Tag: Fantastic Four

‘Sketch’ is a Great Movie: Disney goes against Trump supporters

You would think that Disney would have learned some hard lessons about its role in the world and the financial problems it is finding itself in.  However, I don’t like discussing negatives all the time, because a fantastic movie called Sketch hit theaters a few weeks ago and is a sign of many good things to come from Angel Studios, showcasing a much different movie world on the horizon.  The Hollyweird crowd has lost all its influence and power and is on a dramatic downward trend.  Sketch was an excellent film that was on limited release, so it’s not a box office titan, unlike the way Disney distributes films. However, coming off the success of the fantastic Chosen series, Angel Studios, I think, is fair to say, is replacing the role Disney used to play with families.  I thought Sketch reminded me of a modern version of E.T., Goonies, or even Gremlins, movies produced by Steven Spielberg in his prime.  And it shows that markets determine success, not PR firms and lawyers who run these big studios these days.  The CEO of Disney came a bit unglued this past week, doubling down on his decision to release films that continue to fail to excite the public as they once did.  The recent movie, Fantastic Four, which I thought was pretty fantastic, has not performed well.  It will be fortunate to collect $500 million, half of what was expected to be made, and that is because Disney has lost the trust of the public. Bob Iger now sees the problem I have been pointing out for a long time, much more clearly.  It’s safe to say that his hopes for the upcoming movie Doomsday are in serious trouble because all the films building it up are not performing well at the movie theater.  

It just goes to show how little the entertainment industry knows about the psychology of the movie-going public.  And I love this topic because movies are something most everyone can relate to.  Most of us watch them whether on television, streaming services, or at the movie theater.  So, in many ways, buying a movie ticket, as I have always seen the experience, is like voting.  People vote for their values by spending money.  But there was a communist movement, as outlined by Cleon Skousen in the famous book, The Naked Communist, to take over the movie studios and the message that they broadcast to the world, and that has undoubtedly happened to Disney through the mask of woke culture.  Now that people have seen just how much Disney resembles the Democrat Party and how anti-Trump they have been, they have stopped spending money on Disney products and have turned toward other entertainment options, such as those provided by Angel Studios.  Currently, they are not financially comparable, even though they may show movies side by side.  I think the movie Sketch cost around $ 3 million to make, and it is considered very profitable, having doubled that amount in returns.  Whereas something like the latest Fantastic Four movie costs half a billion dollars by the time it’s made, and some media is created for it.  And it’s poised to break even, maybe.  So it’s not apples to apples, but more like apples and apple sauce.  However, the message is clear: people are leaving Disney and seeking alternatives, which is evident in their declining park attendance as well.  And in anger over their bad decisions to support woke agendas as an entertainment studio, Bob Iger and the stars of Fantastic Four, like Pedro Pascal, have been complaining about Trump supporters, which didn’t help their case.

Disney assumed that people would support whatever they put together because the public had to.  And that is not the case.  Trump supporters have taken themselves off the grid because they dislike the products that Disney has released, or even traditional cable.  I have been talking about emerging streaming services such as Truth Social, Trump’s personal social media platform, and they have good television that breaks the cycle of traditional cable services, leaving CNN, MSNBC, and all the networks struggling to maintain their audiences because they are all fleeing to outlets they trust more even if they are brand new.  Such as Angel Studios, which earned its audience with great projects like The Chosen.  And successful films at the theater, such as The Sound of Freedom.  However, it’s not just Disney; Warner Bros. has been more successful and less woke than Disney, as evidenced by its box office performance.  However, their recent update to Superman didn’t perform well at the theater, falling well short of expectations, which James Gunn was very dismissive about.  Superman is all about “truth, justice, and the American Way.”  Not the “human way.”  The world looks to America to be a beacon of hope, and that’s what the world wants out of American entertainment.  They don’t wish to communicate messages that put out the fires of hope.  And this Superman just wasn’t that “super.”  He was an all-too-human global citizen, and audiences rejected the premise.  It might have been a pretty good movie, just as Fantastic Four was.  However, the messaging was off-target for the intended audiences.  And when Bob Iger is mad, it’s because he thought he understood elements of market trends that he didn’t.  For all the same reasons people voted for Trump, they also vote with their market dollars on where to spend their money on amusement parks or movies. 

Bob Iger and many others believe that people go to see movies because they like the actors, such as in the upcoming Doomsday with Robert Downey Jr. They are investing massive amounts of money in these actors, thereby inflating the budgets.  There will be approximately 100 cameo actors in the upcoming big Marvel movie.  But the gamble on Pedro Pascal is scaring everyone at the Mouse House because it hasn’t turned out the way they planned.  I personally liked Pedro Pascal in The Fantastic Four.  I think he is good as The Mandalorian.  But he’s too woke to replace Mel Gibson and Bruce Willis as the new Hollywood leading man.  Because Hollywood thought it controlled the message, and that people loved the actors, but that is not turning out to be true.  A movie like Sketch features a cast of actors, none of whom are stars, and yet the movie still performed well for its small audience.  It will stream well, and people will remember it far longer than these Marvel movies.  And rather than learn their lesson, Disney is only digging deeper, indicating that they are going to double down on their woke agenda.  And that’s the problem.  Nobody cares about their product, and the more they push an openly gay agenda, which they did in The Eternals, people will drop them as an entertainment option, and that includes the $20k vacation to Disney World.  Eternals, with its openly gay scenes, was the dagger that halted Marvel’s successes at Disney.  The longer they avoid addressing that issue, the more financial damage they will incur.  When a studio and its actors go against the political trend of a nation like America, they can’t survive.  To fill the void of family entertainment left behind by Disney, there is the wonderful Angel Studios, which is producing great entertainment.  Sketch is just one example.  And for Bob Iger, a hard lesson that he will learn too late: the market is in charge.  Communist leaders are not.  And studios, if such assumptions capture them, will lose money in that marketplace because of free choice. 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

The Fantastic Four: It all comes down to the Statue of Liberty

The new movie, Fantastic Four: First Steps, was pretty fantastic.  Disney attempted to create a film for the Marvel franchise that would bring people back to the level of the first Avengers movie and the Iron Man film that preceded it.  Fantastic Four was wonderfully not woke, and the characters were all well done.  The acting was top-notch, with significant special effects, music, and story that was all good; it was a lot of fun.  So it is a shame that people are not rushing to the theaters to watch it.  The movie is set in a kind of idealistic 60s art style set into an unknown future, and it had a cool vibe to it.  And it had a great point.  I think the sacrifice of the baby plotline to save humanity is one of those key issues in the human race that should resonate much more than it has at the box office.  But we are talking about trust here, and Disney has lost it.  Marvel has lost it.  After the movie, The Eternals, which features homosexual lifestyles and men kissing in it, Marvel sealed its doom.  Hollywood, in general, was politically way off base and divided the movie-going public from their products, sealing their doom in the process.  I was able to see The Fantastic Four with my grandchildren.  They were interested in it because of the video game Marvel Rivals, so we agreed to take them. The movie turned out to be a fantastic family film, full of excellent ideas and old-fashioned filmmaking.  And the Fantastic Four family itself was one that audiences could all like.  I would recommend the movie and give some credit to Disney for listening and stepping away from their woke agenda as much as possible in this environment.  However, there are some lessons to take away here that might improve things in the future if Disney is willing to listen. I think it’s too late for them; their audiences are never coming back, which is why Fantastic Four is underperforming at the box office.  But it’s always worth trying.

One of the things that is hurting these Marvel movies is that they are too comic bookish for most audiences.  Most people lack a strong interest in quantum physics and the concept of multiple universes.  Comic writers, and now all entertainment writers, have found that the multiverse concept gives them a great deal of creative liberty, allowing them to set their stories within any known historical timeframe.  For instance, this Fantastic Four movie does not take place in a timeline and universe that overlaps with the original Avengers.  Technically, they don’t know about each other, leaving the audience to not invest in the characters.  The story might be neat and fun.  But does it matter to their belief in the reality of the previous storyline?  And I think for most people, the multiverse storylines are just too much for them to invest in emotionally.  Like a dream, people might have them, but they wake up from them never to remember them again, and they become meaningless in waking life.  And that is the problem with the Fantastic Four it doesn’t take place in a world people can relate to.  It’s just far enough out of reality to become prohibitive.  In the original Marvel movies, such as Iron Man, Spider-Man, and the Avengers, people could accept the superpowers as long as the universe itself was part of a narrative world built around a historical timeline, allowing them to invest emotionally in the characters.  For instance, in Captain America, his story takes place during World War II, a conflict that people have a grounding in.  And it was patriotic and gave people what they wanted, a defender of American ideas, which the world is very interested in. 

However, Disney and Marvel in general have been pushing for a post-American world of the global citizen, and that element was certainly present throughout the Fantastic Four.  They essentially have a world where the United Nations is in charge of everything, and Sue Storm from the Fantastic Four is in charge of the United Nations.  In many ways, the Fantastic Four was in charge of the world as a government power, which runs counter to the trend of individual lives being self-governing.  That is an idea that people will reject at the ballot box, and they will certainly reject it with their entertainment dollars.  People do not want to be told what to do, especially from the Fantastic Four.  That’s why it’s dangerous to let these Santa Monica types write these movies from the pier, talking to their friends at a bar.  That lefty political view of existence might be fashionable among 20 to 30-year-olds in sanitized settings, such as in the hip Santa Monica region.  However, the world doesn’t like that idea and will reject it completely, and it has.  They did everything they could with this movie to make it as enjoyable as possible, and it’s fun.  People don’t want the Fantastic Four to govern over them as gods.  That is a rejected premise in the world, and it certainly hurts the emotional investment that people are willing to give to these characters.  The movie doesn’t take place in our universe; it’s an alternative universe to the other Marvel stories.  And it doesn’t have a message that people enjoy; it assumes that movie audiences want to be saved by superheroes.  Not that the audiences want to be superheroes themselves.  So that is a fatal flaw. 

However, the biggest mistake was when the villain, Galactus, who was the size of Godzilla, came to New York to retrieve the baby born to the Fantastic Four, and he looked at the Statue of Liberty with some disdain.  Just saying, nobody is going to get away with that kind of thing these days.  The world wants to believe in the light of liberty coming from a free America.  And that is represented by the Statue of Liberty.  Having a massive villain that eats planets come to the Statue of Liberty as if to say that there are much bigger things in the universe than the idea of America is a bad move.  It might be the view of radical, Santa Monica lefties, but it’s not what the world wants to hear.  They want someone who likes America fighting bad guys.  Not something bigger than America looking down on our country as if to say that the scale of the fight is beyond the political whims of nation-building.  That’s a line that people won’t cross, and they have rejected it at the voting booth and the box office receipts.  It was a dumb scene.  Galactus didn’t try to smash the Statue of Liberty.  He just gave it a look that was demeaning but did not provide commentary.  Yet, audiences picked up on it; the liberal writers of these movies aren’t going to get away with that kind of thing.  People will see another film.  And that is what they have been doing.  The Fantastic Four is a great movie, but people have better things to do, and if the story is not aligned with the politics of our day, it’s unlikely to do well.  The fantasy that artists can rule the world through liberal politics behind commercial films is a thing of the past.  It was never a good idea, but now there are just too many entertainment options.  People tend to overlook things that do not align with their values.  And that is why The Fantastic Four is not doing well, despite being an excellent movie.  It’s too far outside the known world for people to invest emotionally in.  And that’s a shame. 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

Trying to Make Padro Pascal the New Sexiest Man: But you can’t fake it

The new Fantastic Four movie was pretty fantastic.  I’ll do a review on it, which it deserves later.  However, for now, we must discuss the promotional activities taking place in Hollywood, so that people can understand how they are manipulated by mass PR culture, which is currently in transition and at the forefront of a rebellion.  Hollywood is distancing itself from woke culture, yet still trying to fulfill its former commitment to it, which lies at the heart of a fascinating problem that Hollywood has with leading men.  They do not have people like Mel Gibson, Bruce Willis, and Clint Eastwood to drive box office numbers because they went woke a long time ago and have seen value into the Hollywood product decline ever since.  So they need a leading man, but it can’t be a white man from America, as is traditionally the case.  So Pedro Pascal as a Latino man kind of gives them that and they have been trying to milk him for all they can.  I think he was pretty good in the Star Wars television show, The Mandalorian.  And he’s been in other things since the success of that show launched him into fame.  But, he’s not quite the package that PR firms would like him to be.  He’s missing some things that normal “sexy” men usually have.  Hollywood would love Pedro to be the next Harrison Ford.  But in a kind of woke way, so it’s interesting to watch how the press handles him.  And that has certainly been the case, as Pedro Pascal has been doing press for The Fantastic Four alongside his co-star in the film, Vanessa Kirby.

You might have heard about how affectionate Kirby and Pascal have been with each other during interviews.  And I think much of it is natural.  As much as actors want to say “it’s just acting,” the truth is that actors fall in love with each other all the time.  Case in point, the recent discussion about Liam Neeson and Pamela Anderson from The Naked Gun set, where they were spotted kissing at the movie premiere.  For years now, we have been told by Hollywood that men could be women, and women, men.  And that romance was overrated, and even showing romantic scenes in movies was a downward trend, because behind all this was a very anti-family agenda.  And it has cost Hollywood a lot, and continues to do so, because movie fans like romance and seeing the people they watch in movies like each other.  It has been quite interesting to see how Vanessa Kirby has been playing up her role in promoting Pedro Pascal as a romantic figure that women can’t keep their hands off.  Because Pedro is safe, because he’s not a white male, Hollywood thinks it’s OK to promote him as the new sexiest man, because it still checks off their woke box within the culture itself.  I believe there is some genuine affection between Kirby and Pascal, but with all the romantic touching that they have been doing, with her pregnant with another man’s baby and Pedro dating someone else, they are trying to start rumors of an affair so that people believe more in their film’s character’s relationship, and this is a new strategy for Hollywood, as they are trying to repair their anti-family, anti-romance reputation with a public that has decided to move on without them.  Despite these efforts by Kirby and Pascal, The Fantastic Four has been pretty flat at the box office.  Not because it’s a bad movie, but because the public has lost faith in Disney as a film producer.

I don’t think actors are ever really actors, and I’ve known quite a few very well.  I’ve shared a trailer on movie sets with a few and can report that they are very human people behind the PR stunts.  And I was personally invited to the home of Jennie Garth from Beverly Hills 90210 and her husband at the time, Peter Facinelli who was doing the Twilight movies then, and it’s a tough life to essentially be a 24/7 PR relations billboard.  The pressure that is put on relationships is crushing, and I don’t think any actor in that business ever really figures it out.  I believe Vanessa Kirby loves the guy she’s engaged to the best she can.  And I think Pedro Pascal loves everyone in a kind of metro sexual way.  But the MAGA loving public doesn’t like the woke stuff so there is no real way to dress it up.  My reference to Jennie Garth essentially is to point out that I think the PR people behind The Fantastic Four, and the agents involved have told these two to act in the press as they would in the movie, and if that means acting like they are sleeping together to get the public excited to see them in a film together, then do it.  Usually, actors are told to refrain from that kind of public affection.  But with Hollywood out of ideas and trying to win back a jaded public, they are trying everything.  And one thing that actors do is act.  It’s hard to tell when they are sincere about anything, including things to themselves.  They are often not very grounded in reality because they always serve someone’s PR machine. 

To explain it away, as people have been talking about the possible reality that Pedro Pascal and Vanessa Kirby are cheating on their significant others with each other, it has been leaked to the press that Vanessa knows Pedro so well that she knows he suffers from anxiety and that he requires physical contact to maintain himself.  Well, that sounds like a cheesy pickup line to me, but it’s not very sexy.  So either way all this goes, it’s not the kind of appeal that audiences are looking for.  Right now, The Fantastic Four will be lucky to break even at the box office for a whole lot of reasons that Disney is unsure how to deal with.  It will take a lot more than rumors of affairs to win people over to their leading actors and actresses.  And when it comes to whether an actress would continue to act long after the cameras are off, well, of course, they would.  And I’m sure with Vanessa Kirby, she is acting when it comes to playing Pedro Pascal up as the next, sexiest, leading man in Hollywood.  I often feel sorry for actors because at the Hollywood level, the job never goes away.  I saw in Jennie and Peter a genuine attempt to be a real family, but the cracks were certainly there in trying to balance a private life with the pressures of PR needs for their entertainment projects.  People see romance between actors and want to believe it’s real.  As a last-ditch effort to save themselves, PR specialists and their agents are advising their clients to show affection for their co-stars in public, thereby fueling speculation and promoting film sales.  But what nobody has figured out is that what the public wants is authenticity, not more phony relationships.  Instead of fixing the problem, Hollywood is making it worse.  And woke is not going to work with the movie going public.  Hollywood can’t have a leading man who is also woke.  There are certain things that a sexy man is, and Hollywood won’t be able to define them for their use.  They either provide a product that people want.  Or they don’t.  The market is, and has always been, in charge.  Not the PR people. 

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707