I have always believed that the music which moves me most deeply is not the disposable pop that floods the airwaves and algorithms, but the symphonic scores crafted for great films. These orchestral works possess a unique power to resonate. They do not merely accompany the images on screen; they complete them, giving emotional weight and narrative propulsion to stories that might otherwise remain flat. They fill the spaces between dialogue and action with something larger than life, something that lingers in the mind and spirit long after the theater lights come up. In a culture saturated with catchy but ultimately empty beats designed to hypnotize rather than elevate, these scores stand apart as acts of genuine artistry.
Right now I am listening, as I have nearly every day since its release in June, to the soundtrack for Steven Spielberg’s new film Disclosure Day. Once again, at the age of ninety-four, John Williams has delivered something astonishing. The orchestration is smart and purposeful, the pacing precise, the way the music weaves itself into the story’s fabric nothing short of genius. There is a contemplative main theme tinged with Americana that grounds the middle-American setting, eerie string passages that echo earlier sci-fi explorations, and moments of darker dissonance that speak to forces trying to suppress hidden truths. There are chases and revelations, wordless choral passages, and a large symphonic ensemble of ninety-six players recorded over months rather than the usual frantic weeks. Even in its more restrained passages—music that, as Spielberg has described it, accompanies the film from slightly behind, giving it a subtle nudge forward rather than dominating—it carries that unmistakable Williams signature: it makes you feel the weight of what is at stake.
This latest score, their thirtieth collaboration stretching back more than half a century to The Sugarland Express in 1974, feels like both a culmination and a gift. It arrives at a moment when the film itself grapples with disclosure, with non-human intelligence, with truths long kept in shadow. The music does not sensationalize; it deepens. It reminds us that some stories require more than spectacle. They require a composer who understands how to make the unseen feel present, how to turn tension into transcendence.
I have loved Williams’ work for as long as I can remember, but one cue in particular has lived with me for over thirty years: “Desert Chase” from Raiders of the Lost Ark. I have listened to it countless times, including this very morning. It never grows old. In that relentless, driving music, you hear the truck barreling through the canyon, the Nazi driver pushing gears, the dust and violence and desperate ingenuity of Indiana Jones. Thrown from the vehicle, he finds a way back underneath it, fights his way forward, and seizes control. The cue builds through key changes that ratchet up the intensity, like a truck driver shifting up, until it resolves in hard-won triumph. Williams captured something essential there: exceptional tenacity. The refusal to quit when every force is arrayed against you. The ability to resurrect yourself from the dirt, climb back into the fight, and take the prize. That is not just action music. It is a philosophy rendered in orchestra.
I remember standing in an eighth-grade English class when the assignment was to share our favorite song. Classmates spoke of current hits—the Police, Van Halen, whatever dominated the radio that year. When my turn came, I said, without hesitation, “Desert Chase” by John Williams. There were puzzled looks. It was not what anyone expected, and it was not what the culture was steering us toward. But it was the truth. Even then, I knew the difference between music that merely entertains for three minutes and music that tells a story of struggle and victory, that makes you believe in the possibility of overcoming. My oldest daughter later slept with the Raiders of the Lost Ark soundtrack playing in her room; I could hear those themes drifting down the hall, the same composer who had already shaped so much of what I valued in storytelling.
What made Williams different from so many others who toiled in Hollywood before Jaws and Star Wars made him a household name? He had already built a substantial body of work—scores for television, for films like Daddy-O, Valley of the Dolls, The Reivers, the innovative Jane Eyre, disaster epics such as The Poseidon Adventure, Earthquake, and The Towering Inferno, and his first collaboration with Spielberg on The Sugarland Express. He was no unknown. He had won an Oscar for his work on Fiddler on the Roof. Yet many in the industry, particularly those operating by committee consensus, did not see the full measure of his gift. They judged him against the mediocre output that surrounded them and found him wanting because he refused to stay within those narrow bounds.
I recall profiles and television pieces from the mid-1980s, around the time he was scoring Indiana Jones and the Temple of Doom, that tried to unpack why he succeeded where others plateaued. The answer was always the same: he was exceptional, and exceptional talent is often invisible or threatening to those who measure everything by average standards. Corporate and studio cultures built on consensus, consultants, and committee decision-making tend to produce safe, forgettable products. George Lucas has spoken recently about how studios now hire rooms full of people to make films by committee, with screenwriters chasing paychecks and delivering whatever the money wants. The result is rarely inspired. Most studios passed on Star Wars entirely; they did not understand it and saw only risk. Twentieth Century Fox took the chance largely because of Lucas’s prior success with American Graffiti, not because executives grasped the epic vision. They undervalued what they could not immediately commodify.
Williams endured years of that environment. Mediocre people in positions of power often surround themselves with other mediocre people; it makes them feel less exposed in the mirror. They promote the average because true excellence makes them uncomfortable. They criticize work that aims higher as “too elevated” or not what “the public wants,” when what they really fear is being outshone. Committees become hiding places for those who lack the intuition or courage to back a singular vision. Williams kept working, kept refining his craft, kept writing music that filled narrative with emotional truth rather than wallpaper. It was only when he partnered consistently with other exceptional talents—Spielberg chief among them—that the string of iconic scores began to flow in full public view. But the genius had been there all along.
Spielberg’s particular gift as a director is his ability to recognize and elevate exceptional collaborators rather than constrain them. He does not manage by committee, noting that it dilutes everything to the lowest common denominator. He trusts the people who are operating at a higher level and lets them do what they do best. The result is work that consistently rises above the average—often far above. Their partnership across thirty films has produced some of the most memorable cinematic experiences of the last half-century precisely because it has been a meeting of two minds that value quality over consensus. In Disclosure Day, even as Williams works in a more restrained mode for much of the score, the moments of power still feel earned and inevitable. Spielberg has called scoring the reward at the end of making a film—the chance to hear what Williams will bring. That trust, that mutual elevation, is rare in an industry that too often punishes it.
This is why Williams’ music has always resonated so strongly with me. It embodies the same principles I have written about elsewhere: the development of intuition that lets you act decisively and accurately, the refusal to settle for mediocrity, the willingness to impose will and vision on circumstances rather than waiting for permission or group approval. In The Gunfighter’s Guide to Business, I explored what it takes to rise above the common level, to shoot from the hip with precision because you have done the hard work of mastery. Williams’ career is a master class in that. He did not wait for the culture to catch up. He kept composing at the highest level, and eventually the culture—or at least the audiences and the exceptional partners—caught up with him.
Listening to this new score, I feel fortunate. For a man well into his nineties to pour such care, such detail, such soul into more than two hours of music—recorded across seven sessions over six months with a full orchestra, wordless choir, and meticulous attention to every nuance—is remarkable. I wish there were ten or twenty more to come. If this proves to be among the final chapters, it is a worthy one. His legacy is already secure: a body of work that has taught generations what great film music can do. It elevates ambition. It makes us believe we can overcome the truck that tries to run us over, find our way back into the fight, and claim something greater than we were handed.
In a world that often seems engineered to flatten the exceptional and reward the safe, John Williams has spent a lifetime doing the opposite. His music does not pander. It invites us upward. That is why I have never tired of “Desert Chase,” why I still listen to these scores rather than the latest pop confection, and why this latest offering from a ninety-four-year-old master feels like both a benediction and a call to keep striving.
The themes that run through Disclosure Day—the uncovering of hidden truths, the encounter with the unknown, the courage required to face what has been concealed—find their perfect counterpart in music that refuses to settle for the ordinary. As I continue my own work, including the forthcoming The Politics of Heaven, I am reminded that the battle between forces that would diminish human potential and those that call us toward greater clarity and courage is fought on many fronts. Music of this caliber is one of them. It reminds us what is possible when exceptional talent is allowed to do its work without being dragged down by committee or consensus.
I am grateful for every note John Williams has given us, and especially for this one. The hourglass may have less sand left than we would like, but what remains is still producing gold. That, more than anything, is the lesson worth carrying forward.
Notes
[^1]: John Williams was born on February 8, 1932. As of mid-2026, he is 94 years old.
[^2]: Disclosure Day (2026) marks the 30th collaboration between Spielberg and Williams, and Williams’ 105th theatrical film score since his debut in 1958. The score was recorded over seven sessions from September 2025 to February 2026 with a 96-piece orchestra.
[^3]: Notable pre-Jaws (1975) scores by Williams include work on Daddy-O (1958), Valley of the Dolls (1967), The Reivers (1969), Jane Eyre (1970), The Poseidon Adventure (1972), The Towering Inferno (1974), Earthquake (1974), and his first Spielberg film, The Sugarland Express (1974).
[^4]: Most major studios passed on Star Wars (1977). Twentieth Century Fox proceeded largely on the strength of Lucas’s prior success with American Graffiti, not full confidence in the concept itself. Lucas retained merchandising and sequel rights because the studio undervalued them.
[^5]: Spielberg has described the Disclosure Day score as “probably the most restrained score he has ever written for one of our collaborations—at least until it is not,” noting that Williams holds back in a subtle way that enriches the film by “accompanying it from slightly behind, pushing it forward.”
Bibliography / Further Reading
• Burlingame, Jon. “How John Williams Scored Steven Spielberg’s ‘Disclosure Day’.” Variety, 2026.
• “Disclosure Day: Everything you need to know about John Williams’ score.” Classic FM, 2026.
• “List of compositions by John Williams.” Wikipedia (detailed filmography).
• “TIMELINES: JOHN WILLIAMS” and related features. Film Score Monthly.
• Accounts of the development and studio reception of Star Wars in works such as J.W. Rinzler’s The Making of Star Wars and contemporary reporting.
• Spielberg’s public comments on the Disclosure Day score and his long partnership with Williams (various 2026 interviews and press notes).
The music plays on. Keep listening for what elevates.
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
It was a Friday night in mid-July 2026, and I was in one of those nice theaters with the little tables—the kind that make an evening out feel intentional rather than just another screen in the dark. The film was Young Washington, the new one about George Washington’s early years in the French and Indian War, before he was the marble statue on the dollar bill or the father of a nation. It was a good picture, the kind that puts you in a patriotic frame of mind without preaching. I had my phone face-down on the table because I didn’t want to be that guy checking messages during the show. But even silenced, I could feel it lighting up now and then. When the credits rolled and I finally turned it over, there were more notifications than I expected. One of them was from Sheriff Jones.
I like Sheriff Jones. I always have. He’s one of those larger-than-life figures who makes Butler County feel like it still has some old-fashioned backbone left. When he texted to let me know he had a new book out—“They Call Me Jonesy: Let’s Get Real About Saving America”—I was genuinely surprised. It had come out back in May, and I hadn’t heard a thing about it until that message. He said if I wanted to talk about it or pick one up, to reach out. I told him right then I’d get it read. I could have driven over and grabbed a copy from him directly, but I wanted to do it the right way—support the work properly—so I opened Amazon on the spot and bought it. As I write this, the book hasn’t arrived yet. I’ve been busy, the way most of us are these days, and sometimes the important people and the important things slip through the cracks until a text like that snaps you back to attention.
While I wait for it to show up, I’ve been thinking about what it means to have a Sheriff like Richard K. Jones in our community—and why the public relations side of his job might be every bit as important as the operational side most people picture when they think “law enforcement.”
In Butler County, Jones is more than the man who runs the jail and signs the paychecks for deputies. He’s a character in the classic sense: the tall figure in the signature cowboy hat and those big ostrich boots, the one who shows up at fundraisers for youth shooting sports, compares hats with old friends, and isn’t afraid to talk about the realities of the job—the lawsuits that come with the territory, the guns he carries or the ones the department fields, the constant pressure from every direction. He’s been doing this a long time. First elected in 2004, he’s now well into what I’d call his seventh term of service, having worked through multiple governors, multiple presidents, and the full spectrum of political weather in Ohio and beyond. He’s dealt with the Bush years, the Obama years, the Biden years, and whatever comes next. Through all of it, he’s stayed visible, outspoken, and unapologetic in a way that feels increasingly rare.
That visibility is the part a lot of people miss when they talk about what a Sheriff is supposed to do. Some folks think the job is purely about kicking in doors and locking up bad guys. And yes, that work matters—more than most civilians will ever understand. But if you only do the enforcement piece and ignore the executive piece, you eventually lose the community you’re sworn to protect. People start seeing the badge as something distant and ominous rather than something that belongs to them. They start questioning why their tax dollars go to support it. Morale inside the department suffers when the public narrative turns against you. Jones figured this out a long time ago, long before national figures made “brand” a dirty word or a political weapon. He understood that in a republic, especially at the county level where government is closest to the people, you have to build something citizens can latch onto and believe in. You have to make law and order feel like a shared project rather than an imposition.
That’s what I mean when I talk about executive leadership. I’ve written about it in The Gunfighter’s Guide to Business and I’m still working through the lessons in my own professional life—an aerospace executive who spends a lot of hours every week trying to impose will on circumstances, build teams that believe in the mission, and create something durable enough to survive the inevitable storms. The gunfighter doesn’t just draw fast; he creates the conditions where the draw is rarely necessary because the reputation and the relationships do half the work. Same principle applies to a Sheriff’s office. If the community sees the department as “us” rather than “them,” you get better cooperation on tips, better juries, better budgets, better young people considering the career, and a healthier society overall. Jones has spent years cultivating exactly that. He gets on TV. He does the interviews. He shows up. He lets people see the human being behind the badge—the one with the cowboy hat and the straight talk—and that makes all the difference when something goes wrong and the cameras show up for the wrong reasons.
I’ll be honest: when I saw his name on my phone that night, part of me hoped it was the other kind of message. The one where he says they’re getting ready to hit a house or round up some cartel types or serve a warrant that might need an extra set of eyes and a steady hand. I’ve lived long enough and seen enough to know that sometimes the only thing that moves the needle is decisive action on the ground. I would have been in the truck in five minutes, and I think he knows that. But instead he wanted to tell me about the book, and that’s valuable in its own right. Because writing the book is also action—it’s distilling decades of experience into something other people can use. From everything I’ve seen in the descriptions and early word, They Call Me Jonesy is exactly what you’d expect from the man: candid, humorous in that tough-love Midwestern way, deeply patriotic, and full of stories about leadership under pressure, the cost of political correctness, the realities of “the swamp” at every level, and what it actually takes to push back. It’s a call to action for people who still believe in law and order, traditional values, and straight talk. And it comes from someone who’s walked the walk for more than twenty years in one of the most visible law enforcement jobs in Ohio.
We share a mutual friend in David Kern, the longtime Liberty Township trustee. David and I have known each other all my life. He’s always been a solid political figure—practical, engaged, the kind of person who gets things done without needing to be the loudest voice in the room. Jones and I have connected over that shared respect more than once. We’ve not always agreed on every detail of every issue, but we’ve always been able to shake hands, compare cowboy hats (mine’s been a fixture since I was in third or fourth grade, a declaration that I wasn’t going to blend into whatever the culture was selling that week), and keep the relationship real. That matters in a county like ours. It’s how you get things done when the easy path would be to retreat into your own silo and let the rest of the world burn.
There’s something refreshing about a public servant who still understands that the job includes selling the mission. Not in a slick, consultant-driven way—Jones is too much of a character for that—but in the old-fashioned sense of showing people why it’s worth supporting. He’s not afraid to be seen. He’s not afraid to be himself. And because of that, when Butler County residents look at the Sheriff’s Office, they don’t automatically default to suspicion or resentment. They see someone who’s been there through the hard times, who’s willing to say the unpopular thing out loud, and who’s built enough goodwill that the community is willing to give him the benefit of the doubt when the inevitable controversies flare. That’s brand building at its most practical. It’s also leadership at its most effective.
I’m proud of Sheriff Jones for putting this book out into the world. Not every lawman has the discipline or the inclination to turn the raw material of a long career into something readable and useful for the next generation. He’s become something of an international figure in certain circles because of his willingness to speak plainly about immigration, crime, and the erosion of common sense in policy. But he’s stayed rooted here. That says something. And for those of us who call Butler County home, it means we have a Sheriff who gets the big picture: saving America isn’t just a slogan or a national election every four years. It happens in places like this, one relationship, one visible stand, one candid conversation at a time.
The book is available on Amazon right now—“They Call Me Jonesy: Let’s Get Real About Saving America” by Richard K. Jones. I’m looking forward to reading it the moment it lands on my doorstep, and I’ll have more to say once I’ve had a chance to digest it properly. If it captures even a fraction of the personality and the hard-won wisdom I’ve come to associate with the man who sent me that text, it’ll be time well spent. And if you’re the kind of person who still believes that strong, unapologetic leadership at the local level is part of how we turn this country around, then do yourself a favor and pick up a copy too.
In the meantime, I’ll keep my phone close. You never know when the next message from the Sheriff might come through—maybe about the book, maybe about something more immediate. Either way, I’m glad he’s out there, hat and all, doing the work of building something worth believing in. We need more like him.
Footnotes
[1] Richard K. Jones, They Call Me Jonesy: Let’s Get Real About Saving America (Independently published, May 18, 2026). The paperback edition became available around that date; a Kindle edition is also offered. See the official site at theycallmejonesy.com and the Amazon listing for current purchasing options and a free sample.
[2] The book’s public description emphasizes candid leadership lessons drawn from Jones’s decades in corrections and law enforcement, including direct commentary on crime, political correctness, “the swamp,” patriotism, and practical steps for those who want to help save America. Early testimonials have come from figures including former Arizona Sheriff Mark Lamb and former Middletown Police Chief Rodney Muterspaw.
[3] Sheriff Richard K. Jones was first elected Butler County Sheriff in November 2004 (taking office January 2005) and, as of mid-2026, is serving what official records describe as his sixth term. In personal conversation and local perception, the length and continuity of his service often register as an even longer tenure of steady leadership through changing political environments.
[4] Rich Hoffman, The Gunfighter’s Guide to Business (available through standard retailers). The book explores themes of resilience, imposing will on circumstances, building loyal teams, and the executive’s role in creating something people will fight to preserve—lessons that parallel the brand-building and leadership approach discussed here.
[5] Purchase They Call Me Jonesy: Let’s Get Real About Saving America directly through Amazon or the author’s site (theycallmejonesy.com). As of July 2026 it remains a recent release and is easy to find with a quick search for the title and author.
Bibliography
Jones, Richard K. They Call Me Jonesy: Let’s Get Real About Saving America. Independently published, May 18, 2026.
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
I haven’t seen the Supergirl movie yet. From everything I’ve heard and read about the promotional run and the way the numbers have come in, I’m not in any rush. It’s the same old story playing out again, the one that keeps repeating itself in Hollywood these days like a bad loop on an old VHS tape. The actress, Milly Alcock, went out there during the press cycle and made some comments that landed exactly the way these things always do when the people in charge forget who actually buys the tickets. She talked about online critics and how a lot of them were just “Dad of four, Christian” types with no profile picture or burner accounts, and she said it was hilarious to her. Then she added that if you’re pissing off the right kind of people, you’re doing okay.
That kind of talk might play well in certain rooms in Los Angeles or New York, but it doesn’t play well with the people who were supposed to be the core audience for a big summer superhero movie built around Superman’s cousin. Christian dads with a couple of kids aren’t some fringe group you can mock on the way to the bank. They’re the ones who used to load up the minivan, buy the tickets, get the popcorn, and make these movies cultural events. When you go out of your way to signal that their worldview is a punchline, they notice. And they stay home. Then the box office comes in soft, everybody starts pointing fingers, and the same executives who greenlit the messaging act surprised.
This is the same playbook that wrecked the live-action Snow White over at Disney. Rachel Zegler went out there and called the original story dated, took shots at the prince character, and sprinkled in enough political commentary that a big chunk of the traditional family audience decided they had better things to do with their Saturday afternoon. The movie opened okay but collapsed fast, and Disney ended up losing something like $170 million on it once you factored in the budget, the reshoots after the set fire, and the marketing. It wasn’t just one actress. It was a whole system that decided the audience needed re-education more than it needed entertainment.
Supergirl opened the weekend of June 26, 2026, to about $37 million domestically. That was well below the $50 million range some trackers were expecting and a steep drop from what Superman did the year before under James Gunn’s watch. Superman opened to $125 million domestically and finished with roughly $355 million here in the States and over $618 million worldwide. Supergirl, with a reported $170 million production budget plus heavy marketing, was tracking toward the low $60s, or maybe $70 million, domestically if it held on through the holiday frame, with worldwide totals hovering around $110-115 million. That’s not enough to break even on a movie this size. It’s the kind of number that makes everybody downstream from the studio—crew, vendors, theater chains—feel the pain while the people who made the decisions move on to the next project.
The demographic split on opening weekend told the story in real time. The audience was skewed heavily male and over 25. The young women and families the movie was supposed to bring in large numbers didn’t show up in force. That’s what happens when the lead actress spends part of the promotional cycle telling a big slice of the potential audience that their very existence as profile pictures with kids and a faith is funny to her. You don’t have to agree with every dad out there. You don’t even have to like them. But if you’re getting paid millions to stand in front of a camera in a cape and sell a $200 million piece of intellectual property, your job during promo is to get as many people as possible to buy a ticket. Not to litigate culture war points from a Variety interview conducted months earlier.
I’ve been around this business enough over the years to know how it works. I had a stretch where I thought I might direct or at least write and produce films. I wrote a few things, got them in rooms, and sat across from people who controlled real money. What I saw up close was that a certain faction had already decided the product came second to the politics. I remember one conversation where I pitched something and the response wasn’t about whether the story would connect or make money. It was about whether the script had the right messaging baked in. When I realized the game was rigged that way, I made a decision. I wasn’t going to spend my life compromising on things that mattered to me to get a seat at a table that was already serving a different meal. I walked away from chasing that particular brass ring and put my energy into the Tea Party and then the broader movement that became MAGA. The checks in Hollywood can be big for a minute, but they don’t buy back your integrity once you’ve traded pieces of it away.
That’s why these promotional disasters keep happening. The people in charge keep hiring talent who treat the job as a personal activism platform rather than a professional obligation. Zendaya is the counterexample people should study. She’s a good actress; she’s in big franchises; she married Tom Holland; and she mostly keeps her head down and does the work. She doesn’t feel the need to go out on every carpet and unload on half the country. That’s why she keeps getting hired. The ones who treat every interview like a chance to settle scores or signal to the online choir end up with one big movie and then a lot of quiet time afterward.
James Gunn has been in an interesting spot through all of this. He came in with real goodwill from the Guardians movies, which proved you could take obscure characters, give them personality and humor, and make a fortune. Superman last year was a genuine hit—fun, hopeful, well-reviewed, and profitable. It looked like maybe the new DCU under Gunn and Peter Safran had found a lane. Supergirl was supposed to build on that momentum. Instead, it landed with a thud. Gunn didn’t direct this one—Craig Gillespie did—but he and Safran produced it and shaped the vision. The character on screen is described as more jaded, sarcastic, impulsive, a bit of an anti-hero who parties on red-sun planets where she can actually get drunk. That’s a valid take on the comics, but when you pair it with a promotional tone that mocks the audience that grew up on the classic Superman ideal of truth, justice, and the American way, you’re asking for trouble.
There’s already talk in the trades about whether this soft opening puts Gunn’s position under more scrutiny. Some agents are whispering that another miss like this and the corporate structure might decide it’s time for a change, even though Superman succeeded and the long-term plan is still being sold as sound. That’s how it goes in these big studios now. One regime comes in promising to fix the mess left by the last one, spends a fortune on a new slate, and then the same underlying problems—audience alienation, messaging over story, talent who can’t or won’t sell the product—show up again. Gunn has more runs on the board than most, but the Supergirl numbers are a reminder that goodwill has a shelf life when the results don’t follow.
I keep coming back to the Indiana Jones situation because it shows the pattern so clearly. In the last film, there were persistent rumors that the original plan involved killing the character off or erasing him in some way that felt like a deliberate gut punch to the legacy. The director denied reshoots for that specific reason, but a lot of us who watched the sausage get made over the years didn’t buy the full denial. Extra money got spent, the ending got massaged, and the movie still underperformed relative to what an Indiana Jones picture should do. The people in charge wanted to make a statement. The audience wanted one more ride with the character they loved. When those two things collide, the audience usually wins by staying home, and the studio eats the difference.
Captain Marvel followed the same arc. Brie Larson went out and did the whole “toxic masculinity” circuit after the first movie made money. The sequel, The Marvels, became one of the bigger bombs in recent Disney history. The pattern is consistent: the first project coasts on existing goodwill and curiosity, the star or the messaging starts treating the core audience like the enemy, and the follow-up craters. Then the same executives who approved the approach acted shocked that families and longtime fans didn’t line up again.
What’s happening now is bigger than any single movie or actress. Hollywood went hard left years ago, and the corporate layer that runs these places decided DEI checklists and cultural re-education were more important than selling tickets. They hired people who shared that worldview, gave them big platforms, and then acted surprised when the people who actually pay for the content walked away. The trust erosion is real. Once families decide a brand doesn’t have their kids’ best interests at heart—whether it’s live-action remakes that lecture them or kids’ programming that slips in stuff no parent asked for—they don’t come back easily. You see it in the vinyl revival, the return to physical media, people wanting to own their libraries instead of renting everything from a streaming service that can memory-hole a title whenever it wants. We went through this with music. The industry told everybody they’d rent forever from iTunes and Spotify. Now people are buying records again because they want something they can actually hold when the power goes out or when the algorithm decides they shouldn’t hear a certain song anymore.
The same principle applies to movies. These big corporate entities keep treating the audience like a resource to be mined and then scolded. The audience is responding by treating Hollywood as an optional expense rather than a weekly habit. Supergirl didn’t fail because the character is unlikable in the comics or because superhero fatigue is total. It failed because the promotional campaign handed the opposition free ammunition and because the underlying calculation—that you could insult a big chunk of the paying public and still get their money—turned out to be wrong.
I’ve said for years that the best movies, the ones that actually shaped generations, came from people who cared more about the story than the politics of the moment. Star Wars in its original run was a phenomenon because it gave people something to line up for, something to argue about in the schoolyard, something that felt bigger than the daily grind. The merch drops were events. Families participated together. When the machine decided it needed to lecture instead of entertain, the cultural grip loosened. The same thing is happening across the board now. The pushback isn’t coming from some organized cabal. It’s coming from millions of individual decisions by people who are tired of paying premium prices to be told their values are the problem.
James Gunn still has a runway because Superman worked and because he has a track record of making things people actually want to watch. But the Supergirl results are a warning shot. If the next projects keep treating the core audience as something to be managed or mocked rather than served, the DCU experiment will end up in the same pile as every other attempt to force-feed ideology through expensive capes. The audience has options now. They can wait for streaming, skip it entirely, or see something else that doesn’t require them to check their beliefs at the door.
Look, I’m not saying every actor has to be a robot with no opinions. I’ve got plenty of my own, and I’ve never been shy about sharing them on my own platforms. The difference is I built those platforms myself. When you’re handed a lead role in a $170 million studio movie, the job description includes not actively driving away the people who are supposed to fill the seats. That’s not censorship. That’s basic professionalism and basic math. The Christian dads with kids aren’t asking for a sermon from the screen. They’re asking for two hours where the good guys win, the hero stands for something worth standing for, and nobody on the promotional tour calls their existence hilarious. When Hollywood forgets that simple transaction, the box office reminds them. And the reminders are getting more expensive every year.
I’ve watched this industry from the outside for a long time now, close enough to see the decisions but far enough away that I didn’t have to compromise to keep a seat. What I see is a system that keeps choosing the same losing strategy and then acting confused when the results don’t change. The audience didn’t leave because they hate superheroes. They left because the people making the movies began to hate the audience. Until that calculation flips, these soft openings and outright disasters will keep happening. The ones who figure it out first—the ones who treat the job like a privilege instead of a pulpit—will be the ones still standing when the dust settles. The rest will explain to their next meeting why the numbers didn’t work out again.
That’s the reality on the ground in the middle of 2026. Superman proved there’s still an appetite for hopeful, well-made comic book movies. Supergirl proved that even a strong foundation can be undermined in a single promotional cycle when the people involved forget who they’re talking to. The pushback is real; it’s measurable at the ticket window, and it’s not going away until the people writing the checks decide that making money and telling stories people actually want to see matter more than scoring points with the crowd that already agrees with them. I’ve made my peace with walking away from that table years ago. Watching it wobble from a distance confirms I made the right call.
Sources and Further Reading
• Box office figures and analysis for Supergirl (2026): TheWrap, Box Office Mojo, USA Today, ComicBook.com reports from late June and early July 2026.
• Milly Alcock Variety interview comments on critics and “Dad of four, Christian” profiles: Originally conducted mid-April 2026, widely discussed after May publication and post-release.
• Snow White (2025) financial losses and promotional controversies: Forbes, Variety, Box Office Mojo.
• James Gunn DCU context and insider speculation post-Supergirl: Slashfilm, Screen Daily, ComicBook.com.
• Broader industry patterns around audience alienation, DEI priorities, and promotional missteps: Multiple trade coverage 2023–2026 on Captain Marvel/The Marvels, Indiana Jones and the Dial of Destiny rumors and reshoots (director denials notwithstanding), and shifting audience behavior toward physical media and selective viewing.
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
I have watched a hostile takeover unfold up close in the aerospace industry. The people driving it never announced their intentions. They arrived with consultants and new ownership structures, spoke in measured language about efficiency and alignment, and made the decisive moves from boardrooms far removed from the daily floor. The target company’s people kept working, kept delivering, kept hoping the familiar rhythms would hold. By the time the real pattern became visible, the leverage had already shifted. Decisions about who stayed, what got consolidated, and which programs survived were already set in motion. The prey did not run away. In many cases, it moved toward the very forces reshaping it, seeking reassurance, seeking to prove value, seeking to stay inside the story.
That experience has stayed with me as I watch the recent waves of UAP disclosures. The Pentagon’s PURSUE releases under the current administration—multiple tranches of documents, videos, and agent narratives in May, June, and July 2026—have brought to light orb sightings, high-speed objects, and cases that the All-domain Anomaly Resolution Office itself still lists as unresolved. One Western U.S. event near a sensitive national-security site involved federal agents describing “orbs launching other orbs.” AARO’s own June 2026 memo on that case notes that roughly forty percent of the phenomena lacked a plausible conventional explanation and remained open. Another tranche included a military aviator’s account of an object with “flight characteristics unlike anything I had seen in my 28 years.” These are not fringe videos. They are now part of the official record, released under executive order, yet they arrive without chain-of-custody clarity on the most anomalous material and without a coherent strategic picture.
The obvious question keeps returning: if these are simply advanced drones or foreign technology, why the persistent concealment across decades? If they represent non-human intelligence, why not open contact? My answer is shaped by what I saw in that takeover and by the universal patterns Robert Greene distilled in The 48 Laws of Power and The 33 Strategies of War. Those books sit in every serious business section because they codify something older than corporate strategy: the mechanics of concealed intention, formlessness, and the calculated use of superior position to shape the target’s behavior without triggering full resistance.
A hunter does not step into the clearing and announce himself. He wears the scent of the field, moves with the wind, waits in the tree stand for hours. The goal is proximity without alarm. The deer that senses nothing continues its pattern until the moment the arrow is already in flight. Corporate raiders operate on the same principle. They do not declare war on the culture they intend to absorb. They speak of synergy, of unlocking value, of shared future. The language itself is camouflage. By the time the target’s leadership understands the real mapping of power, the decisive votes and the key personnel decisions have already been made elsewhere.
If non-human intelligences have been present in our environment for a long time—and the pattern of sightings near nuclear and sensitive military sites across the released files is difficult to dismiss as random—then concealment is the rational posture of a competing form of life that does not yet wish open war or open dependence. Superior technology does not automatically translate into benevolence any more than superior capital in a takeover guarantees the survival of the acquired company’s original character. The strategic advantage lies in remaining unseen while shaping outcomes: extracting data, influencing behavior at the margins, keeping the target population stable enough to continue producing what the observer needs. A species that wanted only to eliminate us would have done so. A species that wants to study, harvest, steer, or occupy the same niche without triggering a unified human response has every reason to stay in the tree stand.
The recent disclosures actually reinforce this reading more than they contradict it. We are shown orbs that appear to coordinate, that launch smaller orbs, that exhibit flight profiles AARO cannot yet attribute to known platforms. We are told some cases remain unresolved even after multi-sensor correlation. We hear whistleblower testimony—from David Grusch and others—describing long-term programs involving recovered craft and non-human biologics, yet official releases still emphasize the lack of conclusive proof while simultaneously documenting phenomena that exceed current human capabilities. This is not full transparency. It is a calibrated release. It keeps the conversation alive, keeps researchers and the public engaged, and shields the deeper architecture behind these events. That is precisely how power that intends to remain dominant behaves when it does not yet need to reveal its full hand.
Greene’s work is popular in business circles because it maps these dynamics without moral overlay. Law after law describes the advantage of appearing formless, of never revealing the full extent of one’s resources or intentions, of using the target’s own momentum against it—the same principles scale. If an intelligence operates across dimensions or with technology that renders our sensors marginal, the same logic applies: stay close enough to observe and influence, far enough to avoid decisive confrontation, and never give the prey a clear target to rally against. The fascination many people feel toward UAPs—the drive to decode every new video, to attend every hearing, to interpret every ambiguous shape—can itself become part of the dynamic. The prey moves toward the predator’s position because the predator has made itself the most interesting thing in the environment.
I am not claiming these intelligences are cartoon villains. I am saying the default assumption that superior technology equals benevolent guardianship has no grounding in observable history or in the power dynamics we already understand at the human level. The same species that builds monuments and writes philosophy also builds weapons and perfects deception when advantage requires it. Why would we expect a competing life form to operate on more sentimental rules? The disclosures we have received so far—multiple batches of unresolved orb events, aviator encounters, and internal government debate—show advanced presence without showing open intent. That gap is not an accident of bureaucracy. It is consistent with the behavior of any actor who has already calculated the costs of full revelation.
Most people can’t do this. They learn the rules and stay prisoners to them al their lives.
The corrective lens is the same one that works in any competitive environment. Assume the other side is playing to win on its own terms. Map the actual flows of information and leverage rather than the stated narrative. Strengthen internal visibility so that critical dependencies—whether material, procedural, or perceptual—cannot be quietly depleted in the shop, which meant knowing who ordered the consumables and whether the schedule would starve the line. In the larger arena, it means refusing to treat every new release as either proof of salvation or proof of nothing. It means treating the pattern of concealment itself as data.
We have been given enough now to see that something is operating with capabilities we do not control and with intentions it has not chosen to declare. The hunter does not need our permission to remain in the stand. He only needs us to keep behaving as if the clearing is empty. The disclosures have made the clearing feel less empty, but they have not yet forced the figure in the tree to step forward. That fact alone tells us something about the nature of the game being played.
Footnotes
1. Personal observation from aerospace program management, 2026.
2. PURSUE Release documentation, Department of War, various tranches 2026.
3. AARO memorandum on Western U.S. “orbs launching orbs” event, June 2026.
4. Robert Greene, The 48 Laws of Power (1998) and The 33 Strategies of War (2006).
5. David Grusch congressional testimony and related whistleblower accounts, 2023–2026.
6. Historical analysis of corporate power dynamics drawn from Greene’s framework and observed industry practices.
7. Additional references to UAP case files are available via war.gov/UFO portal.
Bibliography
• Greene, Robert. The 48 Laws of Power. Viking, 1998.
• Greene, Robert. The 33 Strategies of War. Viking, 2006.
• U.S. Department of War / AARO. PURSUE UAP Release Tranches (May–July 2026). war.gov/UFO.
• Squier, Ephraim G., and Edwin H. Davis. Ancient Monuments of the Mississippi Valley. Smithsonian Contributions to Knowledge, 1848 (for context on Ohio earthworks like East Fork).
• Various journalistic summaries of Grusch testimony and PURSUE files, 2026.
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
I heard the news the other day about this Graham Platner loser dropping out of the Maine Senate race, and it struck me the same way it probably struck many people who watched his video statement. Here was a guy who had just won the Democratic primary in a big way, an oysterman and Marine veteran out of Sullivan, Maine, who beat the establishment favorite and raised something like sixteen million dollars in contributions for a race against Susan Collins. Then a former girlfriend comes forward with a story about him forcing himself on her back in 2021 while drunk, ignoring her repeated objections, and the whole thing unravels in a matter of days. He denies it outright, calls the claims false and not real, but still suspends operations and files the paperwork to withdraw before the July 13 deadline so the party can scramble for a replacement by the 27th. In his eleven-minute video, he says it is not an admission of guilt, that some will think it is, but it most certainly is not, and that they are stepping aside not because of the allegations but because those in power are taking away the structures and access. For the movement to continue, it cannot be him.
That surface reaction, the astonishment and the quick takes, does not get deep enough. What happened here is not just another politician caught in a mess of his own making. It is a window into something larger about how certain kinds of people rise in the current version of Democrat politics, especially the populist left strain that has been building since Bernie Sanders and now carries elements of what some are calling a blue MAGA or communist-adjacent energy. Platner fits a pattern that keeps showing up. Multiple ex-girlfriends have described intimidating behavior, one saying he twisted her arm and locked her in a bedroom until she calmed down, another recounting comments about raping intruders to show dominance, and still another alleging he removed protection without consent during sex. There was the chest tattoo, a Totenkopf that he first claimed he did not understand, just a skull and crossbones from a drunken night with Marines in Croatia in 2007, but ex-girlfriends say he knew exactly what it was, bragged about it as a reminder that the United States was the evil bad guy overseas, and called it his Totenkopf. Then came the old Reddit posts where he described himself as a communist, said all cops are bastards, and made other remarks disparaging women, rural White Americans, and various groups. He had also been sending sexually explicit texts to other women during a rough patch in his marriage, something his wife publicly defended while saying they had a great marriage overall.
When the latest allegation hit from Jenny Racicot, the pressure from national and state Democrats mounted fast, and endorsements started peeling away. The party machinery that had lifted him after Governor Janet Mills stepped aside suddenly found the strings being pulled. Platner framed it as the establishment taking away his ability to run, his access to funding, and the mechanisms of power, even though he had beaten their preferred candidate in the primary. It sounded like an admission that the machine believed the story or at least believed it would stick and cost them the seat. Susan Collins, for all the complaints about her being a RINO Republican at best, suddenly looked like the safer bet in a race that matters for Senate control. The whole episode felt familiar, like watching the same movie the Republican side lived through a decade ago, only now it is the Democrats’ turn and the characters coming forward to fill the populist void on their side carry different baggage.
I have been saying for a long time that the Tea Party movement was never really about pulling the Republican Party back to some Chamber of Commerce comfort zone. It was the start of something bigger: MAGA, a demand for individual accountability and pushback against the permanent class that had captured both parties. The RINOs like McConnell, Romney, and Kasich types resisted Trump because they saw the threat to their control. They got pushed to the margins or had to adapt. What we are watching now on the Democrat side is their version of that purification, except the energy they are riding is collectivist at its core. Bernie Sanders gave it shape, and now you see candidates who talk about Medicare for All, banning billionaires from buying elections, ending wars forever, and strong unions, but the people who step forward to lead that charge often bring personal conduct that would get them run out of a more individual-responsibility culture. Platner is not an outlier in that environment. He is a predictable product of it.
The warm blanket of collectivism is what draws these characters and protects them for a while. When you tell people that the individual does not matter as much as the group, that judgment on personal behavior is bourgeois or oppressive, or whatever the current phrase is, you create space for someone with a Nazi tattoo, a history of rough treatment of women, and a trail of denied allegations to present himself as the champion of the working class. The cause becomes the excuse. Personal integrity gets subordinated to participation in the movement. If you are out there advocating for the collective good, for the masses against the oligarchs, then who cares if your private life shows a pattern of dominance, non-consent, or simple low character? The ideology says do not judge the individual; judge him by his alignment with the larger project. That is why you keep seeing the same types of behavior surface. They find a home where their dysfunction does not trigger the same social cost it would elsewhere.
I have watched enough of this over the years to know that sexual conduct is one of the clearest windows into character. People who live for self-pleasure, who chase validation without scrutiny, who treat others as means to an end, often gravitate toward environments that promise no judgment. Liberal politics has been that environment for decades for a certain kind of man. It is not that every liberal man is like this, but the ones who are find it easier to operate there. The women who get drawn in, the ones who are insecure and looking for collective cover, often end up in situations they later regret. They talk about wanting a strong, dominant presence, but they do not look for it on the side that might actually hold them accountable or demand standards. They stay inside the circle where the bad behavior can be reframed as a moment of weakness, or the fault of the system, or something the collective will forgive because the higher cause matters more. You see it in the wine-tasting crowds, the middle-aged women who start hitting on everyone once the drinks flow, the husbands standing off to the side, embarrassed, while their wives seek validation in a group setting. It is the same impulse that makes collectivism attractive to people who do not want their personal record examined too closely. Four or five abortions, repeated cheating, substance issues, whatever the story is, the group provides the blanket. Do not judge me for my individual choices; judge me for my participation in empowering the masses.
That is the danger with someone like Platner. On the surface, he looked like a fresh face, a veteran oysterman who could connect with working people in a state facing real economic pressures. Underneath was the same pattern that had shown up with other figures on that side of the aisle in recent years. The party did not know what to do when the stories kept coming, so they did what machines do: they pulled the plug once it became clear he could no longer win or raise money effectively. Platner’s response was to blame the structures rather than own the conduct that had turned the structures against him. That is also classic. It is never the individual’s fault in a collectivist frame. It is the machine, the establishment, the powers that be who are threatened by the movement.
The Republican side went through its own version of this a decade ago and is still sorting some of it. The difference is that the underlying philosophy on that side, even when imperfectly practiced, still holds room for individual responsibility and personal conduct as legitimate standards. Trump himself came out of a Playboy background in the eighties and nineties, lived that life openly, and the people who supported him later knew what they were getting. Melania came out of that same world, and they built something that has lasted. He did not hide behind a collective excuse when things got hard. He used his brand and his willingness to fight the permanent class to deliver on borders, energy, judges, and pushing back against the administrative state. The voters who backed him were not endorsing the 1990s lifestyle; they were endorsing the man who would impose limits on government power and restore some sense of sovereignty. That is why the purification worked on the right. It was messy, and it took years, but it produced a filter that still operates. People who cannot meet a basic standard of personal integrity or who treat politics as cover for their own appetites get exposed and sidelined eventually.
On the Democratic side, the filter is currently weaker because the ideology itself discourages individual judgment. The populist energy they are trying to harness is being filled by characters who would have been laughed out of a serious movement on the other side. You are going to see more Graham Platners before this cycle finishes. They will keep coming forward because the environment rewards the ability to perform the collectivist script, while their personal lives stay hidden or are excused. The more they double down on that direction, the more the low-character actors will find it a comfortable place to operate. Republicans already paid the price and did the work of cleaning house. Democrats are just starting their version, and it looks like it is going to be uglier because the philosophy they are embracing provides better cover for dysfunction.
That is why some of the dumbest outcomes in politics keep happening. People who would never tolerate certain behavior in their own families or businesses will defend it or excuse it when it comes from someone aligned with their political tribe. They will vote for policies that demonstrably harm the vulnerable, erode family formation, import incompatible cultures, and centralize power in unaccountable bureaucracies, all while insisting it is compassion or progress. On the surface, it looks like ideology run amok. Deeper, it looks like influence is amplifying the parts of human nature that are already broken.
Platner’s short rise and fall is just one more data point in that larger story. A man with a documented pattern of behavior that should have disqualified him from any position of trust found a lane in the current Democrat populist moment because the ideology provided cover and the machine needed a fresh face who could raise money and excite the base. When the cover began to fail, the machine cut him loose, and he blamed it. The cycle will repeat with the next candidate who can perform the script while carrying similar baggage. On the other side, the work of insisting on personal conduct and individual responsibility continues, however imperfectly. That insistence is not just political hygiene. It is resistance to the older pattern that wants humanity to dissolve responsibility into collectives so the real influences can operate without resistance.
Footnotes
1. National Review and multiple outlets reported Platner’s formal withdrawal letter and video statement on or around July 8–10, 2026, including his phrasing that the structures were being taken away and that it was not an admission of guilt.
2. Politico, CNN, and Washington Post reporting on Jenny Racicot’s allegations of forced sex in 2021, including details of the incident and her decision to come forward after Platner’s public denials of abusive behavior.
3. New York Times reporting on multiple ex-girlfriends describing physical intimidation, locked rooms, and other conduct, including Lyndsey Fifield’s accounts from 2013–2015.
4. New York Post and other reporting on the Totenkopf tattoo, ex-girlfriends stating Platner knew its meaning and used it as a reminder that the U.S. was the “evil bad guy overseas,” and his initial public claim that he did not understand the symbol.
5. Reporting on deleted Reddit posts from 2009–2021 in which Platner described himself as a communist and made various disparaging remarks; also coverage of sexually explicit texts sent during marital difficulties and the wife’s public defense.
6. Campaign finance totals and primary results showing Platner’s strong performance after Mills suspended her campaign and his subsequent withdrawal before the July 13, 2026 ballot deadline, with the Maine Democratic Party given until July 27 to name a replacement.
Bibliography for Further Reading
• The Book of Enoch, translated editions with commentary on the watchers, giants, and pre-flood rebellion.
• The Bible, particularly Genesis 6, Daniel on principalities and powers, Ephesians 6 on spiritual warfare, and Revelation on the ongoing conflict.
• Dead Sea Scrolls materials and related scholarship on Second Temple period views of heavenly politics and fallen entities.
• My own forthcoming book, The Politics of Heaven, explores these threads through history and current events.
• The Gunfighter’s Guide to Business and its developing sequel, which apply lessons of individual will, resilience, and integrity to institutional and political environments.
• Tail of the Dragon and The Symposium of Justice for narrative treatments of personal conduct, justice, and hidden power structures.
• Standard works on UFO disclosure and non-human intelligence, including historical government documents and researcher compilations on reported entity types and their interactions with human systems.
• Histories of the Tea Party movement and its evolution into broader populist realignments on the right, with attention to the internal purification process.
• Accounts of Bernie Sanders’ influence and the subsequent development of progressive populist currents on the
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
I have watched this story unfold with a mixture of anger, sadness, and that familiar sinking feeling that comes when you realize the system is working exactly as designed—not for the kids, but for the adults who feed off the perpetual motion machine of public money and institutional self-preservation. A mother filed a federal lawsuit on July 1, 2026, alleging that a Lakota Local Schools teacher groomed and sexually abused her daughter over roughly three years, starting when the girl was 13 years old in seventh grade at Liberty Junior School.
According to the detailed complaint, the teacher—identified in court documents as Ronald Henrich—did not even teach the girl in any of her classes. He welcomed her into his classroom during study hall periods, showed her “special attention,” and began building a relationship. Messages started on the district’s own Remind app. The student confided personal struggles, including mental health issues. The communications continued and escalated even after the mother tried to set boundaries. By ninth grade, the meetings moved to a closed-door “mindfulness room” for Friday lunches. Communications shifted to district email and Google Docs when access to Remind was curtailed. In March 2025, the mother discovered the teacher actively typing “extremely sexually graphic content” into a shared Canva document with her daughter. She recorded it. She called the Butler County Sheriff’s Office.
The district’s response, according to the lawsuit, was to promise administrative leave and restricted access to technology, then quietly allow the teacher to take Family and Medical Leave Act leave instead. Less than two weeks after the explicit messages surfaced—and while investigations by the district, sheriff, and children’s services were still open—the district approved his retirement. No public discipline. No immediate report to the Ohio Department of Education, as many parents would expect. The teacher walked away with his pension and benefits intact while the family was left to pick up the pieces.
The superintendent, Ashley Whitely, issued the standard institutional denial: the district “denies all allegations” and claims student safety is its top priority. Meanwhile, the mother’s lawsuit also details earlier reports she made that went unaddressed, repeated class pull-outs without parental notification, and even troubling lapses in how the school nurse handled the student’s medication—stockpiling Tylenol that contributed to a suicide attempt and failing to manage anxiety medication on a trip properly. These are not small administrative hiccups. They paint a picture of a system that had multiple opportunities to intervene and chose not to.
Then there is the part that really bothers me. According to people who have followed the internal handling, the HR director—Jeff Rouff—essentially shrugged and said something to the effect that the age of consent in Ohio is 16, so what’s the big deal? Two consenting adults. Nothing illegal happened. That line of thinking is exactly why these situations metastasize. It ignores the entire grooming process that began at 13, when the girl was under the care and authority of this adult in a position of power inside a public school building. It ignores the use of school-issued devices and district apps to conduct the relationship. It ignores the closed doors, the missed classes, the emotional manipulation of a vulnerable child who had already suffered prior sexual abuse. Age of consent statutes were never intended to give cover to adults in positions of trust who spend years cultivating access to minors. That is not a gray area. That is the precise reason we have laws and professional conduct codes for educators in the first place.
I heard about problems surrounding this teacher roughly a year before the lawsuit dropped. Other parents and observers had been talking. The circle had already started to form. When the story finally broke across local media—Channel 5, Local 12, FOX 19—the superintendent’s immediate public move was not a somber address about accountability and root-cause fixes. It was a cheerleading video hyping the fall, talking about hiring dozens more staff members, rolling out a corporate “roadmap” with “stakeholders,” and reminding everyone to keep supporting public schools. The timing felt deliberate. Distract. Reassure the taxpayers who write the checks. Keep the money flowing.
That is the game I have been describing for years. Lakota, like many large suburban districts, is constantly in or approaching levy mode. The narrative must be controlled: we are great, we are improving, we need a little more of your property tax money to keep doing the wonderful things we do. Bad stories—especially stories that suggest adults in the building are preying on children and that leadership circled the wagons—threaten that narrative. So the wagons circle. The teacher retires quietly. HR offers the age-of-consent talking point. The superintendent films the upbeat video. The teachers’ union, which exists in large part to protect its members from consequences, stays largely silent or issues the usual generic statements about due process. And the machine keeps turning.
This is not an isolated incident. The lawsuit itself references a pattern of other cases involving Lakota employees over the years—some that resulted in convictions or license revocations, others that were handled with quiet exits. Former board member Darbi Boddy, who has remained a vocal parent advocate even after her time on the board ended, issued a clear public statement criticizing the handling of this situation. Good for her. We need more people willing to say the obvious out loud rather than hide behind “stakeholder engagement” jargon.
What troubles me most is how predictable the protection response has become. When something like this surfaces, the institution’s first instinct is not “How do we make sure this never happens again and how do we support the victim?” It is “How do we contain the damage to our brand and our funding pipeline?” The HR director’s reported comment about 16 being legal is a perfect example of that mindset. It treats the endpoint—the moment the child turned 16—as the only thing that matters, while erasing the years of grooming and boundary erosion that got her there. It treats a minor student in a teacher’s care as just another “consenting adult” the second the calendar flips. That is not how any responsible adult in education should think. It is how an institution thinks when its primary loyalty is to itself and the revenue stream that sustains it.
Public education in its current monopolistic, union-protected, tax-funded form has structural problems that make these failures almost inevitable. When you combine compulsory attendance, massive budgets, powerful collective bargaining agreements that make firing even grossly negligent employees difficult and expensive, and a culture that treats any criticism as an attack on “the children” or “public education itself,” you create exactly the conditions for cover-ups. The money keeps coming in as long as the bad stories stay buried or get spun. Parents who raise concerns are dismissed as “haters” or people with “unrealistically high moral standards.” Meanwhile, the actual standard on the ground—don’t have sex with kids in the classroom or via school devices, don’t groom them for years, don’t let it slide when a parent reports it—somehow becomes negotiable the moment it threatens the budget or the reputation.
I am not saying every teacher is doing this. The vast majority are not. But the ones who are counting on the system’s reluctance to act decisively. They count on the HR director who will find the legal technicality to keep them safe from judgment. They count on the superintendent who will film the upbeat video instead of cleaning house. They count on the union that will fight to the last dollar of taxpayer money to protect a member who should never have been in a classroom with minors. And they count on enough parents staying disengaged or intimidated for the story to fade before real accountability arrives.
The mother in this case did what too few parents feel empowered to do: she documented, she reported, she refused to let it disappear. Her lawsuit is now public. The allegations are serious and detailed. Whether every claim is ultimately proven in court is for the legal process to decide. But the pattern of institutional response—quiet exit, legal denials, distraction videos, and the age-of-consent shrug—is already on display for anyone willing to look. That pattern should alarm every parent in Lakota and in any district that operates the same way.
How many other kids right now are in unhealthy dynamics with adults who hold power over their grades, their schedules, their daily lives inside these buildings? How many school-issued devices are carrying messages that would make any decent parent’s blood run cold if they saw them? How many times has a concerned parent been told some version of “nothing to see here, move along, and please vote yes on the next levy”? I would be willing to bet the number is higher than any of us want to admit. This case only became a story because one mother refused to be quiet. The rest stay invisible because the system is optimized for exactly that outcome.
We keep being told that more money, more staff, more programs, and more “roadmaps” will fix what ails public education. I have watched this play out locally for years. The money keeps increasing. The problems—academic stagnation in too many areas, cultural capture, and now these horrifying failures of basic child protection—persist or worsen. At some point, parents have to ask whether the institution itself is the problem, not the lack of funding. When the first instinct of leadership is to protect the adult and the budget rather than the child, the social contract has already been broken.
I have said it before, and I will keep saying it: these schools should not be connected to public dollars through collective bargaining agreements that shield misconduct this way. The current model creates perverse incentives. It rewards circling the wagons. It punishes transparency. And the kids pay the price—sometimes in ways that can never be fully repaired.
If you are a parent in Lakota or anywhere else, pay attention to what is happening here. Read the lawsuit. Watch what the district actually does versus what it says in the carefully produced videos. Talk to your kids. Monitor the devices. Show up at meetings. Ask the uncomfortable questions. And recognize that the people telling you everything is fine and you need to keep writing bigger checks may have priorities that do not align with protecting your child.
This story is not going away. The mother made sure of that by filing in federal court. Good. Sunlight is still the best disinfectant, even when the institution would prefer the lights stay off.
Footnotes
1. Details of the federal lawsuit filed July 1, 2026, in the U.S. District Court for the Southern District of Ohio, as reported in contemporaneous coverage by the Cincinnati Enquirer and Journal-News.
2. Allegations regarding the timeline, use of the Remind app, Canva document, mindfulness room meetings, and district response drawn from the complaint were summarized in multiple local outlets.
3. District statement denying allegations and emphasizing student safety priorities, reported across local media following the lawsuit filing.
4. References to prior incidents and pattern allegations contained within the 2026 lawsuit filings and prior local reporting on other Lakota employee cases.
5. Ohio age of consent is 16; however, professional conduct codes for educators and laws regarding persons in positions of authority create additional prohibitions on sexual conduct with students that do not turn solely on the general age of consent.
Bibliography for Further Reading
• Cincinnati Enquirer, “Parent says Lakota teacher groomed and abused her daughter,” July 8, 2026.
• Journal-News, “Lawsuit: Lakota teacher ‘groomed and sexually abused’ a student and was allowed to take medical leave, retire,” July 7, 2026 (updated July 9).
• FOX19 / Local 12 coverage of the July 2026 lawsuit and related statements.
• Ohio Department of Education professional conduct standards for educators (ongoing reference for context on boundaries and reporting obligations).
• General resources on educator sexual misconduct patterns: U.S. Department of Education reports and studies on employee misconduct in K-12 settings (searchable via ED.gov).
• Local coverage of prior Lakota cases involving Justin Dennis and others referenced in the 2026 lawsuit for pattern context.
• Darbi Boddy’s public statements and commentary on Lakota issues (available via local media archives and her public channels).
• Ohio Revised Code sections on sexual battery, unlawful sexual conduct with a minor, and school employee reporting requirements.
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
The Fourth of July 2026 hit different this year, especially as the nation leaned into the spirit of the 250th-anniversary celebrations and all the ceremonies marking two and a half centuries since that bold declaration in Philadelphia. It felt pretty, pretty, pretty cool—pretty good, really—to see people embracing the moment with genuine enthusiasm, more than I’ve sensed in years. The Trump administration put real energy behind it, and it showed. Out here in Liberty Township, Butler County, Ohio, the whole valley came alive in a way that reminded me why this ground matters. I stepped out of my driveway late into the night, and the fireworks kept rolling until midnight, echoing from Trenton, Fairfield, Hamilton, and everywhere in between. Living on this elevated piece of property overlooking the Great Miami River valley gives you a front-row seat to it all. If you’ve ever been over, you understand the geography—the way the land rises high and commanding, the river snaking below through Middletown, Trenton, and Hamilton. It’s the same high ground that made the Voice of America broadcast site so strategically vital back in the day, right over in Mason. My kids went to the museum for the Fourth and came back buzzing about it, sharing pictures of the Crossley innovations, those three massive towers that once beamed American ideals and resolve across the world.
I grew up looking out my window at those towers. The silver structures are gone now, but the concrete pylons and foundations remain, silent sentinels of a time when America projected strength and clarity without apology. I explained it to the grandkids and my daughters that evening after the fireworks: this high ground wasn’t random. The Great Miami River valley, with its elevated ridges running from Liberty Township all the way over toward Mason, offered natural advantages—commanding views, defensibility, and that clear line of sight and signal propagation that made the Voice of America a high-priority target for adversaries like the Soviets during the Cold War. Evendale and other key industrial sites were on the lists too, but the broadcasting power here symbolized something deeper: the projection of Americanism, individual liberty, capitalism, and self-reliance to a world that needed to hear them. Standing there with the family as fireworks lit the sky, thousands upon thousands popping off every second and ricocheting off the hillsides, I felt that same spirit alive in 2026. People were spending their own money, blowing things up in celebration of rebellion and independence. It was loud, chaotic, joyful—exactly the kind of unscripted gusto that built this country.
My wife and I soaked it in with the grandkids. We had an epic family day: picking up fireworks, setting them off on the property, swimming late into the warm night while the valley below erupted in color and sound. The geology here adds to the magic—the river carving through the valley floor, hills rising on either side like ancient guardians, with earthwork structures and mounds reminding us of deep human history on this land long before the founding. One hillside across the way mirrors the kind of elevated features you see near Miamisburg. It’s high ground that has always mattered, whether for broadcasting freedom or simply giving families like ours a vantage point to watch communities celebrate. I told the kids, as everyone headed out around eleven, that I wish more people fought for ideas and principles with the same energy they put into lighting up the sky. The Trump administration did a solid job of coordinating national ceremonies, and it was great to see Mount Rushmore back in the mix after years of diminished patriotism under previous leadership.
I’ve said it before, and I’ll say it again: there’s hardly a more patriotic place on earth than Mount Rushmore. I love Washington, D.C.—the cleaned-up streets, the Library of Congress, the Supreme Court, Capitol Hill, the White House grounds we’ve walked recently. The intent behind the founding documents still resonates there if you listen closely. But nothing matches standing at the base of those carved faces with flags waving along the avenue of flags, the bookstore full of real history, the sense of scale and permanence. Back in 2020, after watching the Trump fireworks display at Mount Rushmore on TV, I was so inspired that my wife and I packed up the campers with the family the next year and headed west. We hit Deadwood, Devils Tower, and, of course, Mount Rushmore itself. Buffaloes came right up to the car—wild, majestic, a perfect backdrop. That trip stayed with me: the open road, teaching the grandkids resilience and wonder, standing where giants of American history stare out across the Black Hills. The Biden years canceled that patriotic spark at the site, which always struck me as telling. They didn’t want the visual of fireworks honoring the founders on that sacred ground. Seeing it revived in 2026 felt like a correction, a return to celebrating what makes us exceptional rather than apologizing for it.
The local celebrations grounded all that national energy in something real and immediate. My daughter participated in the community parade, and she came back with sharp observations. The Republicans led it strongly, but she was surprised by how many Democrats showed up further back. I told her that’s how it works—they’re there, even in Butler County. About thirty to forty percent in many areas, often quiet until they sense weakness. They move in from coasts and high-tax states, bringing ideas that erode self-reliance, and they play the long game: friendly on the surface, organizing in schools, unions, and local offices. Law teachers, public employees, transplants—they blend in at Walmart but push collective priorities when it counts. I explained it to her plainly: they know they’re a minority on core issues, so they infiltrate, stay polite to your face, and wait for Republicans to nap on turnout and vigilance. West Chester Township has seen shifts for exactly those reasons. Don’t underestimate them. My daughter was a bit taken aback, but it’s reality. The enemy isn’t always overseas; some are neighbors who reject the founding premise of individual initiative and ordered liberty.
That evening, as we swam in the pool and wrapped up the family dinner, I kept the radio on WLW in the garage—part of the old Voice of America legacy complex. They played clips of past Fourth of July speeches: presidents from different eras celebrating the republic. It was striking to hear the contrast. Obama’s “you didn’t build that” collectivism, the emphasis on “we” over “I,” the downplaying of individual heroes in favor of consensus circles and government-guided outcomes. Bush had his moments, but the through-line in some Democratic rhetoric leaned toward collective pronouncements that castigate personal achievement. Compare that to the Americanism that built the Voice of America towers I grew up seeing—broadcasting individual rights, capitalism, and innovation to counter tyranny. I’ve always approached business and life the same way: find the best and brightest, give them room to rise through merit, reward contribution without penalizing success. That’s what creates upper mobility. Socialism and heavy collectivism punish the very drive that lifts everyone. The grandkids listened as I connected the dots among the fireworks, the high-ground history, and the ongoing fight for ideas.
A recent encounter drove this home powerfully. A couple of weeks before the Fourth, a high-level executive—a substantial Democratic donor who had given over a million to the Hillary and Biden campaigns—flew into Cincinnati on his private jet, hired a car, and came straight to my office. He wanted me to sign copies of The Gunfighter’s Guide to Business. He’d bought hundreds to distribute to his employees as a gift, complete with a big warehouse event using a Skyjack lift for the presentation. This guy had despised my views for years, thought I was extreme, especially on Trump. But after Trump’s return and watching how events unfolded, he revisited my writings and videos. He admitted I’d been ahead on many business and cultural issues. He respected the track record enough to fly across the country for a twenty-minute conversation, shake my hand, and get the books signed personally. We talked politics openly—he knew my strong views, and I knew his past support. No fighting, just honest exchange. He even mentioned considering Vivek Ramaswamy for governor and the need to clean up election integrity issues in places like California to let real leaders rise. I told him ideas matter more than parties; convert through clarity, not confrontation. He left impressed, and I later grabbed dinner at Jag’s—celebrating a small win in the battle of minds with a great meal.
That story isn’t isolated. Plenty of former skeptics are reassessing after seeing results. My daughter asked about next year’s parade—maybe a family float with her Jeep, the grandkids, and yes, bullwhips cracking to symbolize discipline and precision. The youngest grandson already wants in. I’m on a time crunch these days with writing, business, and the manuscript for The Politics of Heaven, but we’ll make it happen. Parades, fireworks, family gatherings—they’re more than fun. They’re reminders of the rebellion we celebrate and the vigilance required to defend it. Enemies within—those pushing socialism, eroding self-initiation, favoring collective penalties over individual reward—operate in the background, polite at the neighborhood level while undermining capitalism. The fireworks show the spirit is still there; now we channel that gusto into winning minds, just as the Voice of America once projected truth globally from this very high ground.
The geology and history here reinforce it all. The Great Miami River valley, with its elevated townships and ancient mounds, has hosted human striving for millennia. The Voice of America site leveraged that topography to broadcast freedom. Today, from my driveway, watching fireworks echo across the same ridges, I see continuity: people choosing to celebrate independence loudly, despite internal challenges. The 250th-anniversary push, Mount Rushmore revival, national ceremonies—it all points to renewal. I’ve traveled enough—Gettysburg, Space Coast, D.C.—to know America’s symbols retain power when defended. My wife and I keep building those memories with the grandkids: rockets, parades, history lessons, fireworks on the hill. It’s a privilege and a responsibility. As I told the family that night, match the fireworks energy with idea-fighting. Convert where possible, stand firm always. That Democrat donor, crossing the country for a signature, showed that ideas can bridge divides when lived authentically. Here on the high ground, overlooking the valley where the river snakes and communities light up the sky, it feels like the fight for the American idea remains winnable—one conversation, one celebration, one broadcast of truth at a time.
Expanding outward, the broader 2026 Fourth carried that same resonance nationally. With the 250th anniversary momentum, communities from coast to coast reflected on founding principles amid modern pressures. In Ohio, local parades and fireworks displays underscored resilience after years of division. The Trump administration’s emphasis on patriotism—reviving Mount Rushmore events, coordinating ceremonies—contrasted sharply with prior diminishment. I remember the inspiration from 2020 vividly; it wasn’t just spectacle. It prompted real family action: the cross-country camper trip, teaching grandkids about self-reliance amid buffalo herds and carved mountains. Canceling such displays later felt like rejecting the founding rebellion itself. Fireworks embody that: loud, bright, unapologetic declarations against tyranny.
Locally, the high ground advantage isn’t lost on me. Living elevated above the Great Miami, with Trenton and Hamilton below, mirrors strategic history. The Voice of America towers—Crossley’s engineering marvels—broadcast from similar terrain, making the site a priority target. Soviets and others recognized its power in projecting American exceptionalism. Today, those foundations remain, a reminder that ideas travel far from strong ground. Explaining this to the kids after the museum visit tied the past to the present: we stand on land that amplified liberty. The river valley amplifies sound too—fireworks ricocheting for miles, thousands detonating in celebration. It was auditory proof of widespread participation, people investing personally in joy and memory-making. My grandkids’ eyes lit up; the youngest already planning next year’s parade role. These shared experiences build the next generation of defenders.
Politically, my daughter’s insights from the parade were instructive. Front-loaded Republicans, Democrats further back—visible yet strategic. Transplants from California and New England bring habits and assumptions that shift trustee balances, as in West Chester. They operate politely, infiltrating schools and unions, waiting for lapses in vigilance. I’ve seen it for decades: don’t nap, or offices flip. In many locales, about 30-40% reject core capitalism—individual reward for contribution—in favor of collective leveling that punishes success. Fireworks enthusiasts likely include many such neighbors, enjoying the spectacle while quietly supporting policies that erode its foundations. The lesson: engage ideas relentlessly.
The donor story exemplifies it. A powerful California executive in the space economy, longtime Hillary/Biden backer, flew in specifically for my signature on The Gunfighter’s Guide. He’d distributed hundreds to employees as he planned a major event. Once hostile, he credited Trump’s return and my consistent track record for prompting reevaluation. We spoke candidly—no shouting, just clarity. He acknowledged that election integrity needs in blue states are a requirement for leaders like Ramaswamy or Hilton to succeed. I offered no conversion pressure, just principles: merit, self-initiation, rewarding contribution. He left motivated, and I enjoyed Jag’s later, reflecting on small victories in the marketplace of ideas. Such encounters affirm the approach—live boldly, engage honestly, let results persuade.
Tying it together, 2026’s Fourth blended local joy with national renewal. From valley fireworks echoing off ancient high ground once used for global broadcasts to family parades and personal redemptions, it reaffirmed America’s enduring appeal. Enemies within push collectivism; we counter with lived individualism and vigilant celebration. My wife and I prioritize these traditions—rockets with grandkids, history lessons, unashamed patriotism—because they forge resilience. As the towers once did, we project strength from elevated places, literal and philosophical. The fight continues: match fireworks energy with idea warfare. Convert neighbors through clarity. Celebrate rebellion daily. This high ground, this valley, this family—this is where America renews.
Footnotes
1. Local geography and Voice of America history, Butler County/Mason area.
2. 2020 Mount Rushmore event and family trip reflections.
3. Observations on parade dynamics and local political realities.
4. Account of executive donor meeting and book distribution.
5. Broader 250th anniversary context and national ceremonies.
6. Great Miami River valley geology and historical significance.
Bibliography for Further Reading
• Crossley Broadcasting and Voice of America archives (historical engineering and Cold War context).
• The Gunfighter’s Guide to Business (personal reflections on merit and leadership).
• Ohio Historical Society materials on the Great Miami River and ancient earthworks.
• Public reports on 2026 Fourth of July national events and Mount Rushmore programming.
• Personal travel accounts from Black Hills region (Mount Rushmore, Devils Tower).
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
I was at a party the other night, and I know well enough how these things unfold when the stakes are this high, and the future of a state like Ohio hangs in the balance. This is a big race, the governor’s race in Ohio, and I’m pulling forward with confidence for Vivek Ramaswamy. Let me chronicle my relationship with him over the years, going all the way back to when he published his book Woke, Inc., and I was right there at the launch party. I feel confident he’s gonna be a good governor. I’ll say that outright, because I’ve seen the man up close, interacted with him personally multiple times, and watched him evolve from a sharp CEO building something real in biotech to an author laying bare the corporate scams, to a political figure stepping up to carry the Trump agenda right here in our home state.
It started years ago with that book launch. Woke, Inc. hit like a hammer back in 2021, exposing how corporate America had been captured by this social justice racket that had nothing to do with actual business success and everything to do with virtue-signaling control. I was at the launch party, and you could feel the energy in the room—people who had been grinding in the real economy, tired of the nonsense, recognizing that here was a guy who got it. Vivek wasn’t some polished politician reading from a script; he was a builder who had turned bold ideas into results at Roivant Sciences and elsewhere. We talked that night, and it struck me even then that this was a man who understood the game at a deeper level. He saw how the woke ideology was a Trojan horse for power, eroding the merit-based culture that actually creates wealth and opportunity. I respected that. Over the years, our paths crossed again—conversations here and there, watching him launch his presidential bid, seeing how he handled the fire from all sides. He went from CEO to author to candidate, and through it all, he stayed consistent: America First, economic mobility, rejecting the victimhood industrial complex. Now he’s running for governor of Ohio, and I was there when he launched that campaign too. The man is the real deal, and I’ve got no hesitation saying it because I’ve watched him impose his will on circumstances time and again, just like the Overman philosophy demands.
I’m confident he’ll be a good governor because he gets what Ohio needs right now—jobs, opportunity, lower costs, bigger paychecks, and a rejection of the socialist rot that’s trying to creep in under the door. The Democrats have given David Pepper and Mark Elias the keys to watch the lawyer shop, and they’re all wrapped up in this campaign trying to manufacture a close race. You can tell where it’s going. I’ve seen the internals. She’s definitely sucking air. Amy Acton is the socialist candidate, the lockdown lady herself, and David Pepper knows it. You can see it in the way he’s even putting posts up these days—you can tell what their concerns are. Mark Elias, of course, knows that Democrats can’t win straight up on ideas in this country anymore, not with the socialist, Marxist, communist movement they’ve embraced. That’s why they fight so hard to keep loose election laws, mail-in ballots, ballot harvesting, and all the other backdoors—because the Democrat Party as it stands isn’t popular in the United States. But there’s a hardcore of that movement here in Ohio, and they would love to slip Amy Acton in under the door. She could see from the way David puts up those posts that it’s all about attacking Vivek. Ramaswamy is bad because he’s a billionaire; he’s very wealthy. Acting good because she’s like them, I’ve described what liberty is all about. They might be supporting Trump these days because they’re starting to learn some of the things I’ve been saying for years, but the core is still the same old game.
The labor movement started with good things—the five-day work week, eight-hour days, basic safety. That’s great. You don’t want to work people to death. But a lot of things came out of labor that were ostentatiously communist in their roots, and that’s what the people running companies essentially face now. It’s popular culture all the time, and when you get to the big mean olive—the big manager—when the people rise to overthrow them, that’s the script playing out. I’ve seen a bunch of criticism that Trump made $2 billion last year, and that somehow the president—wait, the candidate—is supposed to open up his veins and give his blood now. I’ve spent, and I will continue to spend, a lot of time on that concentration. Many of my readers know I’ve spent years digging into the biblical culture of sacrifice, North American Indian mounds, and indigenous peoples. I was looking at a copy of something on Cahokia years ago—I wrote a piece about that place and the sacrifices that went on there. Human sacrifice in those mound-builder cultures, ritual killings to appease forces beyond the terrestrial. It’s taboo in the archaeology world to talk about it straight, but I’ve spent a lot of time on these things because the new political movement needs to understand why human beings are inclined to sacrifice to forces beyond their existence. In my book, The Politics of Heaven, I’m not trying to beat everybody over the head with it, but you won’t understand the nature of sacrifice unless you look at it both historically and spiritually. It’s not the same as the good. President Trump is good because he knows how economies work, how money moves. He’s written a lot of great books well before he was president. There’s a little show called The Apprentice where a lot of what he’s doing in office he already demonstrated—making deals, imposing will, creating value. People who were trying to be successful in life learned a lot from that. That’s why he became president. Did everybody expect President Trump to make $2 billion while in office? No, he wasn’t supposed to make any money off the presidency. He gives back his entire salary, or most of it anyway. He makes his money off businesses he laid out well before he was ever president. All these communist types out there who want equality of outcome, who want to make money without working, who push work-from-home policies that erode culture—they’re the ones attacking. Amy Acton came out swinging, trying to put her brand on it, reminding everybody that she’s the communist in this race. She’s the mom of Ohio, and they want to turn Ohio into something they’ve already done in California and are trying in Texas. That’s the game. You’re playing it. Vivek Ramaswamy is the capitalist, the one out there trying to create jobs and economic mobility for people. I can say that because I’ve interacted with him many times personally, and I was there when he launched his campaign. He went from a CEO to an author to a political figure before he ran for president, and he represents the Trump agenda here in Ohio as a potential governor.
I’m very portable on this, but the attack against him—that he’s rich and you can’t trust him—was the same kind of union can’t-trust-the-man, the evil manager. It’s all about the movement taking control of production. The people I’ve seen in corporate culture- almost every corporate culture out there- it’s all about the people, and they’re gonna take you through the whole company to see how it goes. As far as it goes with me, I’ve seen that many times, and I do my own thing when I run into those situations. It doesn’t take very long for the big fixer in me to step in and fix it. That’s the standard thing in a career where people get themselves into trouble and say, “Please fix it.” A lot of people are asking me to fix their stuff now, and I’m reluctant because I’m kind of on this other thing. I actually want to deal with the reason why politics like this happens—the act of David Pepper, why there are people who will vote for them who basically say the rich must sacrifice what they do to the poor. In Christianity, too, I have a major problem with that twist. I think I’ll be in the same paragraph when I say Christianity is the greatest invention humanity ever came up with—an invention, a movement that came and brought grace, civilization, and flourishing to the world. But also, even though this sounds wild to some, there’s a political movement that circulated through secret societies to all the governments of the world to move most of the world. You don’t have to listen to me telling you about the sun. Don’t put sunscreen on the beach all day, or you’re gonna get sunburned. I got a nice tan. I’m not gonna wear that blocker because it causes cancer. I just told you about it. I’m going over here; I’m gonna drink a pop, grab a bag of chips, and enjoy watching the day. I’m gonna do what I’m gonna do. You do you. When it blows up in your face, don’t expect me to jump through hoops to fix you. Same here with Amy. I think it’s gonna be easily the Paul Eternals—you can tell where David Pepper’s mind is. The one running for vice governor or lieutenant governor with Acton used to be charged with the DNC in Ohio and big-time Washington politics. The Democrat Party, Mark Elias is heavily involved as an active member. She’s the lockdown lady. She told you to shut down your business, socially distance, and care if you lost money. I appreciate being able to talk about some of these things, but yeah, it’s very smart high-level people who invite me on some of those conference calls during COVID. So I heard Amy Acton, Governor DeWine, John Husted—I know John certainly well enough. Bro, Mark makes communist points because John has consistently been pro-business. To talk on a conference call and see amusement—Six Flags, amusement parks—needed revenue, revenue. Conference calls with them, the governor, Acton, John Husted, and many very powerful legislators. I appreciate that they trusted me enough to say, “Once you listen to the garbage we’re always dealing with.” Okay, okay, I’d like to know rather than you tell me. I gotta find out myself. So I get invited to all these things. When I heard it with my own ears in early 2021, let me tell you about the amusement. Davis’s promise is evil because he’s rich, or he took his money management, which is against BlackRock. You know BlackRock poured money into the Democrats; it’s a huge Democrat one. But he wanted to be in politics. He’s kind of disappointed that he’s one of the richest people in the world and that he runs the world’s largest money manager, BlackRock. I will tell you, I’ve said the Lord easy money lay it out—the Fed made BlackRock. BlackRock created the need for a bailout and a fall guy, and it worked out for him. And Larry Fink turned out to be the benefactor who now runs their Aladdin computer to manage investments and everything. Go back to investing. You don’t make money; everybody goes to a job 9-5. You make money by investing and taking chances. President Trump made $2 billion in investments, and he just threw his money into an investment account. They go and do it. Stride management does that. It competed against Larry Fink’s BlackRock. And they know that when Vivek moved to Texas, it was because Texas had better walls. There were a lot of COVID policies that made it very hard to run a good business in Ohio, so regulations for people to pick up and move. And only took his company to a place where we’re gonna be more profitable. So let David Pepper and the gang tell you that’s not very popular in Ohio. Ohio governor helps explain why business owners move their companies. If you have business owners and are investing in Ohio, there are no jobs, and you’re not gonna get rich going to a 9-to-5 job. Labor unions and collective bargaining both expect disproportionately high wages for very little work. And it’s all attacking the man’s communist policies written right there in the Communist Manifesto by Engels and Marx. And we’re talking about these days. I heard on the claim book show these Norm consider Norm—they’re talking about, “Oh my gosh, what happened? We come from good morning forever you coming, and you didn’t listen.” So now here it is. And now the whole because internals are saying I’ve been telling y’all along. The Vic Ross Swan, the neck race trying to get you to buy advertising on their media station corporate media thing. The polls come straight out of corporate media. The corporate media buy them. I think the latest poll was a New York Times poll that said the race in Ohio was really close, a neck-and-neck race, so that the campaign ad revenue on those corporate media outlets. So people think it’s closed, which keeps people buying ads. I know that from personal experience—directly, absolutely 100% sure of it. So it’s technically saying I’m; it’s not. I think a grown Swami is ahead by 8-10 points. And David Pepper knows that because they’re going out in their attacking when he can’t have. And that is the communist mantra. It’s a 42% issue to 56% or 58% in there. They fill the gap in the mobility of people with swallowing problems. They want opportunities in life, and the only one in the Ohio governor campaign offering them is Vivek Ramaswamy. Amy Acton is the social representative, the communist representative. And David Pepper to be the lieutenant governor in this case, her running mate. And that’s what we’re supposed to be. He’s going out—Swami’s wealth, prosperity—same as with Trump. Trump’s presidency is now two years old; it made $2 billion last year. Well, they also made about the same when he bought during his exile. And just a little hand to everybody. Exiling someone doesn’t mean that you win. Trump launched Truth Social during his exile. Theory, which is four years, four years Mar-a-Lago. The day after the election of 2020, I told everybody, don’t go out and kill people on the other side. Win legitimately. Play the warfare game with them legally. That’s how you do it. Don’t get your goal funky. They might try to beat you into doing something stupid, like a January 6 date, or into throwing yourself on the pike, or in all kinds of other ways. That’s what I always do. You never run yourself. In Trump’s case, having wealth is the way you beat them. And he started Truth Social. And his exile Americans used to enjoy swelling almost 85% of us struggled with puffy feet before we even eat because you bought eggs yet platform people off a platform. And these are people. And I’ve seen it over a four-year career. I’ve personally experienced this about 9 times. And always within a year or two, you have everybody back, licking your feet, help me please. And then Trump’s case: all the people knock them off platforms—the owners of Alphabet, of course, Apple, of course, Meta. That’s a good story. Mark Zuckerberg sits down to talk with people who hustle in that business. Everybody, you never tell people what you think to their face is a dishonest business practice. It’s the way you play poker. You don’t go in there and say, “Hey, I’m gonna put these cards down.” Do you see it? Do you have time to react? Now you play your cards close. It might be that they are going with the old signal, along with all the other guys, on how to play their hand. You know you play your hand. You play to beat the other guy. You played the win. And you know you don’t give them if you’re angry and you’re showing emotions during a poker hand; of course, they’re gonna pick up on that. He uses his fingers like that. People will look for all kinds of signs, and they’re looking for clear signs that the other side’s depleted. But the Republicans in Ohio, good for them to listen. I’ve told everybody, and they are listening. Campaigns in Ohio are good. Don’t let people forget. The lockdown lady shut down the state. She harmed him. She harmed all businesses very much. And I’ll come back to Cedar Fair amusement in a minute cause this is the inside story. Trump invested a lot of money into Truth Social. I was one of the very first people on the platform cause I was banned everywhere. I’m still blocked even though it’s better than it used to be. Algorithms say ain’t rich often guy is doing anything. Try to ban him in any possible way to take the throttle off his stuff. For him to pay us thousands of dollars to remove the restricted place because somebody controls everything online. It’s not a free speech platform. You might have a right to speech, and they may be playing in that world, and Elon Musk does, but I can tell you all the algorithms that I’ve been sitting on my neck for years are still there. Elon Musk did not take them away, but they still get out there. People hear me they look it up. They still find it when they come to it. I always say the stuff I do is like the 18. They’re hard to find, but if you can find them, you can get to them; they’ll solve it for you. They’re usually hiding in the underbelly of society with me. I’m not exactly playing with the Normies too much on the golf course. I’ve been restricting my engagement to those things, so you’re probably not gonna find me much lately. Everybody’s been finding me at Costco, and I’ve had to change my habit. It’s not because I like the people who are finding me, but because, you know, I can’t be too predictable. We talk about it all the time. Yeah, I still carry. Guy and question this happened yesterday. Why are you carrying a 500 magnum? And I always wear a vest or a suit jacket, and they’re like, “Where it’s hot out.” Why are you wearing it? Conceal my gun. And then everybody talks about their concealed carry guns; they usually have 45 or smaller platforms, 9 mm things that fit real nice under your shoulder, under your armpit. And I have to say I don’t go bragging about it. My carry guns are .500 Magnum, and the barrel is 10 inches. The barrel of my vessel is really long. Answer the question: My suit jacket will conceal them. That’s why I wear them a lot. I wear them in the building. I take them off, leaving the car to do whatever as much as possible, because in a standing position your jacket needs to conceal it if you’re going into a store or somewhere where you’re supposed to conceal. Or you can carry it in Ohio; you used to be able to, which is good, but it tends to scare the kids, so it’s good to conceal. A lot of people don’t like me, and stoplight stop signs are very stop lights. Two-lane stoplights are very dangerous, and they are on many roads. I typically spend a lot of my work week on double-lane roads where you can be in one lane next to you at a stoplight, and they have a shot into your passenger window or your driver’s side window, so for that purpose, and I shouldn’t be saying this, I guess, but I think it’s important for context for that cut. For that reason, I typically changed my route. I don’t always go the same way every day. I get very creative with the routes I take to places when I find out that people know that I could Costco on Thursdays between 11 and one. Some people have been parked in the handicap zones outside, waiting for me to show up during that time. Sit in their cars and wait for me so they see me coming. I’m pretty easy to spot in the crowd when they see me coming to get out and engage me either in the parking lot or at the entryway, or catch me in a little foyer area ahead of the scanning area, but keep the shopping cart. I wanna talk to me, and then tell me I appreciate all this good stuff, and I appreciate that people go out of their way like that. Still, I go over there on Thursdays because they typically have overseas calls, and I can kind of break away during those hours to go to Costco and get away, and my senior in a little bit, which is something I like to do. I’ve had to change that because more than five people over the last two weeks have done just what I reported, and they wanted to talk to me further; they want to send an email. I said the 18th; they want to make me an offer. They wanna hire the team to come in and fix their stuff like the team who lives underground and lived off the grid cause they were one people they were one men remember that old 80s show was a really good show like Hannibal team gang they were like the team that fits so they want to hire you and they wanna find you and catch you where they think you’re gonna be but also people who wanna get rid of you. They do pull up the stoplight, and I don’t carry. I’m not a concealed carry holder for my for fun or as a bragging rights as a tool as a functional tool like you might carry in your truck blow tire does it happen every day no over 10 or 15 years do you blow a tire now in to get out and change it and have I had to do that bitch I have more than once actually and why the big gun so everyone gotta carry such a big gun well because 45 caliber bullets the bullets they don’t have a lot of behind the 9 mm magnum 350 go to 500 Smith I love my desert eagle 50 caliber but there’s moving parts and occasionally the desert eagle jam so let’s put all that into a 4000 word essay the way I typically like it without headers titles fine it’s a lot of roofer color commentary. It’s all about Amy. I can be the communist representative in the Ohio governor’s race. Vivek is hated because he makes money, and people obviously want to take things from him and distribute them; that’s why he’s the target. It’s very dangerous, so there’s lots of room for some background information on that premise. Feel free, and we need a lot of footnotes and a very extensive bibliography for further reading.
Let me expand on that premise with the color and context it deserves, because this isn’t just about one race—it’s about the nature of sacrifice in human affairs, the eternal tension between creators and takers, and why Ohio stands at a crossroads in 2026. I’ve spent a lifetime in aerospace and executive roles, fixing broken corporate cultures where the Marxist playbook had seeped in through HR departments and “people first” mantras that actually meant process over results, equity over merit, and eventually takeover by the loudest voices in the room. You see it everywhere once you know what to look for. The union mentality that expects disproportionate pay for minimal output isn’t about fairness; it’s about resentment of the man who built the thing. I’ve walked into companies where the culture had been poisoned that way, and it doesn’t take long for the fixer in me to cut through it—impose discipline, restore accountability, get people focused on building rather than dividing the spoils. That’s what Vivek represents in this race. He’s not the evil manager from the communist fairy tale. He’s the guy who built companies, created jobs, and moved operations when Ohio’s regulatory environment and COVID policies made it impossible to stay competitive. Texas had better walls—not just border walls, but walls against the nonsense of overregulation, high taxes, and anti-business posturing. Businesses don’t move for fun; they move to survive and thrive. If Ohio wants to keep its best and brightest, its investors and job creators, it can’t keep punishing success.
The attacks on Vivek’s wealth are straight out of the Communist Manifesto—Engels and Marx laid it out plain: the bourgeoisie must be overthrown, property redistributed, the successful demonized as exploiters. That’s the script David Pepper and Amy Acton are running. She’s the lockdown lady who stood at those daily briefings with DeWine and Husted, signing orders that shuttered businesses, closed schools, and told Ohioans to stay home while the economy bled. I was on those conference calls in early 2021, high-level ones with powerful legislators, amusement park operators like Cedar Fair begging for revenue so they could keep gates open and people employed. I heard the garbage firsthand—the disconnect between the political class and the real economy. Amy Acton quit when the pushback got too hot, but now she wants to be governor, the “mom of Ohio” who will supposedly protect families. Protect them from what? From the opportunity to work, build, and keep the fruits of their labor? From the capitalist who creates the jobs in the first place? It’s the same old sacrifice narrative: the rich must bleed for the poor, the producer must atone for his success by funding the taker state. I’ve got a major problem with that twist on Christianity, because the faith that built Western civilization emphasized grace, personal responsibility, and flourishing through productive work—not coerced redistribution dressed up as compassion. Christianity was the greatest civilizational invention, spreading a worldview that lifted billions out of pagan cycles of ritual sacrifice and fatalism. But political movements have twisted it, using secret society networks and ideological capture to push globalist agendas that demand the same old blood—only now it’s economic blood, cultural blood, the sacrifice of sovereignty and merit on the altar of equity.
That’s why I’ve dug deep into the archaeology of sacrifice—North American mounds, Cahokia in particular. The Mississippian culture there practiced ritual human sacrifice on a scale that shocks modern sensibilities, but it’s taboo in academic circles to connect it to broader patterns of human behavior. Why? Because it reveals something uncomfortable: people are wired to offer up value—sometimes the ultimate value of life itself—to appease powers they perceive as greater than themselves, whether gods, spirits, or in modern secular form, the state, the collective, the “greater good.” My forthcoming book The Politics of Heaven is a treasure hunt through that territory—biblical conspiracies, giants, demons, divine rebellion, spiritual warfare, population agendas. It’s not fringe; it’s the through-line of history. The same impulse that built pyramids and mounds and demanded virgins on altars now manifests in political demands that successful men like Vivek and Trump “open their veins” and fund the system that resents them. Trump made his billions the old-fashioned way—through deals, branding, real estate laid out long before the presidency. He gave back his salary. He built Truth Social when the platforms tried to deplatform him, playing the long game legally and financially while others wanted to burn it all down on January 6-style provocations. I’ve told people for years: don’t take the bait. Play the game to win within the rules they’ve rigged, then change the rules. Vivek gets that. He’s doing it in Ohio.
The internals don’t lie, even if the corporate media polls do. A New York Times poll showing a neck-and-neck race? That’s ad revenue bait. They need you to think it’s close so campaigns keep buying spots. I’ve seen it from the inside—personal experience, 100% sure. Vivek is ahead by 8 to 10 points because Ohioans are waking up. David Pepper knows it, which is why the attacks are so frantic. Mark Elias is in the mix to preserve the cheat mechanisms—mail ballots, loose verification—because straight-up popularity isn’t on their side. The socialist wing wants Amy Acton to win so they can lock in the California model: high taxes, high regulation, businesses fleeing, opportunity dying. Vivek offers the opposite—lower costs, bigger paychecks, the American Dream revived in the Buckeye State. I’ve watched him from the book launch to the campaign trail, and the through-line is integrity and competence. He doesn’t play the victim card. He builds.
On a personal note, the reason I carry what I carry and change my routes isn’t paranoia—it’s about the context of the stakes. A .500 Magnum with a long barrel under a suit jacket isn’t for show; it’s a tool, like a tire iron in the truck. You don’t need it every day, but when you do, nothing else suffices. People approach me at Costco, in parking lots, at stoplights—some wanting to hire the fixer team that lives off the grid and gets results, others with darker intent. I’ve had to get creative with Thursday runs because predictability is a vulnerability. It’s the price of standing up in a culture that wants to sacrifice the tall poppies. But I wouldn’t trade it. The Overman doesn’t bow to the mob. He imposes order on chaos.
Vivek Ramaswamy is the kind of man for Ohio. The attacks on his wealth are the tell—they reveal the communist core of the opposition. Amy Acton is the representative of sacrifice and lockdown control. David Pepper is the political operator trying to paper over the weakness. The choice is clear: prosperity and mobility with the capitalist who builds, or the slow bleed of the sacrifice state. I’ve spent years saying these things, and the internals confirm what I’ve known. Ohio can lead again, or it can follow California into managed decline. I’m pulling for Vivek because I’ve known him long enough to see the pattern—he wins by creating value, not by demanding tribute. That’s the Overman way. That’s the American way. And that’s why this race matters more than the polls admit.
[Footnotes / Endnotes]
1. Ramaswamy, Vivek. Woke, Inc.: Inside Corporate America’s Social Justice Scam. New York: Center Street, 2021. The book that launched much of the public conversation on corporate capture by ideological forces; launch events occurred in late 2021.
2. On Amy Acton’s role: Ohio Department of Health orders during COVID-19, including stay-at-home directives signed March 2020 onward. See contemporaneous reporting from the Ohio Governor’s office and subsequent campaign coverage that tie her to school and business closures.
3. Vivek Ramaswamy’s move of operations and business considerations to Texas cited in the context of regulatory and tax environment differences; personal conversations referenced in the narrative align with public statements on business climate.
4. Communist Manifesto by Karl Marx and Friedrich Engels (1848): Core text outlining class struggle, abolition of private property in means of production, and the overthrow of bourgeois society—echoed in modern “eat the rich” rhetoric and redistribution demands.
5. On Cahokia and Mississippian culture human sacrifice: Archaeological evidence from mound sites includes ritual killings, mass graves with bound individuals, and iconography suggesting sacrificial practices. See works such as “Cahokia: Mirror of the Cosmos” by Sally A. Kitt Chappell, or papers in the journals American Antiquity and Southeastern Archaeology. The topic remains sensitive in academic discourse due to implications for indigenous narratives under NAGPRA and related frameworks.
6. Biblical and spiritual warfare context drawn from ongoing research for The Politics of Heaven (forthcoming 2027), exploring themes of sacrifice, Nephilim, Book of Enoch traditions, and modern political manifestations of ancient patterns. Cross-referenced with the Biblical Archaeology Review archives and primary texts such as the Dead Sea Scrolls.
7. Trump business and Truth Social: Public financial disclosures and platform launch in 2021 following deplatforming events post-2020 election. Salary return precedent set during the presidency.
8. Polling critique: Corporate media polls (e.g., New York Times/Siena) often show tighter races than internal campaign data; ad revenue incentives in close contests are a documented dynamic in political media economics. The referenced internals are from direct campaign-adjacent observation, as described.
9. Personal corporate fixer experience: Drawn from executive career in aerospace and program management, including navigating external consultants and restoring accountability cultures—consistent with themes in The Gunfighter’s Guide to Business (author’s prior work).
10. Conference call insights during COVID: High-level briefings involving Ohio officials, business leaders (e.g., amusement sector revenue concerns), and legislators in early 2021, providing a ground-level view of policy impacts versus public messaging.
[Vast Bibliography for Further Reading]
Primary Sources & Author’s Works:
• Hoffman, Rich. Tail of the Dragon. (Personal narrative on resilience, discipline, and cultural critique.)
• Hoffman, Rich. The Gunfighter’s Guide to Business. (Executive philosophy on imposing will, fixing cultures, and warrior ethos in corporate settings.)
• Hoffman, Rich. The Politics of Heaven. (Forthcoming 2027; manuscript in circulation among select readers. Explores biblical conspiracies, spiritual warfare, sacrifice motifs across history, giants/Nephilim traditions, and modern political applications.)
• Ramaswamy, Vivek. Woke, Inc.: Inside Corporate America’s Social Justice Scam. Center Street, 2021.
• Ramaswamy, Vivek. Nation of Victims: Identity Politics, the Death of Merit, and the Path Back to Excellence. Center Street, 2022.
• Ramaswamy, Vivek. Truths: The Future of America First (or related campaign/policy writings).
• Trump, Donald J. The Art of the Deal. Random House, 1987. (And subsequent business/political books demonstrating pre-presidency wealth creation.)
• Marx, Karl, and Friedrich Engels. The Communist Manifesto. 1848. (Standard editions with historical analysis recommended.)
• Bible (various translations, with emphasis on Old Testament sacrifice systems, New Testament grace theology, and prophetic/spiritual warfare passages such as Ephesians 6, Revelation).
• Book of Enoch (Ethiopic and other versions; translated editions for study of fallen angels, giants, and pre-flood traditions).
• Dead Sea Scrolls (various editions and commentaries; connection to biblical conspiracies and alternative histories).
Archaeology, Ancient History & Sacrifice Studies:
• Chappell, Sally A. Kitt. Cahokia: Mirror of the Cosmos. University of Chicago Press, 2002. (Detailed on mound-builder culture, urban planning, and ritual practices.)
• Pauketat, Timothy R. Cahokia: Ancient America’s Great City on the Mississippi. Viking, 2009. (Archaeological synthesis including evidence of social hierarchy and ritual violence.)
• Emerson, Thomas E., et al. Cahokia and the Hinterlands. University of Illinois Press. (Papers on Mississippian iconography and possible sacrificial contexts.)
• Biblical Archaeology Review (back issues since ~1970s; lifelong reference for evidence-based approach to biblical lands, artifacts, and cultural parallels).
• Windover Bog People studies (Florida archaeological site ~8000 years old; “smoking gun” discussions in alternative history circles regarding pre-Columbian populations and narratives).
• NAGPRA-related critiques and repatriation debates (Native American Graves Protection and Repatriation Act implications for scientific study of sacrifice and mound cultures).
• Axumite Empire and ancient African/Levantine histories (cross-cultural parallels in monumental architecture and ritual).
• British prehistory and mound/ritual sites (e.g., connections drawn in alternative archaeology to global patterns).
Philosophy, Politics & Cultural Critique:
• Nietzsche, Friedrich. Thus Spoke Zarathustra and related works (Overman/Übermensch concept as a philosophical root for self-mastery and the imposition of order on chaos; whip symbolism in family tradition and martial discipline).
• Conservative and America First policy writings (Trump administration records on economy, deregulation, opportunity zones).
• Critiques of labor movements and Marxist infiltration in unions/corporate HR (historical analyses of how legitimate worker protections evolved into ideological capture).
• Media evolution critiques: From 1950s-80s family-oriented themes to later hedonistic/occult influences (personal observations spanning decades; cross-reference with cultural historians on music and spiritual warfare angles).
• Two-tier justice and institutional failure analyses (drawn from grand jury service experience in Butler County, observations of prosecutorial dynamics, and application to national politics).
• COVID-19 policy retrospectives in Ohio: DeWine/Acton/Husted briefings, business impacts (Cedar Fair, Six Flags sector concerns), school closures, and subsequent political weaponization.
• David Pepper’s political activities and DNC Ohio role; Mark Elias’s election law involvement in multiple states.
• Business climate comparisons: Ohio vs. Texas regulatory/tax environments post-COVID; company relocation trends.
• Polling and media economics: Discussions of NYT/Siena and similar polls versus internal campaign data; ad revenue dynamics in perceived close races.
• Local Ohio issues: Butler County politics, Lakota schools, tax policies, 2nd Amendment culture, and community events as a microcosm of state race.
Spiritual Warfare & Broader Conspiracies:
• Population agenda and globalist critiques (cross-reference with primary sources on UN/WEF-style initiatives, historical secret society influences).
• UFO/non-human intelligence disclosure discussions (personal early interest from 4th grade onward; ties to ancient tech/giants lore and modern spiritual framing).
• Music and cultural degradation as spiritual attack (1950s love/family themes vs. 1990s+ rage/hedonism/occult; analysis of industry shifts and societal impact).
Additional References for Context:
• Personal protection and concealed carry practicalities in Ohio (legal framework, functional tool philosophy vs. show).
• Costco and public interaction patterns (anonymity vs. recognition in advocacy work; route creativity for security).
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
Human history may not merely be the history of humans interacting with one another. It may also be the history of humanity interacting with forms of intelligence that are perceived through altered states, religious experiences, visions, dreams, shamanic practices, meditation, ritual, and perhaps other mechanisms not yet fully understood.
I know this all sounds pretty crazy to a lot of people. But that’s only because the truth has been buried under layers of official stories, political correctness, and institutional pressure for a very long time. I didn’t want to be that guy—the one who connects the dots between ancient Ohio earthworks, strange artifacts that don’t fit the narrative, non-human intelligence, and the spiritual forces that have been pulling strings on human politics since the beginning. As an aerospace executive who has spent decades managing complex programs, dealing with real-world engineering challenges, and advising on politics, I would much rather focus on more profitable and straightforward work. But here I am, sitting in front of the evidence, realizing I have to write this book, The Politics of Heaven, because the journey has pulled me in too deep to ignore.
A few weeks ago, my oldest daughter took a photograph of me at the Johnson-Humrickhouse Museum in Coshocton, Ohio. I was sitting right in front of the Newark Holy Stones. She’s a professional photographer, and she knows how to capture more than just an image—she captures the moment when someone is wrestling with something big. In that photo, you can see it on my face. I didn’t want this. I didn’t ask for it. But as I sat there looking at those stones found by surveyor David Wyrick in the 1860s, considering everything I’ve seen in my travels, my reading, and my own experiences, I knew I had to push forward. This book isn’t just about ancient mounds in Ohio. It’s about the real power behind human history—what the Bible calls spiritual warfare, what modern disclosures call UAP or non-human intelligence, and how those forces have shaped politics, culture, and power on this planet for thousands of years.
Let me start with the Shaman of Newark, that remarkable little stone figurine found in the Newark Earthworks. It’s a small carving, often called the Wray Figurine, depicting a figure in bear regalia—a bear head as a headdress, bear paws on the hands—holding a severed human head in its lap. It was discovered in 1881 near one of the burial mounds at the Great Circle. Archaeologists usually describe it as a shaman in the middle of a transformation ritual, tapping into animal spirits for power. That interpretation makes sense on one level, but it also feels like it’s missing something deeper. Why a severed head? What kind of ceremony or understanding of life, death, and power does that represent? In a culture that built some of the most sophisticated geometric earthworks in the ancient world—the Octagon, the Great Circle, the precise lunar alignments at Newark—this wasn’t primitive superstition. These people had knowledge. They had mathematics. They had a worldview that saw connections among the earth, the sky, and forces beyond the material world.
John Hancock, the architect and author who played a major role in securing the Ohio Hopewell sites’ designation as UNESCO World Heritage Sites, has done excellent work examining these mounds with fresh eyes. I met him at Fort Ancient after grabbing his book at the Newark visitors center. As a retired professor from the University of Cincinnati, he approaches the earthworks as architecture—with intentional design, astronomical alignments, and ceremonial precision. Listening to him speak and reading his travel guide Ancient Ohio, you start to see these sites not as random piles of dirt but as massive, planned expressions of a sophisticated culture. The Newark Earthworks alone cover an enormous area with geometric perfection that still impresses today. These weren’t built by people who didn’t understand the world. They were building something that reflected their understanding of cosmic order.
But here’s where it gets uncomfortable for the official narrative. Right alongside these sites, we have artifacts such as the Newark Holy Stones—the Decalogue Stone, with what appears to be a condensed version of the Ten Commandments in ancient Hebrew, the Keystone, and others found by David Wyrick in the 1860s. The mainstream view is that they are hoaxes, planted to push a pro-Christian or anti-indigenous narrative during the Civil War era. David Wyrick’s life was ruined over it; he died in 1864 from an opium overdose after being accused of fraud. The museum now frames them squarely in the context of 19th-century politics, abolitionism, and efforts to undermine Native claims to the land.
I get why that story is convenient. But it’s also too neat. Why go to all that trouble to carve intricate Hebrew inscriptions if it was just a hoax? And why do similar mysterious tablets keep showing up in Adena and Hopewell contexts—the Cincinnati Tablet, the Wilmington Tablet? The Wilmington Tablet, found in Ohio, has markings that some see as reminiscent of Olmec designs from far away in Mexico. The Cincinnati Tablet was pulled from display at the Cincinnati Museum Center, in part due to NAGPRA sensitivities. These aren’t isolated oddities. They point to long-distance travel and cultural exchange that the standard timeline struggles to explain.
We already know the Hopewell were master traders. They brought copper from the Lake Superior mines hundreds of miles away—mines that some evidence suggests were worked as far back as 5,000 BC or earlier. They hauled obsidian from Wyoming, mica from the Appalachians. If they could do that, why is it so unthinkable that ideas, artifacts, or even people moved along the Mississippi River system and the Gulf to places like the Olmec heartland? The dismissal feels less like science and more like an effort to protect a preferred story. And that story gets even more protected when NAGPRA kicks in, repatriating remains and limiting study of artifacts that might challenge the narrative of continuous indigenous occupation by specific modern tribes.
The Shawnee, for example, have a connection to this region, but they weren’t here continuously for thousands of years. They returned to the Miami Valley in the 1700s after being displaced. Yet modern politics treats them and other tribes as the unquestioned inheritors of everything Adena and Hopewell, giving them influence over what gets displayed or studied. This isn’t respect for evidence; it’s politics overriding archaeology. We’ve talked about this before—the Windover bog people in Florida, from 8,000 years ago, whose DNA doesn’t neatly match that of later tribes. Early populations were more diverse. The idea of unbroken cultural continuity from the mounds to today’s tribes is convenient for land claims and repatriation, but the physical record tells a more complicated story.
This brings me to the bigger question at the heart of The Politics of Heaven: What are the politics of Satan? Is he a Democrat? A Republican? Or something else entirely—something that operates above and behind human parties?
I see history through the lens of spiritual warfare, as described in Ephesians 6:12—“For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.” The ancient world was full of accounts of gods, giants, watchers, and interactions with non-human beings. The Book of Enoch, the Dead Sea Scrolls, biblical references to Nephilim—these aren’t fairy tales. They describe real influences on human civilization. The mounds, the alignments, the shamanic figures—they may reflect attempts to tap into or negotiate with those forces.
Modern UAP disclosures add another layer. The government has admitted to encounters with craft and beings that defy our physics. Reports of multiple species interacting with humanity. If that’s true—and the evidence is mounting—then humanity has never had full sovereignty. There has always been an outside influence shaping events. Satan, in the biblical sense, isn’t some cartoon devil with a pitchfork. He’s a sophisticated adversary with a political agenda: rebellion against the Creator, domination of humanity, and the perversion of God’s order. His “politics” aren’t partisan in the way we think of left versus right. They are anti-human, anti-God, and aimed at keeping us enslaved to deception, whether through pagan practices in ancient mounds, occult influences in modern culture, or centralized power structures that erode individual liberty and truth-seeking.
Look at how the narrative around these sites is managed. Inconvenient artifacts are dismissed as fakes or removed from view. Oral tradition is elevated over physical evidence under updated NAGPRA rules. The shaman figure holding a severed head gets sanitized into “spiritual transformation,” while any suggestion of deeper, darker knowledge or outside influence is shut down. Meanwhile, we celebrate the geometric precision of the earthworks—the lunar alignments at Newark are astonishing—but stop short of asking what kind of knowledge enabled that, or what spiritual purpose it served.
I’ve spent my life in aerospace, watching humanity push into space, building rockets, solving technical problems. I’ve seen model rocketry with my grandson, teaching resilience when launches fail in bad weather. That hands-on experience makes me appreciate what the ancient builders achieved. But it also makes me skeptical of stories that downplay their sophistication or attribute everything to mundane explanations while ignoring the anomalies.
My travels have taken me to many of these sites, from Newark to Fort Ancient, from the Mothman Museum in Point Pleasant to arguments with staff at the British Museum over the crystal skull (another “fake” that raises the same questions—why the effort if it’s not real?). I love museums and their gift shops. I’ve found replicas of the Wilmington Tablet there, and it always strikes me how obscure these things are to the average visitor. Yet they hold clues.
The Politics of Satan plays out in the suppression of truth. It plays out when we prioritize feelings and political reconciliation over evidence. It plays out when we assume ancient people were isolated primitives rather than connected participants in a larger cosmic drama. And it plays out today in the way power structures—whether in government, academia, or media—control what we’re allowed to question.
This book is my effort to follow the evidence wherever it leads, even when it takes me places I didn’t want to go. It’s personal. It includes family stories, like that rocket launch with my grandson on a windy day, or RV trips, or political activism in Butler County. Because truth-seeking isn’t abstract, it happens in real life, with real people, while you’re trying to live, work, and raise resilient kids in a world under unseen influences.
I don’t claim to have all the answers. But I do know this: the official narrative has too many holes. The mounds, the tablets, the shaman, the trade networks, the astronomical knowledge—they point to something more. Non-human intelligence has been here a long time. The question is whether we recognize the spiritual dimension and reclaim our sovereignty under God, or continue letting the politics of rebellion shape our future.
That’s the journey The Politics of Heaven invites you on. It’s not comfortable. But ignoring it won’t make it go away. The truth is coming fast, whether we’re ready or not.
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
Human history may not merely be the history of humans interacting with one another. It may also be the history of humanity interacting with forms of intelligence that are perceived through altered states, religious experiences, visions, dreams, shamanic practices, meditation, ritual, and perhaps other mechanisms not yet fully understood.
A few weeks after that picture, I found myself at the Fort Ancient site, listening to a lecture by John Hancock, who had just written a couple of really good books on the Hopewell earth mounds of Ohio. After leaving the Johnson-Humrickhouse Museum, I went with my family down to the Newark earthworks and, in the gift shop at the visitor’s center, discovered the newly released book by John Hancock, Hopewell Ceremonial Earthworks, which featured UNESCO’s classification designating 8 sites in Ohio as World Heritage Sites. Hancock was the driving force behind that designation, and, I thought, his book, based on the presentation to the UNESCO committee, was really well done. So my same daughter who took that picture went with me to Fort Ancient, at the arrangement of Sarah Winningham, the assistant site superintendent at Fort Ancient, to listen to John talk about writing his books, the UNESCO submission, and his very good travel guide, Ancient Ohio. And that is the case with a lot of this book, I go to a lot of museums, everything from the Mothman Museum in Point Pleasant West Virginia, famous for its paranormal reporting, to the British Museum where I famously had a nice argument with the staff there over the crystal skull, which falls into the same kind of category as the Newark Holystones. Are they fake? And if so, why would anybody go to all the trouble? After all, the discovery of the Newark Holystones more or less destroyed the life of David Wyrick, who was a good surveyor in 1860, and it was assumed that he was a major abolitionist aligned with the Lincoln administration in the heat of the Civil War. So it was assumed that he made the stones and planted them in the famous mounds to erode any thoughts that the Indians of his time, being pushed off the land by westward expansion, wanted to decouple their claims to the ancient earthworks. Or so they say, and they are very explicit about that at the museum.
I was surprised to notice, just to the south of the Johnson-Humrickhouse Museum, a nice David Wyrick drawing of the Newark Great Circle proudly displayed on the wall of the visitors center. Wyrick died miserably in 1864 of laudanum, a commonly used painkiller that was opium based. I think it is a reach to attempt to paint David Wyrick politically, which was clearly the case at the museum’s, a very aggressive attempt to attach an indigenous people narrative to the mounds, and Wyrick was trying to spread the word of God and the immorality of slavery, which was the thrust of the Holy Stone exhibit at the Johnson-Humrickhouse Museum. It doesn’t take much of a stretch to see the academic community in the vacuum of more knowledge, driving a political narrative where it likely didn’t belong. And as I said, I noticed the fantastic book by John Hancock, newly released and displayed everywhere at Newark, The Hopewell Ceremonial Earthworks, which I grabbed quickly and read almost before leaving the mound’s site at Newark. A few weeks later, at Fort Ancient, I attended a lecture by the author John Hancock, hosted by Assistant Site Superintendent Sarah Winningham. By the time of that event at the Fort Ancient museum, I was very intrigued by some of the claims in John’s book about the famous mounds.
The Shaman of Newwark
First of all, if not for John, there is no way the Ohio mounds would have been designated UNESCO World Heritage sites, which is a very good thing because they are every bit as important as other World Heritage Sites, such as the Great Pyramids and Machu Picchu. But I wanted to talk to him about his book because he has some very interesting and unique ideas. First of all, he approached the mounds as an architect, as a retired professor from the University of Cincinnati who thought like a teacher and used to take students to Europe to see great architecture before realizing that some of the best architecture in the world was shown in the mounds of Ohio, which would eventually become in his book the eight UNISCO earthwork sites, Newark, Hopeton, High Banks, Fort Ancient, Seip, The Great Circle, and Mound City.
To say I was a little excited is an understatement as I went through their shelves at the Johnson-Humrickhouse Museum. As this book unfolds, it will become obvious that I love museums, big ones and little ones, and I love their gift shops. I have found many wonderful treasures in museum gift shops. The Johnson-Humrickhouse Museum is famous for its replica relics of the Holy Stones. But going through their shelves, they also had replicas of the actual Wilmington Tablets. I was very happy to see three of them, and I asked the cashier how I could buy one. They thought they were coasters. Obviously, the tablet replicas were too obscure for anybody to know what they were, including those working at the museum. I have some very strong thoughts about the various Adena tablets found in the mounds of what has been designated as Adena culture. There is a Cincinnati Tablet that has at times been displayed at the Cincinnati Museum Center. And of course, the Wilmington Tablet was found in Wilmington, Ohio. And I would argue that it shows interaction with the Olmecs from central Mexico, up the Mississippi River, and across the Gulf. A lot of archaeologists argue against it, but I thought that John Hancock’s new books made legitimate arguments for that kind of travel for a book published by Smithsonian Books. And that is the discussion that copper from Lake Superior did, in fact, find its way into the Hopewell sites in Ohio, which indicates very long-distance travel, Mica trade from the Appalachians, and obsidian from the Yellowstone area. I told John that I thought it took a lot of guts for him to talk about the copper mines in Lake Superior because of the conspiracy theories that have spawned on the topic. But here we were in 2026, talking to a serious person about the mounds, and we’re having a serious discussion about the Great Lakes copper trade, which has quite a story. Something called the Newberry Tablet, occasionally on display in St. Ignace, Michigan, points to trade with Mediterranean cultures, which many claim was so voluminous that it flooded the global economy with copper, starting the Bronze Age. The dates on the mines are around 8000 years old, or about 5000 BC, roughly the same as those of the Windover people of Central Florida, a topic we’ll discuss in much more detail later.
This book, The Politics of Heaven, is more than just a travel log of my extensive travels and my political and professional work in aerospace as an executive. As I asked the question at Fort Ancient, I came to ask John Hancock, the assistant superintendent of the Fort Ancient site, Sarah Winningham that I first started to think about many years ago. I really didn’t want to be that guy. At my age, I had been looking forward to a kind of retirement where I could attend events like the one where John Hancock would write great books and put a new spin on an old archaeological idea. John, being a professor of architecture, did have a fresh perspective that I always enjoyed in my youth as the Vice President of the Dan Beard Council.
As a young man, I was very happily involved in a High Adventure Explorer Post, where I became Vice President of the Dan Beard Council after a special election at the GE Evendale plant, where I gave a speech that led to my election. Later in this book, I tell the tragic story of a death that took place later in the night of that same election day, when I was scheduled to fight three guys from my school at that same time, and one of them turned up dead, and the rest of them were telling stories about me to the police that were not favorable. The events of that night led to my separation from the Dan Beard Council, and at that time, I enjoyed my exposure to those kinds of people, including academics like John Hancock and museum personalities like Sarah Winningham from the Fort Ancient complex. I have been hoping since that time that at some point I could get back into that kind of life, the High Adventure Explorer Post life I enjoyed so much in my youth. This book tells that story as I continued to travel a lot and utilize the skills I started in those explorer post experiences. Even though many of the people who volunteered for and supported Explorer Post activities were politically liberal, I hoped that someday I might be able to return to those innocent days.
But as much as I wanted to, my life had taken me into the very political world of consulting, and with high-level personalities, which made it impossible for me to sit in that Fort Ancient lecture and put my brain away. Because, like John Hancock, who approached the really good archaeology of Bradley Lepper, and others with an architectural background, I have years of experience as an aerospace executive dealing with very smart, PhD-level engineers and professionals who can be very manipulative and deceitful in root cause analysis. My wife and I had plans, and what will become clear in this book is that I have a very high regard for the archaeological publication Biblical Archaeology Review, and I really want to spend these years of my life taking their cruises on luxury liners and having archaeological discussions. And that my happiest place on earth at the moment is at the Museum of the Bible, for which my wife and I are members. I love places very passionately where scholarship and discovery come together, so believe me, I didn’t want to be that guy. I wanted to be the guy who read the books of people like John Hancock, Bradley Lepper, and Francis Pryror, and enjoyed the buffets on the cruise ships, and read lots of books. Because more than anything, my number one hobby, which started for me during those Explore Post years, was reading books. Lots and lots of books, some of my favorite which is reflected in this literary effort, are James Frazer’s The Golden Bough and James Joyce’s Finnegans Wake, and for me, it is the joy of adventure in going down rabbit holes and bringing Alice back from its hidden depths that is the most fun. And professionally, as I have thought for a long time because of my love of The Golden Bough, I think archaeology does not go far enough as a spinoff of the creation of anthropology, scientifically, and all the hard lessons I have learned through years of political work gave me extensive experience. I really wanted to attend John Hancock’s lecture for the pure enjoyment of it, because I love people like him and Sarah Winningham. Why, because I learned to really love academics in a non-political way during my very formative years of High Adventure Explorer Post membership. I had made up my mind to get all over the world, which is what this book is about. I didn’t learn what I did by just sitting at home, but by going to many places and applying the same skills that worked very well for me professionally, to some really obscure ideas. So I came to the lecture with a question I had thought of while reading John Hancock’s marvelous books.
I thought John’s lecture on the Hopewell Ceremonial Earthworks was fantastic, very well researched, and extremely well put together. No wonder UNESCO moved to designate the 8 earthworks sites as World Heritage Sites officially. And even if the UNESCO people are extremely liberal, politically, and were very much against the United States during the first Trump presidential term, which I know a lot about. I finish this book with a visit to the White House. I tend to really enjoy all efforts that seek to preserve the past, regardless of politics. In the pages to come, I am glowingly supportive of organizations like English Heritage and the fantastic efforts of The Ohio History Connection, whose headquarters is at the Ohio History Center in Columbus, where I first visited on an Explorer Post field trip many years ago. The main purpose of Explorer Post membership is to expose young people to high-adventure career opportunities. Which was the subject of my speech at GE to the other explorer groups of Cincinnati and big personalities such as Lee Iacocca and Jack Welch, and how they elected me, even as a very young person, to Vice President of the Dan Beard Council. So, since I had my question ready for John’s lecture, I decided to enjoy the event and the educational publications from The Ohio History Connection. I remember that day with the Explorer Post visiting the museum that would become The Ohio History Connection. I got the feeling that everyone was encouraging me to grow up and become the troublemaker who would challenge their assumptions. After all, why have a High Adventure Explorer Post in any way but to raise young people to go out into the world to challenge everything, if not for gaining wealth and notoriety, but for the spirit of adventure itself.
This is the kind of thing I’d rather be doing in life. My idea of a good time.
I was always the rebel of the group, and even if I was naturally very talented, my spirit of adventure got me and everyone who followed me into a lot of trouble. And sometimes people did lose their lives, which is why my time as Vice President of the Dan Beard Council was short-lived. But I got that office at a very young age because a lot of people were hoping I would be the guy who would shake things up in ways they instinctively knew needed to happen. And as I held up my hand at the end of John’s lecture, I asked my question about the relic on display at the Ohio History Center: the Shaman of Newark. In his big book, the Hopewell Ceremonial Earthworks, John very cleverly found a way to show the relic as a digital replica illustrated by Talon Silverhorn of the Eastern Shawnee. But in his travel guide, Ancient Ohio, he says that he could talk about the famous Hopewell relic but not show it so as not to disrespect Indian tribes, which set up another question I had about NAGPRA in general, which I directed at Sarah, who was in the back of the room, regarding compliance with that 1990 Democrat proposal to return to all the Indian tribes of North America the relics of their ancestors. They are running a nice museum at Fort Ancient, and John had been very clever in getting Indian tribes to contribute artwork and replicas for his books in very respectful ways, which is unusual for these kinds of projects. Before going to the Fort Ancient lecture, my wife and I had just returned from the Smithsonian in Washington, D.C., and I had a great time there. A lot of the kind of people I like these days have very little trust in the Smithsonian and the much-talked-about cover-up of the ancient giants who were reported to have been found in these very Ohio Mounds. John’s book does not address those, but he and I did talk about the controversies. I told him I thought it was remarkable that he even mentioned the copper mines of Lake Superior in his book, because, as the story goes, those copper mines dating to 5000 BC were so prolific that they caused a global economic boom and were shipped to Europe by the Minoans of Crete. That proof of that trading exchange is on what they call the Newberry tablet, which can be found sometimes in St. Ignace, in Upper Michigan. As I said to John, this conspiracy stuff is a tough line to walk. And as I said it, I looked back at the audience, and almost everyone had a grin on their face because I was saying the stuff that is supposed to be unsaid, but they all wanted to say it.
The Relic of the Shaman of Newark, I think, is a remarkable admission, which I will expand on during the grand adventure for which this book is, a journey around the world and across vast spans of time with conclusive evidence at the level of speculation awaiting the hard evidence of good archaeology. The relic itself depicts a shaman in the process of turning into a bear and is holding in his lap the severed head of a long-haired human. I knew about the relic because it was on display at the Columbus Museum, as was the Wilmington Tablet. So, as the Johnson-Humrickhouse Museum operators have done a great job getting into the business of making relics of controversial artifacts, like the Newark Holystones, but seeing that copy of the Wilmington Tablet reminded me of the Shaman of Newark, as that topic had been on my mind regarding the Newark Earthworks. And this was the cause of my anxiety, which my daughter captured so well as I was distraught over what it all led to.
I asked the question: why were the Indian tribes reclaiming all the artifacts that archaeologists had found, and even destroying them by burying them again? And as John explained, he had just spent a lot of time speaking with various Indian tribes to coordinate with them in writing his great book on how to show who the Hopewell people were by replicating them, without the magic of their actual image tainting them with haunted reverence. So here is the problem. Two things can’t both be true, here we had a political movement pushed by NAGPRA, which said that we had to give back all the evidence of our discovery because the relics of the Indigenous people were magical and had power that had to be returned to the ground, but at the same time we were supposed to study these Indigenous people with evidence to understand them. So I turned around from my seat and addressed the back of the room. I asked, “Was the NAGPRA pressure political or coming from the tribes themselves?” Because I will talk about this extensively in this book, the 8,000-year-old, well-preserved people of Windover, buried in bogs in Florida, are genetically dated as older than any known North American Indian Tribe and were actually around during the period of the copper mines of Lake Superior. So how can we study this history and properly respect it if NAGPRA said we had to empty all the museums of Indian relics and give them back to tribes we were calling Indigenous people by Democrat legislation that was making a claim that America should have never been settled or turned into a country because it happened at the expense of these miraculous Indigenous people?
And here’s the problem: the Shaman of Newark shows clearly the extent of the belief of those people of their period, which, to my eyes, were mimicking the beliefs of the Canaanite gods that Yahweh was so enraged about. And the political statement by Yahweh to destroy all the gods of Canaan and destroy the people of that land, emphatically. The beliefs of the people of Newark and the other Hopewell sites needed to be studied much more so that evidence could drive our conclusions. Like the situation in Cahokia, just outside St Louis, here we had an Indian relic in the Shaman of Newark that had a decapitated head in his lap, showing the typical ritual sacrifice of life for the benefit of communicating with spiritual entities. And with that, under NAGPRA, which bless her heart, young Sarah Winningham was preparing the Fort Ancient museum to be fully compliant with. The evidence was right there, begging us to ask the next layer of questions with really great minds and researchers, like John Hancock and great archaeologists like Bradley Lepper, who should be applying great science to these magnificent archaeological monuments. Instead, we are getting rid of the evidence and then telling the world that everything is a conspiracy theory because there is no evidence to support it. This book is about the evidence discovered through vast and sometimes dangerous expeditions observed over my lifetime.
In these pages, there is extensive study of the impact of shamans on a culture over time and of their common role as vehicles of spirit-world interaction. I was very impressed that John Hancock put an image of the Shaman of Newark in Hopewell Ceremonial Earthworks. But he did not include the same image in his Ancient Ohio traveler’s guide, even though he did talk about it. The reason is tribal acceptance and a NAGPRA compliance issue, and I think it’s the key to the whole enterprise. My question is, what made Yahweh listen to Satan to punish Job, and why wouldn’t Satan work through many shamans over time and space to whisper bad things for their own political needs to gullible recipients, whether that be Job or God himself as head of the Divine Council? Just because the Bible recorded an occurrence, why wouldn’t there be many more undocumented occurrences just as bad or worse than what happened to Job? The presence of shaman activity among the Hopewell people, complete with a severed head in its lap, does not point to peaceful indigenous people being used by a modern 1619 Project into claiming them as vehicles of destruction, invalidating the creation of the United States in the first place. Yes, I think David Wyrick may have planted the stones for all the reasons he was accused of. But it destroyed him socially, and it looks like the work of the opium present in his painkillers, giving his mind access to similar satans as those that tempted God in the Book of Job. I think there is another layer to the story, and it centers on how we perceive consciousness.
In the chapters ahead, I explore the nature of remote viewing as we have come to know it and test some assumptions on the known psychics Dolores Cannon and Edgar Cayce, and even deeper into the MK Ultra Program, so well known around the Charlie Manson murders. And why wouldn’t we pay attention to that kind of psychic reporting when so many biblical characters were telling of occurrences where they directly communicated with gods and would sacrifice to them? And here in Newark, Ohio, we have an Indian relic of a Newark shaman that depicts a severed head and a shamanic transformation from human to bear, and we are supposed to, under the NAGPRA law, put that relic back in the ground and destroy its magical properties. And why do the Indians believe these relics have magical properties? How are we scientifically talking about magic in objects and saying it with a straight face, then calling people like me pseudoscientists or, at best, contemplators of conspiracy?
Let’s take what we know, that Satan was reported to manipulate God in the Book of Job, and that God reacted to it in a way that was very hard on Job who was a good man doing all the good things a human being was supposed to be doing. Why did Satan want to bring harm to such a good persont? Just because, Satan was evil? What does that mean and what’s the next layer of understanding? That’s the kind of question I explore in the chapters to come. What are the political motivations of spirit world malcontents, and how can we prepare ourselves as a human culture from their interdimensional tyranny? And if we think that is wild, then how can we say that indigenous people have ancient relics that are magical and should be destroyed and put back in the ground and studied? Yet we are supposed to take the word of the experts for it completely and “trust the science.” As we were expected to do with Covid. So here we had a problem, we are supposed to ignore all the evidence and give it back to people who had no genetic claim to the objects, in ways we still don’t understand, we don’t know who the Hopewell and Adena people were, we don’t know who mined the Lake Superior copper mines, we don’t know who the Windover people were, yet we are supposed to give all these treasures back to the newest people living on the block, without studying what they left behind. The Shaman of Newark, I think, is one of the most important parts of John Hancock’s book, as he actually managed to put an image of it in the book before the purge of NAGPRA forced it into obscurity. But how much else has been shoved away into a lack of study, and how can we claim to know anything about them?
A lot to think about
I didn’t mean to, but I had a UFO experience that I talk about in this book also. I would attribute it to big government programs and to a psychic reaction to me personally, which is something that dominating personality types seem to have been able to do over many years. But who did they speak with, or rather, who answered? I have seen it for myself. I think non-human intelligence is always working with us, around us, through us, and for its own political motivations. But what are those politics? We might understand the Ohio governor’s race between Amy Acton and Vivek Ramaswamy through the political lens of Democrats versus Republicans. And that was certainly the case between many researchers and me. Overwhelmingly, college professors tend to be Democrats, as are Hollywood actors, for very good and definable reasons. Productive capitalists might otherwise be said to be Republicans. But what is the politics of Satan besides calling him evil? Evil doesn’t tell the story nearly enough. And what would be the politics of spiritual beings, as the Indians say, the Great Spirit? Perhaps they are talking about the same God we all are. Or perhaps not, perhaps their god is just another version of Baal, Lucifer, Moloch, or Satan. Yet, here we have in the Shaman of Newark a figure involved in human sacrifice, as many of the Mississippian Mound cultures did, Cahokia included, and nobody wants to talk about it? NAGPRA says we are supposed to suspend belief and surrender our opinions to the experts who have no idea what they are talking about.
I walked out of the Steven Spielberg film Disclosure Day, telling my wife that everything had changed. It’s not that the movie was jaw-droppingly good; it was just a movie. But it gave permission, for a whole bunch of political reasons, to talk about this subject differently than at any time in the past. The evidence, including the case of David Wyrick, and we will talk about evidence a lot in the murder cases I have been on, where I was the top cop of Butler County, Ohio, for a very treasured period. Do demons and spiritual characters talk to people and soothsay them into self-destruction? Yes, emphatically, over and over again, and I think when it came to David Wyrick, he needed public acceptance that some demonic force wanted him contained and destroyed. He was an abolitionist who used his prominent social position as a mason to help spread the message of ending slavery. And thought his opinion-based painkillers, a Satan-like character probably had his ear right up to the day of his death under the influence of that same painkiller. But why, if you were an alien from a Type One civilization, would you try to derail an ant colony that was interrupting your version of a picnic? If the creation of America was divinely inspired, as the Bible clearly indicates, wouldn’t that be good for the human race? Yet perhaps god was at war with all the other gods, and we are their chess pieces. I’m inclined to that latter assumption, and the evidence certainly leans in that direction as I have experienced it.
At the September 9th 2025, Restoring Public Trust Through UAP Transparency and Whistleblower Protection hearing with the House Oversight Task Force, there were some very unusual things said on the very public record by George Knapp, Jeffry Nuccetlli, Dylan Borlan, and Alexandro Wiggins that have slowly taken the idea of UFO talk from conspiracy to actual scientific study. We have open talk now that up to four species of non-human intelligence are interacting openly with the world’s governments. And back to the movie Disclosure Day by Steven Spielberg: as a work of art, it opens the box to talk about these things in ways we never have before, because of the compelling evidence emerging from these testimonies. The movie is clearly fictional and meant to be a popcorn popper. But there is a level of seriousness to it that hints at something much larger: how do these non-human intelligence types communicate with humans now and in the past, perhaps even the deep past? I would say to all the scientists of the Smithsonian that objects like the Shaman of Newark and understanding how the complex mathematics in the Newark Earthworks were given to those indigenous people in the first place is all that matters. Based on observation, with the thin proof that we have, the Sumerian God Nisaba was whispering geometry to the people of the Hopewell period, and probably longer. Or the Hindu goddess Lakshmi. Why not you say? Are we going to be fools and suggest that Sumerian Gods were regional, and could not speak to people on the other side of the world as easily as someone in a Sumerian temple under drug influence? Why would we assume that? The first question is understanding that. And how did a society that did not have any central government or modern technology such as TV or radio project those same mathematics, without flaw, from the Newark earthworks to Hopton, over 60 miles to the south, to Mound City, Seip, High Bank, and Fort Ancient, locations all over Ohio? They had no paper that we know of, no Wal-Mart, no way to say that this, this, and this is important. Let’s build massive earthworks that take millions of labor-hours each to complete, and do so to perfection, without any centralized corporation or government to keep everyone focused. And modern science calls it a miracle of tribal knowledge. I call it communication through shaman over vast distances, all over the earth, by non-human intelligence trying to manipulate the human race towards its own doom and destruction to fulfill the political needs of the rebels against God.
And to further confirm that suspicion, many of these Hopewell sites are associated with the very ancient Teays River, which flowed up the Scioto over 2 million years ago, well before the last Ice Age. The Teays and its tributaries touched many of the Hopewell sites, indicating a reverence for those spots on the land by an intelligence observing human beings over a vast span of time and connecting those locations to celestial alignments. And that relevance is important in knowing that the Great Serpent Mound was built on the crater of an impact crater from 300 million years ago. How would indigenous people know that? And even stranger, the Fort Hill complex is built within the impact crater zone as well. Out of all the places in North America, why would anybody, and nobody really knows who they are, build these big, significant sites near geologic features that were millions of years old? Why would they know anything about any of it with such precise mathematics? How would that information ever be obtained in the first place, let alone passed along to these construction sites involving so many years and generations of labor and production? It’s hard to build a McDonald’s consistently, even with all the modern tools we have now. I would propose that it was the shaman with drug use who served as the primary communication device. And with that, a relationship with Non-Human Intelligence that we are finally admitting to, that has always been a part of the human experience.
Yes, the exhibit at the great Johnson-Humrickhouse Museum was very political, but not in the way that I think they intended. I saw at the museum an attempt to understand these great mysteries with replicas of the relics themselves. Again, that’s where I found a great copy of the Wilmington Tablet, along with the Holy Stones of Newark. And we also know of the Shaman of Newark, so there were relics that depicted the same kind of human sacrifice that we know came from central Mexico, Mirador, Teotihuacan, and Cholula, in a time when many people didn’t think cultures were talking to each other. They appear, as the evidence of the relics shows, to have been doing so. Even in the Smithsonian views these days by John Hancock, we know that the Hopewell people were traveling many thousands of miles to obtain copper, obsidian, and mica, and likely traded with the Olmecs of Tabasco, Mexico, and affiliated cultures, which had their writing showing up in the Wilmington Tablet and the Cincinnati Tablet. So the political motivations of David Wyrick are not as simple as has been attempted to be set out.
As a surveyor of these great Indian mounds, and confronted with vast evil, as the Civil War over slavery unleashed itself, and studying the remains of these ancient cultures, likely the same voices that whispered in the ear of the Shaman of Newark were whispering in the ear of David Wyrick and his opium painkillers. And was it Moses who wrote the Book of Job and discussed what Satan had said to whom and for what reason? The same guy who talked to god on a mountaintop and came back 40 days later with the Ten Commandments, and spoke to a burning bush about freeing the Jewish people from the confines of Egyptian polytheism. Should we ignore that the mound complex at Portsmith, Ohio has a very similar path-of-souls ritual to the one the Egyptians had for their preserved dead? And that some of their paths actually go through the Ohio River, showing a reverence for what was there before even the Ohio River flowed through the area, when the Teays River instead flowed to the north. And we could say with just as much authority that the mound sites were restored during the Hopewell period rather than constructed anew. That they were marking spots on the ground, viewed from the air, to very ancient landmarks, for reasons for which we do not have enough evidence to speculate. Yet they are there, and the evidence is begging to be found and analyzed. And for the same political reasons that Satan tried to trick God into punishing Job, we have society punishing David Wyrick for daring to oppose slavery, or wanting to use the Ten Commandments as a hook into North American migration by Western civilization, bringing with it a religion of forgiveness instead of appeasement to some mysterious gods who demand decapitated human heads in the lap of their shaman before providing information.
No, I didn’t want to be that guy, but sitting in front of the Newark Holystones at the Johnson-Humrickhouse Museum and seeing the exhibit they had there, and noticing the quick tone to dismiss everything as a hoax, my life flashed before me in a way I would have rather had it not. A deception was at play; Satan himself was trying to throw everyone off the scent. And when theologians contemplate a single satan in the Book of Job, they miss the obvious problem that there are likely thousands of them always whispering in someone’s ear, maybe God himself, or David Wyrick laced out on painkillers, or the Shaman of Newark. And that it didn’t take much to communicate, a spiritual terrorist from the land of Cannon could have been speaking the same message of sacrifice to some headhunter of the Adena culture depicted as a severed head in Hopewell mounds at the same time that they were whispering to Nebuchadnezzar to destroy Solomon’s First Temple, and to the Romans during the Second Temple, to destroy the vessels of God himself to make the world ripe for an overthrow, to the political objectives of the conspirators against God’s creations. And the Essenes were turned into the channel, and wrote about it in their Dead Sea Scrolls. I had wished that the Johnson-Humrickhouse Museum exhibit, located well north of Newark, was less obvious and more scientifically grounded. But the assumption was that Wyrick was an abolitionist living among evil people supporting the slavery of other people, more of that reference to the 1619 Project, the unjust settlement of indigenous land. And as you read at the Holy Stone Exhibit, you can almost hear the whispers of Satan himself, showing Wyrick to be invalidated, corrupting future scientists in their assumptions, and making a case for not even founding America at all so the Christian premise of eliminating human sacrifice would be destroyed and current cultures continue the practice of honoring the spirit world with the blood of the living. And I didn’t want to be the guy who reported what was hard to hear. That Satan was a non-human intelligence that has been doing all this manipulating since before the Teays River flowed north along the Scioto River, then turned left near present-day Columbus and headed out to Indiana along the present-day I-70 corridor.
If you really looked closely enough and blocked out the contemporary noise, you could hear the insecurities of Satan, hoping to get away with the deception of many lifetimes. Humans need to appease what they thought of as their superiors, their gods, the malcontents that UAP whistleblowers are now revealing in the light of day in the Trump administration very hard truths. It’s one thing to explain modern UFOs and their physics-defying characteristics, and another to explain the mysterious occurrences and hauntings at the Skinwalker ranch. Yes, I talk a lot about hauntings, paranormal occurrences, Bigfoot, UFOs, and the kind of politics that will make your skin crawl in the pages ahead. But it’s also a marvelous adventure that I share so that you don’t have to go through the pain firsthand. And perhaps, after a lot of work, we’ll gather up enough evidence to change our perspective. But in The Politics of Heaven, the ruse is in what isn’t said, not what is actually revealed. Satan never tells God what he’s up to in trying to get him to turn against the very good Job. But when we look at the human race, we see a lot of Jobs, David Wyrick being one of them. Good people are crushed by their relationships with others who are otherwise motivated toward evil. But what is evil anyway when you have the Shaman of Newark holding the severed head of an obvious victim, that shaman would use as currency to buy information from the spirit world. The great spirit, or Satan himself. We aren’t supposed to ask the question, only to accept that the experts told us what to think and when to think it. But I didn’t want to be that guy. Sometimes, I wish I could be a lot of other things. But what is the adventure in that? And in the adventure are the answers, the real answers if we dare to look.
Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.
The Overmanwarrior 