The 19 Different Species of Aliens Who Work with Earth Governments: American intelligence agencies do not work for us, they work for them

I have not been cancel cultured out of existence over the last thirty years because there are many things I do that people want and, in many ways, are much more valuable than gold. One of those things is process improvement and troubleshooting cause and corrective actions. I have a very deep background in Lean Manufacturing, and I often take it way beyond the sensei masters who travel the globe as consultants, and that’s very unique in the marketplace and extremely valuable. But I can’t turn off those skills just because of American intelligence, and actually, global governments hiding behind a façade of spy networks desire to keep all humanity locked behind a veil they have created with secret societies and various religions for complete control over the human race, as just another cog in the wheel of an adored aristocracy. Just before Christmas in 2022, the Biden administration refused to release the evidence of who killed JFK. Mike Pompeo, who I have met and spoken with, under Trump, did the same even though full disclosure is perfectly justified. Obviously, the CIA and the FBI, as institutions, are protecting themselves from the implication of their role in it. This points to many other disturbing trends that come from American intelligence, such that they control elections and are accountable to something besides the American voter. They are audacious in abusing power, almost daring anybody to challenge them.   They consider themselves more important than the presidents we elect or the members of congress we put in place to keep things running in the government. They are, in all essence, a shadow government, and they take orders from something besides the American people. And if you are doing a cause and corrective action on the many ways and whys, there is corruption in our government, everything inconveniently points in one direction and one direction only. That there are likely more than 19 different species of alien life, not domestic to birth on earth, that the governments of the world interact with, and the veil is hidden behind the mechanisms of intelligence agencies, and that is why they are not accountable to us but to them. 

Part of the scam is to convince everyone that such a suggestion is outlandish and crazy. And before what we caught the American intelligence agencies doing during the Trump administration, then up to and during Covid-19, the election fraud that took place in 2020 and continued into 2022, I would have been very skeptical of the evidence that aliens were running everything behind the scenes outlandish. But it has bothered me since Robert Temple wrote his really interesting book, The Sirius Mystery, in 1998, and for 15 years, intelligence agencies around the world worked really hard to destroy him for writing that book. As I did my own investigations, I ran into Michael Salla’s book Insiders Reveal Secret Space Programs & Extraterrestrial Alliances, which I read from in the included video. There is too much there to repeat here; I would recommend the video for the details. But in essence, this notion that our governments are not reporting to their voters but several species of alien races is not new. Many have been complaining about it for years. As the world has become smaller and everyone now has their own portable television studio with their cell phones, the rate of communication has increased to the point where a cause and corrective action as to why is obvious. We are being treated as a flock of animals by an unworthy aristocracy, a kind of new age religious priest class who put themselves between the people of earth and all these groups of alien species for the classic reasons of control. They want to take what they learn from these groups of visitors, who have been coming to earth for millions and millions of years and use that relationship for their quests for power over minds they consider weaker and easy to dominate. 

There are too many things to consider, such as the location of the Eye of Africa and the specific knowledge that the tribe of the Dogon people from that particular region has about the planets from the Sirius A, B, and C region of the sky, one of the brightest stars we see at night and the central character in so many of the world’s religions. The same tricks that were used to conceal these truths of alien visitations from the public in mass were used to a failed effect with the Covid crises created by the government for the purposes of global government control. The suppression of Ivermectin and Hydroxychloroquine at the beginning of the global economic lockdowns to prevent a cure of the Covid crisis was the same kind of arrogance that was witnessed in Roswell, New Mexico, upon the crash there and how the military reacted to it, harassing witnesses and trying to paint them as kooks to the public. I have visited the various sites in Roswell to see everything for myself. I was alarmed to visit the excellent museum there to see their vast library of UFO sightings and details of alien encounters. There is just too much to have them all explained away in coincidence. Governments this time in the modern age were caught in lies, lies about election fraud, lies about a virus they created so to control the world for all the dumb reasons that kings and nobles of history have tried to control their people by being the conduits that spoke to the gods, which is what kept them in power. 

One of the biggest giveaways to this plot, wrapped around the world, is the Antarctica problem. No country claims it, and the evidence points out that the big continent was not always at the south pole. Instead, it was at a time in a climate where dense vegetation existed, and likely, people lived there. There is a history that needs to be studied under their ice caps. If you peel back the layers of concern from the climate crazies, the real fear is that the ice from Antarctica might melt, as it has many times in the past without man-made climate change, and we might learn the truth of our real human history. But currently, which was obviously a goal of the Vril Society of Germans who fled there to continue their space program, it looks like it’s been an easy place for interplanetary travel to come and go without air traffic and governments to report the happenings. Hey, I just saw a UFO over my house.

Actually, my daughter did and recorded it for me. They are careful not to get caught, but they happen everywhere, and people see them. But they aren’t talking to us; they are talking to those who have interceded on our behalf in the class power model that violates the Constitution of the United States. But the goals of the World Economic Forum and the desire for a one-world government come from those same people who have been talking to these 19 different species all along. And for them, they envision a kind of Star Trek Federation kind of world. But many of us don’t want that. We want sovereignty, and just because aliens are coming and going all the time, sometimes at war with each other, sometimes helping us, sometimes trying to hurt us, and our various governments are sticking themselves between them and us, one thing hasn’t changed, and that is that America is the best country on the planet and those ideas are the future of the human race. And no government, not a domestic one, or some alien one, has a right to violate our constitution. And there is no security that American intelligence has a right to use that violates our constitutional rights for our own safety. Nothing is more significant in America than protecting the voters’ constitutional rights. There are no shadow governments allowed. No CIA mind manipulation allowed. And if the 14-foot winged aliens called Draconians think they have some rights over us, they have another thing coming. And it’s at that point that we have to look at all the evidence and consider what to do with it. It’s not technology that makes a society great or even its history. Its philosophy and I would argue that the American Constitution is one of the greatest works of philosophy anywhere in the galaxy. And if the aliens really had it together, they wouldn’t be coming to earth and talking to a bunch of loser intelligence agencies, who are some of the dumbest people on the planet. There wouldn’t be so much secrecy to undermine us so audaciously. And that is the real truth they are hiding, not to protect us from them, but to protect them from us all so they can have the illusion of power they never had before or deserved.

Rich Hoffman

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Life on the Moon: The ancient past and modern activity of alien life above our heads

I don’t say things until I’ve considered the evidence intently and one of the reasons I’ve been most insistent to write The Curse of Fort Seven Mile with an emphasis of late is because of a realization that I’ve discovered through quite a lot of research.  These rumors of some type of life on the Moon of our earth have some weight to them.  From the 1976 book written by George Leonard Somebody Else Is on the Moon (linked below) compelling evidence from actual NASA photographs open the topic profoundly.  It’s an expensive book to get, but well worth it.  Additionally I think it is the remarks of the astronauts who have actually walked on the moon, people like Edger Mitchell and Buzz Aldren who have provided such virtuous testimony—some intentionally, some not so much so.  The evidence points more to the fact that there are constructions on the moon that shouldn’t be there and that there is presently, or has been, an alien race active on its surface.  If you can’t afford the old Leonard book feel free to watch these following videos for some supportive evidence to the fact.

http://www.amazon.com/Somebody-Else-Moon-Artifacts-Leonard/dp/1499250797/ref=sr_1_2?s=books&ie=UTF8&qid=1462071157&sr=1-2&keywords=ulos+unidentified+lunar+objects

One of my first big memories as a kid was visiting the Neal Armstrong museum at Wapakoneta, Ohio while my family went on a trip to Put-in-Bay—I was around four years old.  Years after that, my class went on a field trip to the museum there while in grade school and I oddly enough remembered  most everything because I had been there before.  I was the kid who always read the literature on the exhibits, so I felt very much at home compared to the other kids who had seen the place for the first time.  Armstrong was a professor at the University of Cincinnati—which was in my hometown and his life occurred very much around me—and I was aware of that growing up.  Aviation was born around me as well, so I’ve always taken some pride in the Wright Brothers and old test pilots like Neal Armstrong who was obviously the first person to walk on the moon—at least that we know of.  What always bothered me about Armstrong was that he had turned inward after the experience.  He wasn’t like Buzz Aldren—Armstrong didn’t relish the celebrity of being the first man on the moon—he had a secret which he avoided talking about and obviously took to his death.

Given Armstrong’s Midwestern roots, I think the guy didn’t like lying to people about what he saw on the moon when NASA switched to a private broadcast while he and Buzz were standing on the surface in July of 1969.  I was one year old at the time and my parents were standing me up in front of the television to see the event.  All I remember of the occurrence was the shape of the ship and the sounds of the transmissions which I recognized at the museum years later in Wapakoneta.  I didn’t understand the context at the time, but the layers of memory solidified it in my thinking for years to come.  While everyone was impressed that mankind was standing on the moon, Armstrong had confirmed much of what NASA wanted to see, which wasn’t filmed with cameras that were made public.  We were not alone—not by a long shot—and it haunted him for the rest of his life—apparently.

I’ve talked about the moon before, there are several things not right with it—it’s a little too perfectly positioned and it is locked in a type of orbit around the earth that never shows its far side.  That is a little weird as well.  And apparently on the far side there are even more strange photographs of things that should not be there if Neil Armstrong was truly the first life form to ever walk on the surface.  This of course has led to a lot of speculation through science fiction but those entries into are rooted in fact.  For me the most compelling evidence is that we have not returned—and neither has any other country.  The technology is clearly available to us now, yet we aren’t going back after those initial Apollo missions.  Some of the astronauts involved in the Apollo missions are now very supportive of alien life in space even if they do preserve their disclosures agreements with NASA which is after all a government agency which thinks it knows best how to preserve the religions and social order of the society it is supposed to serve.

Just a few miles south of where the Wright Brothers ran their bicycle shop which invented aviation the bones of an undocumented giant species of man was found in Miamisburg—one very large skeleton at a gravel quarry near the Great Miami River and the other under a large tree which was uprooted at a farm which bordered the mysterious Miamisburg mound complex.  Strangely enough, Hanger 18 which housed the wreckage of the Roswell crash was also nearby and to prevent proper excavation of the Miamisburg site by archaeologists and anthropologists a nuclear weapon facility was built on the land called Mound Laboratories.  That certainly stopped any real research into the region by credentialed scientists.  I currently live on the banks of the Great Miami River south of that Miamisburg site, so all these conspiracy stories have been with me for my entire life—and nobody wants to give any real answers to the probing questions—which feeds the conspiracies.   My conclusion is that there is much more to the story which is why everyone is so tight lipped.  The authorities in this case would rather not confirm or deny—they’d just prefer to avoid the topic.  But the evidence is rather compelling–it’s is all around us—we just need to look at it.

Given all that evidence, it’s just a matter of time before we have to go to the moon and discover what NASA has been avoiding to tell us.  Private space companies are headed to the moon and within just a few years of now, there will be hotels on the surface—and by then we’ll learn the hard truth—it won’t be a secret any longer.  There is a presence of some life other than our own on the moon right now and they watch us from there for reasons that we’ll discover.  I would propose that it’s a kind of interplanetary base camp and they find our civilization interesting and likely some kind of social experiment that they check up on frequently.  Just yesterday I drove by the Serpent Mound site in eastern, Ohio and scientists are no closer to figuring out the reason for that strange mound than they were twenty years ago.  In fact, they have more questions now than answers.  If our science cannot figure out the meaning of things in our own back yards, then they surely aren’t prepared to deal with what’s on the surface of the moon—an entire celestial body that has not had any of its history covered yet by modern development.  It’s an open text-book of mankind’s past and whoever was a part of helping to shape it from inception.  And it floats there above our heads—all the answers we seek—yet we do not dare to uncover.  Actually, you and I might dear reader—but our governments want to hold onto their power for just a while longer.  The evidence is there for us to investigate and when we do we have a lot of hard questions to answer about ourselves.  Of course the first step will be in returning—and I can’t wait for that to occur.  I’d rather know the truth than live with illusions.

Europeans did not discover America–the giants in the Ohio mounds prove that.  They were in North America before there was ever an Indian or a Christopher Columbus voyage.  And we did not first walk on the moon.  Someone was there before us and they are still there. ………………………………

Rich Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

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“Interstellar” Epiphany and Soundtrack Review: A 50th Anniversary at Virgin Galactic’s first space resort

I had an epiphany that my wife and I were stepping off a Virgin Galactic vessel into the first hotel of their design floating above the earth with the horizon spinning outside of a massive lobby window. It is Virgin’s first hotel in space established as a resort location rivaling the Atlantis vacation destination in the Bahamas complete with an indoor water park covered with large glass windows looking out into the vastness of space. The lobby was lush and expensive with exotic restaurants all offering outrageously epic views out every window. The moon is always full and casts a constant—haunting shadow through every object and mixed with the brilliant light shining off the earth is a bluish hue that has never been replicated by any light on the home planet. It’s our 50th wedding anniversary and we have a $5000 bottle of wine to mark the year of this writing to celebrate our first week-long vacation in space. We have worked hard and deserve to pamper ourselves with a very expensive outing that will mark many years of persistence. In the lobby is playing the old soundtrack to the classic 2014 movie Interstellar, which has by then become the standard of music referencing space. It was that award-winning Christopher Nolan movie that changed it all and set the tone for the second world-wide space race causing Hilton, Marriott and Virgin Galactic to build the first space stations catering to tourism. Virgin was the first to achieve it.

The majestic views out of the multiple windows demand the music of Interstellar because nothing else would be sufficient. The hotel operators just play constantly the old Hans Zimmer soundtrack to help alleviate the shock of being grounded so firmly to the floor as the view outside swirls around like a marry-go-round. It takes some getting used to for some people; some actually throw up with the disorienting effect of the earth’s horizon spinning around so rhythmically. There are trash cans stationed along the pathway toward the check-in counter large enough for visitors to dump their stomachs in the most graceful way possible. A cleaning crew quickly removes the contents so not to alter the smell of space—that rusty metal odor mixed with the fragrance of lobby vegetation that is intended carefully to greet guests as they step off the shuttle from their journey below.

We walk to the counter as track 7 on that enchanting soundtrack plays with organs chiming to the tempo of a clock’s second hand—the earth still swirling, the light from the moon and sun moving around the room casting shadows in all directions hauntingly. Bright overhead lights on the ceiling between more large windows cast stabilizing light so that the lobby looks to be the only stable element of a universe in chaos outside—which adds to the otherworldly sensation of a species raised on a planet where the sun rises and falls every 12 hours and the horizon is always fixed. Here, the sun is always out, the moon is always full, and the horizon never stills—it spins perpetually so to provide an earth like gravity for the visitors—some who are already in their swimming suits and heading for the massive domed Water Park behind the check-in counter.

My wife and I aren’t sick; the music brings our minds to ease with a familiarity that we know well. We have listened to that soundtrack every week for the last 25 years and know its notes by heart. Before checking in we just listen to it while we sit in one of the lobby seats and watch the Virgin Galactic shuttle pull away from the docking station and head back to earth with its navigational thrusters silently pushing it back into a declination orbit to Spaceport America—our home launch point. In another three hours that same ship will be back with more visitors and within 30 minutes another ship will arrive from Spaceport America and fifteen minutes after that, one from Space Port Japan, then one from Spaceport Europe. Because Virgin Galactic has brought the Internet to Africa—they now have one of the fastest growing economies in the world. Soon they will have their own spaceport in right in the middle of the Congo.

My wife and I head to our rooms and prepare for dinner. We spend five solid hours drinking our expensive bottle of wine sitting on our hotel bed watching the world turn—literally. And we cherish that this event has finally been made possible after many years of dreaming. The whole time we listen to our well-played soundtrack for the several hundred thousandth time—Interstellar, as we have always loved it and likely always will.

That soundtrack actually only came out a few days ago, on November 17, 2014, so my son-in-law rushed to Barnes and Nobel to get it for he and my daughter the moment it was unloaded from the delivery truck. They spent their evening listening to it while eating Chinese food from their favorite restaurant—and they gave me a copy. They have already seen the movie twice and are looking for ways to see it many more times. In what’s being touted as a first-of-its-kind promotion, Paramount and AMC Theatres are offering movie patrons in North America the chance to see Christopher Nolan‘s Interstellar as many times as they want, for one price.

As with any deal, there are rules. Those who want to participate must be members of the AMC Stubs program, which has an annual fee of $12.

The unlimited tickets will be available for sale to AMC Stubs members at 330 AMC theater across the country, including AMC Imax locations. The price will range from $19.99 to $34.99, depending upon the location (currently, the average cost of a movie ticket price in the U.S. is $8.08.

http://www.hollywoodreporter.com/news/paramount-amc-theatres-partner-unlimited-749512

Interstellar requires for most people many viewings just to understand everything that is happening. Many critics of the film on their first viewings were used to a more conventional film experience and didn’t know what to make of some of the sound issues. As I said in my review—I think I was the first and only one to date to point it out—the sound in Interstellar was entirely on purpose. Christopher Nolan wanted there to be times where the events overwhelmed the sound made by the actors—because in real life—that happens often.

“I’ve always loved films that approach sound in an impressionistic way and that is an unusual approach for a mainstream blockbuster, but I feel it’s the right approach for this experiential film,” Christopher Nolan said, speaking for the first time in detail about the use of sound in his new film.

http://www.hollywoodreporter.com/behind-screen/christopher-nolan-breaks-silence-interstellar-749465

It is because of this approach to sound that the Interstellar soundtrack was so exceptionally good—and is why it will become the inspiration for all that I described above. When my kids gave me the first copy of the soundtrack and I played it for much of the day on Tuesday and Wednesday listening to it many, many times—it was easy to conclude that it was a masterpiece. I remember the music being great during the movie, but listening to it by itself, it was simply phenomenal as it steps up and well beyond anything that’s ever been attempted. The closest that I can think of is Philip Glass—but the Hans Zimmer approach comes with a much bolder, and narrative link to the future by drawing so historically on the past.

Blasting through the track on the soundtrack titled “S.T.A.Y” all that I began this writing above occurred with the epiphany. Many of the world’s problems seemed so miniscule and the minds that made them that way even less relevant. I could literally reach out and touch that future space station/hotel as if I were there, as if I could smell it, taste it and walk across its vast floors with Richard Branson still alive and standing in the corner welcoming his guests with long flowing locks still beyond his shoulders with a smile from ear to ear.

At dinner in my epiphany there was a guest who played in the center of a vast dinning hall with a clear picture of the moon out the distant window—again spinning around with rhythmic precision upon a large glass piano lit from beneath with blue lights that made it look like it was made out of ice. That guest was an elderly Hans Zimmer playing the Interstellar soundtrack live with a deeply personal concert, graced too with a smile from ear to ear knowing that it was his soundtrack that helped build this palace of achievement in defiance of the earthly stupidity which attempted to shackle man’s ankles to earth forever. His music helped free those shackles to usher in this entirely new age of dreamers, fortune hunters and lovers of science and possibility. It was and would be the best dinner of our lives. Happy 50th Anniversary to us—and it was.

Rich Hoffman

www.OVERMANWARRIOR.com