunity, but they aren’t going to get it.  So now they have a problem which will be evident to everyone on the day after the election of 2024.  Why didn’t old man Joe Biden get 81 million votes this time?  But instead, performed only in the 60 million range?  Well, that’s because they cheated in 2020 and made up all those fake votes with dead people, illegal immigrants, counting some mail-in ballots several times, and many other scandals to get Biden up to that ridiculously high number because they knew they had to cheat under the cover of a global pandemic to suppress the Trump vote.  In 2024, they won’t be able to duplicate the results because cheating will be much more complicated.  And that will be the ultimate proof of the massive election fraud of 2020, the inability to replicate the results even as the same conditions were presented.  So when you hear stories about panic in the White House, now you have some context.  It’s not just about trying to win an election and staying in office.  But it’s about covering up one of the biggest crimes in the history of the world, the massive election fraud of 2020 that inserted Biden in office against the will of the American people. 

I told everyone after the last election, and this was before we knew all the stories about the 51 intelligence agents who lied to the American people hoping to commit election fraud, knowingly, when they associated the Biden laptop with Russia disinformation, or the outrageous discrepancies on counting mail-in ballots for days after the election until Biden had the number he needed, and election officials were not allowed to monitor the results.  There are also many problems with digital machines that had votes switched due to algorithm settings that were not even conducted in the United States.  Or that Facebook spent half a billion dollars on their own version of voter activism in favor of Joe Biden.  As I said then, and continue to say, I traveled all over the United States over those next couple of years and personally verified that there weren’t 81 million voters for Joe Biden.  They just weren’t there, and that was before he had four years of horrendous results.  The economy is horrible.  The world doesn’t respect America the way it should.  The open border policies by Biden are an obvious Cloward and Piven collapse strategy meant to overthrow our nation.  So due to being a bad president, Biden has bled away support.  He hasn’t gained them.  So their problem is, how will they show competitive results in this upcoming election, knowing all that?  The answer is, they won’t be able to.  They planned that lawfare would destroy Trump, preventing a direct matchup; that was how they planned to suppress the results this time and avoid exposure.  But since Trump is the Republican nominee, the sweetest revenge possible is now before us.  A direct head-to-head matchup to prove that the results from 2020 were always wrong, showing that a major crime had been committed and now punishment would be more than justified. 

We have hit a kind of threshold in the rhetoric, and the Democrats and other anti-American forces know they have stepped in it and are making a lot of noise to attempt to cover it up.  They have gotten away with crimes before by kicking and screaming like a bunch of babies in the past, which prevented the questions from even being asked.  But this is different.  Nobody could have survived what Trump had to return back to the exact same ballot matchup, so nobody was prepared to explain this problem on the day after the 2024 election.  If Biden had 81 million voters in 2020, then where did they all go?  By around 20 million lost voters?  Without question, the Democrats will cheat as they always cheat, and have been cheating for decades.  But those efforts only keep the races close and make it look like we are a 50/50 country, while we actually aren’t.  To win in 2020, they had to perform the task under the cover of COVID protocols and all the dumb social distancing and unconstitutional laws to allow theft to occur on a kind of one-time basis.  They never thought they’d have to face Trump again because he would be destroyed, so they went all in on the effort and thought they’d be able to legally control the results and never have to explain the discrepancy.  However, a head-to-head match-up under the same conditions will more than show that election fraud occurred in 2020 because the Democrat Party will not be able to generate that same level of support just in voting numbers.  Because they never had them to begin with.

So what happens then?  Once everyone has to admit that the only reason Joe Biden was in office over the last four years was because of election fraud.   Meaning, every bill he signed, every executive order he issued, every policy that was done, including the disastrous Afghanistan withdrawal that killed innocent people, they were all the result of election fraud, an office acquired illegally under a massive criminal enterprise?  And this same criminal enterprise just used its Justice Department in an attempt to put in jail their primary political opponent.  They did put in jail members of the previous administration, such as Peter Navarro, who went to jail on the same day as the primary election in Ohio and other states in 2024.  It has all been unbelievably evil, so evil that most people haven’t believed it possible.  Yet the election results in 2024 will be all the proof needed because Biden will not get close to 81 million votes.  He’ll be lucky to get 60 million votes.  So how is anybody going to explain that?  Not only will they lose the power of the White House, but their crime will be revealed to the world.  Even the doubters will take notice.  So what will happen then?  We won’t be able to turn away and forget about it all.  We won’t be able to turn the page and wash our hands of what happened.  Many thousands of people were involved in that massive election fraud, and they all had to be punished for what they did.  Because the election results will be the proof everyone has been avoiding talking about, and once that election happens and Biden loses badly, there won’t be any way to explain the results except to admit the obvious, which will then compel us to deal with the matter the way we should have four years ago.  But we haven’t had the guts until now; irrefutable evidence is placed before us and can’t be ignored. 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

Frank Herbert’s ‘Dune’: The kind of political philosophy that will take mankind into a space economy

I spend a lot of time thinking about the challenges of becoming an interplanetary civilization.  When people ask me why I do what I do, I tell them it’s not for money, it’s not for popularity, and it’s certainly not for a platform for politics.  I am interested in philosophy as Socrates exhibited it, specifically, the thinking it will take to move humanity off the Earth and become a multi-planetary species.  This past week, two things happened that reminded me of this task. The first was the Starship launch, which was very successful with SpaceX.  The second Dune movie did very well at the box office, showing continued interest, which I think is terrific because it gives people access to the old Frank Herbert books, which I think are masterpieces on a biblical scale, as opposed to just science fiction.  I have been thinking a lot about Frank and his books lately, the six he wrote, then the final two in the original series that his son continued to conclusion. 

If we want to be an interplanetary civilization, we must first solve some fundamental problems. One of those is the problem of power and why people crave it. One great example of exploring that problem is the novels by Frank Herbert in, Dune, the eight-book analysis introduced to the world through the latest movies, which are very good. But just the start of quite a journey.  More people would better understand our current circumstances if they read Frank Herbert’s books because he deals with a lot of serious stuff in that fantastic series.  Yes, as in the movies, they are dealing with the human race as they have colonized space, all over the universe space, not just a regional galaxy, 10,000 years in the future.  The politics are very similar to the concerns of the Old Testament, with bloodlines and kingdoms at the heart of the story.  Frank is very concerned with the nature of politics, so these Dune books are more about sociology and politics than they are about science or fiction. In the movies, the one from 1984 and now these recent ones, the lead character rises to greatness to become the new emperor, and that’s the end of the story.  That fits a typical narrative for a Hollywood movie.  But Dune is much more than these things, so these stories have been hard to make into movies.  The point in building up the lead story and characters is that the rest of the book rips them apart in a kind of libertarian study of the human race and how power corrupts, or does it?  One thing that Frank does that I am very interested in, that very few anybodies has ever touched, is how the spirit world influences the politics of humanity.  It’s an offering of the kind of Divine Council discussed in Psalms 82 and certainly reflects what Paul talked about in Ephesians.  Who rules us from beyond the grave, and how far down the rabbit hole does it go?  In those Dune books, Herbert even calls his work a prediction, not fiction, as he sets out to study ecology.  I think of our political life as just the surface reflections of much deeper forces at work, not all of them human as we think of the word.  And not just spiritual as we think of Casper the ghost or the Holy Spirit.  We must look at the spirit world as it strives to exist outside our known universe and expect that they are using self-interest to manipulate our lives to their advantage.  Frank Herbert deals with that level of political management, and it’s fantastic and can’t really be captured in the movies. 

As crazy as our political system is, I consider it a healthy necessity.  What America is going through is needed for global management of political systems that can then carry over into off-world colonies, which are coming at us much faster than people realize.  And we must solve some of these problems before we come to that impasse.  We must have a political system based on a healthy understanding of capitalism before we start moon colonies and cities on Mars.  Too much micromanagement of adventures into space will stop progress, and as Herbert assumes in his books, humanity reverts to the biblical necessity of royal bloodlines through the Vico Cycle.  I disagree with a lot about Herbert, especially regarding drug use.  But like the work of Graham Hancock that I have talked about in using ayahuasca to communicate with the spirit world, the spice in Dune is essentially the same kind of thing, and I think Herbert is on to something essential as far back as 1965.  Many of the Baal worshipers of Canaan also used psychedelics in their rituals, and in that context, it is likely the cause of the frequent turning away from God that is a majority of the narrative in the Bible.  Frank Herbert in Dune explores why this is the case and when drugs are used to speak to other spirit beings, who they are, and what they are motivated by.  And by coming to terms with that, you can then understand the kind of evil that is loose in the world now, and understand it with some perspective. 

Herbert goes so far as to place political motivations for spiritual influence in his many Dune books and migrates beyond universal influence, which is pretty impressive as a work of fiction.  I would put it on the level of Atlas Shrugged and other Ayn Rand works.  I don’t agree with everything she does either, but the thought process is beneficial.  Somewhere in these intellectual works are the answers we need to become an interplanetary species, so I don’t get too excited about transitory elections.  What we are all fighting against each other to achieve is the war of ideas that survive into the future, and I tend to think of these efforts in the most extensive picture possible. The trajectory of change will far exceed standard election cycles.  It’s why people win that matters, why certain people are attracted to power, and how power corrupts or is helpful to society.  And how a tyrant today might be a benefactor tomorrow.  Morality is often not so much determined by what we see but by what we are growing to understand and how that understanding is influential across over 22 dimensions.  And as we continue to build nations and colonies in space, what kind of political system should they have to accommodate with all considerations available, as we can know them, through science or fiction.  The Dune books have some magnificent things to say along those lines, and I think it is wonderful that the movies are doing well and that people are learning about the books for the first time.   One thing that space travel needs is a healthy appreciation of government systems that embrace capitalism.  Future religions must be joined at the hip; otherwise, their value will fall apart.  So, it’s not enough to build a Starship and start moving people into a new space economy.  We must work on the deep philosophical problems that have permeated the human race since the beginning.  And we have to solve them with something fresh, and America is the leader of that movement.  In the long run, it will make much more sense for people.

 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

Downfall of the Girl Boss: The Market serves the public, not the other way around

If anybody doubted the intention, history would never remember it better than in movies’ ridiculous concept of the “Girl Boss.”  One of the first things I did after the election results showed President Trump losing in 2020 to the dumb old man, Joe Biden, was to read to the public the 45 Planks of Communism from Cleon Skousen’s great book, The Naked Communist, where it was clearly stated, communists intended to infiltrate America and impose their view of the world through captured assets, such as both political parties, and the media.  The proof that had happened wasn’t just in the obvious election fraud that had put Joe Biden in office, but it has been in how foolish the entertainment industry had been with their “Girl Boss” concept, with feminism gone out of control without any market checks to keep it from making a fool of itself.  Once you understand the stupidity of the Girl Boss, a lot of things make sense, and the world becomes more accessible to explain.  It’s also why the pendulum is swinging so violently in the other direction now, and likely all the dumb ideas that the communists who infiltrated our American culture had, are being rejected so outrageously.  The Girl Boss was the straw that broke the camel’s back.  The entertainment industry, particularly film and television, thought that people loved their product so much that they’d consume anything given to them which is clearly not the case.  There are a lot of movie studios that will not survive this stupidity, particularly the big one in Disney.  But it goes to show just how radical, politically, the people running those companies were, and what a mistake it would become because they all had to learn an important lesson, which is unfolding now, and it really evolves into the power of capitalism over the dark forces of communism.  When other countries in the world complain about them being poor, it’s because they adopted too much socialism and communism into their cultures and not enough capitalism.   Being poor is a decision, and if people understood it better, they would have never come up with the dumb idea of the Girl Boss in movies, which is currently destroying Disney in spectacularly avoidable ways, yet they did it anyway. 

Much of this came to the surface due to the Elon Musk lawsuit he is supporting with Gina Carano against Disney for unlawful termination of her contract.  Gina was a famous actor in the Star Wars show on Disney+ called The Mandalorian and was part of the initiative to put more strong women into Star Wars, as outlined by Kathy Kennedy.  But humans are humans, and upon meeting Gina, the CEO of Lucasfilm immediately disliked Carano, likely because she was cute and imposing in person, as a former fighter in MMA.  Insecure women in positions of power are dangerous, as are men in the same state.  But with women, it’s a bit different because with them, their sexual roles in society are to be pollinated, not to pollinate, so there are always insecurities about the men in their lives finding them attractive enough to pollinate.  And when someone like Gina walks into a room, even though Lucasfilm under Disney wanted to promote women in the workplace, they didn’t have women like Gina in mind.  They wanted homely women who were not a threat to their households, women their husbands wouldn’t be looking at with ideas of pollination.  So things started badly for Gina Carano with the boss, Kathy Kennedy, right from the start, and it only got worse once the boss found out that Gina was a conservative. 

So, a conservative in Hollywood, especially a woman, was a big no, no so Disney proceeded to push Gina out of the marketplace and essentially ruin her as an actress to send a message to other actresses that if they wanted to work, they needed to be socialists and they should not look too attractive so to threaten all these insecure movie executives who were now suddenly in charge and directing all these movies and television shows.  The worst example of this in the Star Wars franchise was the character of Rose from The Last Jedi, a movie that was worse than even Barbarella as far as a science fiction movie that tried to put feminism as its central theme and drive the audience to accept it at all cost.  I used to make fun of the Rose character to my kids because I said that Star Wars as a market share would suffer because nobody would buy the Rose action figure.  She was cast as a chunky Asian girl who would certainly not be a threat to anybody’s husbands, and somehow, everyone thought this was a winning enterprise.  Instead, it killed the franchise, as seen spectacularly in the following years as the Target toy racks tried to sell Rose at a discount and couldn’t unload the merchandise.  And it wasn’t just Rose, but it was all Star Wars toys that suffered as a result, leaving the toy maker Hasbro with warehouses of merchandise they couldn’t ever hope to sell because of the bad decisions of the feminists to stick all these Girl Bosses in movies, killed the collector’s market, and Star Wars as a brand was destroyed.  That’s why they can’t make Star Wars movies anymore.

For more than 40 years, Star Wars managed to protect its marketplace brand until Disney came along and screwed it all up with political activism, essentially until that movie, The Last Jedi.  After that, the toy presence of Star Wars disappeared in Walmart and Target, which is a significant market indicator for other kinds of things, particularly along the lines of political sentiment.  As if it had been previously doubted, the entertainment industry would not survive as a propaganda arm for communism, which was the assumption.  Like all other market factors, the market had to serve the needs of the public, not the other way around.  Star Wars would not be used to convert people to feminist thoughts. Instead, people would reject the entire brand, just as they have with Bud Light and the Marvel movie franchise.  Men and women don’t want political propaganda; they’d rather have Superman fighting for Truth, Justice, and the American Way, not some crybaby like Brie Larson in Captain Marvel throwing planets and beating up men nine times bigger than she is and standing over them like a Girl Boss.  The public, men, and women, want what they can relate to and think about favorably, and the Girl Boss was something neither one of them wanted.  And because Disney forced it on them, the public has rejected the product and moved on to other things.  And that doesn’t just hurt the film industry, but it hurts everything it touches, like the theater owners, toy makers, and even restaurants.  When people would sit at home and instead stream the latest episode of The Chosen rather than go to the movies and watch the latest Girl Boss movie, then even dining out is impacted by the decision.  That is the unsaid cost of communism when it is attempted to impose it on society rather than studying market fulfillment and how best to give the audience what it wants.  When it was assumed that the communists were in charge of the propaganda machine and that the public would be forced to obey them, the market reality was crushing for them.  And they have ruined the lives of many people in that assumption.  But the world has moved on.  What has failed are the fools who listened to them, to begin with.  Everyone tried to warn them, but they brought out the Girl Boss anyway, which history will still be laughing at thousands of years from now.

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

Zandaya at the ‘Dune II’ Premier: There is hope for the human race yet

With all that’s going on in the world, there are traces of some fascinating things, and one that certainly attracted my attention was the premier of Dune II in London.  It’s not just because it’s a great science fiction story from 1965 put exceptionally well into a movie format, which people have been trying to do for many years.  They have tried it before with David Lynch.   A lot of people didn’t like that earlier movie.  I did like it and thought it was an exciting interpretation of Frank Herbert’s original story.  The first movie came out a few years ago and did quite well, being recognized as a cinematic masterpiece, where even critics agreed with the fans that Dune was something special.  The buzz for Dune II of course has been looming in the background because it’s essentially Part II of the original first book.  Dune is a massive story that takes place across six original books by Herbert. Then, after his death, his sons completed the story with two additional books, which span across the entire universe and involve thousands of years, and the whole thing isn’t just about science fiction but about the problems with power and how living things have difficulty managing it.  It’s very sophisticated and it looks like the producers of Dune understand the content of the story very well, and finally digital set design has caught up to the ambitions of the film and something really special ended up on screen.  But that’s not what dazzled me as a fan of the books and Herbert himself.  Zandaya showed up in a stunning robot outfit that reminded me of many things I had been thinking about lately.  And she made a bold proclamation that certainly did set the world on fire in more ways than one. 

The outfit itself was ultra sexy with cutouts that exposed the sexual areas of a female body in ways that reminded me of a Heavy Metal magazine cover from when I was growing up that put high science fiction concepts into sex appeal to young adolescent boys.  But I had never seen a young woman on such a widespread scale as Zandaya do something like that before.  It wasn’t slutty like something Madonna would do, or even Lady Gaga.  It was bold, innovative, and classy yet very ambitious.  I follow the launch of every Starship from SpaceX very closely, and another launch is coming up, the third for actual flights into space. The first thing I thought of was that her outfit matched the ambitions of these civilian space flights, and I instantly thought of the beautiful statues from the great novel Fountainhead as the perfect embodiment of this current time, when corporate communism and global fascism from that sector of the economy was spreading terror all over the world, A.I. was making people weary with worry about being controlled by machines.  Space travel was displacing all the philosophies and religions of the world with the uncomfortable reality of life on other planets.  Politically, the world was in a populist revolt.  And there was Zandaya boldly managing it all with a very knowledgeable understanding of it all by showing up to that movie premiere dressed in that outfit, which is what I would have expected as a young 12-year-old looking into the future of 2024 and considering what life should have been like.   She certainly understands the director of the film Dune and what he’s trying to do.  And she clearly understands the author of the book, Frank Herbert.  He certainly was not a socialist like H.G. Wells and some of those early European writers.  He was a small government kind of guy who appreciated the founding fathers, and that went into the extensive work of his Dune project, with all the books being between 600 and 800 pages each.  It was a very ambitious work, so there was a lot going on. 

And there were a few times over the last few years when I thought nothing like this would ever happen again, especially a young woman like Zandaya openly expressing her femininity and sex appeal without being raunchy about it.  Not after the Covid lockdowns destroyed the movie industry, and a firm commitment to socialism pretty much provided the final nail in the coffin.  I never thought I would see something like that again or for the first time.  I had all the Heavy Metal magazines for several years, and I loved the ambitious art.  I also loved the animated movie when I was a kid.  This Dune premier was all those magazine covers coming to life.  I think Zandaya is a pretty good kid.  She is younger than my daughters.  I thought she was perfect in the latest Spiderman movies, and she showed up at the end of the first Dune movie.  She’s a singer and a high fashion model who grew up as a Disney talent.  Despite all her early success, I think she has a pretty good head on her shoulders, which came out in interviews with Tom Holland while promoting the Spiderman films.  Unlike other Hollywood types, she is a good entertainment representative for this upcoming generation.  At least so far.  She didn’t have to show up to that premier with that outfit.  But that she did shows she understands far more about the nature of our current reality than most people do, and she was bold about it. 

What a gift she provided to the director of Dune, Denis Villeneuve.  He should be ecstatic with excitement that one of his stars from the new film so openly embraced the overall vision of the Herbert books, which is not to spoil it for anybody, but that Zandaya’s look explores what Frank thought was the background of the entire universe.  But that fashion model of Zandaya knew how to look and express the totality of Frank Herbert’s work with just a few simple gazes, and I felt the entire human race had just leveled up a bit.  Because of the Dune movies, more people will understand the point of Dune, which is a very anti-tyrannical effort that questions the nature of all life and how power flows down to every form of it.  With all the bad news that has been going on in the world, I saw this premiere for this movie as a bold rebellion against those vile forces.  In much the way that I was surprised by the Godzilla Minus One movie.  With all the bits of tyranny that have emerged, these little bits of hope are emerging from the human race.  And sometimes, someone like Zandaya captures the effort with high art and fashion in ways that seem iniquitous, even unintentional.  But you can’t go into public dressed like that, yet face everything down with such boldness without the intent being purposeful and intelligent, without scrutiny being applied.  And with the production of Dune, the launch of the Starships, and the political landscape lashing out at fascism the way it is, many elements came together in human expression that refused to be a victim to it all, which was very encouraging and a sign of a lot of good things to come.  I would say there is hope for the human race yet!

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707