The Shoe on the Other Foot: Reflections on ‘Tail of the Dragon,’ Prophecy, and the Triumph of Liberty Over Tyranny

The book Tail of the Dragon, which I wrote and published in 2012, remains one of the most personal and enduring statements I’ve ever made. At the time, I was deeply immersed in the political currents of the late 2000s and early 2010s—active in the Reform Party since the Ross Perot days, a supporter of Pat Buchanan’s ideas, an early Tea Party participant (even earning the nickname “Tax Killer” in my community for fighting tax increases), and someone who had long advocated for limited government against what I saw as growing tyranny. I began writing the novel around 2010, finishing it in 2012, during Barack Obama’s presidency, when frustrations with federal overreach, economic policies, and foreign entanglements were boiling over.

The story is framed as a high-octane action tale—a car chase thriller set on the real-life Tail of the Dragon, the legendary 11-mile stretch of U.S. Highway 129 straddling the Tennessee-North Carolina border in the Great Smoky Mountains. This road, with its 318 curves, has a storied history dating back centuries: originally a buffalo trail and Cherokee path, later used by hunters, trappers, and settlers in the 1700s and 1800s, it was paved in the 1930s and became a mecca for motorcyclists and sports car enthusiasts in the late 20th century.

I drew from my own experiences riding motorcycles across the U.S., immersing myself in the culture of independence and the open road—the raw desire for freedom unburdened by overbearing authority. The protagonist, Rick Stevens, a rebellious everyman whose NASCAR dreams have faded, becomes entangled in a high-stakes pursuit that pits individual liberty against a corrupt, tyrannical system. It’s packed with action, comedy in places, romance, and high-speed drama, inspired by classics like Smokey and the Bandit or The Dukes of Hazzard, but with a much darker, more serious edge. Unlike those lighthearted films where characters evade consequences, my story reflects real-world stakes: government overreach, loss of personal freedoms, and the moral cost of resistance.

Officially categorized as “philosophy in action” because that’s where my mind was—blending thrilling narrative with deep ideas about governance, justice, and human nature. I didn’t write it for quick sales or mass-market appeal; books, for me, are vehicles for ideas meant to endure for centuries, not fleeting articles or videos. They provide a framework—a complete world—to explore concepts that demand sustained thought.

At the time, the book puzzled people. Some saw it as just a car-chase novel; others recognized the anti-government manifesto woven in. It critiqued a system that enabled corruption, foreign meddling, and domestic tyranny. I distributed hundreds of copies to tourist spots near the Tail of the Dragon, where motor geeks and road warriors embraced it. The motorcycle community—fiercely independent—loved the authenticity. Online, it sold modestly, but it found a niche among Tea Party leaders, libertarians (though I’m not strictly one), and those disillusioned with the status quo.

The reception was mixed in mainstream circles. My connections—friends close to Glenn Beck, entertainment figures—hinted at potential for film adaptation, given the era’s boom in car-chase movies grossing billions. But Hollywood was shifting leftward, and my conservative, liberty-focused message was too explosive. Pre-Trump, pre-MAGA, it was taboo to openly challenge the Obama-era government so aggressively.

The ending is what many readers called “perfect”—and it’s the core of why the book feels prophetic today. Without spoiling it fully, the resolution isn’t a simple outlaw victory or easy escape. It grapples with justice, consequences, and optimism: even in chaos, there’s a path to something better. I am an optimist at heart; I see potential for good even amid fire. The characters face dire situations far beyond Bonnie and Clyde-style tragedy or Smokey and the Bandit hijinks, reflecting my real experiences with law, order, and government reform efforts.

Fast-forward to now, in 2026, and the world has caught up. People who read it years ago—Tea Party activists, early MAGA supporters, grassroots leaders—revisit it and say the arguments aged well. They ask: “You were anti-government then—why support crackdowns now on protesters, immigration enforcement, or actions against regimes like Iran?” The answer lies in that ending and the philosophy behind it.

In 2012, the government I opposed funded adversaries abroad while undermining constitutional principles at home. The Obama administration pursued policies toward Iran that included sanctions but also controversial elements—like the eventual JCPOA nuclear deal (finalized later in 2015) and cash transfers critics labeled as enabling terrorism.

It allowed influence from regimes in places like Venezuela, where China and others gained footholds through oil and alliances. Drug cartels and thugs thrived in hemispheric politics, enabled by weak borders and foreign policy that prioritized appeasement over strength.

My book was a call to fight back—violently, if necessary—against such tyranny. It was rough, angry, explosive. Mainstream folks shied away; motorcycle warriors and liberty-minded readers took it to heart.

Today, the shoe is on the other foot. A government aligned with the values I championed—freedom, upward mobility for the majority, cracking down on threats—holds power. Actions against violent protesters (like those in Minnesota scenarios), strong immigration enforcement, and decisive moves on Iran and Venezuela aren’t hypocrisy; they’re the fulfillment of what I advocated. A freedom-fighting government represents the people’s interests, not the old tyrannical one.

Recent developments illustrate this: U.S. operations targeting Iran’s nuclear sites and influence, combined with efforts in Venezuela to remove leaders like Nicolás Maduro, curb Chinese, Russian, and Iranian footholds in the hemisphere, and secure strategic resources like oil.

These are chess moves in a high-level game—eradicating threats that once thrived under the prior order, reducing adversarial footprints, and restoring American dominance in our sphere.

The difference isn’t anti-government absolutism (that’s libertarian territory, which I don’t claim). It’s defining tyranny versus legitimate authority. When “our side” wins, we fly the flag proudly, ensuring government serves freedom, not suppresses it. The former rulers now protest violently—borrowing our playbook but twisting it with force—because they’re on the outside.

Tail of the Dragon helped shape thinking among key influencers years ahead of the curve. It wasn’t a bestseller, but it has a cult following: people still seek copies, discuss it at rallies, reference it in conversations. It provided a philosophical framework for building a movement—one that took time (through Tea Party to MAGA, through investigations, COVID, and elections) but prevailed.

I’m proud of it. Books like this aren’t for immediate gain; they’re for longevity. The message endures: resist tyranny, but recognize when victory arrives and authority aligns with liberty. The world caught up, and that’s a good thing.

Bibliography

•  Hoffman, Rich. Tail of the Dragon. Self-published/iUniverse, 2012. (Primary source; available on Amazon and Goodreads.)

•  Tail of the Dragon official site. “History.” tailofthedragon.com/history. Accessed March 2026.

•  U.S. Department of State archives. “Iran–United States Relations During the Obama Administration.” Wikipedia summary drawing from primary sources, 2010–2016.

•  FactCheck.org. “Obama Didn’t Give Iran ‘150 Billion in Cash’.” March 1, 2019 (updated context).

•  Politico. “Obama’s Hidden Iran Deal Giveaway.” April 24, 2017.

•  Foreign Affairs. “Trump’s Way of War: Iran, Venezuela, and the End of the Powell Doctrine.” Recent analysis, 2026.

•  ABC News. “Trump Demands Venezuela Kick Out China and Russia.” January 6, 2026.

•  Various Goodreads and Amazon reviews of Tail of the Dragon by Rich Hoffman, 2012–present.

Footnotes

1.  Tail of the Dragon route history drawn from tailofthedragon.com and related sources.

2.  Book details from Amazon and Goodreads listings.

3.  Iran policy critiques based on archived Obama-era fact sheets and subsequent analyses.

4.  Current geopolitical actions referenced from 2026 news reports on U.S. operations in Iran and Venezuela.

Rich Hoffman

More about me

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

‘Tail of the Dragon’: A Prophetic Blend of High-Octane Action and Philosophical Inquiry into Freedom and Government—then and now

In 2012, amid the political turbulence of the early Obama years and the rise of the Tea Party movement, Rich Hoffman published Tail of the Dragon, a novel that defied easy categorization. Officially designated “philosophy in action” by its publisher, the book combines the adrenaline-fueled thrills of classic car-chase stories with a deep exploration of individual liberty, governmental overreach, and the moral ambiguities of resistance. Far from a mere pulp thriller, it serves as a vehicle—literally and figuratively—for Hoffman’s enduring belief that books, unlike fleeting articles, podcasts, or blog posts, can endure for centuries, delivering ideas that challenge readers across generations.

The story centers on Rick Stevens, a NASCAR-loving everyman whose dreams have been stifled by a mundane life of conformity. After being wronged by an overzealous highway patrol backed by political ambition, Stevens embarks on what becomes the most incredible car chase in literary history. Armed with a custom-built red Firebird and twenty million dollars, he races through the treacherous curves of the Tail of the Dragon—a real-world stretch of U.S. Route 129 along the Tennessee-North Carolina border, notorious among gearheads for its 318 curves in 11 miles. Joined by Renee, his wife, the chase evolves into a journey of self-discovery, romance, and defiance against a tyrannical system that extends to the White House. The narrative draws inspiration from films like Smokey and the Bandit, The Dukes of Hazzard, and Bonnie and Clyde, but infuses them with a serious anti-government critique in which breaking laws becomes a philosophical experiment in freedom.

Hoffman’s inspiration stemmed from personal experience and extensive research. A longtime activist in the Reform Party—supporting Ross Perot and Pat Buchanan—and an early participant in the Tea Party, he viewed government as often tyrannical, especially in local tax and regulatory battles that earned him the nickname “Tax-killer.” Motorcycle trips with his wife across the United States immersed him in road culture, the freedom of the open highway, and the allure of untethered motion. The Tail of the Dragon road itself, a mecca for performance car enthusiasts, provided the perfect backdrop: a place where drivers test limits against nature’s unforgiving twists, mirroring the broader struggle against oppressive authority.

Yet the book resists simple libertarian categorization. Hoffman has never identified strictly as a libertarian; his perspective is more pragmatic and optimistic. The novel’s “perfect ending”—praised by readers as one of the greatest in independent fiction—avoids the tragic downfall of outlaws like Bonnie and Clyde. Instead, it offers resolution that affirms individual triumph over systemic oppression, without descending into nihilism. This optimism reflects Hoffman’s worldview: even amid chaos, positivity can emerge, turning potential hell into something constructive.

Published during a time of political polarization, Tail of the Dragon initially struggled for mainstream appeal. Plans for broader distribution, including ties to Glenn Beck’s circle, faltered because of its explosive anti-government tone amid an administration seen as expanding federal power. It found a niche audience among motorcycle enthusiasts, road warriors, and Tea Party activists, who distributed copies at tourist sites along the Dragon Road in North Carolina. Reviews highlighted its action, romance, and philosophical depth, with some comparing it to Ayn Rand’s works for its portrayal of an Übermensch-like figure defying collectivist constraints. One early commentator noted it as a “wake-up call to stand strong and firm to protect America the way it was founded.”

Over the subsequent years, the book’s prescience became evident. Hoffman argues that its themes anticipated the rise of Donald Trump and the MAGA movement—three years before Trump’s 2015 candidacy. The novel’s critique of entrenched power, lawfare, and the hypocrisy of those who decry tyranny only when out of favor resonated with real-world events: the Tea Party’s evolution into broader populist resistance, Trump’s first term amid investigations, the COVID-era restrictions, and the shift in political fortunes. Readers who once viewed the book as overly angry or extreme returned to it years later, finding its arguments validated. Questions arose: How could the author, once fiercely anti-government, now support vigorous enforcement under a Trump-aligned administration? The response lies in the book’s core philosophy: opposition to tyranny depends on whose interests the government serves. When “our people” hold power, representing the majority’s will and individual freedom, authority becomes legitimate—a “freedom-fighting government” rather than oppression.

This distinction—between a tyrannical regime and one aligned with liberty—defines the novel’s enduring message. It challenges readers to think beyond blanket anti-statism, exploring why one government might be resisted violently while another is defended. In a post-2020 landscape of protests, immigration enforcement, and shifting power dynamics, the book’s ending feels prophetic: the protagonists’ victory mirrors a broader societal realignment in which former outsiders gain control and yesterday’s rebels become today’s defenders of order.

More than a decade later, Tail of the Dragon continues to circulate in niche circles, selling copies sporadically and sparking discussions at rallies and events. Its lack of mass-market success is unsurprising; Hoffman writes for longevity, not immediate gain, targeting specialized audiences who grapple with fundamental questions of power, freedom, and justice. The book remains a testament to the idea that philosophy can ride shotgun in an action story, delivering uncomfortable truths that take years—or elections—to register fully.

When I write books, I intend them to say something larger than a temporary platform commentary, and Tail of the Dragon is one of those projects.  Even if the reform sought in the book turned out to be the Presidency of Donald Trump, that outcome was hinted at in the ending of Tail of the Dragon.  At that time, people couldn’t imagine the kind of government we have now, as we had just had 8 years of George W. Bush and 4 years of Obama, with the leanings of 4 more years.  The Tea Party movement was in full swing, but nobody really knew where it was going.  So the events in the book were quite scandalous at the time, and I faced a lot of wrath because of them.  But what happened was essentially the same.  It was always going to take something like what happened at the Tail of the Dragon to change the political order, and President Trump put that on himself.  And I think what we ended up with was something better.  So yes, what’s the difference between then and now?  Well, my people won offices and are now running the government, unlike what we experienced in 2012, when this book came out.  And with this government in charge, I like it and fully support it.  I fought for this government, and I’m happy to have it.

Bibliography

•  Hoffman, Rich. Tail of the Dragon. Cliffhanger Research and Development, 2012 (various editions, including CreateSpace Independent Publishing Platform reprints).

Footnotes

1.  Plot summary and quotes drawn from book descriptions on Goodreads and Amazon listings.

2.  Author background and intentions from Hoffman’s own commentary on his blog (overmanwarrior.wordpress.com) and Goodreads author profile.

3.  Reviews and comparisons (e.g., to Ayn Rand, Zen and the Art of Motorcycle Maintenance) from contemporary reader feedback and promotional materials.

4.  Tail of the Dragon road details are widely documented in automotive and tourism sources; Hoffman’s research involved on-site motorcycle trips.

5.  Political context aligns with the Tea Party era (2010–2012) and subsequent MAGA developments, as reflected in Hoffman’s retrospective analysis.

Rich Hoffman

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

‘Tail of the Dragon’: ‘Mr. Smith goes to Washington’ meets ‘Smokey and the Bandit’

imageMy 2012 novel Tail of the Dragon stayed sold out at Amazon.com most of that first year of release and well into 2013. However, by the fall of 2013 the cash strapped publisher had too many books on their roster not making money that they had to fold up their tent and close. Traditional publishing is difficult for small to medium markets, which is understandable. Even giant book sellers are having a hard time these days keeping books on shelves with the advent of the book uploads that are so fashionable now. My publisher was slow to embrace this technology which was a major problem. As my novel stayed sold out I had to constantly lean on them to keep books stocked, but they couldn’t keep up with the printing demand so it seriously stifled sales. This is what the cover looked like during this period, shown above.

The novel features what is clearly the most exciting car chase in history—without there even being a close second place contestant, so I thought my publisher was losing a major opportunity with the book. Another issue was that the publicist I was working with was a major left-winged softy who personally despised me,–my blurbs and the content of my novel–so that didn’t help matters. Up until meeting him, I had a wonderful experience with my publisher. But the moment I met that guy I knew trouble was ahead and that my publisher would be at the front of it. Not only did it affect my project, but several other authors as well. All it takes is one weak link in a chain on something like that, and everything falls apart.

After the proper amount of time passed my son-in-law and I decided to take it upon ourselves to release the title as a special edition for online readers—which required a version of the book that I personally preferred early in the editing process, to satisfy a market that I had heard all too much about during the release. Fans of the novel wanted Tail of the Dragon as a digital download and my publisher didn’t offer the option, and the contract I had with them prevented me from doing it on my own. But now that I am free of that contract, I am making the popular novel available for digital download as we are on the recent Cliffhanger series, The Curse of Fort Seven Mile.

For those who need a review, my novel Tail of the Dragon features the character of Rick Stevens—a rebellious loner whose NASCAR dreams have fallen short. He finds himself victim to the governor’s plans to run for President of the United States. Governor Wellington Royce of Tennessee relies on support from the Fraternal Order of Police to catapult him into The White House. Royce beefs up the police presence on The Great Smoky Mountains’ highways, and offers incentives to those generating citations from tourists. Thrown in jail, abused, and setup, Rick Stevens accepts an offer from the governor’s political enemies to declare war on the highway patrol. With twenty million dollars, Rick builds the car of his dreams and wreaks havoc in what will become the greatest car chase in history. The car chase becomes a journey of self-discovery and new-found romance as a gauntlet of guns, missiles, and the might of the military wait for him at the finish line. The treachery of politics proves more sinister than even death.

The novel is loaded with very controversial political elements and riveting action. I’m a bit of an adrenaline junkie, so I wrote it to impress my sensibilities, which are often way over-the-top for average audiences. When I say that the car chase is unlike anything ever done before, I am quite serious. It is on a scale very close to a second Civil War in America and makes some points that I think are quite important, and timely to contemporary standards. It is an exciting piece of work and was a lot of fun to write. The book was listed as action adventure/philosophy which raised a few eyebrows, but there really is no other way to describe the work. For those who just want to read an exciting love story full of patriotism, history, and lots of car crashes through shopping malls, down the city streets of Pigeon Forge, Tennessee, and destroying entire towns as the might of the United States military comes down on the fleeing bandits—they’ll be more than satisfied. Is it possible for such a story to have a happy ending? Well—you’ll have to read for yourself. Even seasoned readers had no idea how this story would end and did not see the climax coming. The point of the story is not so much in all the lives lost, the laws broken, or the politics between two old rivals connected directly to the White House—or even the sex—it’s in the final pages which take place in the Oval Office with the President of the United States. It’s a story that came directly from personal experience and is why this is more a work of philosophy than just pure action in homage to the Dukes of Hazzard or Smokey and the Bandit. Like the popular radio talk host Doc Thompson for Glenn Beck’s The Blaze said of the book, it’s like Mr. Smith Goes to Washington combined with Smokey and the Bandit—only with a lot of carnage and fast cars. It’s a slam dunk for readers who want an exciting experience.

It is a pleasure to release the novel under my old company of Cliffhanger Research and Development, as The Curse of Fort Seven Mile will be. As part of this new age of publishing, companies like my old publisher just can’t compete with fast on their feet competitors who can by-pass their gates, their edits, and their softened exposition to water down the content.   When I started Cliffhanger Research and Development years ago, it was exclusively to shake up established thinking and get people asking questions, so it comes with great pride to release Tail of the Dragon under this company. It is safe there and is best positioned to deliver the type of material that is lacking in modern works of literary endeavor which is saying a lot, because there’s a lot out there.

Even two years ago when I was doing media for Tail of the Dragon digital downloads were just coming into the main. Many people were telling me that I needed to provide an online edition—which I agreed so I approached the publisher about that as well, and they weren’t interested. They were set up to make their money off traditional publishing and didn’t know what to do with online publishing. The reason was that a much smaller outfit was now able to perform the task that publishers traditionally did, and they weren’t interested in giving in to that strategy. I guess they thought that if they dug in their feet, they’d wait out the storm. But, the storm never stopped, it just intensified sweeping them out to sea. At the time, all I could do was watch and wait out my contract.

I waited a year for legal issues to settle after they sent me the official separation agreement. It felt a little like a divorce and the last thing you want to do after such a relationship is run out and start sleeping around. So instead, I formulated a plan with my entrepreneurial minded son-in-law and a year later in the fall of 2014 we decided to launch our own publishing projects under Cliffhanger Research and Development to start a slow burn in literature that clearly was going to have an impact on future generations. We are aware that the stories we are working on will meet with some resistance, but they wouldn’t be possible through traditional publishing, because the philosophy that drives these stories would not be acceptable. Like the publicity guy from my former publisher, they don’t like traditional stories where heroes are white hat good guys against unmistakable black hat bad guys. Even though this Tail of the Dragon story could be considered a bit of a modern Bonnie and Clyde, the heroes are unmistakable wearing a white hat metaphorically speaking which is how I like my characters. That certainly goes against the grain of modern storytelling—which is OK, because I’m not happy with those methods. I fight against them with every thread of my essence. And that fight comes out in my written work. Of that written work, I am very proud of Tail of the Dragon. It will be always one of my favorites, and I hope that it inspires people the way I intended it to. There is hope in the darkest of hours—and yes, the good guys do win sometimes.

image

http://www.amazon.com/Tail-Dragon-Rich-Hoffman-ebook/dp/B00T2ST8O0/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1422875896&sr=1-1

So to read the book again, or for the first time, you will find it at the link above seen with the new cover. Cliffhanger Research and Development proudly presents Tail of the Dragon for your reading pleasure. Forget the seat belt, because you are about to go on a car chase with hundreds of police cars hot on your tail in a car that travels over 200 MPH. Seat belts won’t save you under those conditions, so don’t even bother. You can take that journey now with the simple click of a button. So enjoy the ride!

Rich Hoffman

Visit Cliffhanger Research and Development

‘Tail of the Dragon’s’ Parent: Mad Max’s ‘Fury Road ‘unleashes itself at LAST!

One of the great treats for me that came out of this year’s Comic Con in San Diego was the interview with the great George Miller and the preview of the new Mad Max movie, Fury Road. I can admit without shame of any kind that George Miller’s Mad Max films were deep on my mind while I was writing Tail of the Dragon. I have watched the development of the new Mad Max film for over a decade now and remember well when it was first proposed back in 2002. Back then Mel Gibson with all his box office horsepower was behind the project with Miller, but the project still didn’t get off the ground. Then Gibson fell from grace and nobody in Hollywood wanted to touch the project and there were film delays and all types of issues. But Miller—finally—has managed to make the film with Tom Hardy now playing Max and I am ecstatically excited for the project.

http://insidemovies.ew.com/2014/07/27/george-miller-mad-max-interview-comic-con/

I was a bit shocked that the review of the San Diego Comic Con thought that preview of Fury Road was the most interesting thing they had witnessed. I couldn’t help but think of my own car chase story Tail of the Dragon which surpasses car crash wise anything seen in that preview or any of the Fast and Furious movies. The biggest difference was that I set my car chase story in the present as opposed to the future. My character is trying to save society from the kind of collapse that Max is reacting to. But I agree with Miller, car chases stories are essentially westerns on wheels. Hearing his articulation and the general audience reaction to his new Mad Max film gave me encouragement that Tail of the Dragon might someday find the right elements to end up on film. But it would take a really good director to pull off—and people like Miller are not exactly falling from the trees like apples.

I wasn’t sure how I’d feel about somebody besides Mel Gibson playing Mad Max. I grew up with Max and brought those experiences to my Tail of the Dragon novel mixed with plenty of Smokey and the Bandit. Star Wars is often compared to a western in space, and car chase films are like Miller described, westerns on wheels. Whenever a film has something to say about morality they are usually termed as “westerns.” Growing up with Mad Max I learned a lot about the depravity of the human spirit which was remarkably insightful. The opening of the first Mad Max film with the Nightrider on a rage across the desert with his crazed girlfriend was classic cinema that climbed into the mind of insanity at its finest and took viewers into the essence of a mind gone mad. I watched that movie almost every day from age 12 to 16. Not because of the movie influence but because of what it revealed about human nature, I became Mad Max at age 16 and I have the car chases, races and crashes to provide the testimony. Those experiences then became my own story, Tail of the Dragon—the horse of the western had been replaced by a car and I used mine as a kind of weapon against depravity. And when I couldn’t defeat depravity I out ran it with sheer speed.

I will forever be grateful to George Miller—his films are art with a value into the human mind that goes well beyond what people are comfortable revealing about themselves. The stunts in the Road Warrior, the second Mad Max film were unbelievably intense and I never forgot them. Even after all these years they still hold up as some of the best stunt work done in any picture. The cinematography has never been surpassed even after thirty years by anybody in the business. The dust, the smoke, the blood and violence of the car crashes are both beautiful yet horrific to look at and nobody does it like George Miller.

Miller’s vision of the future is not far off—if the engines of the world are turned off—the minds that drive society forward–people certainly do revert back into a tribal abyss. It is not hard to conceive that they would devolve into the kind of villains seen in Miller’s Mad Max films. Max was a good man during the days of civilization; he had a child, a nice wife and wanted to give up life as a cop to get away from the madness of the people he was holding back from taking over. Miller understood the strange mix of great charisma and madness that Mel Gibson was able to bring to the screen when he was in a 100 MPH stand-off with the Toe Cutter at the beginning of the first Mad Max. Mel Gibson would show throughout his career that his real life was more like Max than anybody would have guessed, and that brought some humor to the 2014 Comic Con that Miller addressed correctly. I share with Gibson some of those traits and as a young man I would discover the real genius of Miller’s Max character when I too had to face off against an opponent traveling at me at over 100 MPH in a game of chicken. Like Max, I didn’t budge even though I had far more to lose than the other guy.

I know what it feels like to be that close to the edge and to push beyond it to a place of fearlessness. Whether or not there had ever been a Mad Max film, my fate would have put me in the same circumstance. But as those circumstances occurred, I always thought of how much insight into the human condition George Miller had in his Mad Max films—a brutal reality not beheld by any other artist in any other art form—and I could confirm its authenticity.

Max couldn’t escape madness and it finally caught up to him and killed his family leaving Max a very sane man bent with rage in an insane world that only devolved from there. Fury Road takes place between the first Mad Max film and the Road Warrior, so there is some rich material there to delve into for Miller as society devolves from a rich industrious culture into tribal nomads desperate for value of any kind fleeing constantly from chaos. In the Road Warrior there was always sadness to Max—an awareness of how far down the drain the world had devolved, but a resolute charisma that refused to join it. It was as if he alone stood against the insanity of the world and was aware that the only way to meet it was by going “mad” himself when pressed by danger. As a result, those still sane in the world gravitated to Max to be saved, which he did in the Road Warrior, then on a more epic scale in Beyond Thunder Dome.

Beyond Thunder Dome was a bit too light for a Mad Max film but was still enjoyable. Mel Gibson was moving into a mainstream actor and George Miller was being lured in to doing more commercial work. It was the weakest film of the series but was still a work of art visually and in concept. I went to see it in 1985 all by myself at a summer matinée. I had some time to kill before work so I went to see it alone, just me and Max and I loved it. It was a wonderful way to watch George Miller’s version of a “western”—like Max himself.   All alone.

As much as I am rooting for Fury Road—and I will see it on opening day—it won’t surpass the violence and sheer magnitude of car crash carnage I wrote about in Tail of the Dragon. I am a product in some ways of Miller and I took that into real life then wrote about it with a new perspective. But it is encouraging to see such positive audience reaction from Comic Con as they had toward Fury Road. There may be hope for my own project yet due to the forecasted success of Miller’s resurrection of the Mad Max franchise. Apparently Miller has a sequel to Fury Road already written and is ready to head into production. For that film, yet unnamed, I will be the first to that one as well, and for every film that comes after—because George Miller is a master of the car chase western, and I am grateful to him in ways that are beyond description.

As for Tail of the Dragon, it is a shame it takes a positive reaction from audiences at Comic Con to tell studios that movie goers want car chase movies. I didn’t see anything in the Fury Road preview that eclipses what was done in Tail of the Dragon. So I was a bit impressed that audiences thought Fury Road was the most intense preview coming out of the event which showcased the latest and greatest that Hollywood was churning up. That certainly puts Tail of the Dragon in a class of its own but like Miller’s journey to bring Fury Road to the screen; the trip for Tail of the Dragon will likely be longer and will take just the right personalities—which has not yet been assembled.

Rich Hoffman

www.OVERMANWARRIOR.com

 

Making of ‘Tail of the Dragon’ The Novel Part V: Morality beyond the limits of political law

Many people used to say that someday I would learn my place, and stop being so rambunctious.  They said that someday I would turn down the music and place my foot lighter on the accelerator.  They used to say that once I did some jail time, or paid enough fines that I would “settle down.”  That was nearly three decades ago, and those people if they are still alive themselves, have stopped tapping their foot waiting for it to happen.  They have had to accept that after all the many, many times that I have stood in front of judges, all the countless times I have had patrol car lights behind me, and even the times that I represented myself in court because my legal representation was incompetent and not able to defend my cases to my satisfaction, that their dreams of defeat would come.  People who have stood against me, or wished for me to fall in line with typical human acceptance of authority have had to give up on their dreams of my compliance.  What they never figured out was that I learned when I was very young that the American legal system was made up of social looters who were more interested in making money, than justice, and the intent behind law was not the protection of private property—as its supposed to be, but in the rule of a political class over the “common man,” and I have fought that tendency since I was a 5-year-old child with my Big Wheel.  And I haven’t kept my opinions to myself over the years.  Instead I have taught them to my kids which can be seen in the below video, which is Part 5 of the Making of series chronicling the creation of my latest novel Tail of the Dragon.  CLICK HERE TO REVIEW PREVIOUS INSTALLMENTS.  In the video, my daughter and her husband accompanied my wife and I to the Indie Gathering Film Festival in Cleveland, Ohio to accept an award for a short film I had entered for competition titled The Overman, for the best experimental film category.

Because of my thoughts about speed, and the legal system I had no problem telling the operators of the film festival that I would arrive at 10 AM that morning from Cincinnati.  My daughter and her husband wanted to go with us, so we planned a motorcycle trip for the weekend up to Cleveland.  I wanted to take a break from the writing of Tail of the Dragon to accept the award, so we decided to leave on a Saturday morning, spend the night at the Holiday Inn at West Lake where the film festival was being held, then return on Sunday.  At 5 AM in the morning, we hit the road on my Boulevard motorcycle.  My son-in-law rode the GS750 that he bought from me the year before, and my daughter rode their Kawasaki Ninja.  However, my daughter had never ridden a motorcycle on her own.  Previously she had ridden on the back of the Ninja with my son-in-law, but that was the extent of her motorcycle riding experience.  So I promised her we’d take several breaks along the way.  Her only real concern at the time was that she only had a temp permit, and was concerned that she’d run into trouble with the law being so far away from home on just a learners permit.  This was the way I came up with the plot line in Tail of the Dragon where Rick Stevens gets pulled over by the police while on a learners permit in Tennessee.  My daughter was taking a big risk riding a very fast motorcycle as her first real riding experience, and over such a vast distance.  But as I’ve always taught her, without risk the rewards are often not very profitable, so she desired to take a risk in hope of rewards and push herself in a way she had never done before.  600 miles over a weekend on a motorcycle at over 80 to 90 MPH the entire time as a beginning rider with only a motorcycle temp license was challenging, and I was proud of her.

We stopped short of Columbus well before the sun came up to get a feel for how she was doing.  Early in the game, she was getting used to the bike and the speed, so we were able to move on up the highway making a few fuel stops and a traditional breakfast at the Cracker Barrel—which we tend to do when traveling as a family.  Much of the time we were traveling at over 90 MPH as the sun was coming up which was spectacular.  It’s the kind of experience that cannot be explained to people who have not participated in that kind of activity.  With me the speed is necessary.  I was scheduled to arrive in Cleveland at Lake Wood around 10 AM to get my booth set up and report for the screening of my film.  But I set such deadlines knowing the pace I typically travel at, which is faster than flight if TSA lines are accounted for.  I can often travel to far-flung cities quicker than an airplane can load passengers, takeoff, and land dispatching their customers.  So I often take full advantage of that ability.

Many people over the years have told me that my driving tendencies are reckless, but this is based on the perspective of “average” people who desire to be led around like cattle by a political class afraid of their own shadows.  Never-the-less, my attitude has put me into a lot of trouble with the law.  The goal of these legal altercations has not been justice on behalf of the safety of mankind.  The goal is to use the law, which has set speed limits unnecessarily low so that politicians can have the opportunity to have a tax increase against the public in the disguise of “justice.”  The point of my new novel was to illustrate this fact based on my many experiences in front of judges and police officers.  My editor at American Book at one point challenged one of the confrontations that Rick Stevens, (the protagonist of Tail of the Dragon) had with a police officer—as there were several—and didn’t believe that a cop would behave in the way I described in the novel.  I explained to her that I had been in nearly the same exact circumstance in real life which involved a gun, and that Rick Stevens story had its roots more in reality than in fiction.

We arrived in Cleveland  to meet the day ahead of the other contestants even though many of them were already staying at the hotel.  We were the first to arrive in the networking room, which is the way I like to perform my business.  We set up our table and did our work at the festival.  I shook hands, signed autographs, posed for pictures and received my awards.  When the other filmmakers went to a party at the hotel bar that night, my family was in our hotel room working on philosophy concepts and taking notes from the day.  My son-in-law does a lot of thinking of his own and had many thoughts to capture from his observations, and my daughter naturally does as well.  She often stays up late every night writing down ideas, editing pictures and doing research, so we don’t attend many parties.  We socialize in a festive fashion on VERY rare occasions.  I spent many hours after everyone went to bed working on a re-write of the completed Tail of the Dragon manuscript based on some of my observations from the previous day.

The next day, we awoke, had a nice breakfast and said goodbye to everyone in Cleveland.  We hit the road with the same fury for which we came.  At a fuel stop, my very fatigued daughter let the Ninja fall over as she was extremely tired from the hard riding the previous day and so far during our trip south.  The bike’s fall bent the shift shaft that went into the gearbox preventing the Ninja from shifting out of second gear.  This essentially halted our progress as it would be impossible to do any highway driving without the ability to shift out of second gear.  My son-in-law and I went to fix the bent shaft and get the bike operating again.  My daughter felt terrible.  She was tired, strained to her limit, and still nearly 200 miles from home.  She was caught between the tough spot of wanting to complete the journey and hoping that the motorcycle was broken beyond repair to relieve her of having to ride it back home.  For people not used to such long rides, a 90 MPH journey on a crotch rocket over 200 miles of highway is tough.  The wind beats at the body in terrible ways and there is no way to shift a seating position to become more comfortable.  She was tired, and her legs weren’t working very well from being deprived of movement which is why the bike fell over during a fuel stop.

But she toughed it out once we got the bike operating again.  We stopped just above Columbus for dinner after spending most of the afternoon fixing the bike in a parking lot.  Once we arrived above Columbus we were close enough to home that she knew she could do the last hour and a half on a full stomach.  She swore to me that she’d never ride that far again, and it took her a long time to get back on a motorcycle.  She was never so glad to arrive home as she was that day.  The first day had been fun, but tiring.  The second day had been too much.  It did occur to me on the way home to back off the gas, and drop down to 75 MPH or even 65 MPH.  But I was worried that if we yielded to the circumstances that my daughter would always feel that the situation had conquered her, instead of her conquering the situation.  As a father, I did worry about her blanking out from the strain and crashing all over the highway.  But I wanted her to know that I trusted her, and her desire to not let me down was a gift from me to her in delivering her to a conquest that she will know all her life as one she didn’t walk away from.

When my daughter was a little girl, a bully spit on her while she played with her sister and friends at the playground.  He had been showing off for his friends and was older by several years.  My kids were targeted because I had been known in our neighborhood as the most vicious advocate against marijuana sales anywhere in southern Ohio.  I caused such a ruckus over the sale of marijuana in my community that I knew all the cops by name as they came to my house so often.  After a while I gave up calling the cops because it was revealed to me that they were involved in the pot sales directly and passively.  In fact I had a next door neighbor who was a cop and he fought me viciously as he thought I was a NARC, and made sure everyone knew it, not only in the neighborhood but also on the police force.  I gave up on the legal system when it was realized that it was corrupt beyond repair, and my experiences thereafter became my novel The Symposium of Justice.  Once it became known that I would not yield to my neighbors who wanted to buy and use marijuana we went into a stalemate since the law was technically on my side.  So they sent their children after my children which is how the little boy spit on my little girl.  My daughter has always been a very confident person, full of life, and the look on her face when she came home with spittle on the front of her shirt was one of the moments that could have shattered her for the rest of her life.  The intention by the boys was to impose their will upon her with force and push her into social compliance.  They were bigger and meaner and the message to my kids was that they would have to submit to the thuggish authority of the neighborhood bullies or suffer the consequences.  So I packed my kids and their friends into our car and tracked down the bullies at their house where I “forcefully” made the guilty boy apologize to my daughter in front of his father—who had actually encouraged the behavior.  About a month later some much older boys, from 18 to 20 years old gathered in front of our house across the street in a mob of about 30 young people and harassed my 9 to 10-year-old children for riding their bicycles on the sidewalk.  My wife called me at work, so I rushed home and instantly engaged the boys in “aggressive confrontation.”  The police never came, the owner of the house stayed inside looking out their upstairs window hoping that the fight would go their way, but it didn’t.  The boys were forced to disperse in retreat.   The next morning there was a broken egg at the end of my driveway where some smartass thinking they were tough threw an egg from across the street to land on my driveway behind our family car during the night.  They were testing the waters to see if I would let it go.  That night when the sun went down, I bought two dozen eggs and lunched them at the home blasting the windows and doors with slimy yoke and broken shells.  The homeowners were in their living room watching TV, but never came to the window or even opened the door.  And they certainly didn’t call the police, not with the amount of pot they had in their house which nobody wanted to address.  The cop next door was friends with the owners of that home, and did not make a move either.  Watching all this activity my children learned about justice in life, and what sometimes has to be done to get it.  This is why my daughter exhausted from 600 plus miles of riding a motorcycle across the state of Ohio twice in two days struggled to keep the bike upright and conquer her exhaustion to arrive home save and sound.  The whole point of riding the bike herself and not just sitting on the back with my son-in-law was so that she could prove to herself that she could achieve the feat. And she did.  If I had interfered with her as an adult, I would have done her a disservice.  It was my job when she was a child to interfere and kick the crap out of some neighborhood kids that were harassing her because I was teaching her not to give up…….as a father.  But coming back from Cleveland, Ohio after a weekend film festival, she had to live up to what she had become as an adult.  It was hard, I was worried she might not make it, but I was more worried about what would happen if she didn’t fight through it and conquer a lingering fear.

These thoughts and history are what went into the fearless nature of Rick Stevens in my novel Tail of the Dragon.   When we arrived home, I again wrote pages and pages of dialogue and thoughts about what I had witnessed.  I was proud of my daughter, and everyone who had traveled those roads with me that weekend.  The climax for many would have been getting the award at the film festival.  But for me, it was only a footnote.  I like getting awards, and enjoy the company of people at those kinds of events.  But it was the journey I remembered most from that weekend which is why there isn’t more footage of the actual festival in my video.  For me, it was the boldness that my daughter tackled in her challenge of riding a motorcycle to Cleveland and back during a weekend on a learners permit at high-speed that mattered.  The experience would have been denied to us if we stayed within the parameters of the law, as concocted by politicians.  I have learned over the years such as in the situation with my neighbor and the many trips to court that I have personally endeavored in; that the law is more adequately used to restrict the lives of people more than it is dedicated to justice, or “fairness.”  So I typically consider law as a second-hand notion.  This attitude is reflected in my characters from Tail of the Dragon exceptionally well.  It also makes it a unique work of thought. Readers of Tail of the Dragon get the rare opportunity to climb into the mind of outlaws like Rick and his wife Renée Stevens to discover aspects of themselves that long ago yielded to the parameters of fear that has been imposed upon them tragically.  The idea of freedom is as foreign to them as the surface of Jupiter is to a villager in the Congo.  It makes me proud when my family goes on trips like the one to the film festival with me and overcomes a number of obstacles to enjoy a fine meal in utter exhaustion just north of Columbus on a hot Sunday afternoon an hour and a half away from home.

Some might read what I’ve said here and think that I am a bad parent for encouraging my daughter to break the speed limit, and drive under improper endorsements.  Those are the same type of people who spit on that same child and earned my wrath when the police had conspired with them to clear me from a neighborhood so that marijuana sales could flow without opposition.  And it is that type of utter hypocrisy which causes Rick Stevens in Tail of the Dragon to thumb his nose at the government of The United States and take his fight to the death under the mantra “live free or die.”  For Rick Stevens, he meant it.  And the way to make the words come to paper came from rides like the one to a Cleveland film festival with my daughter who was stepping into her adulthood with the fearless conquest of obstacles that most cower from in trepidation only to punch through the other side in a life of illumination that shines through in virtually every action of human endeavor.

It was never my intention to grow up in a typical fashion to become a nice compliant adult that does whatever a political class determines in their infantile wisdom to be sufficient to the human experience.  In that regard, I have always been on a quest for the “super human” experience.  I have taught my children nothing short of living their lives as “super humans” themselves.  And upon delivering my children into adulthood I am not done with parenting.  Only now, the students are not my biological children but the inquiring minds of those who know there is more to life than what they see before them, and lack the faculties to meet that life.  For such minds, being an average human will not be enough.  They must become more so.  For them, I present Rick Stevens and the greatest car chase in the history of the world in the novel Tail of the Dragon.

Rich Hoffman

CLICK HERE to see what my publisher had to say about my novel Tail of the Dragon.

Visit the Tail of the Dragon Store and meet Ron Johnson

 

Like” Tail of the Dragon on Facebook by CLICKING HERE 

If the novel is SOLD OUT at Amazon.com try Barnes and Noble by CLICKING HERE.

 “If they attack first………..blast em’!” www.tailofthedragonbook.com

Making of ‘Tail of the Dragon’ Part II: The Roads Less Traveled

This article is Part II of the Making of Tail of the Dragon, the novel.  CLICK HERE to review Part I.  Many have asked me regarding my most recent novel how much of it is real, and how much is fiction.  In regard to the fiction, the story is what I intended to be the greatest car chase ever told in any format, so much of it is fiction.  Yet the foundations of the story are rooted in reality–in actual places in and around one of the most dramatic examples of capitalism and adventure anywhere, joined in a ménage à troist with nature – The Great Smoky Mountains.  The Tail of the Dragon is one of the most dangerous and spectacular roads in the entire world featuring 318 curves over an 11 mile span, and in Part One I showed how the approach to The Dragon looked from the East with the point of origin beginning in Gatlinburg, Tennessee as it was when Rick and Renee Stevens began their first journey in a similar fashion.  However, later when Rick returned to The Dragon after his stint in the Blount County jail with his $20 million dollar restored Firebird to exact revenge on the Tennessee Highway Patrol he arrived from the West.  This would of course take Rick and his wife across the famed Cherohala Skyway known as The Mile High road, since portions of it reside above 5000 feet above sea level.  From atop the Mile High Road motorcycle riders find themselves above the clouds and well above the airplanes that can be seen flying around Knoxville to the North and Chattanooga to the South.  It was from a small hotel room just north of Chattanooga on I-75 that my kids joined my wife and me on a research gathering expedition by motorcycle while I was writing Tail of the Dragon.

The path taken in the video by our small research team was virtually the same used by Rick and Renee Stevens in their souped up 700 HP armored Firebird fulfilling their destiny to become the modern version of Bonnie and Clyde.  The descriptions that ended up in the novel were derived from the journey seen above as we sought to see, feel and taste the environment that feeds the Tail of the Dragon by the only access from the West there is, the snaking, twisting, oxygen depriving monster called The Cherohala Skyway.  I love the road so much that I made sure that the famed car chase from my novel began on this road from a rest area similar to those shown in the documentary footage.  Many bikers die on this road routinely.  It is uncompromisingly beautiful and dangerous at the same time.  The views make it impossible not to look around, but any mistake can send you straight off the edge to meet death in an instant.

On the way up, our crew took frequent breaks to photograph the various levels of topography for the benefit of my written words.  I took many notes along the way and focused on capturing the roguishly independent nature of the typical visitor to the region.  The politics of the area is to the right of a proclaimed libertarian from suburbia.  The independent steak evident in the motorcyclists is rebelliously self-determined and weary of any organization or institutional control.  Meeting some of these people up close and personal at our various stops, most of them live normal lives wherever they came from, but once they climbed on their motorcycle and hit the Cherohala or The Dragon, they become the staunchest freedom fighters in America.  This mentality tends to be the byproduct of embracing such dangers with the gift of leisure time.  It’s not difficult to understand this trend once the motorcycles are parked at the highest points of the Cherohala well above the cloud line.  It is something to behold sitting quietly with ones thoughts and eating a packed sandwich from civilization which feels millions of miles away as clouds blow around you.  Being one with the clouds in this fashion is even more empowering than flying in an airplane, because stopping in a cloud layer is not possible any other way.  Only mountain climbing, or high altitude motorcycling can give that sensation.

This time around our visit to The Crossroads of Time was not encumbered by heavy downpours of rain, so I was able to spend more time capturing the area the way it typically was on any given weekend throughout the year – particularly the summer months.  The culture at The Dragon is one that is fiercely independent and openly embraces danger, even death the way tribal warriors used such threats to their personal safety to prove their manhood.  This is why there is a Tree of Shame where wrecked motorcycles are exhibited not so much as a disgrace but as tokens of pride.  Inside the Crossroads Bar and Grill area there are also pictures showing the grotesque accidents that have occurred on the Tail of the Dragon where victims proudly display their injuries and deformities caused by near fatal wrecks on the area’s infamous roads.  It’s all part of the mystic and the participants openly welcome fate and whatever it brings.  In my novel Rick Stevens would evolve into an Übermensch (overman) type of character becoming a legend to the people who frequent the Tail of the Dragon.  That meant Stevens would have to have more guts, recklessness, outrageous courage, skill, wit, and sheer determination than the average Dragon rider – which is to say a lot.

Our team intended to take the Foothills Parkway over to Townsend, Tennessee as discussed at the hotel, but discovered The Dragon was closed near Tabcat Bridge due to a rock slide.  So there was no way to travel further into Tennessee from the Tail of the Dragon, (RT 129) with the road closed.  With our hotel in Gatlinburg, Tennessee this meant that we had to go back through The Dragon the way we came in Part I approaching Gatlinburg from the South instead of the West.   Because of the good weather conditions I was able to capture more of the wonderful views through the Smoky Mountains from the perspective of a motorcycle, which many people do not give themselves the pleasure to experience.  There really is nothing like it.

That night at the hotel I recorded my notes for the day, pages and pages of notes thoughts and feelings that eventually ended up in the novel.  The total sum of that 200 mile journey only makes up roughly 5 pages of material in the novel so there was much more information that needed to be gathered which will show up in future articles.  But the hard-core essence of what makes Tail of the Dragon and The Cherohala Skyway such uniquely American places was captured on the back of a motorcycle with death looming by closely waiting for a mistake to be made.  It is because of the character in such places that Rick and Renee Stevens go to such extremes in a car chase that ends up being resolved in The Oval Office of The White House.  The spirits of the people who visit these places is unfathomably independent, and share a love of rugged individualism that is simply lost to modern life’s luxury vehicles and climate control systems.  This is how the Tail of the Dragon novel came to be such a libertarian oriented story.  It was not politically intentional at the time, but an observation of reality that could not be ignored.  That reality deserved a voice, one that I was able to give it in Tail of the Dragon the novel.

 

The book is doing what I hoped it would.  I originally thought of it as a populist endeavor, but the more I got into it, I realized that the audience would not likely be the masses driving their kids to soccer practice, or thriving to pass school levies – but would be those who have long suppressed in themselves a love of liberty, life, and danger swelling to escape.  I enjoy the messages from my publisher when they complain to me that Amazon.com is having a difficult time keeping the book stocked.  My response is to print more books so they are always available.  I have my doubts that this work will ever end up on a New York Times Bestseller list due to the nature of the story.  It is an uncompromising analysis of American philosophy shaped from the perspective of a motorcycle and achieves its aims by the roads less traveled.  But for every copy sold I feel pride in knowing that roughly every five pages of text in that book was created with roughly 200 miles of travel upon such roads in an epic journey that put a dot at the end of my personal philosophies and set me on a new personal journey which readers here at Overmanwarrior’s Wisdom are enjoying on a daily basis.  I am extraordinarily proud of my work in Tail of the Dragon, especially now that the book has been out for a few months and people are buying it, enjoying it, and sending me emails asking questions.  These articles and videos are my attempts to answer those questions and explain that the pride I feel is not from the monetary or sales figures provided by Tail of the Dragon as a novel, but in the roads less traveled which went into its construction.  Those roads are an experience I can share through literature what 20,000 miles of motorcycle travel while writing the novel afforded me through sweat, sunburn, hunger, cold rain, punishing wind, excruciating heat and a thousand possible deaths provided as my mind worked through problems of philosophy that can only be solved living by the seat of one’s pants.

Stay tuned for more MAKING OF videos and articles to satisfy the quandaries of curiosity coming in from the novel’s readers.  And thank you to those who have given Tail of the Dragon the benefit of your attention in the first two business quarters of its release.  CLICK HERE TO VISIT THE BOOK’S WEBSITE. 

CLICK HERE to see what my publisher had to say about my novel Tail of the Dragon and look for Part II on April 3rd.

 

Like” Tail of the Dragon on Facebook by CLICKING HERE 

If the novel is SOLD OUT at Amazon.com try Barnes and Noble by CLICKING HERE.

Rich Hoffman

“If they attack first………..blast em’!”

www.tailofthedragonbook.com

Tom Cruise in the film ‘Jack Reacher’: The Future of ‘Tail of the Dragon?’

The number one comment that readers of my new novel Tail of the Dragon ask me is when will it be a movie, because the car chase in the book—which takes place over half of the story is so stunningly exciting that they want to see it up on the silver screen. I have been telling them that it’s not likely to be soon, because Hollywood isn’t making many car chase films these days, not like they did in the 1970s, which was my inspiration behind the book. On top of that–I am a conservative writer, and while Hollywood does endorse far left political activists like George Clooney and Sean Penn, it does not have a tolerance for people as fiscally and socially conservative as I am. So the list of producers and actors out there that would be able to take Tail of the Dragon from a novel and put it up on a movie screen in the manner that it is written is pretty short.

The other big problem is that the main character of Rick Stevens is so iconic, and strong that Hollywood isn’t producing actors that are able to reach the kind of emotional firmness that can capture the hero of Tail of the Dragon with the proper valor required. In these more politically left leaning times, characters like Rick Stevens are way too sure of themselves, and that is currently out of fashion in American film—where it used to be common place in Hollywood. Tail of the Dragon is in essence dedicated to all the great car chases of my youth set into overdrive. To accurately portray the high-speed chases that Rick Stevens embarks on in Tail of the Dragon it would require an actor like Steve McQueen, or a Burt Reynolds type who is actually a tough guy in real life–a thrill seeker, and would need to be a professional driver in some regard. Because the stunts that would be required to put Tail of the Dragon up on the silver screen would be unlike anything ever filmed before in any motion picture—so I don’t have much hope of finding the right combination of studio involvement, actor skill level, and financial commitment. CLICK HERE FOR SOME OF MY PREVIOUS WORK IN HOLLYWOOD. That is until I saw the clip below on Top Gear discussing the new Tom Cruise film Jack Reacher—which looks very promising.

It would take an actor/producer like Tom Cruise to bring the larger than life character of Rick Stevens to film, and it appears Cruise is back in that kind of character generating business, as his Jack Reacher looks like the kind of old-fashion throwback to the decades prior to 1990 filmmaking. That shouldn’t surprise me as Cruise is from Cincinnati just as Steven Spielberg is along with George Clooney and it takes someone from the Midwest to understand a story that takes place in the heart of the country. Tail of the Dragon is truly a modern version of Smokey and the Bandit and the great Tom Cruise classic Days of Thunder, so Tom Cruise would be a good fit—if the stars lined up properly.

I knew when I wrote the novel that it was a bit out of fashion in the present day as it makes no attempt to be contemporary except for the fact that the 700 HP 1977 Firebird in the story runs off a special vegetable oil fuel mixture which is very much in line with modern technical achievement, but the rest of the story is good ol ‘fashioned storytelling that is unapologetic in its larger-than-life presentation. I figured that sometime over the next 20 years such personal valor as exhibited from Rick Stevens in Tail of the Dragon would come back into style, and at that time there might be a chance for such a grand story to find its way to the silver screen.

I am delighted to see that Tom Cruise is back at it with Jack Reacher because honestly, I have missed these types of films terribly. The Fast and Furious films are good, but there is human nobility that is missing from those characters that is all too common in so many modern stories. Tom Cruise made his living for many years playing larger than life characters in films like Top Gun, Days of Thunder, and Mission Impossible, so there are still actors/producers in Hollywood who are capable of getting behind the wheel of a car like the one in Tail of the Dragon and telling the story of Rick Stevens and his bold, high-speed adventure through the mountains of Tennessee and North Carolina.

In the meantime, I think I’m going to go see Jack Reacher and relish in Tom Cruise’s latest movie. There is a part of me that is rooting for Cruise to make a comeback to the silver screen, because honestly, I think Hollywood needs him.

To learn more about Tail of the Dragon CLICK HERE.

And how fast is Tail of the Dragon?  CLICK HERE!

Rich Hoffman

www.tailofthedragonbook.com

  

Whip Cracking Philosophy: Yes, ‘The Symposium of Justice’ is available on Kindle

I spent part of the weekend with my friend Gery Deer discussing things much more pleasant than politics, specifically literature and bullwhips. He asked me now that my most recent book Tail of the Dragon was out, when I planned to write a sequel to The Symposium of Justice. I told him that I was already planning it, the title as of now is Overmanwarrior: The Trial of Fletcher Finnegan.   Gery and I go back a bit.  For more info on the two of us, check out this article done at Yahoo News:

http://voices.yahoo.com/ohio-production-company-plays-major-role-futuristic-3151948.html

 

Gery loves my first book and has always been one of its greatest supporters. He showed me how he was prominently displaying The Symposium of Justice on his online bookstore which can be seen at the link below, and we reminisced about the many adventures we had over the years because of that novel.

http://astore.amazon.com/gldentcomwri-20?_encoding=UTF8&node=2

Gery’s wife is a tremendous reader, and the last two times I’ve seen her, she had her face planted in her trusty Kindle. I told her that I didn’t understand why the Kindle was so popular and she showed me how she could download a lot of books into it and read them on the run. She absolutely loves it. She also mentioned to me that she noticed I never advertised The Symposium of Justice in its Kindle version, and I realized that mostly the reason was that I haven’t accepted the technology. I am still very much in love with traditional books that I can hold in my hands and smell. These download versions are such a new concept that I just can’t accept them the way others have.

But she did get me thinking. I hadn’t seen Gery since the Annie Oakley festival and he and I needed to talk about books, whips, TV and media appearances, and of course small talk. Mostly I wanted to show him two of the three whips that David Crain had custom-made for me which I won in the whip contests over the summer. David is finishing up the third 5’ whip now, but the other two I wanted Gery to see in his one-of-a-kind whip studio up in Jamestown, Ohio which is a great place to let them loose.

The Symposium of Justice is a favorite book among those who have read it, particularly those in our little whip community. The character of Fletcher Finnegan/Cliffhanger is an interesting twist to the traditional Zorro/Batman type of character. As written, Fletcher Finnegan is a combination of Howard Roark from Ayn Rand’s The Fountainhead and Zorro. He’s very complex, athletically perfect, and has a tremendous intellect. He is by all definitions a perfect man. He is the type of hero that everyone wants to be, and he lives his life without any fear. The plot tension comes not from his weaknesses but in his interaction with a society that strives to beat him into submission any way possible and the reader’s desire to see how he can survive such a social gauntlet.

My characters are all like this, because to be honest, that’s the only type of character I think is worthy to write about. In my recent Tail of the Dragon Rick Stevens has been found to be of the same caliber of strong, fearless quality as Finnegan. Although I did go out of my way to put Rick Stevens in situations that would show him to be more “human” than Fletcher Finnegan was in The Symposium of Justice, because of the incredible blowback I received from the progressive literary community, which at that time was not so well-defined. Reviewers back when I released that book didn’t know what to think about such a strong character, because socially we have become so used to whiny, snot-nosed, beta men. Nobody but children openly like and admire such strong characters as Fletcher Finnegan. However, the problem is that The Symposium of Justice is a very “adult” book so kids weren’t the ones buying it, it was adults.

Slowly, over time, people have started to show their love of Fletcher Finnegan. Maybe it has something to do with the re-emergence of Ayn Rand’s strong characters from The Fountainhead and Atlas Shrugged that is contributing to it. Or maybe the Obama Presidency has left a yearning for such characters that wasn’t there in the years immediately following the 9/11 tragedy which placed The United States on the defensive and trillions of dollars of over-reactionary, panic driven debt. Or maybe it’s because people have been reading my blog and are hungry for the kind of characters who live the lives I paint in the millions of words I’ve posted hoping to share my thoughts about how the world should be, and not willing to yield to in our current social state. It’s probably a little of all those elements that is giving The Symposium of Justice new life for a new generation of readers.

There is a scene that occurs in The Symposium of Justice that is so contrary to a typical action story that many who read it the first time through didn’t know what to think. The scene occurs in the chapter titled ‘Salad Bar Goddess’ where a hit man named R.L. Justice tracks Fletcher Finnegan and his family down to kill in front of a crowded restaurant in the town of Fort Seven Mile. The hit man, a traditional tough guy from the south side of Chicago, and feared as most sinister in his profession realizes that upon seeing Fletcher’s wife Misty, the town’s popular city council woman, Justice realized that he was sent to kill the perfect man, because nobody but a perfect man could have a woman as beautiful both physically and spiritually as Misty Finnegan. Once Justice figures out who Finnegan is, he makes eye contact and for the first time in his life sees a man looking back who has not one ounce of fear in him. Justice realizes that even if he could kill Fletcher Finnegan, that to do so would be a crime against humanity and suddenly Justice realizes that he is nothing but an assassin for a corrupt system that seems to only exist to stamp out people like Fletcher Finnegan. It is a life changing moment for R.L. Justice to meet Fletcher Finnegan. No words are spoken between the two men, but the communication that flows between the individual lives of the two radically different men completely alters the direction of the professional hit man. Realizing that his life has been a terrible waste, and that he is simply a puppet to his puppet masters, R.L. Justice decides to do one good thing in his life after that pivotal meeting. He leaves the restaurant, and gallantly throws himself out onto a highway in front of an oncoming truck, and kills himself instantly. That’s the kind of novel that The Symposium of Justice is.

My wife loves the character of Cliffhanger/Fletcher Finnegan. She thinks that young people should have such a positive character in their lives. Finnegan is everything I always wished Zorro to be, but lacked. Finnegan doesn’t bother to pretend to be foppish as Don Diego did in the Zorro stories. Finnegan knows that people don’t know about his vigilante antics as the masked Cliffhanger because society wishes not to acknowledge him socially. They refuse to see what is right in front of them, so there is no need to hide. It is that revelation which confronts the old, seasoned hit man R.L. Justice who considered himself an expert at dissecting human beings in order to identify his targets, and even he did not see who Fletcher Finnegan was, until it was too late. So obviously, I have thought about a sequel to The Symposium of Justice and have been anxious to begin it. My wife has been pushing me for years, and it was one of the first things Gery always mentions to me in our meetings over a long period of time.

So I am going to take the advice of Gery’s wife and embrace this whole Kindle thing. The least I can do in these tight economic times is let people know that they can get a Kindle version of The Symposium of Justice. It costs only $7.99 at Amazon.com and can be downloaded today. So while you’re out there reading my new book Tail of the Dragon, feel free to download The Symposium of Justice and enjoy the obscure exploits of Fletcher Finnegan as he fights the Dark Knights of Order. It’s a contemporary tale with an unusually strong central character that is my idea of what every human being should strive to become. It’s a fan favorite of all my whip friends who love that Fletcher’s weapon of choice is a bullwhip, but it’s not his physical prowess that defeats his enemies—it’s his mind. A man who can do both is the most lethal weapon imaginable, and a society of such men and women are what I as an author strive to see.

Click the picture to enter the world of Fletcher Finnegan without further hesitation. Even though I’ve explained one of my favorite scenes, it is not the only twist and turn in that first writing endeavor that I professionally completed. It is only the beginning of a deep and intricate story that goes to places only literature can imagine.

____________________________________________

Click Here to see what people are saying about my new book–Tail of the Dragon 

Visit the NEW Tail of the Dragon WEBSITE!  CLICK HERE and help spread the word! TELL SEVEN PEOPLE TO TELL SEVEN PEOPLE!

Rich Hoffman
https://overmanwarrior.wordpress.com/2010/12/04/ten-rules-to-live-by/
http://twitter.com/#!/overmanwarrior
www.overmanwarrior.com

‘Tail of the Dragon’ is Released: The written word is superior to politics 100% of the time

After months of discussing it finally my new novel Tail of the Dragon is being released. My publisher is using Baker and Taylor to distribute the book so it will be available everywhere as they are one of the largest book distributors there is. American Book put a nice review and sales link at the article below as well:Tail of the Dragon

http://www.americanbookpublishingblog.com/importance-of-the-quality-of-your-book-endorsements

Clicking on the picture to the right will take those who want to get Tail of the Dragon for themselves to Publisher’s Direct which my publisher directly supplies. But Tail of the Dragon will be up on Amazon and all the major carriers as well, so the book should be easy to find without trouble. My friend Matt Clark up at WAAM, Ann Arbor did an interview with me talking about the book’s release. When it comes to Tail of the Dragon, Matt has had me on his radio program many times. He has been to my new book what 700 WLW used to be over the Lakota Levy that I was fighting locally in Cincinnati until the blow back from a “blackballing” attempt by the teacher’s union working with their media contacts caused a monumental rift in the Cincinnati market that reminded me of the fallout from the Eastwood speech during Mitt Romney’s nomination. Matt talks to me about all that in the video below:

There is always the assumption that politics is an option that everyone considers a cherished social accreditation. When the radical unions who have their fingers in everything realized that I was not going away over the public school funding debate they had to do something to attempt regain control. In an indirect way their hands are clean, it’s their fingers that are dirty. It is the lobby of organized labor that is often the real villain as the employees of the system march to the parameters of thinking established by union labor. They set the rules of all political engagement.

I have been working on Tail of the Dragon for a few years and before that book I wrote a novel called The Symposium of Justice. I’ve worked on screenplays, been to film festivals with various projects, and been a professional bullwhip instructor for stunt coordinators in film and from my perspective the issues of local politics, or even national politics, are very minor compared to an actual achievement as an author. I knew what I was doing when I let the Enquirer come to my home and photograph me using bullwhips to articulate why Lakota needed to balance their budget. I knew what the radical elements within the public education industry would say as they jumped all over my love of traditional values since many of them are progressive and I told the reporter as much during the interview. It was those pictures taken over two years ago that resurfaced during the “blackballing” article done by the Enquirer discussed in Matt’s radio interview above.  For an example, and review click the link below:

http://stateimpact.npr.org/ohio/2012/03/15/anti-tax-pro-scholarship-group-leader-calls-out-crazy-pta-moms/

“Blackballing” is where the media or a political entity cuts you out of having access to them. It’s a kind of castigation for not following the proper rules of engagement. During all the levy fights of the last couple of years I have been able to speed dial various reporters in print, radio, and television to get my stories out about why the Lakota school system is wrong for wanting to increase taxes, countering anything that the pro levy factions might bring up. I am not the first to do this. I knew before getting involved that others who have come before me have been used by the media to generate stories until the comfort level of everyone involved got too testy, then the media collectively pulls the plug, “blackballing” whomever the controversial figure may be.

I knew from my friend Arnie Engle over in Fairfield who has been harassed every way a man can be harassed because of his opposition to school levies, and my friend Jennifer Miller, the former school board member in Mason who was harassed to no end because of her desire to do a “good job,” and my good friend former Lakota School Board member Sandy Tugral who was ran out-of-town labeled a “kook” by organized labor that if I put myself out there that the same types of people would come after me. The people mentioned suffered various degrees of vandalism to their private property, especially Arnie. They have been publicly ridiculed. And they have all been “blackballed” by the media once the media was done with them. I knew that if I put myself out on a limb in a local levy fight I would become a major political target.

So I gave my Enquirer article dressed in my cowboy hat and my bullwhip to let the people who would come after me later know that they would do so at their own peril. Most people assume that a career in politics is in the back of the mind of any activist. Nobody considers that a person might actually only be concerned with doing the right thing, so to their minds, appearing on the front page of The Cincinnati Enquirer announcing my resistance to a local tax issue dressed over-the-top was political suicide. Nobody considered that my intent was to take my measure beyond the touch of traditional politics, because I knew it was only a matter of time before the “blackballing” attempt would be made in my direction—since that is the only way that public education can maintain their tax payer scam.

Here is a link to that Enquirer article mentioned above, when things were still on good terms:

http://news.cincinnati.com/article/20100922/NEWS0102/9230322/Man-wants-to-whip-proposed-Lakota-levy

Blackballing is how the school controls the media in the first place. The Enquirer was given a choice after No Lakota Levy started Yes to Lakota Kids helping needy children pay their sports fees, if they did not fall in line with the union controlled politics of public education, they would be “blackballed” by the school, in this case, Lakota. That is why the media is so quick to come after people who align themselves against the established political order. The media will use people to help create a series of good stories, just like a person might eat a nice meal not to be full, but simply for the taste. But in the end, the media will shit them out without regard once they are done with them, and I knew eventually that day would come.

The fault that I noticed all my friends mentioned above had fallen victim to in their various political fights is that they tried to do it through the established order of politics, where all the union controls are already implemented. They tried to become school board members, or run for some kind of office so they could get on the inside and attempt to create change from within, which of course doesn’t work. I decided not to try that, because my primary focus is that of an author, and because I have no intention of ever being elected into public office. I have no fear of doing, or saying anything that might cause me trouble down the road, so traditional politics was worthless to me. As an author I can operate without the fear of being “blackballed,” because the written word cuts through the immediacy of politics.

That is the advantage when you write novels, and run around the country with bullwhips and live a life that is superior to anything that politics can offer, is that you are free of their reach. So when the organized labor apologists attempted to “blackball” me I was already prepared. Their frustrations were already evident since they could not threaten physical violence on me. Who in their right mind was going to attack a bullwhip expert who could make mince-meat of them quickly in a personal conflict? So they attacked my media contacts.

What they didn’t know was that my media contacts were not limited to only Cincinnati, since my field of endeavor is literature, controversy is actually good marketing and works to my advantage. So the more “blackballing” they attempted to inflict on me, the better it has been on my literary endeavors. The “blackballing” would only work if I wanted to run for some type of public office, and cared what people thought about me in being “electable.” But my business is not in such popularity contests. My job is to tell stories and give insight from “the front of the train,” not adhere to the politics in the back. CLICK HERE FOR A REVIEW ON THIS METAPHOR. Literature trumps politics, which is why politicians eat out of the hand of Hollywood actors. Just ask the Republican Party about Clint Eastwood. Clint knows that he has more value to American society than some manager who wants to run for office and is a prisoner to all the silly political rules that the media has established to keep their stories within their editors 500 word limits, and their 3 minute TV story blocks. Books, movies, music and other art is where more detail is explored and entertainment gains more value beyond the politician. So the mistake of those who took on the union controlled school systems protected by a media afraid of being “blackballed” is that they played the games of politics instead of the rules of literature. And when I did that Enquirer article two years ago starting everything that followed, I never intended to beat them with politics, but with the written word.

None of that matters now. I’ll still of course be involved in issues that affect my local community, because it’s my responsibility. But I am not a prisoner to their political rules of engagement, my new book Tail of the Dragon as we discussed it on WAAM, in Ann Arbor, Michigan and many media outlets to come are what I do for a living. It is the result of a lot of hard work and that hard work is beyond the reach of silly politics and the media “blackballing” that goes on to keep everyone in their respective social categories. In my case the goal of a novelist is not to be “liked” but to be “respected.” And to gain respect, you have to say what you mean and not speak the “double-talk” of politics. And sometimes that means calling a group of levy apologists “latté sipping prostitutes with asses the size of car tires” because it’s the truth as a novelist sees it, and not some comb-over politician who simply wants a desk with a nameplate and the respect of a community for a tax payer funded job title.

It’s harder to write a novel, get it through a publisher, an editor, and a public relations staff than to fight a silly school levy that labor unions, media reporters, and thousands of insecure parents feast off of. So it pleases me greatly to announce that my new book Tail of the Dragon is now available to the public at the links provided, and that as a body of work is beyond the reach of the media “blackballing” that goes on, or the political controls of the small-minded name-plate gods. It’s a work onto itself that is far superior to any act of politics and is why I put my efforts there, beyond the reach of the “blackballers” in the back of the train.

The reason I mentioned all the above upon the release of my novel is because I’m not the kind of writer who articulates from a mountaintop on just pure speculation.  I write from experience.  In this case at the same time that The Enquirer was photographing me with my whips in my back yard I wrote the below article about my book Tail of the Dragon, August 23rd 2010.  Much of what I experienced above over the last 2 years found their way into the plot of that action packed book.  So dear reader, when you experience the corruption and betrayal of the novel’s characters as seen through the eyes of Rick and Renee Stevens, you can rest assured that there is more truth in the story than pure fantasy.  And you can also rest assured that I was writing the plot for the novel that has been my real life all along paragraph by paragraph, and there was a method to the madness from the very beginning. 

https://overmanwarrior.wordpress.com/2010/08/23/my-new-book-the-tail-of-the-dragon/

The sum of all these new experiences will find their way into my next book called The Trial of Fletcher Finnegan.  (CLICK FOR A PREVIEW)  But until then, I hope you will buy, and enjoy the book–tell your friends about it and help make it a success.  Because I put a lot of myself into the writing of these stories and I construct my future plots based on real events with the knowledge that the written word has the power to move mountains, and alter lives–while exposing the ugly aspects of our daily existence.  Tail of the Dragon does that and more, and I sincerely hope you enjoy the wild ride that starts by clicking on the picture below.  "Buy the book today"

____________________________________________

Click Here to see what people are saying about my new book–Tail of the Dragon 

Visit the NEW Tail of the Dragon WEBSITE!  CLICK HERE and help spread the word! TELL SEVEN PEOPLE TO TELL SEVEN PEOPLE!

Rich Hoffman
https://overmanwarrior.wordpress.com/2010/12/04/ten-rules-to-live-by/
http://twitter.com/#!/overmanwarrior
www.overmanwarrior.com

Sex in ‘Tail of the Dragon’: Solving the problem of impotency

A lot has been said about the massive, destructive car chase in my new novel Tail of the Dragon and how the hero Rick Stevens refuses to yield to any force other than his own impulse to live. But that does not mean that my latest book is strictly for men who like fast cars and violence. No, there’s a more complicated component that brings a texture to the story that is not so subtle, and that is the sex in Tail of the Dragon.

The sex is explicit, and it is necessary because at the heart of the story is a middle-aged couple who have rediscovered their passion for living, and with that passion comes sex, and large audacious amounts of it—just as it does in real life. CLICK HERE FOR MY REVIEW OF THE BOOK ‘FIFTY SHADES OF GREY. In the novel Fifty Shades of Grey which is lighting up book sales with enormous sales numbers, it is proof that women want to read books that involve aspects of their sexuality they are either curious about as reflected in their fantasies, or they are wanting to explore aspects of their sexuality in the safe confines of their minds to explore them in reality later. But I would view the kind of sex that is explored in Fifty Shades of Grey to be unhealthy sex, since it is driven by repressed feelings and fears—which are not aspects of the characters in Tail of the Dragon.

In Tail of the Dragon we have the opposite issue; Rick Stevens and his wife Renee are on a personal journey that does not involve fear, or repression leading them to sexual acts that are quite explicit, particularly the one on the balcony of a Gatlinburg hotel. The sex is purposely audacious and flagrant because those are attributes of Rick Stevens authenticity as a person, which leads to the extreme events of the novel in a non sexual way, just as in real life. If a person is willing to repress their sexual nature, they are also likely to repress their political views, their spiritual convictions, and their yearning for personal independence.

Fifty Shades of Grey has set a new standard for sex in a mainstream novel. As we speak literary agents are dusting off every erotic manuscript anyone has ever sent them because publishers are about to unleash upon the publishing world a slew of erotic fiction designed to ride the coat tails of Fifty Shades of Grey. Before this novel hit the public, publishers frowned down on the heavy use of the “F” word and the very descriptive sex that can go on between characters in a story. Fifty Shades of Grey is in every essence pornography, and it is now sold at Target, and local grocery stores which would have been unfathomable just a few years ago. The sex in Tail of the Dragon is done with much less profanity out of personal taste and editorial direction. My editor at American Book wanted me to clean up the sex which is very descriptive, because that is the standard America Book has. They do not publish erotica, so they expect their authors to find alternatives to such blatant imagery. I suspect that the policy will be reviewed in the wake of Fifty Shades of Grey, since that book was originally published non-traditionally as a print-on-demand title, in other words—self published. Word of mouth carried it over into the mainstream audience where legitimate publishers have picked it up after it became popular.

Sex however is as important to the human condition as drinking water, eating food, or learning to speak. It has as much reverence as conducting political policies. In a novel, such emotions are expected to be dealt with, so when exploring extreme notions, the sex must reflect the journey. In the case of Rick Stevens and his wife Renee the sex is designed to show what a healthy relationship between two longtime mates do with one another. If they have sex occasionally in public, it is not because they are extraverted exhibitionists; it is because when they are together, they have tuned everyone else out, and so the sexual act is a contextual agreement between them of which the rest of the world is excluded. The world may watch like caged animals at a zoo, but the passions for which Rick and Renee partake in are not for the sake of the collective society, but for themselves only.

Renee Stevens is a woman who is constructively submissive to her husband. When Rick wants sex, she gives it to him without question, and without games. In return, Rick does not have impotency problems like many middle-aged men. This leaves Rick and Renee to often have sex several times a day and not just once or twice a week. The point of course is not to show that Rick and Renee Stevens are sex addicts’ hell bent on perverted sexual sign stimuli for the unhealthy act of satisfying inner demons, but a healthy couple in love willing to satisfy the needs of their partners in a mutual fulfillment, the way a marriage should be.

Men and women join together to form families because they want to have sex with each other. At the most fundamental function of the marriage, what sets a couple apart is that they have sex. If sex was not involved, then the couple would merely be friends. It is sex that makes a marriage. When marriage is mentioned, the first thought is sex. Couples unite to have sex and to keep it safe between them in the context of a relationship. So in Tail of the Dragon which is about being authentic to oneself in every way, even when the law attempts to impose the beliefs of politics upon the sanctity of a spiritual union, sex must be robust and an important part of the story without being profane.

The sex in Tail of the Dragon is something I wouldn’t hesitate to tell my grown daughters about for the sake of their own sanity, and I have. My wife and I have traveled all over creation on the back of a motorcycle, and I can report that the sex of Rick and Renee have their roots in reality, because sometimes after a hard day of riding, sweating, and being on the edge of your senses, sex does happen often and anywhere once the shackles of orthodox confinement are outran. And in Tail of the Dragon, the story is all about outrunning orthodox confinement, so the subject is unavoidable.

____________________________________________

Click Here to see what people are saying about my new book–Tail of the Dragon 

Visit the NEW Tail of the Dragon WEBSITE!  CLICK HERE and help spread the word! TELL SEVEN PEOPLE TO TELL SEVEN PEOPLE!

Rich Hoffman
https://overmanwarrior.wordpress.com/2010/12/04/ten-rules-to-live-by/
http://twitter.com/#!/overmanwarrior
www.overmanwarrior.com