Graham Hancock’s Great Book, ‘Visionary’: To what degree does the spirit world shape modern politics and our everyday lives

I do get excited about my books, and when I read a great one, I often talk about it extensively. Books are my favorite things in the world, I could never have enough of them, and they have been with me most of my life as priorities. But this year, I knew Graham Hancock was releasing an update to his famous book previously, called Supernatural, with the new title Visionary. It was coming out on April 4th, so I nabbed it up and treated myself to a birthday treat of reading it voraciously. I talk a lot about politics and education issues. Still, I enjoy no subject more than the pseudo-sciences, and Graham Hancock, the former journalist, turned pseudo-science investigator, is one of the best currently in the field.    So for a birthday gift to myself, I gave myself a few weeks of April to just sit down and read his new book and soak it up because it’s one of those types of books. Actually, it has all the potential to be a life-changing book because it deals with the kind of stuff that is at the core of all human concerns. What were we before we were born, and what will we become after? What’s the point of it all. Now, I love Graham Hancock’s books. He and I have very close beliefs about bureaucracy’s effect on the sciences. He is into pseudo-science because traditional science, institutionalized, just does not keep pace with the rate of discovery that is occurring in this information age that we are in. Institutionalism is at war with the rate of understanding occurring, and they hate people like Graham Hancock. But Hancock brings his background as a journalist to science and takes what is known by traditional scientific discoveries and pieces everything together in a noninstitutionalized way, which is how things need to be done anyway. And as a result, he asks big questions seeking big answers to things. And for human beings, there is nothing more significant than how the spirit world interacts with the conscious world. 

For many years I have talked about the role that ultraterrestrials play in our human lives. I had done many articles on the giant race of people who lived in the Ohio region well before the times of Jesus Christ and actually had an empire all the way to the Gulf of Mexico before what we know of as Native Americans were even on the world stage. They were as sophisticated as the Stonehenge and Avebury cultures in England and obviously were part of the same culture from the same time periods of influence. So Graham’s topics are not new to me. I learned about these giants while attending the Mothman Festival at Point Pleasant, West Virginia, so it’s a real thing that certainly is under-researched. Traditional science driven by the university system is just too slow. They are guarding too much of their previous assumptions actually to answer these kinds of questions, so that is where Graham Hancock comes in. After reading the book by John Keel on the Mothman Prophecies, I am quite certain that the ultraterrestrials talked about in that book, which Graham’s Visionary is essentially a sequel, the spirit world of angels and demons that so concern religions have shown themselves in stories chronicled in the work of John Keel so effectively. But he was just touching on the surface, and Graham Hancock has taken several additional steps toward unraveling these interdimensional worlds and how they interact with the world of the living and actually redefining what “dead” means. 

Now, where Graham Hancock and I part ways is over the issue of drugs. I get his argument on the Pinery gland and how drugs can pull off the restrictor plate of brain activity to see things that are always there but that we filter out within the visual spectrum of our senses. He advocates for the open and legalized use of drugs to produce real hallucinogenic effects. Still, they are elements that our eyes can’t see because we live life in a four-dimensional world. I’m against all drugs, at any time, over anything. I don’t even take aspirin. I will occasionally sip on a beer socially, but nothing more, and I certainly never get intoxicated. But I am not closed off to his ideas that some of these drugs don’t produce hallucinations but are, in fact, reality seen for what they really are. This is why I was so interested in his book. I recently saw petroglyphs in New Mexico and Utah that were almost identical to known cave art in South Africa and Europe that span thousands of years from each other, and many thousands of miles of travel, so the cultures could not have been communicating 15,000 years ago or even 50,000. Yet they all tell similar stories painted on the rocks, and how they arrived at those images looks to be something Graham has pieced together correctly. He also puts UFO phenomena into the mix, which I had just had a research trip to Roswell fresh on my mind. So, his book reaffirmed many things that I had already been thinking about. And to add to that, he actually used ayahuasca and reported what he had seen, which was independent verification that he didn’t know he would experience. I wouldn’t do it, but I’m glad he was willing to report it scientifically instead of from the perspective of some drug-crazed lunatic. 

There is a taco place I like to go to at The Greene in Dayton called Condado Tacos, and ayahuasca hallucinations obviously inspire the interior. Or is it hallucinations? Is it a reality? I think it’s reality personally, and I think when we talk about political elements, we have to understand that there is an influence from these places that run quantumly with our 4-dimensional existence. Remember, we mathematically know that our present universe supports 11 dimensions that are likely within our current reality. But, outside of our universe, there is a possibility of 26, and within each of those dimensions, likely lifeforms are interacting with us at all times. Our business is to understand these lifeforms, especially if they are interacting with us.

We may not have the eyes and ears to hear them, but our minds certainly do, even if remotely. And that’s not a very fair fight if they have an easier time at communicating than we do, and they take advantage of that aspect often to push the world where we may not want it to go. We might say it’s the will of the spirit world, but what if it’s a maleficent demon who wants to destroy the world and everyone in it. Do you really want to listen to it? Perhaps this is the kind of influence that has brought so much great evil into the world. Or, maybe this is where all the good is, and that the purpose of life is to build a great soul to travel in these realms as an individual instead of just a collection of cosmic dust, and that the act of creation is what matters, of life being a creative process that gives birth to a human soul that then sheds the body for this afterlife. And that the afterlife is just another life that is depicted on those walls at Condado’s in Dayton. I think perhaps so. But regardless, a great book like Visionary is a rare treat, and a journey I was happy to take, and one of the best birthday presents I have ever given to myself. Time and the content to think about that truly has meaning.

Rich Hoffman

Click to buy The Gunfighter’s Guide to Business

‘The Delivery’ Graphic Novel: Rob Gunnerson’s dream made into a reality

The creative process is fun and I remember when I first met Rob Gunnerson at a film festival, it was the start of a lot of fun that has slowly trickled in over the years. I was performing a firewhip demonstration for the World Stunt Association and he and Twilight actor Peter Facinelli were watching. A few years later they invited me to Los Angeles to help make a pitch trailer for an interesting story Gunnerson had been thinking about since he was a little kid. We were all kind of the same age, so we had grown up with a love of certain types of movies. We had a lot of fun putting Rob’s vision into a short two-minute trailer introducing the main objectives of the story. Peter was producing and using his considerable fame to draw studios to the project with Real D 3D as a partner. In the back ground was Dave Stewart from the Eurythmics supporting the project so it was exciting. We captured some wonderful images and had a lot of fun. But as I’m mentioned before, it is hard to get things off the ground in today’s Hollywood, even for seasoned veterans and popular pop culture personalities with millions of Facebook contacts. To get the money men to line up to fund projects now requires more than even Peter was able to assemble leaving Gunnerson to turn toward a new direction to get his project the attention that producers now require to put up the kind of money it takes nowadays to make a motion picture. CLICK HERE TO REVIEW. The three primaries on the project, Rob, Peter, and Dave Stewart turned toward a graphic novel version of their story which comes out in April of 2015 to tell their complicated, dynamic story about Angels, Demons and The Last Hour before both try to destroy Mankind. Listen to them talk about the project below.

I fell in love with Gunnerson’s vision because of the actions of his protagonist Brother U who was an Angel who uses a firewhip to perform combat. Facinelli played that character in the short and is the basis for the character in the upcoming graphic novel. I was brought in to do the firewhip work and act as a stand-in for Peter. It was a project that I have always had a lot of hope for, and still do. But it is very telling how difficult it has been for these talented guys to get their project off the ground. Needless to say, I am really looking forward to their graphic novel. Rob told me a good part of the story in my time with him, but I am really looking forward to the visual conception released in an actual printed edition. It has taken nearly 10 years since Rob and I first met at the film festival stunt show to get to this point which he talks about in the below interviews a little bit—and for the director some pieces of his puzzle fell into play during my performance which makes me happy, so I am looking forward to seeing his vision put onto a printed page finally.

The art for the graphic novel looks fantastic. We captured some really cool scenes during the trailer shoot which I’m sure Gunnerson has looked at over and over again, so there are wonderful visuals to provide a template for the artist to pull from. I have always viewed Rob’s story as a kind of modern Highlander project. If Gunnerson had been a director in Hollywood during the 1980s, The Delivery would have been made for about 10 million dollars by a major studio and would likely be a cult classic to this very day. But, in the Hollywood of today where studio executives are much more timid and the cost of a movie is much, much greater—you have to prove there’s a market for something like this before anybody will drop 50 million to 100 million into such a project for a studio release.

The journey is often an adventure in and of itself. Between shoots on the set, the producers and I had fun on Brand Blvd cracking bullwhips on the sidewalk in a part of town that was filming television shows on nearly every city block. My hotel was on the main strip down the road from the Americana shopping complex and a lot of those people had never seen a whip act in real life. Under the encouragement of the small entourage that accompanied me, I pulled out some of the big whips and cracked cigarettes out of the mouths of just casual passers-by, and curious spectators adding to the nightlife that was vibrant. Needless to say it left an impression. When I flew out of Los Angeles that time, I had the feeling I would be returning within a few months to shoot the actual movie. But the project sat around and soon months because years with still no movement. Finally, after quite a lot of time passed, Gunnerson turned toward the tools available these days—such as Kickstarter to produce the story into a graphic novel that would at least get the concept into some art that people could look at, and slowly build up a cult audience, which for something like this—is the best way to go.

I admire Rob for not giving up on his dream of bringing this story to life. He’s an accomplished director and has access to celebrity personalities, but even so, it’s a hard sell in modern Tinseltown and this idea could have died easily on the vine. But, these guys have stuck with it and are still fighting to bring this concept to an audience. If not through a movie, then through a graphic novel, which I personally will enjoy more—I love artwork like the type shown in this upcoming graphic novel and I hope it is successful for them. If they desired to step away from Hollywood there are options out there for them. But it is a tough decision. The business model of the movie business is changing before our eyes, so it’s a difficult moving target to hit. But making The Delivery into a graphic novel to bring this story to an audience more poised to enjoy it—is clearly the smart thing to do.

I am happy to have been a part of the creative process in showing in reality the kind of things that were in Rob’s mind before our meeting. Its one thing to think of something, it’s another to see it come to life. Seeing a firewhip in action obviously helped take Rob’s thought process to the next level. Now, with some footage shot to work from, artists were able to convey that over into a graphic novel with some fabulous artwork. It is the kind of artwork that I tend to treasure and know that I will enjoy immensely. It will always remind me of the time that we brought bullwhips to the streets of Hollywood and kept Burbank awake at night with fireballs and explosions that bounced off the Verdugo Mountains with the ease of unfettered sonic booms at 3 AM.

I’m looking forward to the graphic novel of The Delivery. Read more at the following link.

https://www.kickstarter.com/projects/172403788/the-delivery-issue-1

Rich Hoffman

CLIIFFHANGER RESEARCH & DEVELOPMENT