I was happy to have the chance to take my family to the new movie Godzilla X Kong: The New Empire. That’s what movies are all about, that film. Fun, adventurous, made for a big screen with the lights turned out and lots of popcorn to eat. For my grandkids, they’ll say that this new Godzilla movie was their favorite movie ever. And why not, from their perspective? For what it was, this new Godzilla movie with King Kong was a classic, fun film, and to have an experience like that with my family is a treasure beyond average measures. However, I am not at all happy with the Chinese ownership of Legendary Studios because there is a lot more behind the scenes that indicates a pro-communist message that cannot be ignored. I’ve discussed it before, returning to an early entry in these Godzilla/Kong movies with Skull Island. Under the Chinese owners, they took the raw and crazy primitive humans from Skull Island and turned them into wise natives living in harmony with nature. A strategy that the Chinese have utilized on many fronts to promote anti-capitalist sentiment and advance their brand of communism to the rest of the world by attaching that message to young people who would grow up to accept such notions. So, over time, the way that the native inhabitants of Skull Island have been viewed has changed from a Western position to a far Eastern one. And under Legendary Studios, there was undoubtedly politics behind the message. Was it too much for a movie like this? I don’t think it ruins it completely. But it is undoubtedly something to notice and understand what and why it’s happening. It’s always great to watch giant monsters destroy significant human landmarks. But, under Chinese ownership of Hollywood studios, we can’t ignore what they are trying to do under the soft sell of a monster movie intended for children.
Featured in this movie, and introduced in the first Godzilla v. Kong movie, is the last of her race, a little girl from the Iwi tribe who can talk to the giant ape with sign language because she is also deaf. She’s a friendly kid and a likable character, and taking it alone isn’t a big deal of conspiracy. But, the way the Iwi are portrayed in Godzilla X Kong is pretty ridiculous, tapping into this notion that I see quite often in the markets of mysticism and New Age mentality, where ancient cultures like Atlantis and Lemuria had it all together and were far superior to modern humans because they lived in harmony with nature, and now we have lost all that to our detriment. And that lost in the core of the Earth is the lost tribe of the Iwi, this little girl’s ancestors who keep all these things balanced with nature as if nature had a logic far superior to the human race. They even went so far in this movie to indicate that this lost wisdom allowed the descendants of the Iwi to make the giant pyramids we see on earth today by moving rocks around through gravity manipulation by working with nature, not against it. The science presented in Godzilla X Kong is essentially the agenda for any climate summit of progressive radicalism seen anywhere in the world, from Dubai to Rio and all fancy vacation destinations in general, and is grotesquely out of step with reality. But they figure that in a world where education is so poor and people so gullible to the truth, why not present such things as facts?
I like the old versions of Skull Island, not just in the 1933 original King Kong movie but also in Peter Jackson’s 2005 movie with the same title. The way the West sees natives is great. But the way communists see natives is not. There is a political agenda to indicate that the collective notions of complete submission to authority rule are superior. In the case of the communists, and as shown in Godzilla X Kong, there is a kind of queen of the tribe that represents complete submission of individual will toward the collective group as the ideal society. Whereas in the classic versions of the Skull Island inhabitants, they were shown to be cannibals and primitive beyond help. It was a tragedy in those films to sacrifice a pretty woman to the beast to appease their god, hoping to leave them alone. Such ignorance was looked down upon. But not in these modern Legendary Studios monster movies. Complete irreverence to individuality is their goal, not a matter of terror. Of course, the message is not hidden; communist governments want to sell to the public the benefit of being submissive toward centralized government at the cost of all individuality. In the end, the message of these modern monster movies is that all the great things humans have built, like the city of Rome and the pyramids at Giza, can quickly be brought down by these giant monsters. And they are acts of nature meant to be submitted to, not fought against. So why bother? The human race’s efforts are discouraged in these movies, and we discover that even with all our technology, we were never in charge, so most of our efforts were wasted from the start. The Iwi tribe always had it right.
Of course, that is all wrong, and so long as we look at these things with the kind of reverence that we would a show like Gilligan’s Island, this is harmless entertainment. But never mistake the Chinese government’s purposeful intentions in buying Hollywood studios and their desire to capture the message given to us in a darkened theater and kids too young to know any better. We should not have allowed the Chinese to buy up so much of our American assets, especially in entertainment. If ancient cultures had it all together, they wouldn’t have gone extinct, such as Atlantis, and other societies would have long been wiped away. I think there was a lot lost in the past, but politically, the cause wasn’t more collectivist behavior but in less of it. In any society that turns toward centralized government to alleviate their fears of the unknown. That looks to be the cause of much of the trouble in the past and in what has been lost and found again time and time over. It is not the reverse, as presented in these Legendary Studio movies. In truth, there is a lot of archaeology that needs to be done in China, but under their closed system of communist tyranny, that isn’t even on the table. So who are they to say anything about ancient cultures but to feed the pot-smoking belief that the hippies of history knew more than our greedy capitalists of the modern world about how to live within its rules and regulations? But they say it anyway to poison our youth with ideas of ideal society run by communist governments, even as those communist governments sit on some of the most fascinating ancient monuments in the history of the world. It is concealed behind a veil of communism to analyze the outside world. And the understanding only free people can interpret. But that’s a story for another day.
Rich Hoffman
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