As of this writing, you can still see the new Mel Gibson movie, Flight Risk, in the movie theater, which you should do. It’s such a good movie that you should not finish reading this before you do, you should rush to see it while you still can. I’m sure the movie will be on streaming services soon, but this is one of those movies that is a point in history and is a bridge to other great things. And we should all support a movie like this by going to the theater to see it because there is a bigger picture coming together here. I personally love Mel Gibson. I understand Mel Gibson. And I think, as a filmmaker, he is one of the best there will ever be. Ironically, back in my high school days when Mel Gibson was on his way to being considered by women to be the sexiest man alive, I had several teachers who wanted to date me as an underage opportunity because I reminded them of Mel Gibson, with that crazy kind of energy that was about to blow apart in a moment’s notice. Those similarities might have been actual from a visual appearance and aspects of personality, but unlike Mel Gibson, I didn’t drink, smoke or even curse. But I was always a fan of him in serious movies like The Bounty, The River, the Lethal Weapon movies, and Bird on a Wire with Goldie Hawn. Mel Gibson was at the top of Hollywood society until he directed The Passion, which took the world by storm. And Hollywood went into a shock. Their wild playboy and king of the box office had turned against them with a dramatically Christian movie that cut to the core of all human corruption, and it made them angry. And they cut Mel Gibson from the business from that day on. Gibson is a great actor in front of the camera, but he’s even better as a director. After The Passion, he directed Apocalypto, one of my favorite movies ever. But by then, Hollywood essentially ran Gibson out of Hollywood until very recently.
But Mel Gibson didn’t just go away; he has been silently plotting to take on evil as he sees it in the background for the last twenty years. He has appeared in a few movies here and there and directed a few as well, but he has only done enough to stay relevant in the business so that he could direct his long-thought-of masterpiece, a sequel to The Passion, called The Resurrection of Christ. I think it will be the Braveheart of Christian films and that when it comes out, probably for Easter of 2027, the world will change because of it, and we want some of these movie theaters to still be open for that theatrical experience. With Trump back in the White House and appointing Mel Gibson to be an ambassador of the Administration in Hollywood, fate has changed in Mel Gibson’s favor, and he will take his shot to make his long-dreamed-up masterpiece. And this movie, Flight Risk, was done to open the door for the business side of making that movie, which will start shooting with many of the original actors in 2025. The way the movie business works is you have to make studios money along with some investors, and Mel Gibson had to put some money in some people’s pockets to advance The Resurrection forward. Hollywood will completely melt down over this movie, but some people are happy to go against the grain and invest in a project like The Resurrection, so long as they know that Mel Gibson still has the goods and can pull it off. That is what Flight Risk is, and it’s a movie that is unusually brilliant and bold.
What’s impressive about Flight Risk is that it’s a movie about high crimes and corruption at the top of our social structure, and yes, all the bad guys get it in the end. However, the movie has only three actors, and the drama takes place on a little prop plane flying across Alaska over endless mountains. Most of what drives the narrative are people talking on a cell phone or airplane radio. There are a few other people at the beginning and end of the movie, but it’s a very Hitchcock-like experiment in minimalism. Mel Gibson is showing off his narrative ability with a camera by doing what few other people would ever dare to do in professional entertainment. The special effects aren’t excellent. There is no booming soundtrack. There are no technical awards for outstanding achievements in film. It’s just three people in an airplane flying over mountains for most of an hour and a half, and it is very compelling. Mark Walberg stars in the movie, but otherwise, these people do not inspire people to go to the movies. Michelle Dockery and Topher Grace are the real stars of the film. Otherwise, it’s just those three actors for the entire film. During a weak part of the year, the film has been number one for Lionsgate and has made a profit as the budget was set extremely low, made for about as little money as you can make a movie like this these days. It hit around 40 million worldwide and has been a slow burner. But it sets up Mel Gibson to knock the ball out of the park with The Resurrection because, in an economy of scale consideration, the margin on the film shows Mel knows how to hit it, so Flight Risk is successful on many frontiers.
I think years from now, when people look at the miracle of something like The Resurrection being made, people will wonder how it came to be, and this little film Flight Risk will have to be the door that was opened for Hollywood to become Great Again, as a direct representation of the Trump White House. To tell a compelling story with no money and just three actors on an airplane running out of gas is a great filmmaker showing off to set up much bigger things, and ultimately, that’s where all this is going. My wife and I had an excellent date going to see it. We were out shopping for some ties for some of my suits, and we had an extra couple of hours free, which was unusual, so we went to the movie next to the stores we were shopping at and saw Fight Risk. I wanted to support Mel Gibson’s new film. But I was also curious about what he could do with a movie like that. And I was thrilled to see that he did quite a lot. I have been cheering Mel Gibson on for twenty years to make the sequel to The Passion finally. I don’t think anybody in the world could do what Mel Gibson can do with a project like that, to essentially bring the Ephesians and Book of Revelation alive from the Bible and put it on screen very dramatically. Mel Gibson is a very flawed person; he was a womanizer, a heavy abuser of drugs and alcohol, and essentially a hard-wired lunatic. But over time, he has grown into a man of God and is essentially the finger of justice as Heaven wishes to implement it on earth, and it has come out through the characters Mel Gibson has played and the movies he has directed. And it all leads to one place, The Resurrection. To put on film for the first time the wrath and chaos of the Book of Revelation in all its artistic necessity is going to be spectacular and timely. And the movie Flight Risk shows how it is possible.
Rich Hoffman

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