First, let me explain what is wrong with labor unions. They allow bad employees to hide behind good employees, and as a collective practice, they water down effectiveness. They view as work the entire enterprise of labor as being for the worker, not the work being done. And it has been a disastrous experiment from the mind of Marxist thinkers. I know in this new big tent MAGA movement that lots of union workers crossed over and voted for President Trump, so debate about labor unions is on the back burner these days, and Right To Work legislation in the states is less of a topic, even though its still a big deal for employers, because business enterprises don’t want to be stuck taking all the risks only to have a radical Marxist enterprise of low performing workers take control of labor management with a bunch of dumb, ineffective rules. For Ohio to be a proper pro-business state, employers will need the assurance of a Right to Work state like Indiana has just to the west. Otherwise, it’s not an apples-to-apples offering. From my point of view, I don’t see anything good about labor unions. They are the heart of the problem of school funding and have been a disaster since they were introduced in the middle of the 19th century, right along with Marxism. The two things are tied together and have been horrible for the world. So, with all that in mind, I wondered about the Black Lives Matters plaza painting on the ground on 16th Street in front of the White House before President Trump had it removed this past week. I wanted to see it before it was gone forever, and what I found there was even worse than I had imagined. The root cause of the problems was, of course, labor unions.
During the hostile 2020 election year with all the Covid lockdowns and radical Soros backed color revolutions that were trying to burn down the church at the end of 16th Street, and vandalize Lafayette Square while the FBI, CIA, and many fourth branch of government Deep Staters plotted the destruction of the people’s pick for President, Trump, lunatics from the known Marxist group Black Lives Matters painted their logo on the street in giant letters to let the White House know that the aggressors of political destruction was on the doorstep of the White House. All this activity was evident from inside the White House, and it was meant to intimidate Trump and his supporters into bowing down to a proposed fight that was highly aggressive. Later, I learned that this was not just a painted road but that the letters “Black Lives Matter” were actually embedded into the blocks of the street itself, so just painting over it wouldn’t get rid of the message. We also later learned that the taxpayers were on the hook for the vandalism that cost over 8 million dollars and was personally endorsed by the mayor of Washington, D.C., Muriel Bowser. The painting was an intended message of aggression attempting to hide actual terrorism behind some guilt-driven sentiment left over from the years of slavery, which were always a Democrat issue. Republicans freed the enslaved people and do not harbor guilt in maintaining the institution. One of the most excellent Republicans in the history of politics was Frederick Douglass, who was very well-known during President Grant’s reconstruction period after the Civil War, a very prominent person of color and proud Republican member of history’s politics. Democrats have tried to capture the issue over the next hundred years to attempt to erase their guilt from it, creating many of the modern tensions we see today.


Republicans have learned a lot from the experience and are pushing back, led by President Trump. As my wife and I visited the city recently, it is being cleaned up everywhere. Trump has set a high bar that should have always been in place, and other Republicans, such as Representative Andrew Clyde, are pushing to withhold federal transportation funds unless Bowser gets rid of the Black Lives Matter painting and renames the plaza “Liberty Plaza.” So, a lot is going on that I wanted to see for myself, and upon arriving, a clarity that had not been explained in the news reports became very clear. Because all through this, my thoughts were, “What do these businesses in the area think about this stupid, Marxist painting? I wouldn’t want to look out my windows down onto the street and see such a think with crazy radicals looming from the shadows to take over the city on a moment’s notice essentially.” And that’s when I saw that there on 16th street were many of the big unions, the Labor’s International Union, the AFL-CIO union, and the Motion Picture’s Association of America. These are all radical Marxist groups and the reason we haven’t heard about them is because many of the people who are in the news reporting industry belong to an entertainment union of some kind, especially the American Federation of Television and Radio Artists, (AFTRA) which is part of SAG, (the Screen Actors Guild), so they can’t be too critical of labor union activity. This allows these horrendously radical progressive groups- and when we say “progressive,” we mean “communist” in their sentiments to cause trouble in the background without recourse. Now we know why nobody talked about the kind of businesses that allowed for that painting to be painted on the street in the first place.

The real fight, clearly on display on 16th Street looming over the President’s house, that we put our representatives into, is that massive international unions are fighting for power and are proclaiming that they are in charge. They used the George Floyd issue to blow into the Marxist minds of the fans to hide violence and intimidation behind a race war; they were trying to get Trump out of office and to remove any influence that voters had over the city of Washington, D.C. The unions were in charge, and they let everyone know about it. But the key to fighting them is not confronting them directly, as we have in the past. Labor unions consume a considerable amount of tax money to exist. So the way to beat them, which is why President Trump has not worried about them too much and even appeals to their members, is to take away their power, which is fed by confiscated taxpayer money. That’s ultimately what got Muriel Bowser’s attention, pulling away her federal funds for sponsoring acts of terrorism disguised as race concerns. Democrats caused race concerns in the first place. That painting has been like a planted flag in front of our house for years and is only now being removed. But before it was, I had to see it for myself, so my wife and I visited it a few days before the road crews came in and ripped it out of the ground. But those labor unions are still hiding behind the public noise, waiting for another chance to strike. They are the fuel in the background that stirs up these terrorist acts, just as they are all over the world. And are the root cause of most of our problems of domestic terrorism in American society. And to deal with them, we must remove their funding so they have nothing to work with. Because the longer they exist, they will always be causing trouble toward America’s destruction, which is their objective. They will never be our friends; as a general rule, they should be illegal in every form they present themselves in.

Rich Hoffman

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