Being Optimistic: How things work in the fifth dimension

I don’t think I need to explain it, but it has come up frequently lately.  I have been in several situations recently that are pretty diabolical and soul-crushing, but those around me have considered my attitude toward these situations to be overly optimistic.  Even to the point of being disingenuous, and not in step with reality.  And on a tough meeting full of really hostile people recently, once the room cleared and this person was alone with me, they said to me, “You could talk the pants off a nun.”  I wasn’t sure of the context of that comment, but as I looked at the person, I said, “I doubt many people would want to see a nun without pants.”  And I left it at that.  However, this person did raise an important point, and something I should probably share that is a core part of my personality.  Optimism is a skill, not an illusion, and most people in the world are where they are in life, no matter how bad it is, by their own choices.  The truth about reality is that you get out of it precisely what you are thinking about.  And this is more than just a statement meant to inspire wisdom.  It’s metaphysically true regarding the rules of quantum mechanics, which I have been talking a lot about lately, for good reason. People do, quite literally, choose their reality more than they realize.  And when people want to do bad things to you, the most effective way of doing it is to convince you to choose bad things to happen to you, rather than for people to have things happen to them, as we have all been conditioned to think.  And this is the structure of the fifth dimension. 

We tend to think of only four dimensions —length, width, height, and time —as the reality we all live in.  However, they are now relatively well known regarding string theory at 11 dimensions.  Mathematically, there are infinite opportunities, or otherwise 100, for which we have visibility and approximately 22 conceptually.  However, for this discussion, when we refer to the 5th dimension, we are referring to what we call the spirit world, where we can sometimes have interactions with what we perceive as ghosts and other paranormal phenomena.  I am continually amazed, for instance, by how a cell phone works, or the auto key opener on my car, which allows me to lock my doors even when I don’t have a line of sight to it, thanks to a signal that passes through metal and concrete barriers.  That is because the waves of information are so small that they can pass through the physical structure of what we think of as solid objects.  Many of the other dimensions we are discussing are either extremely small or magnificently large.  So large that we live in a universe, which we think of as infinitely big, that is likely composed of many universes, all coexisting in infinite possibilities.  This is something that the popular cartoon show Rick and Morty has a lot of fun with as an abstract concept, offering numerous opportunities for humor associated with it.  We tend to think of reality as a solid state, when in fact it is just one reality among all possible realities that are happening all at the same time.  And that one of the extraordinary things that occurs in quantum physics is that particles change their behavior depending on who or what observes them.  That indicates that the power of choice and observation has compelling implications on the nature of reality. 

The reality we choose ultimately is the one that we observe, and we eventually make the choice based on our true nature.  We may tell ourselves that we want a healthy relationship with our spouse, for instance, but we often choose in our lives all the wrong elements to make that happen.  We might say the same thing about a job, or any potential for success, even our health.  We are constantly bombarded by various forces that try to influence our choices in life, many of which share a reality with us and may encourage us to buy a new car or take out another credit card.  One of the most challenging jobs I’ve ever had was a sales job where I had to make cold calls at dinnertime and convince people to sign up for a new credit card, when I was the last person they wanted to talk to.  I had to persuade them to do things they wouldn’t have chosen to do on their own.  It’s hard to get people to decide to spend time with you or listen to what you want to do, and to convince them to change their course and do what you think is right.  But that is the basic ingredient in every sales interaction.  And when you get good at it, whether it’s in politics or basket weaving, you get good at getting other people around you to choose through observation the same reality you have in mind.  In this way, mass choice can create a dimensional reality that everyone can share, allowing for a collective experience that people generally agree is reality. 

By being very optimistic about any situation, it’s not an illusion of self-denial about the current condition, but rather establishing in myself the best possible outcome and keeping my mind prepared for that eventuality.  Now when you are dealing with people who choose to have a bad life and are purposely using bad choices to hide conditional realities from even themselves, they might blame external forces for their problems, but the truth of the matter is that they choose the bad things that happen to them, by the laws of the universe and the many others interacting with it, purposely.  We don’t just live as four-dimensional beings, but the thing we call “us” exists in many dimensions, all at the same time.  The physical reality we call our bodies is just a receiver of this ultimate reality for which we mostly are, and of which we call eternal, because it exists beyond the dimension of time.  We are always our present, past, and future, all at the same time, and we make choices in life based on this eternal concept.  So, when people wonder why I am so optimistic all the time, it’s because I choose to be.  Because reality is more than what we can see, it’s what we choose. To choose good things, we must have them right in our minds before an observable action can be taken.  And that is the nature of life in the fifth dimension.  There are infinite choices that can be made that reside there, which directly influence the reality we live in, for which eternity is always present.  And we get the reality we choose.  A story I often tell is the one about how I met my wife.  She was on a date with another guy, and I had to have her.  Why did I have to have her?  Well, I recognized in her an eternal aspect that resided beyond our four-dimensional lives.  So I walked up to her in his car and told her she was going to be my wife.  I chose her as my wife, and I picked the reality where she wanted the same thing, and we ended up being married for over 37 years now.  In the multiverse, undoubtedly, such an engagement would have led to a fight, rejection, and an embarrassing set of circumstances in every conceivable way.  But I chose the reality where it worked out and we have kids and grandchildren and a whole exciting life of wild and perplexing circumstances.  So, when the world is on fire and I remain light-hearted about it and optimistic at every juncture, it’s because I choose to be that way, for the logical reason of choosing success, the way I truly want it in my life, and those who share that life with me.

Rich Hoffman

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‘The Cloverfield Paradox’: Coming to terms with quantum entanglement across a multiverse reality

It’s sad that Hollywood anymore can’t make a movie about science without endeavoring on the tired, and very limited viewpoint that everything ends in environmental disaster. For instance, in Blade Runner 2049 which isn’t that far away, mankind has destroyed the planet to the point of over industrialization, and near extinction where artificial humans are rising up to become a species of their own. I would argue that the future is much more hopeful and much less dark than that, but in an artistic setting where a bunch of liberals try to put their ideas on paper in the form of a screenplay, it makes sense to them. And that is pretty much the position of every science fiction thriller released to the silver screen for many years now. I enjoy the movies, but completely disagree with the basic foundations of the premise for these stories, so the intriguing concepts that are introduced are cheapened greatly as a result, and that’s a shame. But one science fiction franchise that I enjoy immensely, even if it too suffers from some of the same liberal stupidity is the Cloverfield films. It took me a few weeks to get around to it, but the latest film, The Cloverfield Paradox was released directly to Netflix after the Super Bowl in 2018 and it was quite an interesting project.

The Cloverfield Paradox is about nothing short than the complications that can take place during episodes of quantum entanglement, where elements of the multiverse are thrown together in a manner that defies the known laws of physics. Even though the particle accelerator that was put in space during the year of 2028 was built to save earth from its running out of energy problem—which isn’t even close to being a problem in real life, the story line wasn’t distracting enough to really rob a viewer of the fun of exploring this very interesting idea. When the particle accelerator manned by an international crew on a space station conducting the experiments in the vacuum of space fails it opens up a tear across the fabric of time and space to unleash monsters and other versions of themselves into the suddenly unstable multiverse.

I found it very intriguing to watch a story that actually has as a plot line which deals seriously with the problems of multiverse travel. For instance, the main protagonist had lost her children in her version of reality, but at the end of the film had a chance to go to another universe to live in a reality where her children are alive and well—but the only real problem is that the other version of herself that exists in the particular universe is alive too, so how could two of the same people joined quantumly across the mysterious connections of reality between multiverse existence co-inhabit the same reality? Those are the very important questions that science fiction and art should be asking, because behind that comes real answers that lead to real science. That is also why I love the Cloverfield movies so much, they are very smart and big thinking in their scope. Yet because of an entertainment culture that is also becoming very flexible there are opportunities for risk and great rewards that are present for which the producers of these movie can capitalize on.

Mostly, the Cloverfield films are made on low budgets, and given that The Cloverfield Paradox had a super-secret production where even fans looking online for every little hint of a release date were unable to discover much, were all surprised when Paramount released the movie directly to Netflix stepping over a theater release all together. To me that was an alarm that said the film wasn’t of the right quality to have a theater release, so I didn’t invest my time in it right away. But as it turned out, it was a pretty good science fiction entry with decent special effects and production value. Apparently, there is more rumor that there are at least two more Cloverfield movies in production and given the way The Cloverfield Paradox was speculated about, then brought to reality on Netflix, we have to assume that there is merit to the rumors.

I talk a lot about how the Hollywood model is dying, and it is. Big movies hitting theaters are a dying thing, and so is the monopoly that left leaning producers have on the industry. While a guy like J.J. Abrams still has his feet in both small and large productions, most filmmakers are going to have to focus on smaller budgets with much more creative ideas if they want to compete with everything that’s out there. With all the media content, between television, movies, Amazon video, HBO, Showtime, Netflix, Hulu, video games and generally the worldwide internet there are a lot of competing media trying hard to capture the minds of viewers. To me the Cloverfield films represent the best of what filmmaking should be about, and the ideas that come from the films are very thought-provoking, and that’s what counts for me. I think its great that The Cloverfield Paradox was so quick on its feet that it could just make a decision to do a direct to Netflix release to essentially set up all these rumored upcoming movies about supernatural forces founded on actual scientific contemplation.

Not that we should take any of these stories all that serious, it is fun to think about the possibilities which is what science fiction is supposed to do. Few people realized that with a verbal approval from President Trump’s White House Elon Musk started his Boring Company to digging the Hyperloop tunnel from New York to Washington D.C. It won’t be long before we turn on the television and discover that a 20-minute commute from those two big cities is possible using the Hyperloop and that just like that we’ll have a brand-new transportation system that many never would have though possible. Things are happening these days so fast that a grand fortissimo of all these ideas is colliding into each other faster than we’d traditionally be able to deal with it. And I think deep down inside all of us we already know……….the future isn’t about depleting resources, it’s what do we do with the abilities we have developed to define the very nature of existence, and not just in our present reality behaves, but across all the folds of time and space, into even the multiverse. How do we deal with the magnality of those concepts, the mind-bending reality that whatever we might be doing now could be happening across thousands, if not millions of versions of that same reality only tilted slightly to represent some subtle change in that reality that has a consistency connected across all those fields of observation—and why.

What’s best, you can turn on all this magnificence right on your television right now. You don’t have to get dressed and even go to the theater, you can just turn it on and have something like The Cloverfield Paradox delivered straight to your eyes, which I think is a miracle in and of itself. It’s a powerful step in communication that wasn’t even possible prior to the release of Stranger Things showed how powerful a home delivery platform like Netflix could be in bringing content small-scale in production but big in ideas directly to viewers successfully. It gives me the feeling that the particle accelerator shown in The Cloverfield Paradox is more than a metaphor, it’s an artistic rendering of the nature of our very lives in the here and now, the fabric of space and time is being ripped open and we are coming face to face with a reality we never thought possible. And it’s here now staring us straight in the face.

Rich Hoffman
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