The Future of Aerospace in Butler County: Joby, SpaceX and Volent are changing the world as we know it

A year ago, when I was talking about electric vertical takeoff and landing aircraft, many people still treated the concept as something futuristic—a technology demonstration looking for a market. Today, that conversation has changed dramatically. What was once confined to engineering conferences, venture capital presentations, and aerospace trade journals has become one of the most heavily discussed growth sectors in aviation. From Farnborough to Oshkosh, from Orlando to Ohio, advanced air mobility is no longer a theory. It is becoming an industry. And if the momentum continues, the second half of this decade may be remembered as the period when aviation quietly reinvented itself.

One of the most interesting developments is how quickly public awareness has changed. Companies such as Joby Aviation have gone from introducing unfamiliar concepts to demonstrating actual aircraft and discussing commercial operations. At the Farnborough International Airshow, Joby presented a full-scale version of its electric air taxi and highlighted aircraft capabilities designed to move passengers over congested urban areas using quiet electric propulsion. The company has repeatedly emphasized short-range transportation between airports and population centers, a model that seeks to reduce travel times that are currently measured in hours down to minutes. 1 2

What struck me most during the evolution of this industry is how rapidly attention has shifted. Not long ago, many of these companies were aggressively seeking supporters, partners, and local advocates. Today, the demand is reversed. The advanced air mobility industry has become crowded with airports, municipalities, economic development groups, airlines, infrastructure developers, and investors looking for a position in what could become an entirely new transportation ecosystem. Joby’s appearance at Farnborough in both 2024 and 2026 highlights that transition, with the company showcasing not merely an aircraft but an emerging transportation network integrating airports, ridesharing, and urban movement. 1 3

The most practical examples may emerge in places such as Florida. Orlando has become one of the leading laboratories for advanced air mobility planning. Airport authorities and transportation officials have publicly discussed integrating air taxis into the region’s transportation infrastructure. The vision is straightforward: instead of spending forty-five minutes navigating traffic between Orlando International Airport, resort destinations, and surrounding transportation hubs, travelers could board an electric air taxi and complete the same trip in a fraction of the time. Officials in Florida have discussed the possibility of early operational services beginning as infrastructure and regulatory approvals mature. 4 5

For tourists, the implications are obvious. A traveler landing at Orlando International Airport could eventually bypass rental car counters, shuttle buses, and congested highways. Instead, passengers might walk to an adjacent vertiport and travel directly to a Disney resort, Universal destination, or nearby transportation hub. Similar concepts are being discussed for airport-to-cruise-port transport throughout Florida. While widespread deployment still depends on FAA certification, infrastructure construction, and operational testing, the direction is becoming increasingly clear. 5 6

What excites me even more is that the future of vertical aviation extends beyond passenger transportation. Many people still think of eVTOL aircraft solely as flying taxis. That is far too narrow a view. The real opportunity may lie in logistics, cargo movement, infrastructure inspection, emergency response, surveillance, medical transport, utility support, and autonomous delivery services. A pilot is not always necessary. In many cases, there may not even be a passenger. The same technologies that enable urban air taxis also enable an entirely new class of commercial aviation capable of moving goods, collecting data, supporting public safety, and connecting communities more efficiently than traditional ground transportation.

This is where Butler County, Ohio, becomes particularly interesting. The region already possesses a strong manufacturing heritage, aviation history, and technical workforce. Local discussions concerning aviation growth are increasingly focused on advanced aerial mobility, drones, and associated technologies. The potential opportunity is not simply attracting operators—it is attracting manufacturers, suppliers, software developers, maintenance providers, and logistics companies that will support the industry’s expansion. Aerospace clusters rarely emerge overnight, but they often begin with small groups of innovators pursuing opportunities before the broader market recognizes their significance.

Oxford, Ohio, provides a fascinating example. Emerging drone and autonomous aviation initiatives are beginning to appear in places that historically would not have been considered aerospace centers. As autonomous systems become more capable and more affordable, communities that combine technical talent, university resources, entrepreneurial energy, and available infrastructure are finding themselves positioned to participate in a rapidly growing sector.

The lesson from aerospace history is that major industrial shifts rarely announce themselves with certainty. The internet seemed experimental before it became indispensable. Smartphones appeared unnecessary before they became universal. Commercial aviation itself was considered impractical by many early critics. Advanced air mobility may follow a similar path.

At the same time, another revolution is occurring above the atmosphere.

Recent developments involving SpaceX and Starship demonstrate why so many people continue to underestimate the pace of aerospace innovation. SpaceX’s thirteenth Starship test flight successfully deployed twenty Starlink V3 satellites, completed key orbital mission objectives, performed an in-space engine relight, gathered significant heat-shield data during reentry, and achieved what the company described as its first intact soft splashdown of a Starship vehicle in the Indian Ocean. Although the Super Heavy booster experienced a harder-than-planned water landing due to engine relight issues, the overall mission represented one of the strongest demonstrations of Starship capability to date. 7 8 9

Critics continue to focus on failures, delays, and explosions. Yet that criticism often misses the central philosophy driving SpaceX’s success. The company embraces rapid iteration. Instead of spending decades attempting to predict every possible problem, SpaceX frequently builds hardware, tests hardware, discovers failures, and immediately incorporates lessons into the next version. That approach is uncomfortable to traditional aerospace organizations because failures occur publicly. Nevertheless, it has repeatedly produced results. Falcon 9 reusability was once mocked. Today it is routine. Booster landings were once viewed as science fiction. Today they occur regularly.

Starship appears to be following a similar trajectory.

The significance extends beyond rockets. The ultimate objective is not simply launching spacecraft. The objective is lowering the cost of access to space through reusability. Aviation became common because airplanes could fly repeatedly. Space transportation becomes economically transformative when something similar occurs beyond Earth’s atmosphere. Every successful Starship test flight moves SpaceX closer to creating a transportation system rather than a disposable launch vehicle. 7 8

In parallel, Starlink continues demonstrating why a growing space economy matters. High-speed internet connectivity is increasingly available in locations where traditional infrastructure struggles to provide service. Rural communities, travelers, remote businesses, and outdoor enthusiasts already understand the benefits. The deployment of next-generation Starlink satellites aboard Starship demonstrates how launch capability and communication infrastructure are becoming tightly integrated. 7 9

When viewed together, the stories of Joby Aviation and SpaceX reveal a broader pattern. One company is attempting to redefine movement within Earth’s atmosphere. The other is attempting to redefine movement beyond it. Both depend on new engineering approaches, aggressive testing, and long-term thinking. Both have attracted criticism. Both have experienced setbacks. Yet both continue advancing.

That is why I remain optimistic about aerospace.

The industry is entering one of the most fascinating periods since the early jet age. Electric air taxis are moving toward commercial deployment. Autonomous drones are creating entirely new business models. Regional communities such as Butler County have opportunities to participate in emerging aerospace ecosystems. Meanwhile, Starship continues pushing toward full reusability, higher launch cadence, and a dramatically larger space economy.

The future rarely arrives all at once. It arrives in increments that seem unimpressive until suddenly they become normal. A year ago, many people viewed air taxis as speculative. Today, airports are preparing infrastructure. A few years ago, reusable heavy-lift rockets seemed impossible. Today, Starship is deploying payloads and returning intact after flight.

The next chapter of aerospace is no longer a concept. It is under construction.

—

Footnotes

Joby Aviation exhibit and aircraft presentation at Farnborough International Airshow 2024. 1 2

Farnborough International Airshow 2026 Joby Future of Flight Experience. 3
Orlando advanced air mobility planning and airport integration activities. 4 5
Joby commercial service plans and FAA certification progress. 6 10
SpaceX Starship Flight 13 mission summary and Starlink V3 deployment. 7 8
Flight 13 reentry, splashdown, and heat-shield testing results. 7 9 11

Selected Bibliography for Further Reading

Farnborough International Airshow. Joby Future of Flight Experience, 2026. 3

Joby Aviation. Corporate website and investor materials. 12 10
Flying Magazine. “Why Joby Thinks Passenger Air Taxi Service Will Lift Off in 2026.” 6
HeliHub. “Joby Brings Full-Scale eVTOL to UK for Farnborough 2024.” 1
Aerospace Testing International. “Joby Exhibits eVTOL for First Time in Europe.” 2
Spectrum News Florida. “Flying Taxis Could Take Off This Year in Florida.” 4
Spectrum News Florida. “Orlando International Airport Working to Launch Flying Taxis.” 5
SpaceX. “Starship’s Thirteenth Flight Test.” 7
SpaceNews. “SpaceX Conducts 13th Starship Test Flight.” 8
Interesting Engineering. “Starship Launches Starlink Satellites, Achieves Most Successful Splashdown Yet.” 9
Space Launch Live Mission Archive, Starship Flight 13. 13
Florida Department of Transportation and Advanced Air Mobility planning coverage. 4 5

Rich Hoffman

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About the Author: Rich Hoffman

Rich Hoffman is an author, political consultant, and strategic advisor based in Cincinnati, Ohio, and the creator of The Politics of Heaven—a unique framework that connects biblical theology, ancient history, and modern power structures to explain how moral alignment and spiritual forces shape global events. Blending real-world political experience with deep research into archaeology, UFO phenomena, and suppressed historical narratives, Hoffman offers compelling commentary on topics ranging from ancient civilizations and the Dead Sea Scrolls to modern populist movements, paranormal continuity, and leadership strategy in chaotic environments. As the author of The Gunfighter’s Guide to Business and the forthcoming Politics of Heaven, he brings a grounded yet provocative voice to media discussions, supported by firsthand experiences and a cross-disciplinary approach that bridges science, history, and theology. For interviews, speaking engagements, or expert analysis, visit richhoffmanbooks.com or contact directly via phone at 513-307-5815 or email at rhoffman@richhoffmanbooks.com. If you’ve seen the movie, Disclosure Day and want to talk about it and the implications of Presidnet Trump’s UAP disclosures, let me know and we can bring some color to your coverage. https://richhoffmanbooks.com/media-inquiries-broadcast-topics-and-contact-info/?frame-nonce=ad51e7ecba I do have a firsthand UFO encounter to discuss.

They Call Me Jonesy: The Night the Arena Roared and the Establishment Lost the Plot

I have been sitting with Sheriff Richard K. Jones’s book for about 24 hours now, turning the pages the way a man turns over an old photograph that still has the power to surprise him. They Call Me Jonesy: Let’s Get Real About Saving America is not a polished political memoir written by committee. It is the voice of a man who has spent a lifetime walking the same ground I have walked in Butler County, speaking the same language of family, order, and personal accountability that once held communities together before the experts decided those things were negotiable. Jones has always been the Sheriff who runs his office the way Andy Griffith ran Mayberry and Marshall Dillon ran Dodge City, with a healthy dose of Waffle House common sense thrown in for good measure. You show up, you tell the truth, you do the job, and you do not apologize for the results. That approach has kept Butler County safer than most places that spend three times the money and twice the consultants, and it is why so many of us who live here still call him simply Jones.

What kept pulling me back to the book was not the policy talk or the war stories about the jail, though those are solid enough. It was the cautionary tales about family and the slow corrosion of the values that once made a man accountable to his own house before he tried to run anyone else’s. Jones and I share a deep and permanent hatred of the drug culture that has hollowed out so many families in this county and across the country. We have both watched too many good people lose children, lose marriages, lose the simple ability to look their grandchildren in the eye without shame. He writes about those losses without the usual soft language of the therapeutic class. He writes like a man who has had to clean up the mess afterward. That kind of honesty is rare now, and it is the reason the book feels less like a campaign document and more like a dispatch from someone who has been on the wall for a long time and is finally willing to say what he has seen.

But the story that made me laugh out loud, the one that sent me straight back to October of 2016, is the one about the night he opened for Donald Trump at U.S. Bank Arena. I was there. Not in the sense that I was sitting in the same row or riding in the same car. I was backstage, working the edges of the same event, trying to find a quiet corner where I could take a conference call with people on the other side of the world while the whole building shook. And I watched the exchange Jones describes in the book unfold in real time.

It was Thursday, October 13, 2016. The Access Hollywood tape had dropped only six days earlier, on October 7, and the professional political class was still in full panic. Most of the Ohio Republican establishment had already decided Trump was finished. They had lined up behind Marco Rubio, Ted Cruz, or John Kasich, the local favorite who was still twisting arms for support even as the primary season was long over. Supporting Trump in those weeks was not the fashionable choice. It was the choice that got you labeled a crank, a risk, a man who did not understand how power actually worked. Senator George Lang, I, and a handful of others had been in that camp early. We had met Trump, sat with him, watched him operate before the primaries even heated up in Ohio. We knew the ground. Most of the smart people in the room did not.

Jones was one of the few who never flinched. By the time the campaign asked him to warm up the crowd at U.S. Bank Arena, the atmosphere was thick with the kind of nervous energy that only comes when the people in charge are not sure the candidate is going to survive the next news cycle. The director of the program that night wanted a script. He wanted to know exactly what the Sheriff was going to say. He wanted control. Jones looked at him the way he has looked at a thousand people who try to put a leash on him and said, essentially, that is not how I work. I talk from the hip. I have been talking all year. You tell me how long you need and I will fill the time. I do not need a teleprompter or your talking points.

I was standing close enough to hear the exchange while they were trying to get me upstairs to a box where I could take that overseas call. Giuliani was somewhere in the mix. The production people were frantic. Trump’s plane was still in the air. The arena was filling from the floor to the upper decks, and the noise was already starting to build. Jones went out there anyway. He did not have a prepared speech. He walked onto the stage and did the thing he has always done: he talked to the people the way a man talks to his neighbors when the subject is serious. Fifteen minutes turned into something closer to thirty. The crowd answered him the way Butler County has always answered him. They roared. From the high box where I finally closed the windows and tried to finish my call, Jones looked like a small figure on a distant stage, but the sound of that arena was impossible to shut out. I had the volume turned up on my headset and still could barely hear the people on the other end of the line. Part of me was irritated that my business meeting was being drowned out by a Sheriff who refused to stay on script. Most of me was very proud.

Trump claimed the crowd that night was 21,000, with thousands more outside who could not get in. Mike Pence put the number around 19,000 the next morning. The arena’s concert capacity sits somewhere in the neighborhood of 17,500, and some of the upper seats behind the stage were empty according to the reporters who were counting chairs instead of energy. The exact headcount is the kind of detail the media loves to argue about when they do not want to talk about what the crowd actually felt. What I saw from that box was a building packed tight enough that the noise had nowhere to go but up. People had not been paid to be there. They had not been bused in. They had decided that the Access Hollywood tape and the coordinated media effort to sink the candidate were not going to decide the election for them. Jones understood that before most of the professionals in the room did.

I have watched Jones make hard calls for more than twenty years. We have not always stood on the same side of every primary or every local fight. There have been nights when we were polite but cool because we were representing different candidates or different issues on the ballot. We have always found our way back to the common ground, because the common ground is larger than the temporary disagreements. Supporting Trump when it was still radioactive inside the Ohio Republican Party was one of those moments when the ground became visible. The same people who told us we were going to destroy our own political futures are now the ones who want their picture taken with the man. That is how these things usually go. The smart set picks the wrong horse for the wrong reasons, and then they rewrite the story after the race is over.

Jones has always had a gift for seeing through the fog. When Corey Lewandowski came through Ross’ Big Bull later, the first person he sought out was the same Sheriff who had refused to read from a script on a night when the campaign was still bleeding. That is the kind of quiet authority that does not show up on a résumé. It shows up when the building is full, and the professionals are nervous, and somebody still has to walk out there and speak without a net.

I recommend the book without reservation. Read the parts about family and the slow destruction of the old rules. Read the parts about the jail and the daily work of keeping order in a county that still believes order is possible. And read the part about that night at U.S. Bank Arena, because it captures something essential about the man. He is not a performer. He is not a consultant’s idea of a lawman. He is the product of a certain kind of American stubbornness that refuses to be managed, and on the nights when it matters most, that stubbornness turns out to be the smartest thing in the room.

I was proud of him that night. I am proud of him for putting the story down on paper without sanding off the edges. Some of us were right when it was expensive to be right. Ten years later, it is still a pleasure to remember it.

Footnotes

1. Richard K. Jones, They Call Me Jonesy: Let’s Get Real About Saving America (publication details as available through standard retail channels, 2025–2026). The account of the U.S. Bank Arena appearance appears in the sections dealing with early Trump support and the political pressures of the 2016 general election campaign.

2. The Access Hollywood recording was published by The Washington Post on October 7, 2016. See “Donald Trump recorded having extremely lewd conversation about women in 2005,” Washington Post, October 7, 2016.

3. Attendance estimates for the October 13, 2016, rally at U.S. Bank Arena (now Heritage Bank Center) varied. Trump publicly claimed 21,000 inside with additional thousands outside; Mike Pence cited approximately 19,000 the following day. Contemporary reporting noted the arena’s concert configuration capacity near 17,500 and observed some empty upper-level seats. See “How many people attended Trump’s Cincy rally? No one seems to agree,” WCPO, October 13–14, 2016; and arena capacity data from Heritage Bank Center / U.S. Bank Arena historical records.

4. Photographic and contemporaneous coverage confirming Sheriff Jones’s appearance as a speaker that evening can be found in the Cincinnati Enquirer photo gallery, “Trump supporters rally at U.S. Bank Arena,” October 13, 2016, and related local television reports from WCPO and WLWT.

5. On the broader context of early Ohio support for Trump amid establishment resistance, see contemporaneous reporting on the positions of figures such as then-Senator Rob Portman, Governor John Kasich, and local Republican organizational dynamics in the weeks following the Access Hollywood release.

Selected Bibliography for Further Reading

Jones, Richard K. They Call Me Jonesy: Let’s Get Real About Saving America.

Fahrenthold, David A. “Trump recorded having extremely lewd conversation about women in 2005.” The Washington Post, October 7, 2016.

“How many people attended Trump’s Cincy rally?” WCPO 9 News, October 2016.

Heritage Bank Center (formerly U.S. Bank Arena) venue history and capacity documentation.

Rich Hoffman

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Sheriff Jones’ New Book: The Treasure of Butler County, Waffle House, Andy Griffith, and Gunsmoke all wrapped up into one person

I first learned that Sheriff Richard K. Jones had put a book out when a few people in the county mentioned it in passing, and the moment I heard the title I knew I would read it. They Call Me Jonesy: Let’s Get Real About Saving America arrived on the front porch the day my family and I returned from being out of town at Put-in-Bay, in Ohio. I had ordered it so it would be waiting, because I had already promised myself and others that I would get through it promptly. After more than two decades of knowing the man, shaking his hand at events, watching him work a room in that cowboy hat of his, and hearing him on WLW or in national spots talking immigration and law and order, I still carried questions about how he became who he is, what shaped the priorities he brings to the office every morning, and how a man decides day to day what matters most when the badge is on. The book answered more of those questions than casual conversation ever could.

What struck me first is that this is not merely a campaign volume or a greatest-hits collection of media appearances. It reads like a man who has spent a lifetime speaking into microphones and cameras finally realizing that the voice does not last forever. There is a quiet urgency underneath the stories. He talks about the burial plot, about the friend at the funeral home who will one day see him prepared for the last service. He is only a little more than a decade older than I am, yet the public job ages a person in ways private life does not. Six terms as sheriff of Butler County, with the possibility of more, still brings the knowledge that one day the hat comes off for the last time. Writing the book becomes a way of leaving the voice behind so that the things he believes still matter after the daily briefings and the press conferences stop.

I have always liked the Gunsmoke in him. He admits the debt openly. The old black-and-white shows, the clear line between the man who upholds the law and the men who break it, the sense that a sheriff walks the street and talks to people and puts things right when he can. Andy Griffith is there too, the Mayberry instinct to put an arm around the troubled soul and try to set him back on the path. Those two shows formed a generation of men who believed law enforcement could be both firm and decent. Jonesy lives that combination more than most. He is black-and-white on the big questions. Drugs destroy families and communities; illegal immigration brings more of the same; the jail is full of people who made choices that wrecked their own lives and the lives of others. Yet the book reveals a softer edge than the public persona sometimes allows. He is a compassionate conservative in the older sense of the term. He wants the county to feel more like the place he grew up, where most of the kids he knew had parents who stayed married twenty or thirty years and worked through their troubles instead of walking away at the first hard stretch.

That observation about divorce rates is one of the strongest passages. He watched the numbers climb across his adult lifetime and saw the downstream damage in the jail, in the overdose calls, in the children who never had a stable home to push against. Stable families produce the work ethic and the self-control that keep a community from tipping into chaos. When the marriages fracture as a matter of course, the sheriff’s office ends up dealing with the wreckage. He does not present himself as a sociologist, but the pattern is plain to anyone who has spent decades answering the same kinds of calls. The data back the instinct. The sharp rise in divorce after the introduction of no-fault laws, the parallel growth in single-parent households, and the measurable links to higher rates of juvenile trouble, drug use, and later criminality are not left-wing inventions or right-wing inventions. They are simply what happened.

I share the same cultural memory. I grew up with Gunsmoke playing in the background at my grandparents’ place near Oxford, rabbit ears and all, the same black-and-white morality on the screen while the adults talked about the real world. The shows did not prepare a man for the full depth of certain modern evils. Pornography addiction of the kind that turns a phone into a nonstop delivery system, and the further slide into the sexual exploitation of children, sit outside the frame of those old stories. Jonesy is of an era when a teenager might sneak a look at a dirty magazine on a high shelf in an old bookstore hoping that the cashier wouldn’t catch them. The scale and the numbness of what exists now are harder for that generation to metabolize, not because the men lack courage, but because the evil itself is newer in its accessibility and its intensity. He is devastatingly clear on drugs. On the deeper sexual corruptions that have grown in the last thirty years, the book leaves the impression of a man who sees the damage and still struggles to find language adequate to the thing itself. That is not a failing of character. It is the honest limit of a worldview formed before the internet made every darkness instantly available.

His record on the drug side is long and consistent. The seizures, the public messaging, the refusal to treat overdose deaths as inevitable background noise, all of it tracks with the same black-and-white view. He has been equally consistent on illegal immigration, which is why the national media found him useful for color and why the comparisons to Joe Arpaio sometimes surface. Arpaio paid a political and legal price for enforcing the same principles under a different administration; the pardon that followed was a recognition that the prosecution had been selective. Jonesy has not faced that level of federal hostility, and Butler County is not Maricopa. The local political climate has allowed him to keep doing the work. I expect him to keep winning as long as he wants the job, and I hope that is for a good while yet. The county is better for his presence.

There is a section on the COVID years that brought back the tension of those days. He kept the office functioning, kept the messaging straightforward, and refused to let the panic dictate every decision. Leadership under that kind of pressure reveals the man. The same instinct shows up in the smaller habits. He likes the Waffle House on Main Street in Hamilton enough that they named an omelet after him. I understand the attraction. Walk in, sit at the counter, talk to the cooks and the waitresses and whoever else is there about the country and the county and what needs fixing. It is the modern version of the saloon without the whiskey, a place where a sheriff can still be a citizen among citizens. I took my granddaughter to a Waffle House on a trip toward Columbus for the same reason. The American flags and the unapologetic patriotism on the walls feel like home. Jonesy belongs in that atmosphere the same way he belongs in the cowboy hat.

The book is full of the personal details that never surface in a sound bite. Garfield High School. The long marriage. The children and grandchildren. The zoo trips. The quiet pride in having built a life that looks something like the ones he saw around him as a boy. He is not trying to present himself as a sophisticated theorist. He is trying to say that the old model still works if enough people insist on it. Strong families, clear laws, a sheriff who shows up every day ready to lock up the people who refuse to live by them, and a willingness to put an arm around the ones who might still be pulled back. That combination is rarer than it should be.

I have found myself on the opposite side of primary fights from time to time, the normal friction of people who share a party but not always a candidate. None of that changed the basic respect. The man has brought real public relations value to the office and to the county. When national outlets need a sheriff who will speak plainly about the border or the drug crisis, they know where to find him. Locally he has kept the department visible and the standards high. The book makes plain that the visibility is not an end in itself. It is a tool for keeping the public on the side of the people who have to make the hard calls at three in the morning.

Some of my favorite people. And I never get tired of Sheriff Jones.

What lingers after the last page is the sense of a man measuring the distance between the county he inherited and the county he will leave. He wants the next generation of law enforcement and the next generation of citizens to remember that the job is still worth doing it the old way. The book is his attempt to make that memory portable. It is not perfect. No book written by a working sheriff in the middle of the job is going to be. It is honest in the places that matter. The love of the old shows, the sadness over the collapse of stable families, the daily refusal to treat drug dealers as unfortunate victims of circumstance, the recognition that the voice will one day go quiet, all of it lands cleanly.

If the goal is still to make the country better starting from the ground up, then more sheriffs who think like this would help. Fix the families and a large part of the downstream crime and addiction begins to shrink. Keep the border and the drug pipelines under pressure. Keep the local office present and accountable. Jonesy has practiced that combination for a long time in one midwestern county. The book lets the rest of the country see the method without the filter of a three-minute television hit. I finished it glad I had waited for the porch delivery, and gladder still that the man who wrote it is still on the job. Butler County has been better for it. The country would be better if more places had the same standard.

I will keep endorsing him for as many terms as he chooses to run. The hat still fits. The instincts are still sound. And the book ensures that even after the last term the voice remains available to anyone willing to listen. Which they should.

Notes

1. Richard K. Jones, They Call Me Jonesy: Let’s Get Real About Saving America (2026). Official description and author framing appear at theycallmejonesy.com and the Amazon listing for the title.

2. Biographical details drawn from the Butler County Sheriff’s Office official profile and contemporary reporting: born October 11, 1953, Hamilton, Ohio; military service 1973–1975; long career in Ohio corrections before becoming chief deputy and then sheriff in 2005; multiple reelections including the 2020 cycle that secured a fifth term.

3. Comparison to Joe Arpaio references the 2017 presidential pardon following the contempt conviction tied to immigration enforcement practices under the prior administration. See White House statement of August 25, 2017, and contemporaneous coverage.

4. Historical divorce and family-structure trends are well documented in Census and CDC data showing the post-1960s acceleration after no-fault divorce reforms, the rise in single-parent households, and correlated social outcomes. See also the long-term cultural commentary in works such as Charles Murray’s Coming Apart and the earlier observations of Daniel Patrick Moynihan.

5. Jones’s public commentary on immigration, fentanyl, and COVID-era policy is extensively recorded in local outlets (Journal-News, Local 12), national appearances, and the sheriff’s own podcast In the Saddle.

Bibliography for Further Reading

Arpaio, Joe, and Tom Fitton. Joe’s Law: America’s Toughest Sheriff Takes On Illegal Immigration, Drugs, and Everything Else That Threatens America. New York: AMACOM, 2008.

Murray, Charles. Coming Apart: The State of White America, 1960–2010. New York: Crown Forum, 2012.

Moynihan, Daniel Patrick. The Negro Family: The Case for National Action. Washington, D.C.: U.S. Department of Labor, 1965. (The original memorandum remains foundational for understanding family-structure effects on social outcomes.)

Putnam, Robert D. Our Kids: The American Dream in Crisis. New York: Simon & Schuster, 2015.

Sheriff Richard K. Jones. Official biography and news archive at butlersheriff.org.

They Call Me Jonesy official site: theycallmejonesy.com.

U.S. Census Bureau and National Center for Health Statistics historical tables on marriage, divorce, and household composition, 1950–present.

Vance, J.D. Hillbilly Elegy: A Memoir of a Family and Culture in Crisis. New York: Harper, 2016. (Useful companion reading on the cultural and family pressures in the broader Ohio Valley region.)

Rich Hoffman

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Trump Put out the Evidence: How can media companies claim it’s all false before they actually read it?

I sat there the other day listening to the typical pre-speech coverage of President Trump’s primetime address on election security, and it was the same tired script I’ve heard for years now. The reporters and anchors could barely contain their eagerness to frame it as the desperate act of a man who cannot bring himself to abandon the most unpopular policies, no matter how toxic they may be for his own people running for reelection or for the party itself. They talked about his “gambit,” about how he was going to try to convince Republicans that the sky is falling on voting machines and foreign influence, and they already had the line ready: the president is expected to release declassified intelligence about China’s role, but of course it will all be false. How do they know it’s false before anyone has even looked at the documents? Because the network producers and the people who own those networks already decided it was false. That network of people is the real problem. They take bits and pieces, glue them together into a predetermined conclusion, and then run with it as if they have done any real analysis. One thing Donald Trump is not incapable of is putting actual evidence in front of the American people. That was the coverage before the speech even aired, right in the middle of July, while Trump was still out there logging the hours and trying to lock in the system’s security for the long haul. It is disconcerting, and it is exactly why I have spent more time than most going down the rabbit hole of what is really running our political order. When every talking head gets the same memo and says the same thing about elections, you start to wonder whether they are all that stupid or whether a lie can be denied until you die and everybody will play along.

We have known Democrats have been cheating for decades. It was not invented in 2020. I knew something was fishy in 2012. I knew it again in 2016 when Trump obviously won Florida. The panhandle results came in early, and they were overwhelmingly Republican, just as anyone who understands the state would expect. Then you had the usual delays out of the bigger Democrat-leaning counties, Brevard and the rest, where the reporting slowed to a crawl on election night. What they found was that Trump’s lead was too large to overcome with the remaining ballots, so they finally had to turn the results in. This was before COVID and the great expansion of mail-in ballots, signature verification theater, and the endless counting until the other side got what it needed. We just kept counting. That is the pattern. Now people are paying closer attention, and the same act is still necessary for Democrats and the media that cover for them. I heard the ABC reporter come straight out and say the President of the United States was going to give an address to the nation on Thursday night talking about the SAVE Act and election security, and the framing was already that he was pushing something false. Trump is not going to run again. He will be well into his eighties when he leaves office. He has done the job he set out to do and will ride off into the sunset. So why does he care so much? Because the midterms are lining up to be an overwhelming Republican year if the elections are actually secure. Democrats are going to have a hard time if everybody is watching the results carefully. I will say it again: if you are a Republican and you do not want to have to compete against another Democrat who should never have been on the ballot, you need to pay attention to making these elections as secure as possible. They cannot cheat if the system will not let them. How do you know they have been cheating? You can tell by the way the coverage is handled. They know something is there. The same ABC voice that said “President Trump falsely claims there was election fraud in 2020” did not wait to examine the evidence he was about to release. They just declared it false. Trump does not need a personal reason beyond the upcoming midterms and the simple fact that he does not want Democrats taking the House through the same methods they have used for years. The projections already lean Republican, but those projections assume a relatively clean process. Force voter ID. Make people show identification to vote. Why is that so controversial? Because Democrats cannot win if they cannot cheat, and that is a real problem that has been with us not just for a few years but for decades. That is how they have kept it close since Reagan was in office.

Both Bushes knew it was going on, and the Republican establishment did not stand up for itself. I am not a typical Republican in that sense. I knew Rob Portman pretty well before he became a senator, and I watched him drift. You get to Washington, and people start leaning on you. You start sympathizing with the other side a little. You eat lunch with them every day in the cafeteria. They have good hamburgers down there, by the way. You stand in line with the people you are supposed to be fighting, and they talk about the movies and their kids and where the kids are going to college. You develop a liking for them. Pretty soon you are voting more similarly than you ever intended, and you might even suspect that some of them only got into office through fraud, but you do not want to see them embarrassed. You do not want to expose it because friendships have formed. Fair enough. It happens in almost every industry. But that is not what voters are voting for. Voters want representative government. When you soft-pedal the problem, you are voting not to give it to them. The 2020 election was the clearest case yet of the system deciding that President Trump would not be allowed a second term, so they threw him out. They rigged it the way they do in other nations, the way Russia and much of Europe keep their people in power. Democrats have kept it close in the United States through election fraud for many decades, and reporters are being deliberately disingenuous when they refuse to admit it. They know it. When they come out and say “President Trump falsely claims” before they have even looked at the reports he just released, they are not doing journalism. They are taking the corporate byline and running with it. He put the evidence out there. No one analyzed it. They just declared the claim false.

I happen to know precisely where a lot of the theft took place, and there were a lot of crooks involved. Now that more people are open to looking at it, we have to talk about it and make sure it doesn’t happen again. That is what Trump’s national address was about: why we need secure elections, what we have learned, and what needs to happen going forward so the SAVE Act can finally pass. He went to the public and laid it out, and the criticism from the media types was extraordinary in its uniformity and its arrogance. How do they have the right to say he provided evidence of fraud involving China and then act as if they already know more than he does? They were given a line by the producers and the owners of their media companies: Trump is crazy, there was no election fraud in 2020, even though everybody who has looked at the data knows there was an abundance of it. Most Democrats currently in office should not be there because the elections that put them there were compromised. Look at Kentucky. The teachers’ unions and the college towns in Louisville, Lexington, and Frankfort were able to push a candidate over the top with enough votes collected without proper identification. Anywhere you have low election security, you are going to find Democrats excelling and winning even when the broader population is not actually voting for them. That is the problem. If you do not have secure elections, you do not have representative government. You have a system that has seized power and is using its influence to destroy the free will of the voters. That is not acceptable. Before you say “he falsely claims,” you should at least look at the evidence. Trump put it out. There is a lot of it.

The documents released with the speech show that over a period of years starting in the 2020 cycle, China carried out what is described as the largest compromise of election data in history, acquiring roughly 220 million U.S. voter files. Those files included names, home addresses, phone numbers, political party preferences, and other sensitive data that could be used to register voters or engage in other forms of interference. Intelligence assessments indicated that China assigned a specific data-exploitation unit to the project. U.S. agencies began learning about the compromise of tens of millions of voters’ data across 18 states as early as 2020, yet the information was suppressed and downplayed. The same set of documents underscores long-known vulnerabilities in electronic voting and ballot-counting systems. Adversaries including China, Russia, Iran, and North Korea can compromise election infrastructure, particularly centralized repositories such as voter registration databases, poll books, and official election websites. A DHS review of available state voter rolls and public records identified approximately 278,000 non-citizens registered to vote in federal elections, and the actual number is almost certainly higher because several Democrat-controlled states refused to share their full files. These are not fringe theories. These are the findings that the administration declassified and put before the country. The media response was to declare the claims false before the public had time to read a single page.

That is the conspiracy. The people who run the corporations that own the major media outlets want to reserve the right to insert Democrats into office and play kingmaker through illegal or insecure election means, whether through machines, mail-in ballots with no reliable chain of custody, or perpetual counting that continues until the desired margin appears. There is no voter ID on many of these ballots, so votes can be manufactured until the numbers work out. There is a great deal of evidence that this is exactly what has happened in multiple cycles, and it is a big story. A primetime address should have received far more serious treatment. Instead, you see how the media handled it, because they are part of the problem. Corporations want to control who gets into office, which is why so many policy outcomes look the way they do. It is not because we freely chose them. It is because the system has been captured by people who treat free elections as an obstacle rather than the foundation of self-government. Free and secure elections are how a people maintains its own government. They are taking that away, and that is why Trump went on primetime and talked about it. We had a hard lesson in 2020. We are still fiddling around with the facts when we should have taken decisive action years ago. He went to the airwaves because the matter is serious, and it will remain serious for every election going forward.

The media voices who dismiss all of this without examination are in bed with the same forces trying to rob people of their ability to maintain their own government through honest elections. That is supposed to stay here. Until we address it, we will keep having the same problems. The SAVE Act needs to pass. If you are serious about representative government, demand it. Call your representatives. Pay attention to the midterms. Make the process as hard to cheat as possible. That is the only way the people who actually show up and vote get the government they intend.

If you have ever read my book on business and the gunfighter approach to dealing with reality as it is rather than as the comfortable prefer it to be, you already know where I stand on these matters of discipline and clear-eyed assessment. The larger story of how power actually operates in this country, and the deeper forces that shape the political order, is something I have been exploring at length. Disclosure of the full picture requires understanding the politics of heaven itself. The evidence is there for anyone willing to look past the daily bylines.

Footnotes

1. Pre-speech and post-speech framing by ABC, NBC, and CNN treated Trump’s claims as predetermined falsehoods; networks declined to air the July 16, 2026, primetime address live on their main channels. See ABC News, “Key takeaways from Trump’s election speech,” July 17, 2026; The Hill, “James Carville criticizes networks for not airing Trump’s election security speech,” July 17, 2026.

2. On 2016 Florida reporting patterns, panhandle counties reported early and heavily for Trump while certain larger counties lagged; contemporaneous accounts noted the scale of the Republican margin forced earlier reporting. See Politico, “How Trump won Florida,” November 8, 2016.

3. The SAVE America Act (also referred to as the Safeguard American Voter Eligibility Act) mandates documentary proof of citizenship for registration, photo identification for voting in federal elections, and greater state sharing of voter-roll data. House passage occurred in February 2026; subsequent efforts attached provisions to other legislation amid Senate resistance. See Bipartisan Policy Center, “Six Things to Know About the SAVE America Act,” updated July 17, 2026; Congress.gov, H.R. 7296 and related measures.

4. White House release accompanying the July 16, 2026, address: “Over a period of years starting during the 2020 election cycle, the People’s Republic of China carried out what is believed to be the largest compromise of election data in history—resulting in China’s illicit acquisition of 220 million U.S. voter files.” Includes names, addresses, phone numbers, and party preferences; intelligence community assessments spanning 2020–2026 document adversary capabilities against election infrastructure. Official White House page, “Election Integrity,” July 2026, and linked declassified packages on China’s acquisition of American voter data and vulnerabilities in electronic voting systems.

5. DHS review cited in the same release identified approximately 278,000 non-citizens registered to vote based on available state rolls and public records; the administration noted the figure is incomplete because certain states declined full data sharing. White House, “Election Integrity,” July 2026.

6. Heritage Foundation Election Fraud Database contains more than 1,400 documented, proven instances of election fraud across multiple categories (as of late 2025 updates exceeding 1,600 sampled cases). Heritage Foundation, Election Fraud Map and Database, electionfraud.heritage.org.

7. Kentucky races have repeatedly featured claims of irregularities concentrated in urban and university-adjacent counties with weaker identification practices; former Governor Matt Bevin and others publicly alleged absentee and machine issues after close contests. Courier-Journal, “What officials, experts say about Bevin’s voter fraud claims,” November 2019; ongoing Kentucky Attorney General election-integrity inquiries, 2026.

8. Intelligence Community assessments (January 2020 onward) state that U.S. adversaries including China, Russia, Iran, and North Korea possess the capability to compromise election infrastructure, with centralized voter databases and poll books judged most vulnerable: declassified materials released July 16, 2026, White House Election Integrity portal.

Bibliography

ABC News. “Key takeaways from Trump’s elections speech.” July 17, 2026. https://abcnews.com/Politics/key-takeaways-trumps-elections-speech/story?id=134835191.

Bipartisan Policy Center. “Six Things to Know About the SAVE America Act

Rich Hoffman

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The Frogman of Loveland: Down the Rabbit Hole to the Politics of Heaven and Magonia

I did not set out to become the UFO guy. I woke up asking practical questions about power, motivation, and politics—the same way I have solved engineering and organizational problems my entire career in aerospace and executive roles. Something was broken in our understanding of how the world actually works, and I wanted to fix it by following the evidence wherever it led. That path started with the Bible, the divine council, and the politics of heaven itself. It took me through anthropology, local Ohio archaeology along the Little Miami River valley I know so well, and straight into the work of Jacques Vallée. The synchronicity is very interesting.

When I began writing The Politics of Heaven, my goal was straightforward: to understand the motivations of the characters we pray to and interact with in scripture. The Bible is not a collection of moral fables; it is a chronicle of encounters with super-characters—angels, demons, principalities, powers, and the divine council. Job’s story alone shows Satan as a member of that council, maneuvering Yahweh into testing a loyal man. That is politics. Pure, raw politics. If we are going to engage with these forces through prayer, ritual, or culture, we had better know what they want. Human politics is not enough. We need to map the agendas of the non-human intelligences that have been shaping events from the beginning.

That line of inquiry naturally led me to anthropology. Sir James Frazer’s The Golden Bough remains one of my favorite books after years of reading it. It opened the door to how cultures worldwide have interacted with the spirit world—the “great spirit,” ancestors, and other intelligences. Modern anthropology grew out of that comparative study, but it largely stopped at human societies. It cataloged myths, rituals, and shamans without seriously asking whether the beings on the other side of those rituals had their own coherent politics, territories, and long-term strategies. I propose we need a new branch: an anthropology of non-human intelligence and its impact on human history, culture, and current events.

Living here in the Cincinnati area, with deep roots in Butler County and the river valleys, the evidence was literally under my feet and in my backyard. The Little Miami River corridor is thick with Hopewell-era ceremonial earthworks. Fort Ancient sits on a plateau overlooking the river, just a short distance from Loveland and Milford—3.5 miles of precisely engineered earthen walls enclosing roughly 100 acres, with documented astronomical alignments with the solstices and lunar standstills. It was not a fort in the military sense; it was a monumental ritual and observational complex.

Further down the valley, in what is now Terrace Park, there once stood one of Hamilton County’s largest prehistoric earthworks—an enclosure of about 80 acres along the bluff above the Little Miami. In 1820, it was still visible, six feet high and twelve feet wide at the base. Today, homes, gardens, and part of a school sit atop it. Other mounds in the area were leveled for roads like Wooster Pike or disappeared under development. These were not random piles of dirt. They shared the same sophisticated geometry and mathematics seen at the great Newark Earthworks—precise circles, octagons, and alignments that encoded lunar cycles (the 18.6-year standstill), solar events, and what appears to be practical knowledge of π and equal-area constructions between squares and circles.

Newark itself is staggering. The Great Circle and Octagon complex once sprawled over several square miles. Researchers like Ray Hively, Robert Horn, Bradley Lepper, and William Romain have documented alignments of breathtaking precision—every major lunar standstill direction embedded in the architecture when viewed over the local horizon. These were not defensive works or casual gathering places. They were cosmic engines, ritual machines designed to connect heaven and earth, time and space. Shamans almost certainly used them in altered states—likely with psychedelics or other techniques—to communicate with the spirit world. The geometry stripped away ordinary filters and tuned the participants to frequencies where non-human intelligences could interact.

If we had not paved over so many of these sites with neighborhoods, roads, and golf courses, places like the Terrace Park earthwork and others around Milford would rank as world-heritage-level marvels alongside the pyramids or Stonehenge. The precision of their construction, the labor involved, and the astronomical knowledge encoded in them point to something far beyond ordinary tribal engineering. Either the Hopewell independently achieved mathematical and observational sophistication that rivals anything in the ancient world, or they were receiving information and instruction from intelligences that already understood these patterns.

That brings me to the frogman.

Just a few miles upstream and downstream from these lost or buried ceremonial centers along the Little Miami, people have been seeing something that does not fit ordinary biology. In 1955, a businessman near Loveland reported three or four humanoid figures, three to four feet tall, with leathery skin and frog- or lizard-like faces, gathered near a bridge or along the riverbank. One version mentions a wand-like object emitting sparks or light. In 1972, Loveland police officer Ray Shockey encountered a similar being on Riverside Drive near the old Totes boot factory and the river. It stood up in his headlights. His partner, Mark Mathews, later claimed to have shot one; decades afterward, he said it was a large tailless iguana that had escaped a pet owner and was living near warm factory pipes. The legend persisted anyway—scrape marks on guardrails, a creature climbing over or under them and vanishing into the water. In 2016, near Lake Isabella (right across from Indian Hill and close to the old Terrace Park area), Pokémon Go players reported seeing a large, frog-like figure standing on its hind legs.

My family has turned the Loveland Frogman into a running joke with the grandkids. “Let’s go catch a frogman tonight down by the river.” It is fifteen minutes from the house. We laugh, but the pattern is hard to ignore. These sightings cluster in the exact river corridor where major Hopewell ritual sites once stood—sites now largely erased by modern development. The beings show up looking for something that is no longer there: the shamans, the rituals, the precise geometric invitations that once opened doors between worlds. They arrive a couple of thousand years too late or too early, stepping over guardrails on Kemper Road or near Lake Isabella, still drawn to the old power spots along the Little Miami.

This is where Jacques Vallée enters the story through pure synchronicity. While sharing early drafts of The Politics of Heaven with agents, publishers, and consultants, multiple people independently told me the same thing: “You sound like Jacques Vallée. You need to read Passport to Magonia.” I had avoided deep dives into UFO literature because I did not want to be labeled the UFO guy. I knew Vallée had consulted on Close Encounters of the Third Kind, but I had not read his work. When the book arrived from Amazon the next day—waiting at a distribution center as if it had been pre-positioned—I opened it and immediately recognized the territory.

Vallée’s central argument in Passport to Magonia (1969) is that modern UFO occupants are not new. They are the fairies, elves, sylphs, demons, angels, and aerial beings of folklore repackaged for a technological age. He draws on medieval accounts of ships from Magonia—a legendary realm in the clouds whose sailors collected grain knocked down by storms—and shows the same encounter structure repeating across centuries: aerial craft, non-human entities, interaction (sometimes seductive or revelatory, sometimes disturbing), and departure. The beings adapt their appearance and story to the expectations of the witnesses. They leave physical traces but behave in ways that violate the physics implied by their appearance. They operate as a control system or an influence mechanism, interacting with human consciousness over time.

Magonia, in Vallée’s reading, functions like a rival sovereignty—a political order operating just outside or alongside our dimensional reality. That matched exactly what my research into the divine council and biblical politics had already led me to conclude independently. These are not simple visitors from another planet dropping in for disclosure or friendly ET chats. They are ultra-terrestrials or interdimensional intelligences with their own agendas, territories, and long game. They have been shaping human culture, religion, and politics for millennia—sometimes as gods or angels, sometimes as tricksters or tormentors. The Hopewell geometers and shamans were engaging them through precise ritual architecture. The frogman sightings suggest they still patrol the old contact zones.

I am not claiming every sighting is profound. Some are misidentifications or hoaxes. But the pattern—ancient ceremonial precision along the same rivers where cryptid activity persists, the synchronicity of arriving at Vallée’s conclusions through biblical and political inquiry, the consistent folklore structure across cultures—demands serious attention. Steven Spielberg captured a sanitized version in Close Encounters and E.T. The cute, friendly aliens who want to take us for a ride or phone home. The real record includes missing time, abductions, trauma, and manipulation. Vallée documented the disturbing side; mainstream disclosure narratives often soften it.

Understanding their politics matters. If these intelligences have motivations—territorial, informational, or influence-based—then treating them as either nonexistent or purely benevolent is a form of strategic blindness. Just as we map human political actors, we need to map theirs. The Bible already does some of that work. Anthropology and archaeology can do more if we stop pretending the “spirit world” was only a psychological projection. The evidence from Newark, Fort Ancient, the lost mounds of Terrace Park and Milford, the persistent frogman activity, and Vallée’s comparative folklore all point in the same direction: non-human intelligences have been here, interacting with us, and they have their own order.

I did not chase this rabbit hole for fame or money. There is little of either in the following evidence, this far outside the box. I followed it because the questions were honest and the evidence was insistent. The Politics of Heaven is the result—a treasure hunt through scripture, history, archaeology, and personal experience that refuses to stop at comfortable boundaries. The synchronicity with Vallée’s work was not a coincidence; it was confirmation that the evidence converges.

We are long past the point where we can afford to dismiss these patterns as mere folklore or swamp gas. The beings that built—or inspired—the precise geometries of the Hopewell earthworks, that still appear along the same rivers in forms adapted to our expectations, and that the Bible chronicles as members of a divine council with political agency, are operating with agendas. Mapping those agendas is not a conspiracy theory. It is the next necessary step in anthropology, political strategy, and honest theology.

The frogman is still out there, or something like him. The old sites are still under the neighborhoods. And the politics of heaven—and of Magonia—continue whether we pay attention or not.

Footnotes (selected key references; full bibliography follows):

1. Jacques Vallée, Passport to Magonia: From Folklore to Flying Saucers (1969; various editions). Core thesis on continuity between UFO occupants and historical aerial beings/fairies from Magonia and similar traditions.

2. Reports on Loveland Frogman: Singular Fortean Society coverage of 1972 officer sightings (Shockey/Mathews); WCPO 2016 interview with Mathews identifying the shot creature as a large iguana; 1955 Stringfield report of businessman sighting near Loveland/Little Miami bridges; 2016 Pokémon Go sighting near Lake Isabella.

3. Terrace Park earthwork: Historical Society of Terrace Park records noting a large ~80-acre enclosure visible into the 19th/20th century, now largely covered by development, homes, and school grounds—other local mounds destroyed by road construction.

4. Fort Ancient: Descriptions of hilltop enclosure overlooking Little Miami River, ~3.5 miles of walls, astronomical alignments (solstice, lunar). See National Park Service and archaeological summaries.

5. Newark Earthworks geometry and astronomy: Foundational work by Ray Hively and Robert Horn (1982 onward) on lunar standstill alignments in the Octagon; Bradley Lepper and William Romain on geometry, “squaring the circle” relations, cosmic/ritual function, pilgrimage center aspects. UNESCO World Heritage designation for Hopewell Ceremonial Earthworks (2023) includes several Ohio sites.

6. Hopewell culture context: Widespread ceremonial earthworks across Ohio river valleys (Scioto, Little Miami, etc.), ~200 BCE–500 CE, advanced mathematics, astronomy, trade, likely shamanic ritual use of geometry and altered states. Many sites were lost to agriculture and urban development.

7. Biblical references: Job (divine council politics, Satan as a member testing Yahweh’s servant); broader Enochic and prophetic traditions on principalities, powers, and heavenly politics.

8. Frazer, James George. The Golden Bough (various editions). Foundational comparative study of myth, ritual, and interaction with spirit/great spirit across cultures; inspiration for expanded anthropology.

Bibliography (selected; expands on footnotes for depth):

• Vallée, Jacques. Passport to Magonia.

• Hively, Ray, and Robert Horn. “Geometry and Astronomy in Prehistoric Ohio.” Journal for the History of Astronomy: Archaeoastronomy Supplement (1982 and subsequent papers).

• Lepper, Bradley T. Multiple works on Newark Earthworks as ceremonial landscape, pilgrimage center, and geometric/astronomical achievement.

• Romain, William F. Works on Hopewell geometry, astronomy, cosmology, and Fort Ancient.

• Squier, Ephraim George, and Edwin Hamilton Davis. Ancient Monuments of the Mississippi Valley (1848). Foundational survey including Ohio earthworks.

• Historical Society of Terrace Park records on local prehistoric earthworks.

• Singular Fortean Society, WCPO, and contemporary newspaper accounts of Loveland Frogman incidents (1955, 1972, 2016).

• National Park Service and Ohio History Connection materials on Fort Ancient and Hopewell sites.

• Frazer, James George. The Golden Bough.

• Biblical texts (Job, Enoch traditions, references to divine council and principalities).

Rich Hoffman

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The Resonance of Exceptional Sound: John Williams, the Art of the Film Score, and the Music That Refuses to Be Mediocre

I have always believed that the music which moves me most deeply is not the disposable pop that floods the airwaves and algorithms, but the symphonic scores crafted for great films. These orchestral works possess a unique power to resonate. They do not merely accompany the images on screen; they complete them, giving emotional weight and narrative propulsion to stories that might otherwise remain flat. They fill the spaces between dialogue and action with something larger than life, something that lingers in the mind and spirit long after the theater lights come up. In a culture saturated with catchy but ultimately empty beats designed to hypnotize rather than elevate, these scores stand apart as acts of genuine artistry.

Right now I am listening, as I have nearly every day since its release in June, to the soundtrack for Steven Spielberg’s new film Disclosure Day. Once again, at the age of ninety-four, John Williams has delivered something astonishing. The orchestration is smart and purposeful, the pacing precise, the way the music weaves itself into the story’s fabric nothing short of genius. There is a contemplative main theme tinged with Americana that grounds the middle-American setting, eerie string passages that echo earlier sci-fi explorations, and moments of darker dissonance that speak to forces trying to suppress hidden truths. There are chases and revelations, wordless choral passages, and a large symphonic ensemble of ninety-six players recorded over months rather than the usual frantic weeks. Even in its more restrained passages—music that, as Spielberg has described it, accompanies the film from slightly behind, giving it a subtle nudge forward rather than dominating—it carries that unmistakable Williams signature: it makes you feel the weight of what is at stake.

This latest score, their thirtieth collaboration stretching back more than half a century to The Sugarland Express in 1974, feels like both a culmination and a gift. It arrives at a moment when the film itself grapples with disclosure, with non-human intelligence, with truths long kept in shadow. The music does not sensationalize; it deepens. It reminds us that some stories require more than spectacle. They require a composer who understands how to make the unseen feel present, how to turn tension into transcendence.

I have loved Williams’ work for as long as I can remember, but one cue in particular has lived with me for over thirty years: “Desert Chase” from Raiders of the Lost Ark. I have listened to it countless times, including this very morning. It never grows old. In that relentless, driving music, you hear the truck barreling through the canyon, the Nazi driver pushing gears, the dust and violence and desperate ingenuity of Indiana Jones. Thrown from the vehicle, he finds a way back underneath it, fights his way forward, and seizes control. The cue builds through key changes that ratchet up the intensity, like a truck driver shifting up, until it resolves in hard-won triumph. Williams captured something essential there: exceptional tenacity. The refusal to quit when every force is arrayed against you. The ability to resurrect yourself from the dirt, climb back into the fight, and take the prize. That is not just action music. It is a philosophy rendered in orchestra.

I remember standing in an eighth-grade English class when the assignment was to share our favorite song. Classmates spoke of current hits—the Police, Van Halen, whatever dominated the radio that year. When my turn came, I said, without hesitation, “Desert Chase” by John Williams. There were puzzled looks. It was not what anyone expected, and it was not what the culture was steering us toward. But it was the truth. Even then, I knew the difference between music that merely entertains for three minutes and music that tells a story of struggle and victory, that makes you believe in the possibility of overcoming. My oldest daughter later slept with the Raiders of the Lost Ark soundtrack playing in her room; I could hear those themes drifting down the hall, the same composer who had already shaped so much of what I valued in storytelling.

What made Williams different from so many others who toiled in Hollywood before Jaws and Star Wars made him a household name? He had already built a substantial body of work—scores for television, for films like Daddy-O, Valley of the Dolls, The Reivers, the innovative Jane Eyre, disaster epics such as The Poseidon Adventure, Earthquake, and The Towering Inferno, and his first collaboration with Spielberg on The Sugarland Express. He was no unknown. He had won an Oscar for his work on Fiddler on the Roof. Yet many in the industry, particularly those operating by committee consensus, did not see the full measure of his gift. They judged him against the mediocre output that surrounded them and found him wanting because he refused to stay within those narrow bounds.

I recall profiles and television pieces from the mid-1980s, around the time he was scoring Indiana Jones and the Temple of Doom, that tried to unpack why he succeeded where others plateaued. The answer was always the same: he was exceptional, and exceptional talent is often invisible or threatening to those who measure everything by average standards. Corporate and studio cultures built on consensus, consultants, and committee decision-making tend to produce safe, forgettable products. George Lucas has spoken recently about how studios now hire rooms full of people to make films by committee, with screenwriters chasing paychecks and delivering whatever the money wants. The result is rarely inspired. Most studios passed on Star Wars entirely; they did not understand it and saw only risk. Twentieth Century Fox took the chance largely because of Lucas’s prior success with American Graffiti, not because executives grasped the epic vision. They undervalued what they could not immediately commodify.

Williams endured years of that environment. Mediocre people in positions of power often surround themselves with other mediocre people; it makes them feel less exposed in the mirror. They promote the average because true excellence makes them uncomfortable. They criticize work that aims higher as “too elevated” or not what “the public wants,” when what they really fear is being outshone. Committees become hiding places for those who lack the intuition or courage to back a singular vision. Williams kept working, kept refining his craft, kept writing music that filled narrative with emotional truth rather than wallpaper. It was only when he partnered consistently with other exceptional talents—Spielberg chief among them—that the string of iconic scores began to flow in full public view. But the genius had been there all along.

Spielberg’s particular gift as a director is his ability to recognize and elevate exceptional collaborators rather than constrain them. He does not manage by committee, noting that it dilutes everything to the lowest common denominator. He trusts the people who are operating at a higher level and lets them do what they do best. The result is work that consistently rises above the average—often far above. Their partnership across thirty films has produced some of the most memorable cinematic experiences of the last half-century precisely because it has been a meeting of two minds that value quality over consensus. In Disclosure Day, even as Williams works in a more restrained mode for much of the score, the moments of power still feel earned and inevitable. Spielberg has called scoring the reward at the end of making a film—the chance to hear what Williams will bring. That trust, that mutual elevation, is rare in an industry that too often punishes it.

This is why Williams’ music has always resonated so strongly with me. It embodies the same principles I have written about elsewhere: the development of intuition that lets you act decisively and accurately, the refusal to settle for mediocrity, the willingness to impose will and vision on circumstances rather than waiting for permission or group approval. In The Gunfighter’s Guide to Business, I explored what it takes to rise above the common level, to shoot from the hip with precision because you have done the hard work of mastery. Williams’ career is a master class in that. He did not wait for the culture to catch up. He kept composing at the highest level, and eventually the culture—or at least the audiences and the exceptional partners—caught up with him.

Listening to this new score, I feel fortunate. For a man well into his nineties to pour such care, such detail, such soul into more than two hours of music—recorded across seven sessions over six months with a full orchestra, wordless choir, and meticulous attention to every nuance—is remarkable. I wish there were ten or twenty more to come. If this proves to be among the final chapters, it is a worthy one. His legacy is already secure: a body of work that has taught generations what great film music can do. It elevates ambition. It makes us believe we can overcome the truck that tries to run us over, find our way back into the fight, and claim something greater than we were handed.

In a world that often seems engineered to flatten the exceptional and reward the safe, John Williams has spent a lifetime doing the opposite. His music does not pander. It invites us upward. That is why I have never tired of “Desert Chase,” why I still listen to these scores rather than the latest pop confection, and why this latest offering from a ninety-four-year-old master feels like both a benediction and a call to keep striving.

The themes that run through Disclosure Day—the uncovering of hidden truths, the encounter with the unknown, the courage required to face what has been concealed—find their perfect counterpart in music that refuses to settle for the ordinary. As I continue my own work, including the forthcoming The Politics of Heaven, I am reminded that the battle between forces that would diminish human potential and those that call us toward greater clarity and courage is fought on many fronts. Music of this caliber is one of them. It reminds us what is possible when exceptional talent is allowed to do its work without being dragged down by committee or consensus.

I am grateful for every note John Williams has given us, and especially for this one. The hourglass may have less sand left than we would like, but what remains is still producing gold. That, more than anything, is the lesson worth carrying forward.

Notes

[^1]: John Williams was born on February 8, 1932. As of mid-2026, he is 94 years old.

[^2]: Disclosure Day (2026) marks the 30th collaboration between Spielberg and Williams, and Williams’ 105th theatrical film score since his debut in 1958. The score was recorded over seven sessions from September 2025 to February 2026 with a 96-piece orchestra.

[^3]: Notable pre-Jaws (1975) scores by Williams include work on Daddy-O (1958), Valley of the Dolls (1967), The Reivers (1969), Jane Eyre (1970), The Poseidon Adventure (1972), The Towering Inferno (1974), Earthquake (1974), and his first Spielberg film, The Sugarland Express (1974).

[^4]: Most major studios passed on Star Wars (1977). Twentieth Century Fox proceeded largely on the strength of Lucas’s prior success with American Graffiti, not full confidence in the concept itself. Lucas retained merchandising and sequel rights because the studio undervalued them.

[^5]: Spielberg has described the Disclosure Day score as “probably the most restrained score he has ever written for one of our collaborations—at least until it is not,” noting that Williams holds back in a subtle way that enriches the film by “accompanying it from slightly behind, pushing it forward.”

Bibliography / Further Reading

• Burlingame, Jon. “How John Williams Scored Steven Spielberg’s ‘Disclosure Day’.” Variety, 2026.

• “Disclosure Day: Everything you need to know about John Williams’ score.” Classic FM, 2026.

• “List of compositions by John Williams.” Wikipedia (detailed filmography).

• “TIMELINES: JOHN WILLIAMS” and related features. Film Score Monthly.

• Accounts of the development and studio reception of Star Wars in works such as J.W. Rinzler’s The Making of Star Wars and contemporary reporting.

• Spielberg’s public comments on the Disclosure Day score and his long partnership with Williams (various 2026 interviews and press notes).

The music plays on. Keep listening for what elevates.

Rich Hoffman

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About the Author: Rich Hoffman

They Call Me Jonesy: Sheriff Jones’ Book About Leadership, Brand building, and Saving America

It was a Friday night in mid-July 2026, and I was in one of those nice theaters with the little tables—the kind that make an evening out feel intentional rather than just another screen in the dark. The film was Young Washington, the new one about George Washington’s early years in the French and Indian War, before he was the marble statue on the dollar bill or the father of a nation. It was a good picture, the kind that puts you in a patriotic frame of mind without preaching. I had my phone face-down on the table because I didn’t want to be that guy checking messages during the show. But even silenced, I could feel it lighting up now and then. When the credits rolled and I finally turned it over, there were more notifications than I expected. One of them was from Sheriff Jones.

I like Sheriff Jones. I always have. He’s one of those larger-than-life figures who makes Butler County feel like it still has some old-fashioned backbone left. When he texted to let me know he had a new book out—“They Call Me Jonesy: Let’s Get Real About Saving America”—I was genuinely surprised. It had come out back in May, and I hadn’t heard a thing about it until that message. He said if I wanted to talk about it or pick one up, to reach out. I told him right then I’d get it read. I could have driven over and grabbed a copy from him directly, but I wanted to do it the right way—support the work properly—so I opened Amazon on the spot and bought it. As I write this, the book hasn’t arrived yet. I’ve been busy, the way most of us are these days, and sometimes the important people and the important things slip through the cracks until a text like that snaps you back to attention.

While I wait for it to show up, I’ve been thinking about what it means to have a Sheriff like Richard K. Jones in our community—and why the public relations side of his job might be every bit as important as the operational side most people picture when they think “law enforcement.”

In Butler County, Jones is more than the man who runs the jail and signs the paychecks for deputies. He’s a character in the classic sense: the tall figure in the signature cowboy hat and those big ostrich boots, the one who shows up at fundraisers for youth shooting sports, compares hats with old friends, and isn’t afraid to talk about the realities of the job—the lawsuits that come with the territory, the guns he carries or the ones the department fields, the constant pressure from every direction. He’s been doing this a long time. First elected in 2004, he’s now well into what I’d call his seventh term of service, having worked through multiple governors, multiple presidents, and the full spectrum of political weather in Ohio and beyond. He’s dealt with the Bush years, the Obama years, the Biden years, and whatever comes next. Through all of it, he’s stayed visible, outspoken, and unapologetic in a way that feels increasingly rare.

That visibility is the part a lot of people miss when they talk about what a Sheriff is supposed to do. Some folks think the job is purely about kicking in doors and locking up bad guys. And yes, that work matters—more than most civilians will ever understand. But if you only do the enforcement piece and ignore the executive piece, you eventually lose the community you’re sworn to protect. People start seeing the badge as something distant and ominous rather than something that belongs to them. They start questioning why their tax dollars go to support it. Morale inside the department suffers when the public narrative turns against you. Jones figured this out a long time ago, long before national figures made “brand” a dirty word or a political weapon. He understood that in a republic, especially at the county level where government is closest to the people, you have to build something citizens can latch onto and believe in. You have to make law and order feel like a shared project rather than an imposition.

That’s what I mean when I talk about executive leadership. I’ve written about it in The Gunfighter’s Guide to Business and I’m still working through the lessons in my own professional life—an aerospace executive who spends a lot of hours every week trying to impose will on circumstances, build teams that believe in the mission, and create something durable enough to survive the inevitable storms. The gunfighter doesn’t just draw fast; he creates the conditions where the draw is rarely necessary because the reputation and the relationships do half the work. Same principle applies to a Sheriff’s office. If the community sees the department as “us” rather than “them,” you get better cooperation on tips, better juries, better budgets, better young people considering the career, and a healthier society overall. Jones has spent years cultivating exactly that. He gets on TV. He does the interviews. He shows up. He lets people see the human being behind the badge—the one with the cowboy hat and the straight talk—and that makes all the difference when something goes wrong and the cameras show up for the wrong reasons.

I’ll be honest: when I saw his name on my phone that night, part of me hoped it was the other kind of message. The one where he says they’re getting ready to hit a house or round up some cartel types or serve a warrant that might need an extra set of eyes and a steady hand. I’ve lived long enough and seen enough to know that sometimes the only thing that moves the needle is decisive action on the ground. I would have been in the truck in five minutes, and I think he knows that. But instead he wanted to tell me about the book, and that’s valuable in its own right. Because writing the book is also action—it’s distilling decades of experience into something other people can use. From everything I’ve seen in the descriptions and early word, They Call Me Jonesy is exactly what you’d expect from the man: candid, humorous in that tough-love Midwestern way, deeply patriotic, and full of stories about leadership under pressure, the cost of political correctness, the realities of “the swamp” at every level, and what it actually takes to push back. It’s a call to action for people who still believe in law and order, traditional values, and straight talk. And it comes from someone who’s walked the walk for more than twenty years in one of the most visible law enforcement jobs in Ohio.

We share a mutual friend in David Kern, the longtime Liberty Township trustee. David and I have known each other all my life. He’s always been a solid political figure—practical, engaged, the kind of person who gets things done without needing to be the loudest voice in the room. Jones and I have connected over that shared respect more than once. We’ve not always agreed on every detail of every issue, but we’ve always been able to shake hands, compare cowboy hats (mine’s been a fixture since I was in third or fourth grade, a declaration that I wasn’t going to blend into whatever the culture was selling that week), and keep the relationship real. That matters in a county like ours. It’s how you get things done when the easy path would be to retreat into your own silo and let the rest of the world burn.

There’s something refreshing about a public servant who still understands that the job includes selling the mission. Not in a slick, consultant-driven way—Jones is too much of a character for that—but in the old-fashioned sense of showing people why it’s worth supporting. He’s not afraid to be seen. He’s not afraid to be himself. And because of that, when Butler County residents look at the Sheriff’s Office, they don’t automatically default to suspicion or resentment. They see someone who’s been there through the hard times, who’s willing to say the unpopular thing out loud, and who’s built enough goodwill that the community is willing to give him the benefit of the doubt when the inevitable controversies flare. That’s brand building at its most practical. It’s also leadership at its most effective.

I’m proud of Sheriff Jones for putting this book out into the world. Not every lawman has the discipline or the inclination to turn the raw material of a long career into something readable and useful for the next generation. He’s become something of an international figure in certain circles because of his willingness to speak plainly about immigration, crime, and the erosion of common sense in policy. But he’s stayed rooted here. That says something. And for those of us who call Butler County home, it means we have a Sheriff who gets the big picture: saving America isn’t just a slogan or a national election every four years. It happens in places like this, one relationship, one visible stand, one candid conversation at a time.

The book is available on Amazon right now—“They Call Me Jonesy: Let’s Get Real About Saving America” by Richard K. Jones. I’m looking forward to reading it the moment it lands on my doorstep, and I’ll have more to say once I’ve had a chance to digest it properly. If it captures even a fraction of the personality and the hard-won wisdom I’ve come to associate with the man who sent me that text, it’ll be time well spent. And if you’re the kind of person who still believes that strong, unapologetic leadership at the local level is part of how we turn this country around, then do yourself a favor and pick up a copy too.

In the meantime, I’ll keep my phone close. You never know when the next message from the Sheriff might come through—maybe about the book, maybe about something more immediate. Either way, I’m glad he’s out there, hat and all, doing the work of building something worth believing in. We need more like him.

Footnotes

[1] Richard K. Jones, They Call Me Jonesy: Let’s Get Real About Saving America (Independently published, May 18, 2026). The paperback edition became available around that date; a Kindle edition is also offered. See the official site at theycallmejonesy.com and the Amazon listing for current purchasing options and a free sample.

[2] The book’s public description emphasizes candid leadership lessons drawn from Jones’s decades in corrections and law enforcement, including direct commentary on crime, political correctness, “the swamp,” patriotism, and practical steps for those who want to help save America. Early testimonials have come from figures including former Arizona Sheriff Mark Lamb and former Middletown Police Chief Rodney Muterspaw.

[3] Sheriff Richard K. Jones was first elected Butler County Sheriff in November 2004 (taking office January 2005) and, as of mid-2026, is serving what official records describe as his sixth term. In personal conversation and local perception, the length and continuity of his service often register as an even longer tenure of steady leadership through changing political environments.

[4] Rich Hoffman, The Gunfighter’s Guide to Business (available through standard retailers). The book explores themes of resilience, imposing will on circumstances, building loyal teams, and the executive’s role in creating something people will fight to preserve—lessons that parallel the brand-building and leadership approach discussed here.

[5] Purchase They Call Me Jonesy: Let’s Get Real About Saving America directly through Amazon or the author’s site (theycallmejonesy.com). As of July 2026 it remains a recent release and is easy to find with a quick search for the title and author.

Bibliography

Jones, Richard K. They Call Me Jonesy: Let’s Get Real About Saving America. Independently published, May 18, 2026.

Butler County Sheriff’s Office. “Sheriff.” Official biography page. https://www.butlersheriff.org/sheriff. Accessed July 2026.

Hoffman, Rich. The Gunfighter’s Guide to Business. [Publication details per author’s records].

Amazon.com product page for They Call Me Jonesy: Let’s Get Real About Saving America by Richard K. Jones (ASIN or ISBN as listed on site).

theycallmejonesy.com – Official book site with description, sample, and testimonials.

Rich Hoffman

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About the Author: Rich Hoffman

The Ohio Governor’s Race: Why Vivek Ramaswamy Is Pulling Away as the Money Dries Up For the Loser Amy Acton

I have been saying for months that this Ohio governor’s race was never going to be as close as the liberal media and the Democratic machine kept insisting. As long as Amy Acton could raise and spend roughly equal amounts of money, they could buy enough advertising to keep the “horse race” illusion alive. That is how the game works in modern politics. Fundraising and media buys create the perception of competitiveness long after the fundamentals have already decided the outcome. But we are now in the middle of July 2026, and the gap is becoming impossible to hide. Elon Musk just put $5 million into the super PAC supporting Vivek Ramaswamy. That single check changes the entire dynamic, and the other side knows it.

I have watched David Pepper and the Marc Elias-style operatives do this routine before. They treat elections like a production where money buys the narrative, and the narrative buys time. They prop up candidates who cannot stand on their own record by flooding the airwaves with ads that soften the edges and attack the opponent on personality or wealth rather than substance. It works until the money runs short. Then the horse stops getting free drinks at the strip joint, and reality walks in. Right now, the money is tightening up for Acton, and the media that was happy to call this a toss-up while the checks were clearing is suddenly quieter about the fundamentals.

Vivek Ramaswamy is the exceptional candidate in this race. He is a Cincinnati native who built real companies, created real value, and succeeded on merit in competitive fields. He is a successful author and thinker who has already proven he can operate at the highest levels of government efficiency efforts alongside Elon Musk in the Department of Government Efficiency. He understands free markets, individual initiative, and the dangers of centralized government that tries to manage every resource and outcome from above. That is the opposite of the society Acton and her backers have spent years promoting—one that empowers mediocre administrators while punishing the very people and policies that generate prosperity.

Acton, by contrast, is a textbook product of the empire of mediocrity. She was the face of Ohio’s COVID lockdowns as state health director. She helped shut down businesses, kept drive-throughs and dining rooms closed at places like McDonald’s under ever-shifting rules, and contributed to the destruction of countless small enterprises that never recovered. Those policies were later exposed in court as unconstitutional overreaches. I had conversations with members of the Ohio Supreme Court back in 2020 as those cases were being prepared, and it was obvious even then that the lockdowns could not survive constitutional scrutiny. Governor DeWine eventually had to back away because the legal foundation was collapsing under him. Acton resigned under pressure from angry citizens protesting in the streets with no clear end in sight. None of that is the record of an exceptional leader. It is the record of someone who followed the centralized script, expanded bureaucratic power, and left real damage behind.

DeWine’s endorsement of Vivek took courage. It is never easy for a term-limited governor to put his name behind a successor who is positioned to outperform him, especially when that successor is running against the person DeWine himself appointed during the pandemic. The fact that he did it anyway tells you something important about where the party and the state are headed. Vivek is not an insider continuation of the old order. He is the disruption the old order needs if Ohio is going to stop losing ground on taxes, education, and economic freedom.

The money tells the real story right now. Vivek’s supporting super PAC has raised serious resources—tens of millions—and is deploying them aggressively. The $5 million from Musk is not just symbolic; it is a signal that serious people who create wealth and understand results are backing him. Acton cannot match that pace. When the advertising dollars dry up, the media loses interest in pretending this is a close contest. Voters are left with the actual records: one candidate who built success and wants to bring that same energy to Columbus, and another whose signature achievement was helping lock down the state economy in ways that proved unconstitutional and economically destructive.

I have been consistent on this since the race took shape. Vivek was always going to outperform the low expectations the media set for him once people looked past the noise. He is rolling out plans on property tax reform, real education choice that puts parents back in charge, and cooperation with a Trump administration that remains popular in Ohio for delivering results on the economy and border security. Acton’s side is still trying to run the old playbook—lawfare, media narratives, and enough cash to keep the “horse race” story alive. But the cash is not keeping up, and the voters are not buying the illusion the way they once did.

This race is a clear choice between two different visions of government. One side believes in self-initiative, free markets, and limited centralized power—the approach that actually lifts societies. The other side believes the government should take from producers and redistribute according to political priorities, the same model that has produced mediocrity and dependency wherever it has been tried at scale. Ohio does not need another governor who manages decline while protecting the administrative class. It needs a governor who will cut waste, reform taxes, fix the schools, and let exceptional people and exceptional businesses thrive rather than punishing them.

We are still a few months from November, but the trajectory is clear. As the funding gap widens and the media can no longer afford to prop up the fiction of a close race, Vivek Ramaswamy is going to pull away. The fundamentals were always on his side. The money is now confirming what the fundamentals already showed. Ohio has a real chance to choose exceptional leadership over the empire of mediocrity that has dominated too much of state government for too long. I have been saying it for months. The evidence is now impossible to ignore.

Footnotes

1. Elon Musk contributed $5 million to V-PAC, the super PAC supporting Vivek Ramaswamy’s campaign for Ohio governor. Cleveland.com, July 15, 2026.

2. Vivek Ramaswamy won the Republican primary for governor on May 5, 2026, with approximately 82.4% of the vote. Ballotpedia, “Ohio gubernatorial and lieutenant gubernatorial election, 2026.”

3. Amy Acton served as Ohio’s state health director and played a central role in the state’s early COVID-19 response and lockdown policies under Governor Mike DeWine.

4. Multiple court challenges in Ohio and elsewhere during 2020–2021 found various lockdown and business closure orders unconstitutional or beyond executive authority.

5. Governor Mike DeWine endorsed Vivek Ramaswamy for governor in 2025–2026, despite Acton having been his appointee during the pandemic period.

6. Ramaswamy’s campaign and supporting super PAC have raised and spent tens of millions, significantly outpacing Acton’s fundraising in key periods of 2026.

Bibliography (selected for further reading)

• Ballotpedia. “Ohio gubernatorial and lieutenant gubernatorial election, 2026” (primary results and candidate profiles).

• Cleveland.com. “Elon Musk puts $5 million behind ex-DOGE partner Vivek Ramaswamy’s governor bid.” July 15, 2026.

• Forbes. “Ramaswamy Wins Republican Primary In Ohio Governor’s Race.” May 5, 2026.

• AP News. “Trump-backed Vivek Ramaswamy wins Ohio Republican Party’s endorsement in 2026 governor’s race.” May 9, 2025.

• Vivek for Ohio campaign materials and platform statements (vivekforohio.com).

• Ohio Capital Journal and other Ohio political reporting on super PAC spending and fundraising totals, 2025–2026.

• Court records and contemporaneous reporting on Ohio COVID-era lockdown litigation and constitutional challenges (2020–2022).

• Various polling aggregates from mid-2026 showing the general election contest between Ramaswamy and Acton.

Rich Hoffman

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About the Author: Rich Hoffman

The Empire of Mediocrity and the Call for American Exceptionalism

I sat at that lunch last week with human resources leaders from several large corporations in the Cincinnati area, the kind of gathering where the check routinely clears a hundred dollars a person, and the conversation circles the same drain it has circled for years. They were perplexed, as they always are when the numbers refuse to lie. Staffing shortages that will not resolve, artificial intelligence that has automated the kiosk and the order screen but still leaves tables to be wiped and registers to be tended by flesh-and-blood people, an economy that refuses to roar back to the promised heights, and a persistent inability to locate and keep the kind of talent that actually moves the needle. They wanted to know how to acquire an intelligent workforce. I told them what I have told anyone who will sit still long enough to hear it: you do not acquire exceptional results by staffing your organization with people selected for their ability to tolerate mediocrity. You find exceptional people, you recognize them when they appear in unconventional packages, and you protect them from the machinery that exists to grind them down.

I have cast aside the noisy, circular arguments over group averages in human capability—not because the psychometric data lack interest from a scientific standpoint, but because my concern has always been the human species as a whole, a young and still-fragile lineage trying to find its footing in a galaxy that is already crowded with other forms of intelligence. The question that matters is not which population cluster sits where on a distribution curve. The question is how any society, any company, any civilization identifies and elevates the outliers who can see around corners the rest of us cannot yet perceive.

Decades of personnel psychology research, distilled in landmark meta-analyses, have shown that general mental ability remains one of the strongest single predictors of job performance across occupations, with particularly high validity for complex, high-stakes roles. That finding aligns with what I have observed across more than fifty years in business and executive life. Raw cognitive horsepower matters. It is not everything, and it is certainly not a guarantee of worldly success. I have known men and women with genius-level IQs who could not hold a marriage together, could not navigate an ordinary bank teller without frustration boiling over, could not endure the slow, stupid, political churn of ordinary corporate or governmental life without eventually self-destructing or walking away. Intelligence without gumption, without an intuitive compass, without some connection to a wider field of knowing, often becomes a curse rather than a blessing. The person who is “too smart for the room” learns to despise the room, and the room learns to despise him back.

That is the story I told the HR table, because it is the story I have lived and watched others live. In our twenties, a friend and I bought a small company. We were clearing out the accumulated junk of previous owners when we found, in a back closet, one of those enormous old projection bulbs—the kind that once threw motion pictures onto screens the size of a wall. It was a beautiful, ridiculous object, heavy glass and filament, a relic of an analog age already slipping into memory. We decided we had to have it. We loaded it into the hatchback of his car, unsecured, and drove across what was then the University of Cincinnati campus with the rear door open and that giant bulb rolling gently with every turn. The police pulled us over. My friend did not do deference. He despised unearned authority, especially when it could not match the scale of his own mind. Words were exchanged. A citation was issued. No arrest that evening, but the system had taken notice.

Later, when the matter escalated, he represented himself. No lawyer. In the deposition room, they brought in the heavy artillery—prominent litigators from New York and Los Angeles, flown in at considerable expense because a local prosecutor wanted a notable scalp. My friend sat across from them with that calm, encyclopedic brain of his. He had read the entire encyclopedia set by fifth grade and comprehended what he read; he could retrieve and deploy information like a living search engine. He dismantled their lines of questioning one by one. They could not corner him on facts, on law, on logic, or on the precise sequence of events. I watched it happen. During breaks, I heard the hallway mutters from the expensive suits: “He’s too fast.” “We can’t pin him.” These were men whose hourly rates in the early 1990s would have stunned most working people, and they were being outmaneuvered by someone who had never attended their law schools and did not play their credentialed games. The case collapsed. Not because the facts magically changed, but because the egos of the system could not tolerate being shown up by someone operating on an entirely different level of processing speed and intuitive grasp.

The empire does not forget such insults. Over the following years, the full weight of bureaucratic harassment came down—legal troubles, jail time, the slow, grinding destruction that mediocre institutions reserve for those who make them feel small. I have seen the pattern repeat across decades and across industries. Exceptional people do not fit the templates. They ask the questions that expose the fragility of the templates. They produce results that make the people above them look ordinary by comparison. And so the machinery—whether it calls itself corporate human resources, public education, or administrative government—develops antibodies. It promotes compliance. It measures inputs (degrees, time served, adherence to process) rather than outputs (actual value created under uncertainty). It pays a premium, often millions in aggregate payroll, for the comfort of predictability, even when that predictability delivers only mediocre results.

Robert Pirsig understood something essential about this in Zen and the Art of Motorcycle Maintenance. Quality is not the product of following the manual to the letter. It is a living relationship with the work itself, sustained by what he called gumption—the psychic gasoline that keeps a person engaged when things go wrong, when parts are missing, when the official procedure proves inadequate. Gumption traps are everywhere: external setbacks, yes, but more insidiously, the internal ones—ego that refuses to admit ignorance, value rigidity that cannot see a better way because it would require admitting the old way was flawed. Mediocre systems are gumption traps by design. They reward the appearance of order over the reality of excellence. They punish the person who cares too much about the actual motorcycle running well.

That is why our schools, constructed largely by people of average ability to produce more people of average ability, tend to replicate mediocrity. That is why corporations that claim to want “innovation” and “disruption” simultaneously install layer upon layer of review, compliance, and diversity, equity, and inclusion machinery whose primary effect is to filter out people who will not make anyone above them feel intellectually or morally inferior. The result is expensive. You pay two or three million dollars more in payroll than you needed to, and you still cannot outrun competitors who have learned to locate and protect their own exceptional outliers. You cannot plug in interchangeable parts and expect exceptional output. The math does not work.

Abraham Lincoln understood the same principle in a different key. When the credentialed, politically connected generals of the eastern theater kept failing, he looked west to a man with a reputation for hard drinking and rough edges. Ulysses S. Grant had delivered results—Fort Henry, Fort Donelson, Vicksburg, Chattanooga—while others delivered excuses and body counts. Lincoln promoted him anyway, over the objections of those who preferred a more presentable mediocrity. Grant took responsibility, moved, and won. The American experiment has always contained this tension: on one side, the impulse to flatten outcomes and protect the feelings of the competent-but-not-brilliant; on the other, the older, riskier impulse to let the exceptional rise because the alternative is national stagnation or defeat.

I have spent a lifetime recruiting and protecting such people—diamonds still in the rough, often overlooked by systems that prize polish over fire. That is why I keep getting invited to these lunches. The people across the table sense that the usual playbooks are failing, but they cannot yet say out loud what the failure actually is. The failure is the empire of mediocrity itself: the set of incentives, credentialing rituals, and cultural taboos that treat exceptional performance as a threat rather than the only thing that justifies an organization’s continued existence.

There is a deeper layer to this that I have only grown more convinced of with time. The intuition that separates the merely bright from the truly exceptional often looks, from the outside, like luck or inexplicable insight. The right decision is made quickly under pressure. The technical problem that yields to an approach no one else had considered. The “voice” that says, “Do not walk down that street tonight,” or, “Here is the battery configuration that actually works at scale.” I have come to understand these moments as instances of interface—imperfect, flickering, but real—between individual human consciousness and a wider field of intelligence that does not require a body. Call it universal mind, call it Providence, call it the spirit world, call it non-human intelligence. The label matters less than the observable pattern: the people who consistently produce outsized results often behave as if they have access to information and pattern recognition that ordinary channels cannot explain.

Ancient cultures knew this terrain better than we admit. The shamanic traditions, the prophetic lineages, the ritual architectures aligned to celestial events—all of them represent attempts to establish reliable contact with that wider field. Some did so through disciplined inner practice. Others, tragically, through blood sacrifice, as if the entities on the other side of the interface could be fed or bargained with. The archaeological record at places like Cahokia shows clear evidence of ritual violence and retainer sacrifice on a significant scale; power in those societies included the capacity to command the deaths of dozens in service of whatever cosmological or political order the elite claimed to mediate. The Book of Enoch preserves an even older memory: the Watchers, a class of non-human intelligences, descending to impart forbidden knowledge—metallurgy, sorcery, weaponry, cosmetics—and producing hybrid offspring whose existence destabilized the world. Whether one reads these accounts as literal history, as spiritual allegory, or as garbled cultural memory of real contact events, the through-line is the same: humanity has always lived in relationship with intelligences that do not share our biology, and the quality of that relationship has shaped what we become.

Jesus of Nazareth, in my reading, represents the decisive intervention in that long, bloody negotiation. He offered himself as the final sacrifice, ending the cycle of literal human and animal offerings that had sustained certain interfaces for millennia. In its place, he instituted a symbolic communion—bread and wine rather than flesh and blood—and pointed toward an internal, direct relationship with the source of that wider intelligence. The temple system, which had grown wealthy and powerful managing the sacrificial economy, could not tolerate the threat. They killed him for it, as systems of managed mediocrity have always killed or neutralized those who offer a cleaner, more direct path.

The men who designed the American republic carried some of the same intuition. Many were steeped in Enlightenment rationalism and biblical literacy simultaneously. Some, through Masonic networks, incorporated geometric and symbolic alignments into the new capital city, suggesting they were attempting to establish their own interface with providential or higher-order intelligence. They were not content to let the new nation drift on the currents of ordinary human politics. They wanted it oriented toward something larger. The experiment has been imperfect, repeatedly captured by mediocrity, yet it has also repeatedly produced the conditions under which exceptional individuals could do exceptional things—flight, computing, rocketry, the defeat of fascism and communism in their 20th-century forms.

That is why I have written what I have written and why I continue to speak plainly when the expensive lunches are served. In The Gunfighter’s Guide to Business, I worked to distill the practical discipline of intuitive action under pressure—the same quality that lets a person fix a broken motorcycle on the side of the road or make a high-stakes decision without waiting for committee approval. In The Politics of Heaven, the book I am completing now, I am attempting the larger map: how non-human intelligence has interacted with human history, why certain systems crush the exceptional while others (however imperfectly) give them room, and what it will take for this species to mature rather than stagnate or destroy itself.

Melania Trump is, in my estimation, one of the clearer contemporary examples of the type I am describing. She possessed the looks and presence that the modeling world rewards, but she also possessed an intuitive intelligence that recognized the limits of that world. She made a strategic alliance with a man whose wealth and later political power gave her insulation from the treadmill of mediocrity she had been navigating since her twenties. She has never courted the spotlight for its own sake. She has stayed largely off-grid, raising her son and preserving her own interior life. That choice is widely misunderstood by people who cannot imagine wanting autonomy more than attention. It is the choice of someone who has seen enough of the empire to know she does not want to live inside its walls.

The practical counsel I gave the human resources leaders and the counsel I give to anyone serious about results rather than appearances are straightforward. Stop measuring people primarily by the hoops they have jumped through—degrees, years of service, approved ideological language, willingness to sit through two-hour Friday lunches where nothing of consequence is decided. Measure them by what they actually produce when the plan goes sideways, when resources are constrained, when the problem has not been solved by anyone else. Go looking for the diamonds in the rough. They rarely wear the system’s uniform. They often make the people above them uncomfortable. They will save you far more in payroll than they will ever cost you in management overhead, because one exceptional person routinely does the work of three or four merely competent ones—and does it in a way that creates new possibilities rather than merely maintaining the existing machine.

The empire of mediocrity is expensive, brittle, and ultimately self-defeating. It can maintain control for a long time, especially when it controls education, credentialing, and the administrative state. But it cannot generate the breakthroughs a civilization needs to survive its own success—energy abundance, space settlement, genuine advances in human health and longevity, the wisdom to navigate contact with non-human intelligences that may already be observing us. Those breakthroughs require people who have retained or recovered the capacity to interface with the wider field. They require cultures that do not punish that capacity as a threat.

I have lived most of my life off the grid of that empire, not as an aesthetic choice but as a practical necessity. The view from out here is clearer. The exceptional are not the problem. They are the only remaining margin of safety this species possesses. The question before every organization, every school board, every nation is the same one I answered at that lunch table: do you want predictable mediocrity at premium prices, or do you want results that justify the entire enterprise? The two are not compatible and do not get along naturally. They will always be at odds. It took Robert Pirsig a long time to figure all this out and I’m not sure he ever did during his lifetime. But, it is the question of our times, and the responsibility to action falls on all of us.

Footnotes

1. Schmidt, Frank L., and John E. Hunter. “The Validity and Utility of Selection Methods in Personnel Psychology: Practical and Theoretical Implications of 85 Years of Research Findings.” Psychological Bulletin 124, no. 2 (1998): 262–74. Subsequent meta-analyses have produced somewhat lower but still positive corrected validity estimates; the core finding that cognitive ability predicts performance across jobs, with higher validity for complex work, has held.

2. Pirsig, Robert M. Zen and the Art of Motorcycle Maintenance: An Inquiry into Values. New York: William Morrow, 1974. See especially the sections on gumption, gumption traps, and the distinction between static and dynamic quality.

3. On Lincoln’s decision to elevate Grant: “Lincoln promotes Grant as top Civil War general, March 10, 1864,” Politico, March 10, 2017; and Grant’s own Personal Memoirs of U.S. Grant (1885–86). Lincoln’s reported comment—“I can’t spare this man; he fights”—captures the priority of results over presentability.

4. Archaeological evidence from Cahokia’s Mound 72 includes mass burials with indications of ritual violence, retainer sacrifice, and both local and non-local individuals among the victims. See summaries of strontium isotope and osteological studies in reports such as those covered in Western Digs and subsequent analyses of Mississippian period power structures.

5. The Book of Enoch, particularly the Book of the Watchers (chapters 6–36). Standard scholarly translations include R. H. Charles (1917) and more recent critical editions. The text describes non-human Watchers imparting forbidden knowledge to humanity and producing the Nephilim, with lasting consequences for human history and spiritual conditions.

6. Hoffman, Rich. The Gunfighter’s Guide to Business. [Self-published or independent, drawing on decades of executive and entrepreneurial experience]. The work emphasizes intuitive decision-making under pressure as a learnable discipline.

7. Hoffman, Rich. The Politics of Heaven. Forthcoming, targeted for 2027 publication. A sustained exploration of biblical and historical patterns of interaction between human societies and non-human intelligence, including themes of giants, spiritual warfare, and the political implications of exceptional versus mediocratic orders.

Bibliography (selected; full working bibliography for The Politics of Heaven exceeds one hundred entries)

• Pirsig, Robert M. Zen and the Art of Motorcycle Maintenance: An Inquiry into Values. New York: William Morrow, 1974.

• Schmidt, Frank L., and John E. Hunter. “The Validity and Utility of Selection Methods in Personnel Psychology…” Psychological Bulletin 124, no. 2 (1998): 262–74.

• The Book of Enoch. Translated by R. H. Charles. London: SPCK, 1917.

• Pauketat, Timothy R. Cahokia: Ancient America’s Great City on the Mississippi. New York: Viking, 2009.

• Grant, Ulysses S. Personal Memoirs of U.S. Grant. 2 vols. New York: Charles L. Webster & Company, 1885–86.

• Hoffman, Rich. The Gunfighter’s Guide to Business.

• Hoffman, Rich. The Politics of Heaven (forthcoming).

• Nietzsche, Friedrich. Thus Spoke Zarathustra. Various translations (Overman/Warrior philosophical lineage).

• McPherson, James M. Battle Cry of Freedom: The Civil War Era. New York: Oxford University Press, 1988.

• Nickelsburg, George W. E. 1 Enoch 1: A Commentary on the Book of 1 Enoch, Chapters 1–36; 81–108. Minneapolis: Fortress Press, 2001.

• Ambrose, Stanley H., et al. Studies on Cahokia Mound 72 diet and health (various peer-reviewed articles in American Antiquity and related journals).

• Vermes, Geza. The Complete Dead Sea Scrolls in English. London: Penguin, 2004 (for context on Second Temple Jewish literature including Enochic traditions).

• Additional archaeological and historical sources on Mississippian and pre-Columbian ritual practice; biblical archaeology references from Biblical Archaeology Review; and primary accounts of American founding-era symbolism and Masonic geometry in the design of Washington, D.C.

Rich Hoffman

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About the Author: Rich Hoffman

The Making of George Washington: Lessons from Youth and Adversity in Young Washington

George Washington occupies a unique place in the American imagination. His face appears on currency, his name rests upon the nation’s capital, and his reputation has become so intertwined with the founding of the United States that many people think of him only as the victorious commander of the Revolutionary War or the first President. Yet the making of George Washington occurred long before Yorktown, before the Constitutional Convention, and before the presidency itself. The true story of Washington is the story of formation through adversity, failure, hardship, and character. That is why a film centered upon his youth is so important. A society that wishes to understand greatness must study not only triumphs but also the difficult roads that produced them.

The importance of Young Washington lies precisely in its willingness to explore that earlier chapter. Rather than beginning with a celebrated general crossing the Delaware River or presiding over a new republic, the story examines the young man who had not yet become the legend. It reveals Washington during the years when mistakes carried consequences, when ambition collided with reality, and when the wilderness of North America tested the limits of endurance and leadership. Those experiences were not side notes to history. They were the furnace in which the future Father of His Country was forged.

Modern audiences often forget how dangerous eighteenth-century America actually was. The colonies were not peaceful settlements waiting patiently for independence. The frontier remained a contested world of forests, mountains, rivers, Native American nations, French military forces, British colonial ambitions, and competing claims to vast territories stretching westward beyond the Appalachians.[1] Young Washington entered this world as a surveyor and officer, navigating landscapes that were physically unforgiving and politically explosive.

The French and Indian War shaped the future of North America long before the American Revolution. Many historians describe it as the first global war because fighting extended beyond the American colonies into Europe, the Caribbean, India, and the Atlantic world.[2] The outcome would determine which empire dominated much of the continent—into this conflict stepped a young Virginian with little combat experience and enormous expectations resting upon his shoulders.

One of the most fascinating aspects of Washington’s early life was the extraordinary responsibility placed upon him at a remarkably young age. While many modern young adults are encouraged to avoid risk and postpone responsibility, eighteenth-century society frequently demanded the opposite. Washington found himself carrying diplomatic messages through wilderness territories, negotiating with Native American leaders, evaluating military threats, and commanding troops in situations that would challenge experienced officers.[3] Such responsibilities matured him quickly. The lessons learned in forests and mountains would prove no less valuable than those later learned on battlefields or in government chambers.

The story surrounding Fort Necessity remains one of the most important episodes of Washington’s development. It was not his greatest victory. In many respects, it represented a significant defeat. Yet history repeatedly shows that failures often teach more than successes. Built in a vulnerable meadow, the fort placed British colonial forces in a precarious position. French troops and their allies occupied superior terrain within the surrounding wooded areas. Rain transformed the battlefield into a muddy disaster. Washington ultimately surrendered under difficult circumstances in July 1754.[4]

Many historical figures spend their careers attempting to hide their failures. Washington did something different. He learned from them. The humiliation at Fort Necessity did not destroy his reputation; rather, it became one of the experiences that taught caution, patience, logistics, and strategic judgment. Years later, during the Revolutionary War, Washington would demonstrate restraint and discipline that distinguished him from many contemporaries. Those qualities did not emerge from nowhere. They emerged from earlier encounters with defeat and disappointment.

There is also something powerful about physically visiting places connected to history. Reading books provides knowledge, but standing where events occurred provides perspective. The mountains of western Maryland and Pennsylvania remain striking reminders of the challenges faced by colonial soldiers. The terrain itself explains much of the story. Steep ridges, dense forests, winding roads, and isolated valleys reveal why campaigns in that region were so difficult. Geography often becomes an invisible character in historical narratives, and nowhere is that more evident than in Washington’s frontier experience.

The routes that would later become the National Road carry tremendous historical significance as well. Connecting eastern population centers with western territories, they became some of the most important transportation projects in early American history.[5] Yet before roads and highways transformed the region, movement through those mountains demanded determination, courage, and endurance. Washington’s experiences along those routes exposed him to the realities of frontier America and deepened his understanding of the continent he would later help unite.

A film exploring these events succeeds when it respects the material. Historical drama does not require perfect documentation of every detail, but it must convey the spirit, character, and significance of the people involved. According to many viewers familiar with Washington’s biography, Young Washington captures that spirit effectively. The portrayal of Washington as noble without being perfect allows audiences to encounter him as a human being rather than an untouchable monument.

That distinction matters because modern culture frequently swings between extremes. Historical figures are either idealized beyond recognition or condemned without context. Washington deserves neither treatment. He was a man with strengths and flaws, successes and failures, extraordinary abilities and ordinary limitations. What separates him from countless others is not perfection but character. Throughout crises, disappointments, and temptations, he consistently sought duty above personal comfort.[6]

This emphasis upon character may explain why the film resonates so strongly with audiences. Many forms of contemporary entertainment focus upon antiheroes, cynicism, moral ambiguity, or spectacle. Such approaches can produce compelling stories, but they often leave audiences hungry for something different. There remains a deep desire to witness individuals striving toward virtue, honor, courage, and responsibility. Human beings naturally admire excellence. They seek examples of people attempting to become better versions of themselves.

This is one reason George Washington continues to command respect centuries after his death. His achievements cannot be separated from his moral aspirations. He believed leadership required self-control. He believed reputation mattered. He believed public service demanded sacrifice. He understood that power, if not restrained by character, could destroy both leaders and nations.[7]

Few decisions illustrate this more clearly than his resignation of military authority after the American Revolution. History contains countless examples of victorious generals who transformed military success into political dictatorship. Washington chose another path. After securing independence, he surrendered power and returned home. King George III reportedly remarked that such an action would make Washington “the greatest man in the world.”[8] The roots of that decision can be traced back to earlier lessons learned during his youth. The young officer who experienced failure at Fort Necessity eventually became the mature statesman willing to relinquish power.

The success of films like Young Washington also reflects a broader cultural shift. Many audiences increasingly search for stories that celebrate rather than deconstruct. Entertainment once produced numerous historical adventures focused upon courage, exploration, leadership, and national heritage. Classic productions such as Davy Crockett and Zorro attracted viewers not because their heroes were flawless, but because they represented ideals worth pursuing. Such stories reminded audiences that civilization depends upon honorable conduct.

Angel Studios appears to recognize this hunger. The company has developed a reputation for producing projects that emphasize family-friendly storytelling, historical subjects, faith, perseverance, and moral clarity. Whether individual viewers agree with every creative choice is ultimately secondary. The greater significance lies in the fact that audiences continue to support films that treat virtue seriously rather than sarcastically.

The enthusiastic audience response described by many theatergoers reinforces this point. Packed theaters, applause during credits, and viewers remaining in their seats after the film concludes suggest more than mere entertainment value. They suggest emotional investment. People stay because they do not want the experience to end. They remain because something meaningful has occurred. The story has connected them not merely with a plot but with values, memories, and aspirations.

History possesses a unique ability to create that connection. Contemporary debates often divide people, but historical narratives sometimes unite them around shared admiration for courage and perseverance. George Washington serves as one of those rare figures capable of reaching across ideological boundaries. Americans may disagree about countless issues, yet many still recognize the importance of the leadership that guided the nation through its earliest and most fragile years.[9]

Perhaps the most striking aspect of Washington’s story is the consistency between his public life and his private aspirations. The pursuit of self-improvement remained a recurring theme throughout his life. As a young man, he studied, observed, listened, and learned from mistakes. As a military leader, he refined discipline and judgment. As president, he attempted to place national interests above factional interests. Growth never stopped.

That emphasis upon striving rather than perfection carries enduring relevance. Every generation faces moments of disappointment, conflict, and uncertainty. Every individual encounters failures that seem overwhelming in the moment. Washington’s example demonstrates that setbacks need not define a life. Defeat at Fort Necessity did not prevent future greatness. Criticism did not prevent achievement. Hardship did not destroy resolve. Instead, adversity became preparation.

The frontier itself symbolized this process. The forests beyond colonial settlements represented danger, uncertainty, and opportunity. They tested physical endurance while revealing inner character. Washington’s journeys across that landscape helped develop qualities that later proved indispensable. Resourcefulness, patience, courage, adaptability, and resilience emerged not in comfort but in challenge.

A compelling historical film, therefore, accomplishes more than simple education. It invites audiences to reconsider what greatness actually means. Greatness is not merely holding office, winning battles, or receiving recognition. Greatness begins in the difficult choices made before anyone is watching. It begins with responsibility embraced rather than avoided. It begins with the willingness to learn from mistakes rather than deny them.

For that reason, Young Washington offers a valuable contribution to American historical storytelling. It introduces viewers to formative experiences that are often overshadowed by later accomplishments. It encourages appreciation for the long process through which character develops. Most importantly, it reminds audiences that the foundations of leadership are laid long before leadership is publicly recognized.

There is also something refreshing about spending time in the company of admirable characters. Modern culture often celebrates transgression while dismissing virtue as naïve. Yet viewers continue responding positively to stories featuring courage, integrity, loyalty, and self-sacrifice. The reason is simple. Human beings instinctively recognize these traits as desirable. They recognize them as qualities capable of elevating communities, institutions, and nations.

Washington’s story continues to endure because it illustrates that elevation. A young surveyor became a frontier officer. A frontier officer became a military commander. A military commander became the leader of a revolution. A revolutionary leader became the first president. Yet beneath each transformation remained the same aspiration toward honor and duty. The titles changed. The character remained.

Films capable of conveying that truth perform an important cultural service. They preserve memory. They encourage reflection. They connect present generations with the experiences that shaped earlier ones. They provide reminders that history is not simply a collection of dates and events but a record of human choices.

Ultimately, the enduring appeal of George Washington rests upon more than military accomplishments or political achievements. It rests upon the example of a man who repeatedly sought the higher path when easier alternatives existed. The youth who faced defeat in the mountains became the leader who guided a fragile republic. The officer who learned difficult lessons on the frontier became the statesman willing to place principle above personal ambition. The story remains powerful because it speaks to universal themes of growth, responsibility, perseverance, and character.

That is why Young Washington deserves attention. It tells a chapter of history too often ignored. It introduces audiences to the experiences that forged one of the most important figures in American history. It presents nobility without arrogance, courage without recklessness, and patriotism without cynicism. In an era frequently dominated by stories celebrating the worst of human behavior, there is something profoundly valuable about a story centered upon the possibility of becoming better. George Washington’s journey reminds audiences that greatness is not inherited, accidental, or effortless. It is earned through struggle, formed through adversity, and sustained through character. More than two centuries after his death, that lesson remains as relevant as ever.

Footnotes

[1] Fred Anderson, Crucible of War: The Seven Years’ War and the Fate of Empire in British North America, 1754–1766 (New York: Knopf, 2000).

[2] Daniel Baugh, The Global Seven Years’ War 1754–1763 (London: Routledge, 2011).

[3] George Washington, The Journal of Major George Washington (1754).

[4] David Preston, Braddock’s Defeat: The Battle of the Monongahela and the Road to Revolution (Oxford University Press, 2015).

[5] Karl Raitz, The National Road (Johns Hopkins University Press, 1996).

[6] Ron Chernow, Washington: A Life (New York: Penguin Press, 2010).

[7] James Thomas Flexner, George Washington in the American Revolution (Little, Brown and Company, 1968).

[8] Joseph J. Ellis, His Excellency: George Washington (New York: Knopf, 2004).

[9] Gordon S. Wood, The Radicalism of the American Revolution (Vintage Books, 1993).

Bibliography

Anderson, Fred. Crucible of War: The Seven Years’ War and the Fate of Empire in British North America, 1754–1766. New York: Knopf, 2000.

Baugh, Daniel. The Global Seven Years’ War 1754–1763. London: Routledge, 2011.

Chernow, Ron. Washington: A Life. New York: Penguin Press, 2010.

Ellis, Joseph J. His Excellency: George Washington. New York: Knopf, 2004.

Flexner, James Thomas. George Washington in the American Revolution. Boston: Little, Brown and Company, 1968.

Preston, David. Braddock’s Defeat: The Battle of the Monongahela and the Road to Revolution. Oxford: Oxford University Press, 2015.

Raitz, Karl. The National Road. Baltimore: Johns Hopkins University Press, 1996.

Washington, George. The Journal of Major George Washington. Williamsburg, 1754.

Wood, Gordon S. The Radicalism of the American Revolution. New York: Vintage Books, 1993.

Rich Hoffman

More about me

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

About the Author: Rich Hoffman

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