Tag: Occult

UFO Over West Chester, Ohio: Needing to know what we need to know

Witness statements indicated, “I was driving the northbound lanes of I-75 before Thanksgiving—just the steady crawl of rush hour through West Chester—when a shape where no shape should be caught my eye. Not a streak, not a flare, not the lazy oval of a blimp dragging an ad across the horizon, but a blue-gray rectangle that looked like someone had taken the idea of a stadium banner and carved it into geometry: thin, wide, and impossibly still against the evening sky. The first reaction was mundane: a banner tow. You see them every summer drifting over ballparks, or on fair weekends when traffic is thick, and attention is cheap. But banners have parents—a plane, a line, a sound. This object had none. It hung there, maybe five miles out over the Tylersville exit, tilted at roughly forty-five degrees of elevation, its edges too crisp to be cloud and too steady to be balloon. Ten minutes passed in that ordinary twenty-mile-per-hour way West Chester makes you count time. Then it vanished, not like a fade into haze or a slip behind trees, but like a television cut to black.”¹ ²

Dash cams make you honest in moments like that. One recorded the rectangle; a passenger kept describing it like a sign with no tether, and when the driver pulled up a tracking app, there was no aircraft to match the sightline or altitude. The account went into the National UFO Reporting Center—the place witnesses still go when something refuses easy categorization—as Report #194307, timestamped 5:02 PM local on November 22, 2025, with the witnesses noting “blue/gray,” “thinner than it was wide,” “not rising or descending,” and then the sudden “just vanished.” The details are banal enough to feel reliable—half a football field long, twenty-five yards tall, two observers—and they were posted publicly two days later, preserved among Ohio’s week of strange lights, triangles, and orbs, a familiar drumbeat to anyone who watches the sky and the database alike.³ ⁴

If you live between Cincinnati and Dayton, you learn two parallel languages for this kind of thing. One is the folklore of Wright-Patterson—the base up the road near Dayton, where Project Blue Book once lived. That’s the part of the Ohio myth that keeps a Blue Room and a Hangar 18 in the popular imagination, a Cold War apology of sorts, where pancakes analyzed as “terrestrial origin” and brake drums mistaken for meteors share archival space with seven hundred reports that stubbornly remain “unidentified.” The Air Force ended Blue Book in 1969, insisting they had found no threat and no proof of vehicles beyond current scientific knowledge, which is a bureaucratic way of saying: we saw a lot, we explained most, we couldn’t prove the rest. The legends survived anyway—Magruder’s alleged living alien, Goldwater denied access—and in every new sighting, the old echoes are never far.⁵ ⁶

The other language is more modern, even prosaic. Over the last few years, drone displays have taught us just how convincingly geometry can be painted onto the night. We’ve watched swarms draw logos and lattices, and we’ve seen how quickly human eyes—trained for jets and contrails—misread the choreography of coordinated LEDs. The Pentagon’s shift from “UFO” to “UAP” was meant to widen the frame and cool the fever, and some saner voices remind us that restricted airspace near bases and airports breeds both genuine hazards and exaggerated anxiety. In the more careful telling, many anomalies flatten into drones, balloons, or satellites—but not all of them, and the residue is where our curiosity lives.⁷ ⁸

So what do we do with a rectangle the size of half a football field, floating at a fixed altitude over one of Ohio’s densest corridors, unconnected to any tow, present for ten minutes, then gone? The instinct is to sort it into bins. First, the explainable: balloons can look rectangular when they present edge-on and when the light is low; banners misperceived from certain angles can hide their tow behind line‑of‑sight obstacles; even a drone swarm can, briefly, make you see a plane of light where none exists. NUFORC itself asks reporters to eliminate common misidentifications—such as Starlink trains, planetary brightness, and lens artifacts—before they submit, precisely because the database works best when the obvious is stripped away.³ ⁹ ¹⁰

Second, the engineered: a test article or a proof‑of‑concept flown where human attention is not just likely but guaranteed. There’s a plausible logic to public‑reaction tests—dense traffic, a holiday week, a shape that defies aerodynamics because lift, in a world of new propulsion methods, may no longer require wings, and then an exit, instant and clean, like a cloak or a switch. This is the territory where speculation about “anti-gravity” migrates from sci-fi to serious skepticism. Physicists will tell you—with justification—that gravity control would require overturning or bridging gaps in general relativity and quantum theory in ways that leave fingerprints in supply chains, training pipelines, and infrastructure long before you ever see a box in the sky. No such fingerprints exist in the open literature. But classified programs do not publish literature, and aerospace history is full of moments where rumors covered for stealth experiments—the F-117 era taught us that shadows can be policy.¹¹ ¹² ⁵ ²

Third, the truly anomalous: objects that violate expectations in ways that not only resist quick explanation but survive careful review. Congress has held hearings; videos have appeared of spheres surviving missile strikes; arguments rage between those who see proof of something nonhuman and those who see adversarial drones or doctored footage. In this climate, a rectangle over West Chester is a datapoint, not a revelation—proof only that ordinary observers can still capture experiences that are both specific and strange.¹³ ¹⁴

I keep returning to the witnesses’ matter-of-fact tone. They thought it was a banner. They looked for the plane. They checked a tracker. They watched ten minutes of banality turn into a cut‑to‑black. When you read enough reports, you learn to distrust melodrama and treasure the grocery‑list clarity: location, angle, size, color, duration, exit. And you notice patterns. The Middletown area has had its share—green lights, rotating clusters, sudden movements—sometimes later suspected as hoaxes, sometimes left open, but always recorded against the backdrop of a region that knows its sky is watched, both by enthusiasts and by institutions.¹⁵ ¹⁶ ⁴

West Chester isn’t a small place; nearly 67,000 people live there, more when you count commuters stacked north and south along the highway. Two reported this event publicly. You might read that as stigma or inattention or simply as the mathematics of surprise—most eyes look down in traffic, and most minds file anomalies under “not my problem.” I read it as exactly the reaction a test designer would want, if a test designer were the cause: enough witnesses to produce a credible record, not enough to produce a panic; a durable description; a fleeting presence. But I also read it as the kind of event that keeps the UAP conversation grounded in observation rather than theology. It happened; it was seen; it was logged; it remains unexplained.¹ ³ ¹⁷ ¹⁸

What I think—what I can responsibly think—is that the West Chester rectangle belongs in the small pile of structured, time-bound events with physical witnesses and minimal narrative inflation. It is not a banner because it lacked a tow; it is not a blimp because it lacked the telltale volume and motion; it is not a satellite or planet because it was near‑horizon, large, and dynamic; it might be a balloon if we can imagine a rectangular skin presenting edge‑on; it might be a projection if we can imagine sufficient power and stability in twilight air; it might be a test article if we can imagine the operational risk tolerance for flying a box over a suburban corridor. None of those conditionals settles into certainty. That’s the point.³ ⁹ ¹¹ ⁷

If you ask whether I think little green men took a leisurely hover over Butler County, I don’t. I think human curiosity and human capability—military, commercial, or hobbyist—explain most of what we see, and that the remainder is the frontier where we measure our assumptions. Project Blue Book concluded with the triad that has aged well: no threat proven, no extraordinary technology proven, no extraterrestrial vehicles proven. That’s not a denial; it’s an honest boundary. The rectangle over West Chester sits at that boundary, crisp against a November sky, now a record in a database, now a short local video, now a story told between rush‑hour brake lights, the kind of thing that keeps us looking up because for ten minutes—and then no minutes—it was there.⁶ ³ ⁵

And somewhere north on I-75, past the malls and office parks, a place that once housed America’s best cataloguers of aerial oddities bears the weight of our speculations. The myths around its hangars probably say more about us than about anything kept behind a badge line. But they remind us that Ohio has always been a stage for this theater: everyday people, skyward glances, reports written after kids are fed and dishes done, patience in the face of ambiguity. If the rectangle turns out, in five or ten years, to have been a test of optics or propulsion, we’ll nod and add a footnote. If it remains a rectangle without a parent, we’ll add a different footnote: seen, recorded, unexplained. That’s enough to warrant a paragraph in the ever-growing chronicle of UAP over America’s heartland, but not enough to satisfy the urges of curiosity and the need to know what we need to know.⁵ ⁶ ³

When you start connecting the dots across Butler County, the story becomes harder to dismiss. The West Chester sighting in November 2025 wasn’t an isolated anomaly—it echoes an almost identical event seven or eight years earlier over Monroe. That earlier case, often referred to as the “Middletown UFO,” even has video evidence circulating on YouTube. Two sightings, separated by years but sharing the same geometry and behavior, suggest a pattern rather than coincidence.

The Monroe incident carried an extra layer of irony for me. Just days before, I had recorded commentary criticizing the CIA, arguing that an unaccountable government agency posed a greater threat to society than any hypothetical alien landing at the old Lesourdsville Lake amusement park. Then, as if on cue, a highly defined UFO appeared in the sky over Monroe—right above the road, visible to anyone passing through. Was it occult synchronicity, a manifestation triggered by calling it out? Or was it a projection, seeded into the narrative to reinforce assumptions and steer public perception? Either explanation underscores a truth: the skies are not always what they seem, and the mechanisms behind what we witness may be far more psychological and technological than extraterrestrial.

In the case of West Chester, my view remains pragmatic. If you were an engineer testing cloaking or anti-gravity technology, you’d want real-world conditions—dense holiday traffic, a populated corridor, and proximity to a major Air Force base. You’d want to measure public reaction without announcing the test. And judging by the sparse reporting—two witnesses out of thousands—the experiment likely achieved its goal. That ratio is common in paranormal phenomena: many see, few speak. Stigma silences disclosure, and silence is the perfect cloak for those who prefer their work to remain invisible. In a society that should demand transparency, these events remind us how easily concealment thrives in plain sight.

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Footnotes

1. NUFORC – West Chester Report #194307, details on date, shape, duration, and description (posted Nov. 24, 2025).

2. NUFORC – Ohio Index, showing the West Chester entry and contemporaneous Ohio reports on 11/22/2025. 1

3. NUFORC Databank (About/Indexes/Disclaimers) explains grading, common misidentifications, and posting practice. 2

4. YouTube: “UFO over West Chester, Ohio” (local upload summarizing the event and public interest). 3

5. HISTORY.com – “Does Hangar 18, Legendary Alien Warehouse, Exist?”, Wright‑Patterson lore, Roswell connections. 4

6. U.S. Air Force Fact Sheet – Project Blue Book (conclusions; 12,618 reports, 701 unidentified). 5

7. Scientific American – “The U.S. Drone Panic Mirrors UFO Overreactions,” context on drone/UAP misreads near restricted airspace. 6

8. Florida Today Op‑Ed – UAP video debate (sphere struck by Hellfire; interpretations vary). 7

9. NUFORC – “File a Report” guidance, checklist to avoid common misidentifications (Starlink, planets, lens artifacts). 8

10. NUFORC Homepage (Recent Highlights), public transparency, and investigation notes. 9

11. Freethink – “The search for anti-gravity propulsion,” survey of claims and physics constraints. 10

12. Flying Penguin analysis – “Gravitic Drones…”, skepticism about gravity‑control claims and the absence of supporting infrastructure. 11

13. USA Today – “UFO hearing video shows Hellfire missile fired at mysterious orb,” congressional UAP context. 12

14. Enigma Labs – Ohio sightings dashboard, trends, and regional density (Cincinnati/Dayton corridor). 13

15. WCPO – “Strange lights captured… appear to be a hoax” (Middletown, June 2023), local precedent and cautionary notes. 14

16. Knewz – “UFO in Ohio? Several Residents Report Seeing Strange Green Lights”, summary of the Middletown event and official reactions. 15

17. West Chester population profiles (CityPopulation/WorldPopulationReview), confirming township scale and density. 1617

18. UFO Index – Ohio (latest reports incl. Middletown references), shows regional cadence of events.

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Bibliography

• National UFO Reporting Center (NUFORC). “Sighting Report #194307 – West Chester, OH.” https://nuforc.org/sighting/?id=194307; “Reports for State OH.” https://nuforc.org/subndx/?id=lOH; “Databank.” https://nuforc.org/databank/; “File a Report.” https://nuforc.org/report-a-ufo/

• HISTORY.com. “Does Hangar 18, Legendary Alien Warehouse, Exist?” (updated June 30, 2025). https://www.history.com/articles/hangar-18-ufos-aliens-wright-patterson

• U.S. Air Force. “Unidentified Flying Objects and Air Force Project Blue Book – Fact Sheet.” https://www.af.mil/About-Us/Fact-Sheets/Display/Article/104590/unidentified-flying-objects-and-air-force-project-blue-book/

• Scientific American. “The U.S. Drone Panic Mirrors UFO Overreactions.” https://www.scientificamerican.com/article/the-u-s-drone-panic-mirrors-ufo-overreactions/

• USA Today. “UFO hearing video shows Hellfire missile fired at mysterious orb.” https://www.usatoday.com/story/news/nation/2025/09/10/ufo-hearing-video-hellfire-missile/86073340007/

• Florida Today. “UAP video: Alien tech, drone test or military cover-up?” https://www.floridatoday.com/story/opinion/2025/09/14/uap-video-alien-tech-drone-test-or-military-cover-up/86076327007/

• Freethink. “The search for anti-gravity propulsion.” https://www.freethink.com/space/anti-gravity-propulsion

• FlyingPenguin. “Gravitic Drones From China: Classic Counterintelligence Pattern…” https://www.flyingpenguin.com/?p=64204

• WCPO‑TV. “Strange lights… appear to be a hoax” (Middletown, June 2023). https://www.wcpo.com/news/local-news/butler-county/middletown/ufo-sighting-in-middletown-strange-lights-captured-on-video-late-wednesday-night

• Knewz. “UFO in Ohio? Several Residents Report Seeing Strange Green Lights in the Night Sky.” https://knewz.com/ohio-residents-report-seeing-ufo-night-sky/

• CityPopulation.de / WorldPopulationReview. West Chester Township profiles. https://www.citypopulation.de/en/usa/ohio/admin/butler/3901783150__west_chester/ ; https://worldpopulationreview.com/us-cities/ohio/west-chester-township

• UFO Index. “Ohio UFO Reports.” https://www.ufoindex.com/ohio

• YouTube. “UFO over West Chester, Ohio.” https://www.youtube.com/watch?v=PG0Nv8NVfzI

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

The Meaning of the Pride Flag: It’s a religious debate, not about fairness

It’s time to stop arguing obvious progressive intrusions as unfair. When Lakota school board member Darbi Boddy took pictures of obvious sexual grooming in the halls of Lakota, and the defense was that the evidence was the result of political tolerance of sexual lifestyles, the reality was much more severe. The rainbows that were being taught to young children in the schools of public school were not just symbols of sexual alternative lifestyles; they were the roots of a cult that was religious in its nature which actually goes back many thousands of years to the worship of the goddess Ishtar from the Mesopotamian region. In essence, the rainbows in the halls of Lakota schools were the same religious symbols with precise meanings, as though there were images of the Christian Cross hanging on the walls with the Ten Commandments. And when the issue of transsexual rights came up at Lakota schools in April of 2023 regarding the bathrooms, the nature of the discussion was not one of fairness but of a religious cult that is actually behind the trans movement, which exploded into American culture late in June 1969, just a few months before the Woodstock music festival and a month before the Moon landing. Many things were happening to America to sabotage the space program from NASA, and the KGB was hard at work to backdoor communism to an unsuspecting public through its young people, which is what happened at the Stonewall Inn in Greenwich Village in New York City.

The examination into the root cause of the Stonewall Inn riots was that many of the participants were worshipers of the Cult of Ishtar and were using its sentiments to undermine the Christian nature of America through alternative sex practices, such as gay rights, trans rights, and the ritual practices of drunkenness and ostentatious pornography. Since that time in 1969, since the rest of the world was not landing on the moon, and there were lots of hostilities toward America that wanted to sabotage the effort, the same kinds of religious cults that destroyed previous civilizations, such as those from Sumer were introduced to do essentially the same in the United States. And for the diligent lawyers out there, the foundation argument for all this is in the excellent book by Jonathan Cahn called The Return of the Gods. In that book, he presents lots of evidence regarding the Cult of Ishtar that argues that the Trans movement is not about fairness or tolerance but is strictly a religion that should have the same rules applied to it that have been used to any Christian reference. If we cannot hang the Ten Commandments on the walls of our public schools and court houses, then we can’t put any rainbow references toward the Goddess Ishtar either. Because that is what the rainbow symbols refer to, Ishtar and her cult of followers. The rainbow was the battle flag of Ishtar, and the colors have particular meanings. So the argument that we have had regarding the use of rainbows in the halls of public schools and the evidence that America is a tolerant nation that will show compassion for people who are confused about how they feel inside and what biology they were given at birth, and the desire to desecrate their sexual rolls socially, the real issue was that of competing religions, the desire of one religion, the Cult of Ishtar and the Cross of Christ. If we had to accept Trans rights and activism, then public places had to tolerate prayer in the classroom and reference to the cross as the symbol of Christ’s crucifixion to die for the sins of mankind.  

The rainbow flag dedicated to the Goddess Ishtar was designed by Gilbert Baker, a drag queen and very openly gay man, on June 25th, 1978, just nine years after the riots at Stonewall. By 1994 that rainbow symbol was adopted as the official symbol of gay Pride and became recognized worldwide for that effort. Now the goddess Ishtar was a symbol of sex; she was a prostitute who was very promiscuous sexually. Whether she evoked in mankind the primary traits of sexual conduct and their perversion to satisfy the whims of a perverted deity or whether her reverence was purposely promiscuous intent on the downfall of whatever civilization adopted her practices as a priority, the results cannot be ignored. A worship of her by occult practitioners is why we have such a desire for drunkenness and sexual misconduct in our public schools and colleges to this very day. As stated, the KGB, which very much wanted to destroy the kind of culture from within that could put a man on the moon, was dusting off whatever aspects of ancient occult that might ruin America. And we are seeing the wheels set in motion then clearly in our present times because nobody has made an honest attempt to stop the madness. We instead have reacted by answering the argument posed, are we a tolerant nation? The answer obviously is yes, and we have been putting all our effort into fighting that accusation rather than the actual merits of the case that a religious ideology has been purposely trying to alter our country and destroy it at the foundations of its Christian belief. 

In the rainbow flag of Ishtar are definite meanings to the eight primary colors, with pink representing sex, red representing life, orange representing healing, yellow representing the sun (sun worship as a deity, turning the culture to worship of solar gods, solar power, reverence to the forces of the sun) green representing nature, (climate change, ESG measures) turquoise representing magic, (dark art, occult practices) indigo representing serenity, and the last color violet represented the spirit of sexuality, in whatever form it manifested, gayness, lesbianism, transsexuality, all the alphabet sex practices that are being shoved at us today as a value system. The purpose of the priority is to desecrate our traditionally Christian nation and replace it with the flag of domination by the Goddess Ishtar. It truly has nothing to do with sexual tolerance and social inclusion but desecration and undermining of our culture from its roots by hiding behind the concept of Church and State. I do not doubt among my readers that some very clever lawyers can see these implications. Once case law is established that the rainbow symbols are references the same as the Cross of Christ and prayer in public places, we have a whole new way of looking at this vast evil that has been cast upon our culture. Darbi Boddy at Lakota schools has had the right instincts about this issue from the start of her term. And the anger at her for pointing it out goes back to the kind of social activism that was evident at the breakout of the transexual movement beginning at Stonewall in New York City in 1969. These things didn’t happen by accident and aren’t about fairness. They were always attacks on American culture meant to corrupt our youth, and now many of those corrupted youth are running our country from a political position and are embedded in our media and other places of authority. And they worship the Cult of Ishtar, and their reverences, such as the rainbow flags of the Pride movement, are religious. Not symbols of inclusion but the battle flag of cultural domination and social destruction purposely invoked from ancient history to destroy America and everyone in it.

Rich Hoffman

Click to buy The Gunfighter’s Guide to Business

Why I Don’t Dance: Of course, there are lots of hostile forces looking for devices of mind control, and music for them is easy

It was one of those weird conversations you have with people who ask unusual questions that do not have usual answers. I was having dinner with some people from the East Coast on the river in Cincinnati, and small talk was the qualifier for many reasons. There was music in the background, which naturally provoked the question of what kind of bands I liked and what music I liked to listen to. And from me, that does not get a usual response to a band listing my favorite music. Most people do have a few musical groups that they enjoy a lot, but I’m not one of them. I have always viewed music as a device for psychological warfare and a fundamental element of mass mind control. And for that reason, it answers the big question, why I never dance to music, anywhere, ever. I do not allow myself to be moved to the beat of music in any way, shape, or form, which is an unusual position to take in any kind of society because music is often seen as a unifier and a bridge builder, which is why it came up in that dinner conversation. I’m not a wet blanket on music when people play it. I don’t point to certain types of music and decry it as “the work of the devil.” But I don’t trust the music to my mind in any way. In a world where many maniacal forces desire the subtle rule of everything, music is an all too tempting playground for the occult to rule in ways they have desired from the beginning of time. Of course, it’s happening now to people in ways they cannot relate to. I only mention it now because I see many people realizing that there is a lot more to the Wizard of Oz of our culture now that the curtain has been pulled back on lots of mass mind control through election fraud, Covid tampering, and politics in general. It’s hard to know who the bad guys are and the good guys are when we see how top-secret documents were handled by the FBI for Trump, for instance, as opposed to Biden. We see there is something wrong that is beyond our grasp, and our trust has been violated, yet we aren’t quite sure how or why. 

If you want to believe that all there is to reality is just the visual spectrum that you can see or the audio waves we can hear, I understand. It’s hard and complicated to reach beyond a human’s perceptual reality and to ask hard questions or not to assume that those who want to rule the world wouldn’t be obsessed with controlling all perceptual reality from the means of strategies that exist outside it. For instance, there is a plant known to the Arabs as the Golden Plant, called Baaras which is supposed to grow on Mount Libanus, underneath the road which leads to Damascus. It flowers in the month of May after the snow melts. At night you can see it with torchlight, but in the day, it’s invisible. Does that mean it doesn’t exist if you cannot see it? Or does it mean you do not have the biological sensitivity range to detect it? I would say that humans have evolved into seeing and hearing what they need to, but there is a lot of outside perceptual reality. All those lifeforms compete for attention in a hostile universe motivated by its transgressions. And that it should never be assumed that reality can be trusted only by what you can see or hear. Many dogs and other animals can see things beyond the hearing range of human beings, and they react to those noises often, barking out the window at what we would call “nothing,” but to them, there is something there. 

What often bothers me about music and those who write music, and knowing something about the entertainment industry over time, and how governments do like to tamper with mass populations, as they were caught doing with Covid and elections, is that drugs often assist songwriters, under the influence, all kinds of elements can be brought into the matter as what is considered an inspiration, but might actually be mind control by hostile forces. How many bands brag about how straight they are while playing music or writing it? Often drugs come into the mix or some other chemical element, and as I have reviewed the matter of Ayahuasca a great deal, I believe those people. I think what they see is not just hallucinations produced by an overly stimulated brain but a glimpse into what we call the spirit world. The correct way to reference it is as “competing” life forms on several dimensional realities. Do we really understand the lyrics to the songs that are sung? There are many references from thoughtful people who look at the concerts of Katy Perry or Madonna, who openly offered free oral sex to anybody who would vote against President Trump, occult references that many suspect point to an Illuminati influence over the music industry. Based on the behavior of most musical artists, people would not be crazy to draw that conclusion. So knowing what we do about corrupt governments and how they would lie to us about Covid, election fraud, and even the importance of classified documents from presidents or former presidents, why wouldn’t we assume that published music released to mass markets isn’t attached to deep occult rituals designed to invoke spirit world help from beyond the grave? And suddenly, innocently, we find ourselves mouthing the words and tapping our feet to a catchy tune that might be trying to invoke some ritualistic menace intent on destroying all humanity. Yet we rationalize it as just “entertainment.”

One of the most ancient conflicts that have been recorded was the one between Yahweh in the Christian Bible and his archrival Baal. Millions and millions of people were killed in this conflict, and it all came down to those who followed the Ten Commandments or worshipped at the altar of Baal. And with all our technology and the noise of modern society, I would say that the point of the noise is to saturate our minds with nonsense so that we don’t pick up on the intent of those who would otherwise call themselves our enemies. The music industry has always been suspected of having motivations beyond just making money. Whether it was playing records backward to detect hidden messages or the ritual nature of mass drug consumption at a rock concert to the beat of seductive music that takes people out of a conscious state of decision-making and makes them artifacts of desire, I think music is a vehicle for mind control by lots of forces, whether they be governments wanting to invoke a compliant sheep-like society, or maniacal demons of the underworld looking to make their mark in the world in ways they otherwise wouldn’t have the power to do, my answer to the music question is that I don’t trust any of it. I don’t think it’s possible just to enjoy entertainment without considering its motivations and the impact on the psychology of the listener. So for all those reasons, and many more just hinted at, I don’t dance to music. Not at weddings. Not at sporting events. Nowhere. When my daughters were married, we did not do the “daddy-daughter” dance because I don’t dance. Anywhere, with anybody, ever. Responding to things, not in your control is not healthy, fun, or smart. 

Rich Hoffman

Click to buy The Gunfighter’s Guide to Business

Problems with 5G: The occult of Apple, neutrinos, and non-ionizing radiation from Wi-Fi networks

Up until this point, I have not thought much about 5G technology. After all, I support technological innovation. But after Covid and watching the behavior of the big tech companies regarding Covid and election fraud during 2020 and how they took active roles in subverting truth, I’m not so sure that they have our best interests in mind regarding 5G technology. It looks to be great for them, but not so good for us. And that was the feature of a conversation that I was in at a public meeting where there was a lot of justifiable concern about wireless networks in public schools and whether or not they should exist and expose children to ridiculous amounts of non-ionizing radiation, which we know emits from Wi-Fi networks. The compromise was that schools should spend the extra money to hard wire their internet devices rather than rely on wireless networks that broadcast all this information all day, bombarding young bodies with lots of unknown particles while in schools. Of course, there were snickers about this suggestion; we have all grown to accept wireless internet technology everywhere we go; it’s in our homes, at McDonald’s, our shopping complexes, everywhere. We are all bombed with non-ionizing radiation constantly, all hours of every day, all year long, and we don’t know the damage it causes us over such lengthy durations. In a post-Covid world, I am much less friendly to any tech companies and tend to think it’s good to have internet blind spots, places on earth where we can get away from “them.” We accept certain risks because it makes our lives more convenient. But then again, do we need to be plugged into their internet system all the time, all over the earth?   Maybe not.

Even though they are a liberal company, I’ve always liked Apple products. I was a fan of Steve Jobs and the geeky types who were part of the tech boom that exploded in the 90s. I always liked Bill Gates, for that matter, and have been a huge fan of Microsoft Office. When I would hear stories about the Apple logo having occult references or the box icon for Microsoft pointed toward supernatural impediments, I would laugh them off as overactive imaginations. But because of their conspiracies with Covid, the way they seamlessly integrated with the strategies of the World Economic Forum, the Desecrators of Davos desire to rule the world from a centralized government controlled by the United Nations, with vaccine passports and edited news that denied hydroxychloroquine and ivermectin to dying patients, so that statistically they could have the death counts, and not the solution, I don’t trust any of them. I do not trust Apple news sites. I don’t like the way we have to rent everything from them, like Apple Music. It fits right into the Klaus Schwab tyrannies of world domination from a financial point of view. And I now think that the founders of Apple were lying when they suggested that the Apple logo was just some innocent invention referring to an Apple falling and hitting someone in the head with an idea. Based on their behavior, the occult origins of the logo make much more sense, that it represents the apple that Eve ate in the garden of Edan. The bite represents the fall from the garden, from the grace of God, which we are all supposed to strive to get back to through the death and resurrection of Jesus Christ. 

Regarding the non-ionizing radiation, we tend to think that “they,” meaning government and the tech companies, would not want to kill their customers, so if it were dangerous, they would let us know. But after the push for the vaccine mandates that have harmed people with blood clots and even death, and then to witness the mass cover-up and the government deal with pharmaceutical companies to not hold any of them liable, we need to rethink this relationship altogether. It brings to my mind the very modern problem of what we know about neutrinos, which are bizarre subatomic particles that interact with us constantly. They are passing through us all the time as if we aren’t even present. They even pass through the earth, not slowing down in the slightest. We can’t see them, and they have no knowledge of us, yet we constantly interact with each other in mysterious ways. We only know about them because they occasionally crash into each other, and we can see the result. The persistent science points to these particles as aspects of quantum entanglement, which could point to particles that travel faster than the speed of light, breaking Einstein’s Theory of Relativity. Scientists aren’t ready to accept that premise; yet another hundred years of research, it’s likely that we will eventually have to admit such things to ourselves. Meanwhile, neutrinos exist and affect our world. Add these mysteries to the unknowns of non-ionizing radiation, and we could be causing lots of problems.    

The bottom line is that the trust in technology companies has been broken, and we should not assume that they have our best interests in mind. They have shown they are committed to making “the administrative state” more powerful for centralized governments in a relationship they have to be at the center of all that control. They want to constantly monitor everything we do, what we read and think, and what we see. So in that regard, 5G serves them much more than it’s a convenience for us. In the same way that they give us apps for every little thing, the tradeoff has been to extract information from us that they can then use against us. So we have a lot to pound away at culturally to solve some of these problems. And where we can, we should reduce wireless networks, especially in schools. Kids don’t need easy access to Snap Chat and Tik Tok when they are supposed to be learning in school without a supercharged wireless network with no dead zones. That non-ionizing radiation impacts us in ways that we don’t understand, and based on the behavior of the people who advocate for 5G technology, we obviously cannot trust they have our best interests in mind. Instead, we should expect malicious intent from them and the worst that human nature can conduct as a behavioral standard. As we learn more, occult practices of a non-Christian nature are at the core of everything they do, which is why many of the leaders in these organizations have turned to the religion of climate science rather than Christ-based religion. The central tenet of Christianity is dominion over nature as all things are in service to mankind. Yet we see this pagan push from governments and the tech companies to make everything subservient to nature which points back to the motivations of the Apple logo itself as an Anti-Christ reverence, where a fall in the garden is preferred.   When you add their behavior to the push for the religion of climate change and the intentions of the globalist types who sincerely believe that the earth is overpopulated, and if mankind can’t be controlled in every aspect of their lives, that the death of people is acceptable to obtain the greater good as “they” interpret it, then we have significant problems and must limit how much control over our lives they really have. And that starts by limiting the effects of their 5G technology and where it can reach and when—then knowing that the debate of 5G in our public schools has a lot of merits.

Rich Hoffman

Click to buy The Gunfighter’s Guide to Business

Charles Ansbacher’s Denver International Airport: Gargoyles, demon horses, and paintings of death, mayhem and violence–enjoy your trip

This article is part VII of a series.  Click here to visit part VI.  And again, please watch all the videos below for context and support of the text.

It has already been well covered the disturbing imagery and obvious occult artwork at the Denver International Airport.  If you’ve been to the DIA, you have surely seen the giant demon horse that greets visitors in front reared up and ready to mount a female of its choosing.  A lot of fair-minded people have dismissed the horse with its glowing red eyes thinking it’s a tribute to the Denver Broncos.  It’s not.  The horse actually killed the artist during construction and it continues to send uneasy speculation through visitors of the busiest airports in the world daily.

The DIA is the brain child of the New Word Airport Commission, specifically Charles Ansbacher who was the founder and died in 2010.  Upon his death, the following was said about him and his work at the airport”

Charles Ansbacher, the man who coined the name of the New World Airport Commission listed on the Masonic capstone in DIA’s great hall, passed away Sunday night. He was also instrumental in creating the airport’s enormous art program, which commissioned works such as the Tanguma murals and the Mustang.

According to this article from the Colorado Springs Gazette:

Ansbacher left Colorado Springs in 1988 to serve as director of the New Airport Art Program, a $7.5 million art initiative incorporating 30 art projects into Denver International Airport’s architecture, landscaping and interior design.

“This is … the largest, most comprehensive public art project of any airport on earth,” Denver Mayor John Hickenlooper told the Cambridge Chronicle. “It’s certainly the most provocative, the most transformational. … Ansbacher has enriched every place he has been by his own vision and his willingness to give of himself back to the community.”

http://diaconspiracyfiles.com/2010/09/16/new-world-airport-commission-founder-dies/

Given the vast amount of evidence provided here in previous articles it should be quite clear what is going on from the high degree Masons involved with the New World Airport Commission.  It should be noted that the first two places in America to accept the legalization of marijuana was the gradual liberalization of Denver, Colorado and through the underground music scene in Seattle, Washington.  Is it a coincidence that the Aurora theater shooting took place in a Denver suburb?  Probably not.  Is it a coincidence that two school shootings also took place in Denver suburbs inciting a national fervor in favor of repealing the Second Amendment?  Probaly not.  Is it any coincidence that mega rich liberal activists like George Soros and his friends support drug legalization and open boarders pouring fortunes of money into the cause of breaking down psychological resistance for an undefined objective, and that the first place in America to accept this open drug policy is Denver?  Probably not. But that is all speculation, let’s stick with what we know and that is that the DIA has made obvious choices in art out of all possible works to pour 4.8 billion dollars into something that has been meticulously planned to be an art exhibited that purposely interacts with the public in very obvious ways—and that the shock value is very Masonic in its subversive message—a slow withering of resistance to their belief system with art that is clearly occult driven.  If one does not understand the occult message—consciously, they might just be spooked by the images at the DIA, but not pay much attention otherwise.  However, after reading these connected articles and having the curtain pulled back a bit into the occult beliefs of the high degree Mason’s behind The New World Airport Commission, the strategy becomes quite clear.

I had a guy read some of these articles and report to me that he was a Christian and had been a Mason for over thirty years—and he denied that there was anything malicious, or sinister about their methods.  Well, I have seen it first hand—I have been places I shouldn’t have been, and I know well what’s going on behind the curtain.  Also, I have right next to my reading stand a book I have picked through and read a half a dozen ways to a thousand called The Golden Bough by Sir James Frazer—a work of comparative mythology–this is the same book that pulled Jack Parsons into the occult.  I understand how symbols have been used over time to invoke in the subconscious the effects of a well told story and how such rituals are meant to summon emotional change in the subjects.  Over the last seven articles dear reader I have taken you on a journey into The Golden Dawn from Europe, introduced you to Aleister Crowley, Jack Parsons, explained the Scarlet Woman, and demonstrated how music has been used to subtly introduce the concept of mass collective sacrifice from millions upon millions of people.  Not a literal sacrifice such as what might have been found in Mesopotamia, Egypt or in the Yucatan Peninsula, but intellectual sacrifice where millions of souls yield their mind to some foolish notion of a “greater good.”

 I believe that the Bush family regards themselves as good Christians, yet they are high degree Masons who routinely attend the little gathering in the forest outside of San Francisco where a lot of the images seen at the DIA are quite at home—and those rituals have been explained extensively here.  The participants actually believe they are acting on behalf of “the good” but that their “good” is more encompassing of higher knowledge than the simpletons who regulate their religious aspirations just to the Holy Bible.  It is not an accident that Barbra Bush’s mother was involved with Aleister Crowley just after his activity with The Golden Dawn.  Barbra would just happen to marry a guy who would become president and evolve into a high degree Mason who was in charge of the CIA, was ambassador to the United Nations, and is a Skull and Bones secret society member.  George Bush the senior is such a good guy.

Aleister Crowley and Jack Parsons believed they were good guys too—liberating the mind of mankind from the shackles of sexual restriction.  And high degree Mason’s like George Bush Sr. think they are good guys, and Barbra is a good lady—and everything they do is for the “greater good.”  They are nice, altruistic, protectors of the weak, the ignorant, and the otherwise helpless.  Charles Ansbacher likely believed the same thing from his point of view when he led the New World Airport Commission to erect the giant demon horse with red glowing eyes, built the runway in the shape of a swastika, had gargoyles in the luggage area, and murals scattered throughout which are consistent with the beliefs of Thelema which has been explained extensively.

http://vigilantcitizen.com/sinistersites/sinister-sites-the-denver-international-airport/attachment/denver/

There was a reason that Hitler used swastikas as his symbol for the Third Reich.  Swastikas have a deep history in Europe as a good luck symbol and actually dates back to the Indus Valley civilization.  In Jainism the swastika serves as a reminder of the cycles of birth and death and that mankind is born into one of four destinies, heavenly beings, human beings, animal beings, and hellish beings.  Yet the focus of these various aspects comes together in the center.  The swastika means virtually the same thing as the Christian cross.  The reason that Christ hangs on that emblem is to invoke the message that through Christ redemption can be found with everlasting eternity.  The swastika is intended to do the same thing; through the center of all those points is the way to enlightenment.  In the case of the Denver International Airport  Charles Ansbacher and his New World Airport Commission thought it would be fun, and good to have a living art exhibit exclusively dedicated to Masonic imagery to appease the “creator” with the same reverence as the Nazca painted their lines on the ground of Peru, or the proximity of the Great Pyramids to the gigantic Baalbrek triangulation from the air with Mt Sinai intending to appease Planet Earth’s creators.  The DIA is simply the most recent attempt by the world’s wannabe high priests to place themselves between man and God as a mediator, and protector.  From the point of view of those who think swatstikas are cool, demon horses with glowing red eyes are virtuous, and masked police officers killing doves are physiologically healthy, they are attempting to bring all of society to the center of the swastika, to the central point beyond all pairs of opposites, where animals, demons, and all human beings are equal to each other.  By destroying the preconceived notion of “good” they can then bring all of humanity to a “higher” plane of reality—and for them—they believe they are doing a good thing.  Just like Aleister Crowley believed he was doing good, and Jack Parsons did as well as he was sleeping with his wife’s sister right out in front of the entire O.T.O congregation hoping to invoke the Babalon goddess–the Thelema messiah so the world would be saved.

What makes the work of Charles Ansbacher, George Bush, and Aleister Crowley so evil is not their intentions—which I believe are always good.  What makes them evil is that they presume to act on the behalf of individuals everywhere.  If the plan at the DIA is to lower people’s resistance to illegal drug use so to free their mind to greater realities through a bombardment of freemason imagery—they assume incorrectly that all people need collective salvation to achieve proper self illumination.  They assume that all people are functioning from the same mental restrictions as they are—their treacherous commitment to group activity and fear to stand on their own as an individual contributor to existence.  If the goal of these secret societies is to invoke violence through renegade shooters so that innocent children will be killed in schools and movie theaters for the greater good of America forcing them to take a hard stance against the Second Amendment the instigators are evil for imposing their faulty belief system upon the masses.

Charles Ansbacher, the Masons behind the DIA, O.T.O members, Skull and Bones society members, and all groups everywhere are wrong with their basic premise in assuming that their thoughts are correct and good for all individuals.  They fail in imposing collective salvation over the will of the individual human being and that is why they are vile.  They are attempting to herd society into a direction of their choosing—and in the case of the DIA, their strategic movements are quite obvious and literal.  They are unquestionably trying to move society into a direction that their occult beliefs conceive to be beneficial by the artistic rendition. They want to bring people to the center of the swastika—beyond all pairs of opposites for a goal that is important to them from the perspective of their very limited group assimilation.

The solution to resisting evil is not provided by one more group of robed old men and their Latin chants or their dedication to Mother Earth through some ancient belief derived from the Indus Valley.  It does not come by more people smoking pot, or having sex with a Scarlet Women hoping to bring back to the world the goddess Babalon.  It doesn’t come from gun control, a one world currency managed by the same type of people who brought us the art work at the DIA, or another stupid Miley Cyrus song with her tongue hanging out as if every man in America wants that thing on their phallic unit.  It comes from the individual and the products of that mind and no other. It comes from a completely new way of looking at the same problem for the first time in history—a true product of individual minds at work following not the bliss of their high priest masters—but the sacred temples which exists not in stones and granite, but of their own cerebral enterprise between their two ears, two eyes, a mouth and the feel of their finger tips.  It is there that true salvation resides and what is meant by the phrase—Who is John Galt.

Tomorrow as a kind of prologue to this series, you will find out who John Galt is and why he is important to you.

Rich Hoffman

 www.OVERMANWARRIOR.com