The Real Tim Ballard: Is it all just a CIA case of misdirection

It is lazy to just mindlessly trust anything, especially authority figures, and I was wondering while watching the new very good movie, The Sound of Freedom, how the real-life Tim Ballard did it, blending in with the cartels to act like one of them so that trust could be earned to break open the pedophile rings of modern slavery that are so much a modern problem.  You’re hanging around drug dealers and the scum of the earth, and you are trying to win them over.  There would be no way to pull it off being straight as an arrow; otherwise, they would never trust you.  You’d have to show an interest in kids and pretend to be attracted to them, which Tim Ballard had to do at the beginning of the film when he was trying to get into the mind of a significant pedophile consumer.  The movie lightly touched on that kind of life and focused excessively on the Christian side of reality.  It purposely made Tim Ballard into a hero and glorified his efforts almost to the point of a John Wayne movie.  I personally enjoyed the results.  I wanted to see a hero.  I wanted to see someone who was so firm in their convictions that it could make the tough subject matter of the movie go down easier.  But I’ll have to admit; I had doubts that Tim Ballard’s life was so heroic.  He’s likely had to see and do many things that are very embarrassing to gain the trust of the world’s scum bags.  And I’m sure those things didn’t feel very heroic to him.  But would we ever catch any of these people if he didn’t do those things? 

I gave Sound of Freedom a great review; I think it was a top-notch movie, and it’s worth seeing, for the subject matter was very serious.  But I’m also proud of many people who have let me know that there is a serious possibility that this entire movie has been a CIA operation to attempt to restore their tarnished brand with the targeted religious right.  And it would be a common trick by those types of intelligence agencies to hide much more serious crimes behind misdirection efforts.  After all, the criminals in Sound of Freedom are nobody, dime-a-dozen scum bags from Columbia and Mexico.  Nobody will miss them if they are arrested and thrown in jail forever or killed in a gun fight upon arrest.  The sex trafficking of children would continue, and life would continue as we know it.  And that was the entire point of the Tim Ballard true story, to show how deep undercover and into the danger zone he was willing to go to save a couple of kids from that terrible life.  But people have been quick to point out that the money trail does trace back to Clinton supporters and that when the CIA asked Tim Ballard to become part of Homeland Security to take on this human trafficking role because he was a person of faith and they felt that would give him a lifeline out, and back to reality without falling apart, its entirely possible this is the kind of chess game they had in mind all along.  That the story Sound of Freedom would give the religious right some red meat and hope it appeases them and makes them go back to sleep.  Because the actual crimes were in the Beltway among the rich and famous.  The Hollywood culture that likes to consume adrenochrome for its pursuits of immortal life, their own Epic of Gilgamesh in Beverly Hills.

In that regard, The Sound of Freedom played it very safe.  The bad guys were terrible, and everyone could agree on who they were.  And the entire movie was about chasing down a few of those types of people to the ends of the earth.  But it didn’t deal with John Podesta’s Pizzagate controversy and the high-end user debacles of Epstein Island that are undoubtedly major problems in the news, and to what role the CIA plays in feeding this criminal network, just as they have been caught doing with the illegal drug network.  The cartels have risen to fill a market need.  So why is there a market need?  Sound of Freedom points out the problem in a way that essentially says, “hey, look over there, at those bad people deep in the rebel-held territory of Columbia.  But don’t look at the safe house in Washington D.C. that is feeding these kids to consumers in Chevy Chase, Maryland, while dad sneaks away from the home, telling the family he’s working late.  But what he’s really trying to do is have sex with kids hoping to psychologically turn back the clock before he has made a bunch of unforgivable mistakes in life.”  And then how do intelligence agencies and corporations use such compromised people to gain power in the world through extortion?  Some huge questions in Sound of Freedom are deliberately pushed off to the side for narrative convenience.  If the movie did tackle those topics, it would likely be very depressing, and it would be hard to justify the price of a ticket. 

I personally think the CIA uses people like Tim for just these kinds of purposes.  And the role that Angel Studios plays in the distribution of this movie I think is sincere.  I love The Chosen and think the family who set up that studio are good people trying to do good things for all the right reasons.  But are they all being used to contain the message of child trafficking to acceptable limits determined by the CIA?  Well, probably.  This is a story that props up government efforts against sex trafficking and makes you want to cheer on the good guys punishing the bad guys.  But it’s pretty safe in the stereotypes.  The CIA has no problem throwing a few lowlifes under the bus for their own preservation.  And I’m glad people are talking about the Sound of Freedom in such an “awake” way.  It’s good to be skeptical.  And it’s good to question Tim Ballard’s and his wife’s integrity.  I want to believe there are people like him in the world and that we aren’t all being played for suckers.  But experience says that such people don’t exist.  Either way, The Sound of Freedom is a movie worth telling to an audience that needs to hear it.  But trust in government and government workers in Homeland Security and the CIA is a bridge too far.  There is a lot more evil going on in the world besides the terrible circumstances of this movie.  And when the CIA starts standing for good in the hard cases and busting the rich and famous on moral grounds of right and wrong, we can have a different conversation.  But as of now, we must scrutinize everyone because institutionalism tends to corrupt everything it touches, even the good people who work within it with an “ends justify the means” mentality.  Playing nice with the bad guys usually means doing bad things too.  And that’s not something to celebrate.  It’s something to punish. 

Rich Hoffman

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A Review of ‘The Sound of Freedom’: God’s Children are not for sale

Boy, that was a good movie, the Sound of Freedom. I intended to see it on the 4th of July when Angel Studios released it, a bold move considering they were putting a critical box office movie in the middle of summer between the new Indiana Jones film and the latest Mission Impossible project. I like these Angel Studios guys; I’ve worked with independent studios in the past, namely the Atlas group for the Atlas Shrugged films, so I have an appreciation for how difficult it is to make a movie in the first place, especially one with a big message like the Sound of Freedom has. But that’s only half the battle. Getting a movie distributed through the theaters is the biggest hurdle, and it’s been in that way that finance has been able to take over the movie industry. Putting this movie out on the 4th of July was hard because it competed with other big studio films with big marketing budgets. I think we should see this kind of thing more often because people hunger for good movies. And it’s usually not an either-or kind of decision. There’s room for Indiana Jones. And there is room for Sound of Freedom. I honestly didn’t expect much from the Sound of Freedom. I thought the movie would have a good message and was important to support. So when I tried to buy tickets for the film on July 3rd and 4th when my wife and I had some free time to see it, I wasn’t too disappointed that I couldn’t find any theaters that weren’t sold out in my area, or if they did have open seats, that we couldn’t find two together. We weren’t going to go to the movies and not sit together; that was ridiculous. So I waited until the following weekend, and we had the same problem. But we did manage to find two open seats for a Saturday afternoon in the third row, which I usually wouldn’t do because it’s too close to the screen. But we bought the tickets, went to see the movie, and were both blown away by what we saw.

The Sound of Freedom was actually, technically, a great film. It reminded me of Schindler’s List, one of my all-time favorite films. But pacing-wise, it reminded me of the Clint Eastwood-directed American Sniper. The Sound of Freedom was of excellent quality, on the level of those kinds of movies, and at a different time, this would undoubtedly be the Best Picture of the Year for the Academy Awards. The director, Alejandro Monteverde, put a lot of love into this film, and it sure showed. It was more of an action-adventure picture, more like Taken, rather than a documentary on child sex trafficking. To be honest, after seeing lots of clips from Jim Caviezel, I thought this film would be more of an activist movie. It certainly was; this film was made by really good people for good reasons, from top to bottom. But it was a far better movie than what usually comes out of those intentions. The director Alejandro Monteverde made a great movie with Jim Caviezel and the cast based on the real-life exploits of the Homeland Security agent Tim Ballard without knowing how the movie would get to the public. The movie has been done for five years; it was first going to be distributed by Fox, then Disney owned the rights, and they sat on it for a long time. Eventually, this new studio, Angel Studios, came along and picked up the rights. They are the studio behind the very well-done television show, The Chosen. So they picked it up and brought it to movie theaters.

Since most of the film production was Mexican, it brought the life of the cartels into sharp focus in ways that I hadn’t seen before. It was a very gritty movie that put viewers into the world of sex trafficking without being oppressively difficult to deal with. The Sound of Freedom walked that very fine line between being tasteful and hopeful, with Jim Caviezel playing the real-life Tim Ballard with such optimism that it wasn’t hard to fall in love with these people. I say all the time about movies, one of the biggest problems is that the writers of these things often don’t have much life experience. You can see that in big studio pictures where the writers clearly hang out in Santa Monica, and their perspective is from that world. The Sound of Freedom was written and directed by people who know the world’s dark underbelly but have not become hopelessly lost in it. What ended up on the screen is really something stunningly special. A movie everyone can enjoy that is much more optimistic than I thought it would have been. And not to give away spoilers, but I think it’s important to note because I honestly wasn’t fighting too hard to see this movie because they are usually depressing. While you want to know about these problematic subject matters, who wants to experience a depressing story? But I can say this movie has a very happy ending. I will likely see it many more times because it really was inspirational, hopeful, and bold. 

At the end of the movie, Jim Caviezal came on and gave a little speech, which was very appropriate, during the credits. They also put up a QR code which I took a picture of for this blog site. They encouraged people in the audience to buy tickets for people who couldn’t afford to go to the movie with a Pay it Forward campaign, which I thought was pretty clever and smart marketing on behalf of Angel Studios. There is a lot to like about this entire enterprise that will undoubtedly give hope to anybody who goes and sees it. For those who feel pretty hopeless about the world’s condition, I would strongly recommend The Sound of Freedom as soon as you can get to a theater and see it. I would recommend buying tickets and sending them to someone who might be on the fence. Not only for the box office need for a film like this, because this is how these kinds of movies get made. If they do well at the box office, it impacts the rest of the industry, which is precisely what is needed now with the amount of genuinely sinister aspects of culture that are on our nightly news. This movie is a ray of hope and deserves all the credit that can be given to it. I would personally like to see a lot more out of Angel Studios because this project is a real treasure. And the world could use a lot more from them. But it takes money to tell these kinds of stories, and this is a movie that was done on a high level as a kind of leap of faith. And we are lucky to have it. The world is better because of it. And maybe people will become educated enough from this movie to do something about sex trafficking and the amount of it that is destroying the lives of the innocent before they ever have a chance to live life for themselves. 

Rich Hoffman

Click to buy The Gunfighter’s Guide to Business