Great leadership is not being taught in the many classrooms across the world. In those places instructions by people who are only scratching the surface of understanding are bold attempts to lead a team to victory. Only a handful of people in the entire world understand—sadly, but lucky for me the Glazer family in Tampa Bay is one of them. The owners of the Tampa Bay Buccaneers understand that leadership is not so much in the obvious recognition of being a leader—it is in setting the table so that others can succeed as individuals. The Glazers were the first to have a pirate ship in their north end zone that fires cannons when the team scores. They are experiencing two of their first players going into the Hall Of Fame under their ownership in Warren Sapp and Derrick Brooks with more on the way. They have produced many coaches for the NFL who have went to other teams and had great success, and they have produced several players and coaches who are now in the broadcast booth. The Glazers in Tampa are trend setters who benefit the NFL experience in ways that nobody in this current time will ever give them credit for—but years down the road in hindsight will be recognized as the most modern-day molders of the success in the NFL. It’s all about setting the table for unlocking individual success for the goals of a team—and the Glazers understand how to do that. When an idea of theirs does not work, they quickly get off it and try something new which is unique to them. Over the last 5 years the Bucs have made four coaching changes and recently after a 4 and 12 year they fired the entire coaching staff and front office for a complete rebuild with old Buccaneer coaches and players to launch a new decade of dominance. And to put a period at the end of their intentions, the Glazers have decided to remarket themselves with new uniforms that are quite spectacular and have the potential to unlock in their players, coaches and fans a new generation of Hall of Fame producing players that will take their organization where they want to go. It’s all about setting the table so that everyone else can enjoy the meal they’ve prepared. The Glazers are setting the table for the NFL’s next ten years with leadership that is uncommon in its scope and understanding.
I’m not keen on the high school and college process of vetting great players for the NFL. I don’t want to support public education just so that a school can produce the next Warren Sapp, or Gerald McCoy. It is up to talent scouts to find the kids to fill the game of football, not tax payers to fund the process from the front—even though that is how it’s done. But regardless of that, I do enjoy the game of football for a lot of reasons—most of them because of the Tampa Bay Buccaneers. For 17 years I have watched the old uniforms and emblems released by the Glazers revolutionize the NFL. If the Bucs have not been the greatest influence on the game of football, I can’t imagine who else has been. While most of the sports related press focuses on quarterbacks, running backs and the stats in the win column, the Bucs invented the Tampa Two defense, and the kind of marketing that has generated tremendous revenue for every team in the league. It is because of the Bucs that the Patriots fire their muskets when they score—in direct answer the Buccaneer cannons in Tampa. It is because of the Bucs that other teams sought more aggressive color schemes as it is well documented how the Bucs have a higher winning percentage when they wear their red jerseys. Since 1997 when there was a uniform change the Bucs had a swagger about them that seemed provoked by their new uniforms which carried them to several playoff appearances culminating into a Superbowl win. The uniforms were so hated by other teams that the Oakland Raiders actually filed a law suit against the Bucs in 2003 which was thrown out due to the fact that it was filed in a California court while intellectual property issues are handled by federal courts.
Everyone is looking for an advantage. Most NFL players are as good as all the other ones, and most of the coaches are just as good as everyone else. So to gain a tactical advantage, team owners are always looking for the right leadership traits to carry their teams to higher levels of revenue streams. The best way to do that is to win and after a series of failed attempts to find the right coaching staff to carry the Buccaneers to a return to constant playoff appearances—the Glazers elected to spend the money on a complete makeover from top to bottom—even down to the uniforms. There is nothing better to unite the minds of the young players on the Tampa Bay Buccaneers team than being the first to have such an audacious helmet with the proud flag displayed boldly on the side, or having a chrome grill on their helmets. The Bucs a few years ago were the first to use iPads for their playbook, and now have a reputation of always looking for the latest and greatest in technical innovation to give their players an advantage over their opponents who are often just as good if not better.
People who have worked with me in the past are often frustrated that I do not care much for traditional management priorities. Rather I spend most of my effort on team building and setting the table for other people to have success. My success is when I remove the opposition for others to have success so that I can utilize a strategy of my choosing using the mass of a team to overwhelm the barriers of the task I want to achieve. That is easier said than done and won’t cause me any lost opportunities to reveal here. Often doing such things is like dragging a herd of donkeys up Mt. Everest one by one. The trick isn’t so much as seeing how it’s done, but knowing what to do and when. I do a lot of speeches, hand punching and deep psychological analysis to discover how to uncover hidden human potential—because it is there that an advantage always resides. Most people are skilled, and in the NFL everyone is fast, everyone is strong, everyone is smart—so to gain an advantage other elements have to come into play.
The Glazers understand this very well. When you land at Tampa International Airport, the Buccaneer flag that flies over One Buc Place—the training facility for the football team, is unmistakably huge. You can see it clearly from the airport. There is nothing like it anywhere in the country. When players come to Tampa to play for the Bucs they have to look up at that giant flag which essentially greets everyone who visits the Tampa area by air. The players have to live up to that high level of commitment provided by the Glazers represented by that giant flag.
I have spent many Sunday afternoons watching Tampa Bay Buccaneer football games and have seen a lot of excitement over the years—even when they lose. There is almost always a swagger about the Bucs which makes their football games more exciting. But that swagger does not come so much from the players, but from the Glazers who set the table for that swagger to find a home. The swagger comes from untouched human potential locked away from the world through various social restrictions. The Glazers ignore those restrictions so to unlock that potential for their use—and they are far more right than wrong. I fire cannons off my front porch when the Bucs score because the Glazers started the trend. I have enjoyed my game experiences in Tampa so much that I seek to duplicate Raymond James Stadium at my house on Sundays. I hang my flags everywhere—a few of which were actually given to me by the Glazer family, and I blast smoke machines all over the house and create quite a festive environment. I have yelled so loud at the television during some of these games that I have shattered glass. Nobody sleeps in my house during a Buccaneer football game, because they are exciting, and that excitement was created by the Glazers—not so much the players themselves. The player potential was always there, but the Glazers unlocked it for the entertainment of the fans.
Now with the new uniforms, this will only increase and I am excited about it. On the night of the announcement seen on the first video above with Warren Sapp revealing the new logo my wife was begging me for an evening in the hot tub—which would normally be a coveted activity. But I told her that I had to see the Buccaneers new logo first. Once I saw it we could get in. She came to me in a state of seductive undress, but the NFL Network indicated that it would be the last story of their broadcast, so I held up my finger to wait another 15 minutes. She then pleaded with me to turn it on at the hot tub, but I was glued to the screen. I wanted to see the new logo on the biggest screen possible. Finally, after waiting all day—and watching the NFL Network for 50 minutes, Warren Sapp revealed the new helmet and the next decade of my life flashed before me. The old uniform entertained my children as they watched my excitement during Buccaneer football games hoping the Bucs would score so I would yell at the television and fire off the cannons from our porch filling the house with smoke. Most of the time the smoke is so thick that nobody can even see the television. Now the new uniforms will usher my grandchildren into the same kind of behavior because the new logo is exciting and will lead to many more exciting games giving me something to cheer for—if only because it’s so cool.
I love the new uniforms and the Buccaneers as an organization who understand that leadership is not in the observable feats, but the hidden ones. Sometimes it really is as simple as a uniform change—and in this case—it’s a change that will have a dramatic impact on a team who really needed it. The table for success has been set, and now it’s time to eat. But the cuisine is not chicken, mashed potatoes, and corn on the cob—it’s the competition. And they are ripe for mass consumption.
Congratulations to the 1851 Center for making the Ohio Education Association “ENEMY LIST” as provided on the agenda page of their OEA 2014 Collective Bargaining Conference which can be seen in full at the bottom of this article. I have been on their enemy list for a number of years and am very proud of it, specifically covered on Session H-1 during this conference and H-4 EXPOSING OUR ENEMIES: ANTI-UNION AND ANTI-PUBLIC EDUCATION FORCES, parts I and II. It is good to have such social parasites name you as an enemy. It’s like a cockroach damning your name just before your foot crushes it—it makes you feel good. As far as education, these OEA members are the cockroaches of our children’s lives. They are openly destroying their minds with a war against traditional value replacing those values with a progressive education that will doom them for life—and that is something which should anger every single person with a child in a public school.
Oh, you don’t believe me? Then dear reader, watch this video.
I have said much on this issue and have been in front of it for a number of years. So I’d like to welcome the 1851 Center to the position behind the battle lines with me with great fanfare. Please enjoy the press release from Maurice Thompson from that center covering their response to this new honor. It is wonderful to learn that these government unions see a group dedicated to preserving Ohio Constitutional Law as their enemy—because it reveals what the OEA has always been about. The pressure we have applied to them has revealed their true intentions all along—which is confirmation of all the years I’ve made the statements against them.
1851 Center responds to unearthed Ohio Education Association “Agenda.”
Columbus, OH – The 1851 Center for Constitutional Law today issued the following response to news that Ohio’s largest teachers union, the Ohio Education Association, has named it to its “enemies” list:
Today, the 1851 Center learned that OEA invests its time in identifying its enemies, and that deliberating on how to “deal” with them.
The Agenda for the OEA 2014 Collective Bargaining Conference outlines its “Critical Issues Sessions.”
What the OEA “considers critical” is identifying and destroying its “enemies.” Session H of the OEA’s annual meeting was entitled “Exposing Our Enemies: Anti-Union and Anti-Public Education Forces.” There, the OEA explains, “Participants will learn the scope and main goals of key local and national anti-union and anti-public education groups pushing the corporate school reform agenda. Participants will explore key major opposition and corporate reform players, including the Koch brothers, Students First, ALEC, Tea Party Patriots, the 1851 Center for Constitutional Law, and the Ohio School Board Leadership Council. Participants will learn how to identify . . . enemies and key players in their own communities. . . ”
Equally disturbing, the other “critical” sessions were largely devoted to how these government employees could obtain less accountability and more public funds for themselves at taxpayer expense: Collective Bargaining, Negotiations, Compensation, Teacher Rights and Working Conditions, Bargaining Teacher Evaluations, and ensuring the rights of lesbian, gay, transgender, and bisexual employees.
Not one of these sessions concern how to become a better teacher. That apparently is not considered “critical.”
These are the people who have captured the power to educate Ohioans’ children and intercept Ohioans’ funds. And this is, literally, their agenda.
They did not share this agenda willingly. But we will share ours.
We support defending constitutional rights and limiting government. As to education, this simply means the following:
Freedom of educational choice for Ohio parents and children.
Fiscal restraint and responsibility, rather than persistently resorting to increasing property and income taxes to fund public school districts.
Freedom for Ohioans who are or wish to become teachers to decide for themselves whether to pay a labor union.
Transparent ballot language and no use of public resources to pass levies.
Are these principles “anti-union” or “anti-education”? You decide.
But if supporting freedom of choice, educational opportunity, limited taxation, and fiscal responsibility makes us an enemy of the Ohio Education Association, then we proudly stand as an enemy of the Ohio Education Association; and we are honored to appear on this list. Perhaps dissimilar from the OEA, our allegiance is to the betterment of Ohioans and their children; not to the union self-interest that consistently operates to their detriment.
The 1851 Center maintains that Ohioans would be better served with public servants who spend more time concerning themselves with educating Ohioans’ children, and less time attempting to plot political victories and milk already-struggling Ohio taxpayers.
But this won’t happen under our current set of rules; and so it’s time for those rules to change.
We remain committed to protecting you and your family from these people.
So what is going on in the videos below where the new Tea Party majority school board at West Clermont is running up against the heavily entrenched education union establishment? If you watch the videos provided you will see what appears to be three Tea Party oriented school board members being exposed openly for their lack of internal understanding by the two entrenched pro labor union supporters. The primary issue of contention is the desire of the three to change district attorneys who are protested by the two and a majority of the radicalized audience. What is most telling is the insistence by the two pro union school board members to mire down the management process into a collective unity where minor decisions are discussed by the group at large. This of course is how it is supposed to be, but these types for decades have used such red tape to advance government expanding agendas by wearing down their opposition arguing over little things when the big things get lost in the details. The argument over preserving the current legal counsel who is in tuned to “education” interest as opposed to a new attorney firm that is rooted in business and commerce tells the entire story. The education attorney obviously represents the union interests to the appeasement of the collective mob. The business oriented law firm obviously leans in the direction of management—which is the school board. That single issue articulates the entire debate and makes the two pro union supporters on the school board obvious violators of the public tax revenue. Watch the videos for yourself.
Obviously there are fellow school reformers in that district which I am affiliated with and I inquired about this with them for clarification—which they provided. There is a large organized effort to defame, demonize and dethrone the three conservative board members now in majority there. This started before they even were sworn in literally once the election results were finalized, by the prior board and school administrator’s that may have broken the same Sunshine Law they claim current board members have in that video. This is the way it always is with these government employees, they cite the law when they want something and ignore it when it works against them.
The woman on the far right of the screen doing most of the talking is Tammy Brinkman. Jim Lewis who is one of the Tea Party school board members should take “action” against her as she went around the school district slandering Jim’s name indicating that he was convicted of domestic violence, when in fact it was not true. She said so much to many people on election day, even right next to a lawyer for the county who by reaction should provide testimony. Jim should take that action otherwise that Brinkman lady will continue to be corrosive to the process of reform.
The man next to her is even stranger. His name is Steve Waldmann, and he is a member of Jim Lewis’ church and is a supposed friend of his. He was promoted by Jim, and endorsed by the PAC run through local conservatives to elect conservative candidates. What occurred next, however, was a political Benedict Arnold move. The guy showed up at a gathering to plan their coming agenda and told the three conservatives that he hates the Tea Party, and indicated that he wanted to be president of the board. He verbally abused all these people. At that point, he formed an alliance with Ms. Brinkman. It was also known that he was good friends with the former superintendent, Gary Brooks, but Jim didn’t think (and regrettably still doesn’t think) Steve would break ranks. If Jim wants to be smart, he’ll not trust this guy any longer as he has revealed his cards in the video. The betrayal is obvious against the three school board members who spent most of the meeting speechless and floored—but they should expect this. These education people are crazy—deeply entrenched and are using the same old tricks that they always have to drive up their labor costs, their ridiculous vacation schedules, and maniacal work hours. The only way to deal with them is to crush them spiritually, and by process—otherwise they will seek to crush the conservative school board members the other way. There won’t be any hand holding with these pro-government school people. They won’t compromise, yield, or be reasonable—so the only move against them is to crush them. Jim and the gang have to possess the heart to do so—otherwise more meetings will occur just like the one seen above.
Thirdly, there is a person who came in dead last in the election that is involved in all this as well. His name is David Schaeff, an IRS employee with young kids not yet in school. He is allegedly furious at the election results and is working in tandem with these people, and the group West Clermont United–more or less levy supporters who are more rabid than usual because of their sudden loss of control. He wants to embarrass the new school board members as much as he was embarrassed on Election Day. He appears to be out for revenge.
Lastly, the three people in the majority are not strong people. They are common everyday people and are in fact the type of people who should be school board members. They represent the interests of their school district and are far from polished professionals. They are unprepared, and outmatched in this fight. These people are nice and mean well, but ill-suited for the job. There is little focus and not one of them has the ability to speak with authority on any matter. They deserve some of the criticism, but this stuff would not occur if they were better organized. So they need to get organized and polish themselves a bit into more sharpened edges, because things will only get worse and they need the resolve to do what they need to do. They have the majority, and the high ground, so they need to use it with confidence. The fact that they are not polished is a strength of theirs, and they need to use it to bring in people to the process who are otherwise too intimidated by people like Brinkman to participate. Their naïveté is an asset, and they need to utilize it in direct contrast to the entrenched union machine and all their cronies.
The site Plunderbund (left-wing union site) has put a target lock on West Clermont. This Sunshine law alleged violation is being put forth via those 2 board members, and David Schaeff. Schaeff looks to have filed a FOIA request for district documents and communication related to the matter. Regardless they will allege what they can and will for the foreseeable future until one of the three, or all of them punch the pro-government school people square in the nose metaphorically. The two losers are upset that they aren’t in control and really wanted to be Pres./Vice-Pres. It really does come down to power and what gets lost in all of this is any effort to care for the “children.” It’s all about the teachers, administrators and their control of the education funding for their own interests and nobody else.
So there is a lot more going on than meets the eye—of course. But the summery is that the Tea Party oriented school board members need to prepare themselves better for a fight and not just assume that their majority will give them the ability to solve problems. The other two school board members have openly advocated that they intend to mire the board down in processing regulation and inaction so to embarrass the three and regain the majority protecting the union solidarity of West Clermont. So my advice to them would be to stop playing so nice and treat them accordingly. And show up for the meetings ready for the kind of nonsense they saw in the start of 2014, because it will only get worse unless the challenge is met head on. There is a reason that the Plunderbund site has a fist as their symbol. That isn’t for hand shaking—it’s for fighting—and is the only way to beat those people. If they don’t get their way, they intend violence legally or illegally—so provoke them into making the first move so that the media can finally see what they are all about.
For anybody who thinks Doc Thompson and Skip LaCombe’s lambasting of the global warming advocates during their below radio show on The Blaze—heard daily at 6 AM to 9 AM—is unfair, wait until you hear this next story. But first, Doc had a good time with the sheer stupidity of Barack Obama and John Kerry’s gallivants around the world costing massive amounts of emissions from their private airplanes to speak specifically on global warming issues. The hypocrisy is quite obvious—and articulated with great fanfare during the following broadcast. Listen to it here:
Well, as stupid as all that sounded, it’s not even the dumbest of the global warming advocates most recent approach. Al Gore—who is the poster boy for global warming because of his Academy Award winning film on the matter has turned to fear of alien invasion so to propose a continued belief in the mystical field of global warming. If there was any indication on how weak the green movement’s real position truly was it is seen below with a flyer Gore issued through his group Climate Reality Project.org which was passed out at the 2014 International UFO Congress.
Truth is often stranger than fiction, and Al Gore’s missives are often stranger than both. Robert Schaefer writes:
I just got back from the 2014 International UFO Congress, the largest UFO conference in the world, where somebody was passing out the following to the attendees (a double-sided paper on orange stock). Looks like Al Gore is using Extraterrestrials to help fight Global Warming!
You can see the actual flyer at the link below—it is hilarious.
KEEP EARTH COOL, KEEP ALIENS OUT is what the flyer says boldly on one of the two sides. It goes on to say, “Did you ever wonder why aliens haven’t colonized Earth yet? They need earth to warm up first!” Yes—the global warming advocates have turned to alien invasion as their primary reason to advance their “green” agenda. They are advancing the argument of a literal alien invasion if the earth becomes too warm.
Obviously this is a laughable proposal. What science are they basing any of this on? How many aliens has Al Gore’s group interviewed to determine that they are waiting for the earth to warm up before they invade? The answer is none of course. Yet the declaration was presented as a literal fact—just as they do all their global warming data. Gore like the rest of his progressive friends believe something—so therefore to their minds—it becomes a reality. They commit this crime against reality with virtually everything from their avocation of economic socialism to civil rights violations. They are always looking for their interpretation of reality over what actual reality presents.
Al Gore is a con man selling snake oil as an elixir to all aliments. The basic concept that mankind can completely terraform the entire earth is audaciously naive. Mankind with all their cities, roads, and machines are simply colonies of a species not much different from a beaver who builds a dam across a river, or a bug that collects leaves to build a nest. Mankind is an animal who uses the tools of the environment to advance itself. Global environmentalist, as Doc and Skip made wonderful fun of, are insisting that human evolution needs to stop right at this moment and that our species actually needs to regress into a hut dwelling culture fearful of everything and everyone. Since fewer people are accepting Al Gore’s present arguments they have turned to preposterous levels of fear now to continue their advance—which should clearly indicate how flimsy their argument was from the very beginning.
The global greenie nut case is a small-minded person who is technically a sub human—meaning they have undeveloped intellects unable to grasp the voracious volume of earth and space in general. Earth will not be around forever, and the sun will burn out in a few billion years so if mankind wants to survive beyond these events—they need to head into space—otherwise it will be all over sooner or later. This is a fact. But to suggest that there are fleets of aliens in space waiting for earth to heat up so that they can invade is a new low that is beyond rational comprehension. Yet Gore’s group passed out the material anyway without a care in the world to the actual nature of reality.
This alone is why no advocate of “green science” should be given the time of day—specifically Barack Obama, and John Kerry. They are of the same mind arrived at by the same methods. They are all former pot smoking hippies who concocted these theories in marijuana smoke and their political roots into progressivism and the philosophy of Immanuel Kant. They were given the benefit of the doubt in the beginning, but now the science has caught up to them. Now as their theories have been disproven they have resorted to alien invasion so to provoke enough fear from the masses to continue supporting their stupid global warming hypothesis. Luckily, people are finally starting call them out on it. That was never truer than Doc and Skip on The Blaze Radio Network. The job of the media is to expose this kind of stupidity, and at least with Doc’s radio show—Al Gore isn’t getting a free pass—as he never should have in the first place.
I think Polaha is the perfect John Galt, which was something I was very concerned about. One thing that became very evident to me while watching the film rendition of Ender’s Game recently is that the film was too intellectual to achieve blockbuster status in Hollywood. I remember when Blade Runner first appeared and was considered a box office disaster. It was because the film was way out in front of the Hollywood trend in 1982. Ender’s Game was very good, but people not familiar with the book would likely be lost. The film cost a lot of money and barely made back its production value with a worldwide take. Harrison Ford, Ben Kingsley and a wonderful performance by several young actors could not compete with Thor which came out a week later and soaked up the box office dollars. Ender’s Game was considered by modern Hollywood standards to be a box office failure—but so was Blade Runner which is now considered a masterpiece of science fiction. Many years from now Ender’s Game will be considered in much the same way. It is a very intellectual film, and difficult for pop culture enthusiasts to embrace. In many ways, this is the case of the Atlas Shrugged films. The work that John Aglialoro put into these three films has been astonishing and will not be appreciated in the short run with gigantic box office takes—but many years down the road. The Atlas films will be known as a benchmark for change in Hollywood, and the type of films they produce—and the kind of material that home theater owners wish to devour. The fart jokes and topless teen films of old will give way to the intellectually stimulating films of Ender’s Game and Atlas Shrugged Part III because there is value in those later productions which has staying power where the old models of mindless Hollywood tripe is presently outdated and due for extinction.
Aglialoro has been a resilient figure of sheer tenacity. I admire the guy greatly. He had the film rights to Atlas Shrugged for many years and has succeeded where box office Hollywood tycoons like Clint Eastwood, Angelina Jolie and several others failed. Hollywood did not want to make Atlas Shrugged, which is the second most popular book in the Library of Congress behind only The Bible. The message of Ayn Rand’s work is one of true individual freedom, particularly intellectually—and this has operated counter to the message of progressivism which took over Hollywood studios in conjunction to Rand’s work on Objectivism philosophy. Aglialoro did not make much money on the first two films which I enjoyed. He took a massive beating from critics, but anyone who has read The Fountainhead understands why those critics hated the first two Atlas Shrugged films. Ayn Rand understood it clearly, and so does John and Harmon Kaslow whom I’ve had the pleasure of meeting a time or two. Kaslow is another one of the producers, and I think is a wonderful guy. CLICK HERE TO REVIEW. I was very touched by Harmon when he was in Cincinnati and we talked about the impact that the Atlas films was having on literature. He admitted then how much working on these films had changed his life. There was an authenticity to him that was obvious, as if he had just discovered for the first time in his life a real Galt’s Galch. These guys were making a movie not so much for the box office success, but in dedication to a philosophy that was unique and formed on the heels of thousands of years of human failure. The first two films are basically set up movies for the final act which will be Atlas Shrugged Part III. It will be the first film where the mythical John Galt finally makes an appearance and it is there that the overall philosophy of the previous two films come together. Aglialoro could have simply backed out of the project after the harsh criticism of Part II, but he retooled and came back with a vengeance for Part III and made an excellent casting decision with Kristoffer Polaha.
Even four years later people are just now discovering for the first time Part I and Part II. When they watch them on DVD and Netflix they are then discovering Rand’s written works and delving into them carefully. This has been a pattern that takes some time. For some people this journey could take 10 to 15 years to fully comprehend some of the concepts. When the films were first released only people who were already intellectually comprehending Objectivism were able to understand the John Galt message. So many people were raised on various degrees of collectivism from all political facets that they simply couldn’t put their mind around the ideas conveyed in the movies. Critics were actually terrified of the ramifications of a John Galt approach to life in the way that a child afraid of the monster in their closet feels exposed when the covers of their bed is ripped away leaving them open and vulnerable to the darkness. Their hatred of the Atlas Shrugged films were not in the production values as they declared—which were quite good—it was in the vulnerability that the film’s content exposed in them intellectually.
Aglialoro had to create a production company that could make an Atlas Shrugged type of film because nobody in the entertainment industry was prepared to do that kind of work. This is no different from when George Lucas had to invent Industrial Light and Magic to create Star Wars. In 1975 and 1976 there were no special effects companies able to make Star Wars, so Lucas had to create them—even though special effects films had been done in the past. As time went on, the Star Wars films got better as Industrial Light and Magic gained skill. Lucas was so embarrassed by the first Star Wars film by his standards that he went back and fixed his issues with the 1997 Special Editions. In the same way, Aglialoro has become more proficient as a film producer. The Atlas Shrugged movies have increasingly grown in quality with each one climaxing into Part III. The difference between Atlas Shrugged and Star Wars is that the later took everyone by surprise where the former had an entrenched Hollywood machine defense against it. Hollywood is still uneasy with all this new production ability that people outside of their studios have access to. They loved the days when anyone who wanted to make a movie had to come to them—and they could control what was green lit, and what got rejected. Now anyone who wants to make a movie can, and Hollywood hates it—because it means change that is not to their advantage.
Movies are about ideals and the visual format presents them in a way that makes concepts assessable to regular people who might not otherwise read a 1000 page book and a speech from John Galt that takes three straight hours. There are certainly plenty of collectivist films made, but very few that represent values of true individual achievement. Ender’s Game was certainly one of these films—where one little kid in his teens became the savior of Earth with a rigorous level of skill and competition which fell fully on his shoulders. There was nobody else who could do his job—and that is a message that the current entertainment culture despises. They want altruistic films about sharing and overcoming faults—not an Overman who literally carries the entire world on their shoulders the way Ender Wiggans did, or John Galt does in Atlas Shrugged Part III. Hollywood used to make those types of films with John Wayne, Zorro, and the Lone Ranger, but they moved into less strong characters that were more appealing to the “everyman” and their belching, farting grossness.” This left few studios to even understand how to approach a film like Atlas Shrugged. So John Aglialoro had to create a production company that could make a film like Atlas Shrugged Part III. The endeavor was not easy, but the world will be better off because he fought through tremendous opposition to deliver the final, and likely the best film of the Atlas series.
Kristoffer Polaha is the perfect John Galt. He’s a person of value; he loves his wife, his children and is extremely charismatic. During the interview above he made it a point to explain that he was a man of religion and was a wonderful find from the Atlas production guys. Even though I have made comparisons to Star Wars when discussing the path to actually making a film like Atlas III the void is not a technical one—it’s a philosophic one. In this respect Atlas Shrugged Part III and the films which came before it are more likely to resemble the box office prowess of a film like Trouble with the Curve by Clint Eastwood. These are not films that will smash box office records because they are more intellectual than action oriented. In the case of the Atlas films, they are about big philosophic ideals which run counter to the current mainstream, and take time to be accepted by the movie going public. In that regard, Kristoffer’s rendition of John Galt is likely to resonate for decades as the character has the potential to be as impactful to society as Clint Eastwood’s Man With No Name character from the Leone westerns. The difference between the characters is essentially Galt uses philosophy, where Eastwood’s “No Name” character used a gun. Both stand for individuality in raw form and will resonate powerfully to the movie going public. But the nature of the delivery will be unusual, and will take audiences time to adjust to.
John Galt is literally one of the strongest characters to ever be introduced to a story. Galt does not have the crutch of a superpower, or even financial means. He is not the quickest gunman, or the best pilot—he is simply the best at everything and is without a flaw of any kind, which is difficult for traditional narrative story telling. John Galt is unique to the world of literature and film—and audiences will be confronted with a problem in dealing with him. Women will love him because as anybody who knows anything understands that the number one trait women crave in a man is confidence—followed closely by smell. John Galt played by Kristoffer Polaha will cause women to swoon in a big way. They will LOVE John Galt. For men, they will have a much more difficult problem. Girly men, movie critics, progressive psychopaths, and men easily dominated by their wives will not understand John Galt and will not have context to relate. They may enjoy the message of John Galt from a libertarian point of view—but the character himself will not be one that they will relate to. It’s not like they can go out and buy a new Hummer because Arnold drives one, or join a gym to get big muscles like Sylvester Stallone—John Galt will require men to build their minds up intellectually to even comprehend the character and that will take a number of years. That is the primary reason nobody but John Aglialoro has attempted to bring John Galt to the screen in all these years. Several have tried, but nobody has succeeded because the task in doing so meant that Aglialoro had to build a production company from the bottom up just to comprehend the character of John Galt. For those who have not read the book the nature of the character upon their first introduction will be difficult—like meeting an alien from another world for the first time who comes from a much more advanced culture. John Galt is that type of character.
John Galt is the product of American philosophy—not the work the Scottish, the English, or the Greeks. He is not molded from the minds of the orient. He is not a god from South Pacific legend or a Norse god from the icy Arctic waters. He is uniquely a product of American philosophy created during a time when the benefits of 100 years of American achievement produced the most powerful country on earth which began to be attacked under the European premise of progressivism. This period would be approximately 1790 to 1890. Galt is a rejection of that European premise of progressivism infecting American culture from 1890 to the present and is a direct product of American ingenuity, and a commentary on what it means to be born free in The United States. John Galt has the potential to be to America what Miyamoto Mushasi is to Japan, or King Author is to Europe. John Galt is a character of epic scale and to play him the producers wisely found just the right guy in Kristoffer Polaha. John Galt is all about viewing productive enterprise as a creative endeavor. For Galt, creating a new railroad, a new building, or a new kind of metal, electrical power, or any technical achievement is the highest work of art—more important than the Mona Lisa or the collected works of Edger Allen Poe and his cut off ear. The businessman is not a symbol of greed and decadence the way 100 years of progressivism have instructed 99.999999999999% of society. But an act of the highest moral order and that is something that is very unique from a narrative standpoint that is not easily accepted, and is declarative against those who fall short of that vision.
As I watched the proceedings on the last day of shooting during Valentines Day, as everyone just wound down after the aggressive 20-day shoot I realized I was watching history in the making. It is a kind of slow cook that will not make a huge splash in box office numbers right out of the gate. It will sort of simmer for a decade or two like many of the progressive policies did on the backs of several occult mystics and superstitious knuckleheads from the past. Atlas Shrugged Part III is an achievement, like climbing a tall mountain that nobody thought possible and those who hoped nobody ever would using superstition to keep anybody from even trying. But John Aglialoro and a small army of dedicated supporters did, and the result will appear in around 500 theaters this upcoming fall of 2014. And the world will be a lot better off because of it—which makes me immensely proud.
Soon the world will know who John Galt is, and particularly women, will fall in love with him. Kristoffer Polaha will be the dream of millions of women who want a spouse like him, and millions of men will yearn to be.
It has already been well covered the disturbing imagery and obvious occult artwork at the Denver International Airport. If you’ve been to the DIA, you have surely seen the giant demon horse that greets visitors in front reared up and ready to mount a female of its choosing. A lot of fair-minded people have dismissed the horse with its glowing red eyes thinking it’s a tribute to the Denver Broncos. It’s not. The horse actually killed the artist during construction and it continues to send uneasy speculation through visitors of the busiest airports in the world daily.
The DIA is the brain child of the New Word Airport Commission, specifically Charles Ansbacher who was the founder and died in 2010. Upon his death, the following was said about him and his work at the airport”
Charles Ansbacher, the man who coined the name of the New World Airport Commission listed on the Masonic capstone in DIA’s great hall, passed away Sunday night. He was also instrumental in creating the airport’s enormous art program, which commissioned works such as the Tanguma murals and the Mustang.
Ansbacher left Colorado Springs in 1988 to serve as director of the New Airport Art Program, a $7.5 million art initiative incorporating 30 art projects into Denver International Airport’s architecture, landscaping and interior design.
“This is … the largest, most comprehensive public art project of any airport on earth,” Denver Mayor John Hickenlooper told the Cambridge Chronicle. “It’s certainly the most provocative, the most transformational. … Ansbacher has enriched every place he has been by his own vision and his willingness to give of himself back to the community.”
Given the vast amount of evidence provided here in previous articles it should be quite clear what is going on from the high degree Masons involved with the New World Airport Commission. It should be noted that the first two places in America to accept the legalization of marijuana was the gradual liberalization of Denver, Colorado and through the underground music scene in Seattle, Washington. Is it a coincidence that the Aurora theater shooting took place in a Denver suburb? Probably not. Is it a coincidence that two school shootings also took place in Denver suburbs inciting a national fervor in favor of repealing the Second Amendment? Probaly not. Is it any coincidence that mega rich liberal activists like George Soros and his friends support drug legalization and open boarders pouring fortunes of money into the cause of breaking down psychological resistance for an undefined objective, and that the first place in America to accept this open drug policy is Denver? Probably not. But that is all speculation, let’s stick with what we know and that is that the DIA has made obvious choices in art out of all possible works to pour 4.8 billion dollars into something that has been meticulously planned to be an art exhibited that purposely interacts with the public in very obvious ways—and that the shock value is very Masonic in its subversive message—a slow withering of resistance to their belief system with art that is clearly occult driven. If one does not understand the occult message—consciously, they might just be spooked by the images at the DIA, but not pay much attention otherwise. However, after reading these connected articles and having the curtain pulled back a bit into the occult beliefs of the high degree Mason’s behind The New World Airport Commission, the strategy becomes quite clear.
I had a guy read some of these articles and report to me that he was a Christian and had been a Mason for over thirty years—and he denied that there was anything malicious, or sinister about their methods. Well, I have seen it first hand—I have been places I shouldn’t have been, and I know well what’s going on behind the curtain. Also, I have right next to my reading stand a book I have picked through and read a half a dozen ways to a thousand called The Golden Bough by Sir James Frazer—a work of comparative mythology–this is the same book that pulled Jack Parsons into the occult. I understand how symbols have been used over time to invoke in the subconscious the effects of a well told story and how such rituals are meant to summon emotional change in the subjects. Over the last seven articles dear reader I have taken you on a journey into The Golden Dawn from Europe, introduced you to Aleister Crowley, Jack Parsons, explained the Scarlet Woman, and demonstrated how music has been used to subtly introduce the concept of mass collective sacrifice from millions upon millions of people. Not a literal sacrifice such as what might have been found in Mesopotamia, Egypt or in the Yucatan Peninsula, but intellectual sacrifice where millions of souls yield their mind to some foolish notion of a “greater good.”
I believe that the Bush family regards themselves as good Christians, yet they are high degree Masons who routinely attend the little gathering in the forest outside of San Francisco where a lot of the images seen at the DIA are quite at home—and those rituals have been explained extensively here. The participants actually believe they are acting on behalf of “the good” but that their “good” is more encompassing of higher knowledge than the simpletons who regulate their religious aspirations just to the Holy Bible. It is not an accident that Barbra Bush’s mother was involved with Aleister Crowley just after his activity with The Golden Dawn. Barbra would just happen to marry a guy who would become president and evolve into a high degree Mason who was in charge of the CIA, was ambassador to the United Nations, and is a Skull and Bones secret society member. George Bush the senior is such a good guy.
Aleister Crowley and Jack Parsons believed they were good guys too—liberating the mind of mankind from the shackles of sexual restriction. And high degree Mason’s like George Bush Sr. think they are good guys, and Barbra is a good lady—and everything they do is for the “greater good.” They are nice, altruistic, protectors of the weak, the ignorant, and the otherwise helpless. Charles Ansbacher likely believed the same thing from his point of view when he led the New World Airport Commission to erect the giant demon horse with red glowing eyes, built the runway in the shape of a swastika, had gargoyles in the luggage area, and murals scattered throughout which are consistent with the beliefs of Thelema which has been explained extensively.
There was a reason that Hitler used swastikas as his symbol for the Third Reich. Swastikas have a deep history in Europe as a good luck symbol and actually dates back to the Indus Valley civilization. In Jainism the swastika serves as a reminder of the cycles of birth and death and that mankind is born into one of four destinies, heavenly beings, human beings, animal beings, and hellish beings. Yet the focus of these various aspects comes together in the center. The swastika means virtually the same thing as the Christian cross. The reason that Christ hangs on that emblem is to invoke the message that through Christ redemption can be found with everlasting eternity. The swastika is intended to do the same thing; through the center of all those points is the way to enlightenment. In the case of the Denver International Airport Charles Ansbacher and his New World Airport Commission thought it would be fun, and good to have a living art exhibit exclusively dedicated to Masonic imagery to appease the “creator” with the same reverence as the Nazca painted their lines on the ground of Peru, or the proximity of the Great Pyramids to the gigantic Baalbrek triangulation from the air with Mt Sinai intending to appease Planet Earth’s creators. The DIA is simply the most recent attempt by the world’s wannabe high priests to place themselves between man and God as a mediator, and protector. From the point of view of those who think swatstikas are cool, demon horses with glowing red eyes are virtuous, and masked police officers killing doves are physiologically healthy, they are attempting to bring all of society to the center of the swastika, to the central point beyond all pairs of opposites, where animals, demons, and all human beings are equal to each other. By destroying the preconceived notion of “good” they can then bring all of humanity to a “higher” plane of reality—and for them—they believe they are doing a good thing. Just like Aleister Crowley believed he was doing good, and Jack Parsons did as well as he was sleeping with his wife’s sister right out in front of the entire O.T.O congregation hoping to invoke the Babalon goddess–the Thelema messiah so the world would be saved.
What makes the work of Charles Ansbacher, George Bush, and Aleister Crowley so evil is not their intentions—which I believe are always good. What makes them evil is that they presume to act on the behalf of individuals everywhere. If the plan at the DIA is to lower people’s resistance to illegal drug use so to free their mind to greater realities through a bombardment of freemason imagery—they assume incorrectly that all people need collective salvation to achieve proper self illumination. They assume that all people are functioning from the same mental restrictions as they are—their treacherous commitment to group activity and fear to stand on their own as an individual contributor to existence. If the goal of these secret societies is to invoke violence through renegade shooters so that innocent children will be killed in schools and movie theaters for the greater good of America forcing them to take a hard stance against the Second Amendment the instigators are evil for imposing their faulty belief system upon the masses.
Charles Ansbacher, the Masons behind the DIA, O.T.O members, Skull and Bones society members, and all groups everywhere are wrong with their basic premise in assuming that their thoughts are correct and good for all individuals. They fail in imposing collective salvation over the will of the individual human being and that is why they are vile. They are attempting to herd society into a direction of their choosing—and in the case of the DIA, their strategic movements are quite obvious and literal. They are unquestionably trying to move society into a direction that their occult beliefs conceive to be beneficial by the artistic rendition. They want to bring people to the center of the swastika—beyond all pairs of opposites for a goal that is important to them from the perspective of their very limited group assimilation.
The solution to resisting evil is not provided by one more group of robed old men and their Latin chants or their dedication to Mother Earth through some ancient belief derived from the Indus Valley. It does not come by more people smoking pot, or having sex with a Scarlet Women hoping to bring back to the world the goddess Babalon. It doesn’t come from gun control, a one world currency managed by the same type of people who brought us the art work at the DIA, or another stupid Miley Cyrus song with her tongue hanging out as if every man in America wants that thing on their phallic unit. It comes from the individual and the products of that mind and no other. It comes from a completely new way of looking at the same problem for the first time in history—a true product of individual minds at work following not the bliss of their high priest masters—but the sacred temples which exists not in stones and granite, but of their own cerebral enterprise between their two ears, two eyes, a mouth and the feel of their finger tips. It is there that true salvation resides and what is meant by the phrase—Who is John Galt.
Tomorrow as a kind of prologue to this series, you will find out who John Galt is and why he is important to you.
Yes there are a lot of videos here. Watch them for evidence to the text.
If one did the work they would discover that the progressive belief in global warming, human sacrifice of achievement to the preservation of Mother Earth, and even the treacherous aspects of feminism have their roots in Aleister Crowley’s invention of the Scarlet Woman. Crowley through his occult rituals and Masonic history took the kind of behavior conducted behind the secret societies of Europe and several American presidents and made them mainstream and accessible to the entertainment industry in the early days of Hollywood. Aleister Crowley’s direct student, Jack Parsons would become the central figure of the counter-culture movement where watered down aspects of Thelemic belief would turn America culture upside down and destroy all sense of tradition. When some vile hippie cries braless and stoned for the health of Mother Earth, they are simply reiterating the concept invented by Crowley of the Great Mother, the Mother of Abominations—the Scarlet Woman of Gnostic Mass. It is the Scarlet Woman that the Green Movement is truly dedicated to and the means of appeasing her requires collective sacrifice to the Mother of Abominations for the task of appeasing her cohort—the The Beast.
Babalon also known as the Scarlet Woman, Great Mother or Mother of Abominations) is a goddess found in the mystical system of Thelema, which was established in 1904 with English author and occultistAleister Crowley‘s writing of The Book of the Law. In her most abstract form, she represents the female sexual impulse and the liberated woman; although in the Creed of the Gnostic Mass she is also identified with Mother Earth, in her most fertile sense.[1] At the same time, Crowley believed that Babalon had an earthly aspect in the form of a spiritual office, which could be filled by actual women—usually as a counterpart to his own identification as “To Mega Therion” (The Great Beast)—whose duty was then to help manifest the energies of the current Aeon of Horus.
Her consort is Chaos, the “Father of Life” and the male form of the Creative Principle. Babalon is often described as being girt with a sword and riding the Beast. She is often referred to as a sacred whore, and her primary symbol is the Chalice or Graal.
As Crowley wrote in his The Book of Thoth, “she rides astride the Beast; in her left hand she holds the reins, representing the passion which unites them. In her right she holds aloft the cup, the Holy Grail aflame with love and death. In this cup are mingled the elements of the sacrament of the Aeon“.
Babalon is a complex figure, although within Thelemic literature, she has three essential aspects: she is the Gateway to the City of the Pyramids, the Scarlet Woman and the Great Mother.
Within the mystical system of the A∴A∴, after the adept has attained the Knowledge and Conversation of his Holy Guardian Angel, he then might reach the next and last great milestone — the crossing of the Abyss, that great spiritual wilderness of nothingness and dissolution. Choronzon is the dweller there, and his job is to trap the traveler in his meaningless world of illusion.
However, Babalon is just on the other side, beckoning. If the adept gives himself totally to her—the symbol of this act being the pouring of the adept’s blood into her graal — he becomes impregnated in her, then to be reborn as a Master of the Temple and a saint that dwells in the City of the Pyramids. From Crowley’s book Magick Without Tears:
[S]he guardeth the Abyss. And in her is a perfect purity of that which is above, yet she is sent as the Redeemer to them that are below. For there is no other way into the Supernal mystery but through her and the Beast on which she rideth.[2]
Let him look upon the cup whose blood is mingled therein, for the wine of the cup is the blood of the saints. Glory unto the Scarlet Woman, Babalon the Mother of Abominations, that rideth upon the Beast, for she hath spilt their blood in every corner of the earth and lo! she hath mingled it in the cup of her whoredom.
She is considered to be a sacred whore because she denies no one, and yet she extracts a great price — the very blood of the adept and his ego-identity as an earthly individual. This aspect of Babalon is described further from the 12th Aethyr:
This is the Mystery of Babylon, the Mother of Abominations, and this is the mystery of her adulteries, for she hath yielded up herself to everything that liveth, and hath become a partaker in its mystery. And because she hath made her self the servant of each, therefore she becomes the mistress of all. Not as yet canst thou comprehend her glory.
Beautiful art thou, O Babylon, and desirable, for thou hast given thyself to everything that liveth, and thy weakness hath subdued their strength. For in that union thou didst understand. Therefore art thou called Understanding, O Babylon, Lady of the Night!
The concept contained within this aspect of Babalon is that of the mystical ideal, the quest to become one with All through the annihilation of the earthly ego (“For as thy blood is mingled in the cup of BABALON, so is thine heart the universal heart.”[3]). The blood spilling into the graal of Babalon is then used by her to “flood the world with Life and Beauty” (meaning to create Masters of the Temple that are “released” back into the world of men), symbolized by the Crimson Rose of 49 Petals.[4]
In sex magic, the mixture of menstrual blood and semen produced in the sexual act with the Scarlet Woman or Babalon is called the Elixir Rubeus (abbreviated as El. Rub. by Crowley in his magical diaries), and is referred to as the “effluvium of Babalon, the Scarlet Woman, which is the menstruum of the lunar current” by Kenneth Grant.[5]
“This is Babalon, the true mistress of The Beast; of Her, all his mistresses on lower planes are but avatars” said Crowley in The Vision and the Voice.[6]
Although Crowley often wrote that Babalon and the Scarlet Woman are one, there are also many instances where the Scarlet Woman is seen more as a representative or physical manifestation of the universal feminine principle. In a footnote to Liber Reguli, Crowley mentions that of the “Gods of the Aeon,” the Scarlet Woman and the Beast are “the earthly emissaries of those Gods.” (Crowley 1997, Liber V vel Reguli). He then writes in The Law is for All:
It is necessary to say here that The Beast appears to be a definite individual; to wit, the man Aleister Crowley. But the Scarlet Woman is an officer replaceable as need arises. Thus to this present date of writing, Anno XVI, Sun in Sagittarius, there have been several holders of the title.
What a lot of people have a hard time understanding is that the Beatles musician John Lennon was also a follower of Aleister Crowley and had his mind well prepared to do the work of Thelema indirectly as a premier advocate of the counter-culture movement. Like most things in Thelema teaching things often have two meanings, which appear to be the case with the 1959 novel Alas Babylon. In 1965 journalist Larry Kane gave Lennon a copy of Alas Babylon which the singer devoured in a single night. On one hand Babylon is symbolic of the Biblical city from Revelation 18:10: Alas, alas, that great city Babylon, that mighty city! for in one hour is thy judgment come. The novel was a statement against nuclear war—but there was another meaning which meant a great deal to counter-culture members like Lennon and other hippie advocates. Babylon was simply another spelling for Babalon, the goddess from Crowley’s The Book of the Law. The nuclear war was not so much a threat to humanity as much as it was to the great goddess of Thelema belief. It was an attack against the great Mother Earth herself—the living embodiment of the Scarlet Woman, her menstrual blood was the lava of volcanoes, her tears the rain that falls from the skies, and her temperament something to be feared like a frightened child reveres a tumultuous parent. John Lennon was thus inspired to write a number of songs against nuclear war and would personify the symbol of peace, which was actually created by the KGB to pacify resistance to their great communist spread—which followers of Thelema religion also supported. Jake Parsons was a communist and Aleister Crowley thought of himself as an “aristocratic communist.” These were the men who so greatly influenced John Lennon who like Led Zeppelon were part of the “British Invasion” which was quite literally true. Crowley’s native country rooted in The Golden Dawn wished to bring the Thelema beliefs to America behind a political movement called progressivism.
Alas Babylon is about Randy (Randolph) Bragg who lives in the small Central Florida town of Fort Repose and appears to be drifting down a somewhat aimless path in life when his older brother, Colonel Mark Bragg, an Air ForceIntelligence officer, sends his wife and two children to stay in Fort Repose, explaining that, because the Soviet government believes it can succeed, it will be emboldened to risk war. Mark is flying his family down to Florida for their protection while he stays at Offutt Air Force Base in Omaha, Nebraska.
Soon after, an American fighter pilot attempting to intercept an enemy plane over the Mediterranean inadvertently fires an AIM-9 Sidewinderheat-seekingmissile that goes off course and hits an ammunition depot in Latakia, Syria, resulting in a large explosion. This event becomes the apparent casus belli for the Soviet Union to launch a nuclear strike against the United States and her allies. Early the following morning, Soviet missiles arrive from over the Arctic, as well as from submarines, while American missiles are sent in response. Randy and his house guests are awakened by shaking due to bombing of various air force bases and naval air stations across central and northeast Florida; one explosion temporarily blinds Peyton, Randy’s niece.
Things are chaotic at first: Tourists are trapped in their hotels, telegraph lines fail to work, the use of the CONELRAD radio system exposes its weaknesses, convicts escape from jails and prisons, and a run on the bank results in the bank’s closing. Randy organizes his immediate neighbors to provide housing, food, and water for themselves.
Over the months, news trickles in exclusively through the radio. Most of the government on both sides has been eliminated. The current American president, Josephine Vanbruuker-Brown, was formerly the Secretary of Health, Education and Welfare. Having been active as a part-time Army Reserve officer before the Soviet attack, Randy organizes a community self-defense team against bandits and works to rid the community of radioactive jewelry smuggled into Fort Repose from the ruins of Miami.
The following year, Air Force helicopters make contact with Fort Repose. While they offer to evacuate the residents from Florida, which is considered a “contaminated zone,” the residents choose to stay. It is revealed that the United States won the war, but at a tremendous cost as it is now the recipient of aid from third world countries such as Brazil and Venezuela.
The events described above are the basic foundations for the new Green Movement. The war against coal, the hatred of fossil fuels, capitalism, and all manners of selfish human achievement is viewed by the supporters of the original Scarlet Woman as literally evil, because they are willing to sacrifice all for her appeasement—even their very lives and reputations. President Obama is certainly one of these supporters. When Hillary Clinton declares that she is a proud turn of the century progressive, she is talking about the wind which blew the sails of political change called Thelema and its reverence to the Scarlet Women. This is why feminists enjoy so much reference to ancient female goddess power—because the foundations of their belief system came directly from the works of Thelema—from the most wicked man in the world—Aleister Crowley.
Bet you didn’t know any of that dear reader……………….but now you do. Stay tuned tomorrow where you will learn all about the Denver International Airport and the heavy Masonic artwork provided there that intends to pave the way toward the legalization of marijuana—and a collective opening of the world to the ways of a Master of the Temple and a saint that dwells in the City of the Pyramids. The workings of these mechanisms are right out in the open at the 15th busiest airport in the world intending to bring about a mass ritual reverence to the great Scarlet Women of Babalon, as you will soon see for yourself. Prepare your mind for this very startling conclusion to a sinister plot against us all invoked over one hundred years ago. And if you catch your government school forcing your child to read Alas Babylon, now you know that there are two reasons—and they aren’t warnings about nuclear war.
This is the comment of Jack Parsons who was a leader of the O.T.O temple in Pasadena, California and the primary driver of the Cal Tech rocket program that would compete directly with Robert Goddard for NASA’s journey into space. He was also a very close friend of L.R. Hubbard—so close that they often shared women sexually.
“The dictatorship of the proletariat is merely temporary—the state will eventually wither away like a snark hunter, leaving us all free as birds. Meanwhile it may be necessary to kill, torture and imprison a few million people, but whose fault is it if they get in the way of progress?[146]”
From early on in his career, Parsons took an interest in socialism and communism,[143] views that he shared with his friend Malina.[144] Under the influence of another friend, Sidney Weinbaum, the two of them joined a communist group in the late 1930s, with Parsons reading Marxist literature, but he remained unconvinced and refused to join the American Communist Party.[37] Malina asserted that this was because Parsons was a “political romantic,” whose attitude was more anti-authoritarian than anti-capitalist.[145] Parsons would later become critical of the Marxist-Leninist government of the Soviet Union led by Joseph Stalin, leading to the above quoted comments.
During the era of McCarthyism and the Red Scare, he was questioned as to his former links to the communist movement, by which time he denied any connection to it. Instead he described himself as “an individualist.”[147]
Influenced by Thelema, which holds to the ethical code of “Do what thou wilt,” in the 1940s Parsons became a vocal social libertarian. In his article, Freedom is a Lonely Star, he championed the libertarian social views of some of the Founding Fathers of the United States, which were enshrined in the American Constitution, claiming that by his own time these had been “sold out by America, and for that reason the heart of America is sick and the soul of America is dead.”[148] He proceeded to criticize many aspects of contemporary U.S. society, particularly the police force, remarking, “The police mind is usually of a sadistic and homicidal trend” and noting that they carried out the “ruthless punishment of symbolic scapegoats” such as African-Americans, prostitutes, alcoholics, homeless people and socio-political radicals, under the pretense of a country that had “liberty and justice for all.”[149] To bring about a freer future, Parsons believed in liberalizing attitudes to sexual morality, stating that in his belief, the publication of the Kinsey report and development of the psychonautical sciences had as significant an influence on Western society as the creation of the atomic bomb and the development of nuclear physics, and that in the future the restrictions on sexual morality within society should be abolished in order to bring about greater freedom and individuality.[150] In this context, Colin Bennett of the Fortean Times cites Parsons as one of the instigators of the countercultural movements of the 1960s.[151]
In January 1939, John and Frances Baxter, a brother and sister who had befriended Jack and Helen Parsons, took Jack to the Church of Thelema in Winona Boulevard, Hollywood, where he witnessed the performance of a Gnostic Mass. Parsons was intrigued, having already heard of Thelema’s founder Aleister Crowley after reading a copy of Crowley’s Konx om Pax (1907). Parsons’ formative interest in esotericism was developed through his reading of The Golden Bough (1890), a work in comparative mythology by Scottish social anthropologistJames George Frazer.[39] With Helen he had attended a lecture on theosophy by philosopher Jiddu Krishnamurti, but was “nauseated” by its sentiment of “the good and the true.”[40]
At the mass Parsons was introduced to leading members Regina Kahl, Jane Wolfe, and Wilfred Talbot Smith. Feeling both “repulsion and attraction” for Smith, Parsons continued to attend the Church’s events sporadically for a year.[41] He continued to read Crowley’s works, which increasingly interested him, and encouraged Helen to do so too.[42] Parsons came to believe in the reality of magic as a force that could be explained through quantum physics.[42] He tried to interest a number of his friends and acquaintances in Thelema, at one point taking the science fiction authors Jack Williamson and Cleve Cartmill to a performance of the Gnostic Mass, and although they were unimpressed, Parsons was successful with a young Caltech student whom he had befriended, Grady Louis McMurtry, as well as McMurtry’s fiancee Claire Palmer, and Helen’s sister Sara Northrup, who was known as Betty.[43]
Parsons and his wife would finally be initiated into the Agape Lodge of the Ordo Templi Orientis on February 15, 1941, with Parsons adopting the Thelemic motto of “Thelema Obtenteum Proedero Amoris Nuptiae”, a Latin mistranslation of “The establishment of Thelema through the rituals of love”. The initials of this motto spelled out TOPAN, also serving as the declaration “To Pan.”[44] Commenting on Parsons’ errors of translation, in jest Crowley remarked that “the motto which you mention is couched in a language beyond my powers of understanding.”[45] Smith wrote to Crowley, claiming that Parsons was “a really excellent man … He has an excellent mind and much better intellect than myself … JP is going to be very valuable”,[46] while Wolfe wrote to the Thelemite Karl Germer to comment that Parsons was “an A1 man … Crowleyesque in attainment as a matter of fact.”[47] Crowley concurred with such assessments, informing Smith that Parsons “is the most valued member of the whole Order, with no exception!”[45]
Soon, science fiction writer and former United States Navy officer L. Ron Hubbard moved in to 1003; he and Parsons became close friends, with Parsons informing Crowley that Hubbard was “the most Thelemic person I have ever met.”[83] Although Parsons and Sara had always had an open relationship, she became enamored with Hubbard, causing Parsons intense jealousy.[84] Parsons began to devote increasing amounts of time to the ‘dark side’ of magic, becoming interested in the iconography of witchcraft, something that concerned many fellow OTO members, who believed that he had invoked troublesome spirits into the Parsonage. Parsons reported paranormal events in the house resulting from his rituals including poltergeist activity, sightings of orbs and ghostly apparitions, and disembodied voices. Pendle suggested that Parsons was particularly susceptible to these interpretations, and attributed the voices to a prank by Hubbard and Sara.[85] One ritual allegedly brought screaming banshees to the windows of the Parsonage, an incident that disturbed Ed Forman for the rest of his life.[86] Deciding to use magical means to attract a new lover, Parsons performed a series of rituals based in Enochian magic during which he masturbated on to magical tablets, accompanied by Sergei Prokofiev‘s Second Violin Concerto, using both his own semen and blood for this purpose. He allowed Hubbard to take part, believing that he was particularly sensitive to detecting magical phenomena.[87]
Their final ritual took place in the Mojave Desert on 18 January 1946, and on return to the Parsonage Parsons discovered that a woman named Marjorie “Candy” Cameron had come to visit. Believing her to be the “elemental” woman that he had invoked, he began performing sex magic rituals with her. Describing this as the Babalon Working, he hoped to bring about the incarnation of a Thelemite female messiah, Babalon, onto Earth, with Cameron acting as the “Scarlet Woman” in these rituals.[88] Although Crowley warned him of such an endeavor, Parsons was committed, and retreated to the desert, where he came to believe that a preternatural entity spoke to him, to provide him with Liber 49, which he believed to represent a fourth part of The Book of the Law, the primary sacred text of Thelema, as well as part of a new sacred text he called the Book of Babalon.[89] This accomplished, Parsons set about trying to sell the Parsonage for $25,000, on the condition that he could continue to live in the coach house, and he appointed Roy Leffingwell to head the Agape Lodge, which would now have to meet elsewhere for its rituals.[90]
What Parsons had in common with present day President Obama and the very evil Aleister Crowley is that he had a failed relationship with his father. Parsons’ father had carried on a sexual relationship with a prostitute causing him a divorce. Little Jack’s mother was so angry that the father’s name was removed from her son’s referral and the situation never really alleviated. Jack found replacements for a father figure in communism where the “state” was the parent, and he found a more literal father figure in Aleister Crowley and the head of the Agape Loge Wildfred Smith. Smith would comfort Parsons first wife after Jack decided he desired sexually her sister. But when that more sexual appetizing sister began bedding L.R. Hubbard Parsons went into the desert to perform the Mojave ritual giving him Candy Cameron whom he would stay married to until his death while trying to fulfill an explosives order for a Hollywood movie. But those weren’t the only women Jack slept with—he carried on openly sexual relationships with many other women coming full circle to far surpass his father’s womanizing. The big difference is that Jack Parsons had found a mechanism through religion which allowed him to justify the conduct.
When my family visits the family condo down in Florida my wife is greatly disturbed by the number of strip houses erected to attend to the NASA scientists working at the Kennedy Space Center. While she despises those places in spite of the beauty surrounding the Cocoa Beach area I feel the same level of disenchantment for the Merritt Island Lodge #353, which is the local Mason hall near the condo. I see them one in the same by level of depravity. Both are reminders that the rocket program ushered into NASA had its roots by two primary people who both had a mutual relationship with Wernher von Braun—Robert Goddard and Jack Parsons. Of the two, Goddard was certainly my kind of guy. When diagnosed with tuberculosis and told that he would soon die, he sat on the front porch of his cold New England home and stared death down daring it to consume him. Miraculously, he beat death to live on for a number of years and eventually carry mankind into space after the federal government tried to steal all his patents for “national security” to build their own rockets. It is likely that many of the UFO sightings from this early period of rocketry were government experiments into Robert Goddard’s designs which failed. They would eventually settle with Goddard’s widow finally giving her husband credit and using his name as propaganda against the U.S.S.R during the space race. Jack Parsons however turned to magick instead of self-reliance leaving Goddard to reject the collectivism demonstrated by the Caltech rocket boys from California. Goddard continued to his dying day to work in relative isolation while Parsons pursed his rocketry passion with the assistance of supernatural aid and making special effects for Hollywood studios sleeping with half the women of Southern California. The seed of darkness planted into the movie and music industry began there at the Agape Lodge by Parsons and his mentor Smith. Ironically, even though the Kennedy Space Center is now in heavy reverence for Robert Goddard, it is the old Caltech members of the Jet Propulsion Laboratory who primarily established the foundations for those rocket engineers. They had been developed by Jack Parsons as well leaving the modern-day rocket scientists of NASA to live the same kind of double life that Jack did. By day they were brilliant scientists—by night they sought sexual fulfillment in the strip joints of Cocoa Beach and their Mason’s Lodge down the street told them that it was the right thing to do.
The difference between Jack Parasons and Robert Goddard are essentially the rift which modern America is currently experiencing. One was a rugged individualist which was uniquely positioned as a genius that a whole army of government scientists couldn’t duplicate even with his stolen patent notes right in front of them. The other in Jack Parsons who didn’t live very long, but did a tremendous amount of damage to the industry of film and early jet propulsion, and had roots in communism with the above opening quote which I’ll repeat here for emphasis:
“The dictatorship of the proletariat is merely temporary—the state will eventually wither away like a snark hunter, leaving us all free as birds. Meanwhile it may be necessary to kill, torture and imprison a few million people, but whose fault is it if they get in the way of progress.”
Jack Parsons was a smart man who helped carry America into the golden age of jet propulsion. He conducted right out in the open a duel life, one of legitimate science, and dark sinister commitment to the occult—and he was a devoted communist—he believed in “collective salvation.” Because of his success more people than fewer picked his path over that of old Robert Goddard—and that has brought a terrible realization of treachery to modern rocket science which is quite evident in the parking lot of the “gentlemen clubs” of Cocoa Beach at 1:30 in the morning an hour and a half past Sunday.
As I go to the store late at night at times to get milk, or soda for my wife, the cars in that parking lot are proud—they are NASA employees away from their families on 6 month assignments. They come to the “gentlemen clubs” to see naked women who are often the age of their daughters and deep down inside they have the misguided belief that they are doing something for the greater good by participating. Some of those proud cars have “Trust America” on their bumpers—or “Made in America,” referring to the NASA program. Most of them are married, but like Jack Parsons, they feel that their participation in extramarital affairs is justified by some rationalization that we are all “one and the same.” The 19-year-old girl dancing on the stage topless is the same as the obese wife bitter and unhealthy back home—they are both female and aspects of the Mother of Abominations. Any high degree Mason from Merritt Island Lodge #353 knows what that is—and if they don’t, they haven’t been invited to the initiation ceremony yet.
I often sit on the balcony and watch those girls of the night come to the beach during early morning sunrises to wash off the sins of the previous evening. I read my books and eat pistachio nuts while listening to their mutterings. Without the seductive lure of the “gentlemen clubs,” the g-strings and the seductive lights and music, they are just girls a few years away from the innocent minds of a typical 9 to 10-year-old. They are not yet ruined—that comes two or three years later when those same new bodies become irreparably tarnished with wrinkles from too much sun bathing, too many drugs, and too many gross old men wanting to caress them sexually. By the time those girls are 25 they are destroyed for life and the NASA scientists from the Kennedy Space Center have helped take them there. Every year from the balcony it is always a new crop of girls who come to the beach in their thin bikinis so to get tan lines that will assist them during their pole dancing routines. I met one of these girls when I went to Ron Jon’s to purchase a new Frisbee to throw on the beach with my family. A joke emerged with the female cashier leading me to believe that she was about my age—from the 1980s. She looked at me sadly when she realized I assumed she was in her forties—she was missing all her front teeth probably from too much “meth” her skin looked like an alligator that had been soaked in vinegar to preserve its dead flesh and her breath was in desperate need of a breath mint. Her eyes were sunken and very tired. She was only 31.
The evils aren’t always as extreme as Jack Parsons experiments at the Agape Loge. They are seldom so outrageous—and few people go to such extremes as Jack did for the reasons he did. Even with all the broken families, there are still a lot of people who have healthy relationships with their fathers and don’t go to the extremes that Jack did, or Aleister Crowley to rectify a need for father atonement. But what does sink in is the notion of collective sacrifice—the idea of dying for one’s country, or dedicating ones career to country, or dedicating oneself even to a family—the permeating belief is that sacrifice yields benefit for the collective will of humanity—and it doesn’t. It simply destroys them, and leaves them empty husks of human flesh grossly undeveloped.
I have no doubt that the same type of people who hung out with Jack Parsons at the Agape Loge in Pasadena, California are the same type of people who raised Barack Obama during the height of the counter-culture movement which was directly influenced by Jack Parsons. The ideal that the dictatorship of the proletariat would only be temporary are the musings of an incomplete mind deeply harmed by the lack of a strong father in their life to impart wisdom, and goodness to a hungry young mind. Without that important element in their life, they sometimes turn to the supernatural for assistance, and once they do—it’s over for them. But what makes them dangerous to others is that they start churches like the O.T.O to help people find their individual paths—but in essence the real motive is to sacrifice the purity of many people to the collective will of the supernatural—and whose fault is it if they get into the way of progress?
Tomorrow, we will discover why these types of people yearn to sacrifice women in such a way. You will learn about the Babalon Scarlet Women. It is likely that you know some.
I can never tell when, why or how I have witnessed elaborate Masonic rituals at the downtown Cincinnati Masonic Center without an indictment of sorts—so I won’t. Those impressively ominous rooms can now be rented for weddings and formal meetings but many years ago when William Howard Taft’s house was just around the corner and it was the center of activity in Cincinnati where Congressman Longworth and President Taft had deep roots into the Council of the Scottish Rite gracing those same halls, the movers and shakers at all levels of society practiced sinister rituals that defiled greatly all forms of individuality. The founders of that building had a tremendous role in bringing progressivism to America and I have always resented them, and it was upon one of these investigations of confirmation which put me in that large elaborate building during a late night ritual as the twin towers of P & G cast light through the windows. For me it was a thoroughly disgusting experience even in my clandestine manner. Free masonry was not the kind of America that was intended by the Constitution even if many of the Founding Fathers were members. The intent of the rituals at the Cincinnati Masonic Center was to impress upon the individuals the sense that there was a greater goodness to the collective experience and was designed to impress upon the members the ominous message that the sanctity of the order was greater than any one personality. Present at this ceremony was many of the most prominent lawyers in Cincinnati, doctors, politicians and all those stair climbers flashing into power upon the Cincinnati scene. Those not in the room likely would not get a coveted bank loan for their business, or would not get approvals for a project pushed through the political process—if one wanted to improve their station in life, they needed to be at the Masonic rituals performed at the Cincinnati Masonic Center—or they would be on the “outside.” That was the primary reason for my disgust.
What bothered me about the place most was the sense of collectivism present—the willingness of the supposedly powerful people there to yield themselves to the superiority of the high degree Masons. Whenever to this day that I enter a town anywhere in the world where a Mason emblem greats one at the entrance—it means to me that the town is run not by free markets and free individuals—but a collective group of cowards who seek spiritual aid to loft them into positions of power like a safety line hooked to a rock climber. The rituals are performed to bring assistance to the lives of the members, and the merit is not individually based, but collectively oriented. The members through ritual are bonded through fraternity and paves the way for a very boring life and a general ass-kisser for the rest of their days. I don’t like Masonic organizations—they have paved the way toward progressive policies and underground socialism by their very nature and have infected American society with altruism to hide their vast hoax of pure evil. One of these Masonic devotees who did not even work to hide that evil behind altruism was Aleister Crowly who would take the Masonic movement into a new direction without the trappings of social benefit through a church which would infect the entertainment industry with vast evil propagated by sexual orgies and drug use in Pasadena, California called the Agapé Lodge of the O.T.O.
Ordo Templi Orientis (O.T.O.) (‘Order of the Temple of the East’ or ‘Order of Oriental Templars’) is an international fraternal and religious organization founded at the beginning of the 20th century. English author and occultistAleister Crowley has become the best-known member of the order.
Originally it was intended to be modeled after and associated with European Freemasonry,[1] such as Masonic Templar organizations, but under the leadership of Aleister Crowley, O.T.O. was reorganized around the Law of Thelema as its central religious principle. This Law—expressed as “Do what thou wilt shall be the whole of the Law”[2] and “Love is the law, love under will”[3]—was promulgated in 1904 with the writing of The Book of the Law.
Similar to many secret societies, O.T.O. membership is based on an initiatory system with a series of degree ceremonies that use ritual drama to establish fraternal bonds and impart spiritual and philosophical teachings.
O.T.O. also includes the Ecclesia Gnostica Catholica (EGC) or Gnostic Catholic Church, which is the ecclesiastical arm of the Order. Its central rite, which is public, is called Liber XV, or the Gnostic Mass.
Theodore Reuss met Aleister Crowley and in 1910 admitted him to the first three degrees of O.T.O. Only two years later, Crowley was placed in charge of Great Britain and Ireland, and was advanced to the X° (tenth degree). The appointment included the opening of the British section of O.T.O., which was called the Mysteria Mystica Maxima or the M∴M∴M∴.[5] Crowley then went to Berlin to obtain instructional manuscripts and the title of Supreme and Holy King of Ireland, Iona and all the Britains within the Sanctuary of the Gnosis.[5] Within the year Crowley had written the Manifesto of the M∴M∴M∴ which described its basic ten-degree system with Kellner’s three degree Academia Masonica forming the seventh, eighth and ninth degrees.
In 1913, Crowley composed the Gnostic Mass while in Moscow, which he described as being the Order’s “central ceremony of its public and private celebration”.[7] In 1914, soon after World War I broke out, he moved to the United States of America. It was around this time that Crowley decided to integrate Thelema into the O.T.O. system, and in 1915 prepared revised rituals for use in the M∴M∴M∴.
In 1917, Reuss wrote a Synopsis of Degrees of O.T.O. in which the third degree was listed as “Craft of Masonry” and listed the initiations involved as “Entered Apprentice, Fellow Craft, Master Mason” and elaborated on this with “Full instruction in Craft Masonry, including the Catechism of the first three degrees, and an explanation of all the various Masonic systems”. The same document shows that the fourth degree of O.T.O. is also known as the Holy Royal Arch of Enoch. It was summarized by Reuss as the Degree of “Scotch Masonry,” equivalent to “Scotch Mason, Knight of St. Andrew, Royal Arch”, and he described it as “Full instruction in the Scottish degrees of Ancient and Accepted Masonry”.[8][9]
In 1919, Crowley attempted to work this Masonic-based O.T.O. in Detroit, Michigan. The result was that he was rebuffed by the Council of the Scottish rite on the basis that O.T.O. rituals were too similar to orthodox Masonry. He described this in a 1930 letter to Arnold Krumm-Heller:
However, when it came to the considerations of the practical details of the rituals to be worked, the general Council of the Scottish Rite could not see its way to tolerate them, on the ground that the symbolism in some places touched too nearly that of the orthodox Masonry of the Lodges.[10]
Crowley subsequently rewrote the initiation rituals of the first three degrees, and in doing so removed most of those rituals’ ties to Masonry. He did not, however, rewrite the fourth degree ritual, which remains in its form and structure related to the various Royal Arch rituals of Masonry.
Crowley wrote that Theodore Reuss suffered a stroke in the spring of 1920. In correspondence with one of Reuss’s officers, Crowley expressed doubts about Reuss’s competence to remain in office. Relations between Reuss and Crowley began to deteriorate, and the two exchanged angry letters in November 1921. Crowley informed Reuss that he was availing himself of Reuss’s abdication from office and proclaiming himself Outer Head of the Order. Reuss died on October 28, 1923 without designating a successor, though Crowley claimed in later correspondence that Reuss had designated him. Crowley biographer Lawrence Sutin, among others, casts doubt on this claim, although there is no evidence for or against it, and no other candidate stepped forward to refute Crowley by offering proof of succession. In 1925, during a tumultuous Conference of Grand Masters, Crowley was officially elected as Outer Head of the Order (or O.H.O.) by the remaining administrative heads of O.T.O.[11]
During WWII, the European branches of O.T.O. were either destroyed or driven underground. By the end of the war, the only surviving O.T.O. body was Agapé Lodge in California, although there were various initiates in different countries. Very few initiations were being performed. At this time, Karl Germer, who had been Crowley’s representative in Germany, migrated to the USA after being released from Nazi confinement. On March 14, 1942, Crowley appointed him as his successor as Outer Head of the Order,[12] and Germer filled the office after the death of Crowley in 1947.
In subsequent articles more will be learned about this specific Pasadena, O.T.O temple but the important thing to know is that the direct leaders were none other than Jack Parsons and L.R. Hubbard. The later name is so prominent to this day in Hollywood as the embraced religion of Tom Cruise, John Travolta and many others have taken a life of their own. Parsons in direct command by Aleister Crowley ran that last true bastion of the O.T.O work as the writing on the wall was evident that a metamorphism needed to occur for the Thelema religion preserving the ways of the Masonic order through music, film, and art—so that it would not become lost to time. The O.T.O cult was some of the first to ride the wave of new entertainment and switch from the stuffy robbed figures of the Cincinnati Masonic Center to the glittering stars of film. Jack Parsons arranged many sex magick rituals following directly the work of Aleister Crowley. The standing temples gave way to virtual ones and instead of the Council of the Scottish Rite doing their hard-core rituals within the secret society of a Masonic hall the magick chants found their way into songs from The Doors, The Rolling Stones, and Led Zeppelin.
Ever wonder what the symbols mean on Led Zeppelin’s “unnamed album (Led Zeppelin IV)—the one with “Stairway to Heaven” on it. Click the link below and you’ll have your answer. The world radio premiere of “Stairway to Heaven” was recorded at the Paris Cinema on 1 April 1971, in front of a live studio audience, and broadcast three days later on the BBC.[24] The song was performed at almost every subsequent Led Zeppelin concert, only being omitted on rare occasions when shows were cut short for curfews or technical issues. The band’s final performance of the song was in Berlin on 7 July 1980, which was also their last concert until 10 Dec 2007 at London’s O2 Arena; the version was the longest, lasting almost fifteen minutes, including a seven and a half-minute guitar solo. It became a type of replacement for traditional Masonic ritual and the much heavier O.T.O cult invoking magick with mass worship.
One of the reasons that I “attended” the Cincinnati Masonic Center events was to confirm a long-held suspicion that I had first wondered about while watching enchanted teenagers drunk and stoned listening to “Stairway to Heaven” during the early days of MTV at college parties. I never understood the way kids became so enchanted by that song, and why it made more sense to them under altered states of mind—particularly marijuana smoke.
“Stairway To Heaven”
There’s a lady who’s sure all that glitters is gold
And she’s buying a stairway to heaven.
When she gets there she knows, if the stores are all closed
With a word she can get what she came for.
Ooh, ooh, and she’s buying a stairway to heaven.
There’s a sign on the wall but she wants to be sure
‘Cause you know sometimes words have two meanings.
In a tree by the brook, there’s a songbird who sings,
Sometimes all of our thoughts are misgiven.
Ooh, it makes me wonder,
Ooh, it makes me wonder.
There’s a feeling I get when I look to the west,
And my spirit is crying for leaving.
In my thoughts I have seen rings of smoke through the trees,
And the voices of those who stand looking.
Ooh, it makes me wonder,
Ooh, it really makes me wonder.
And it’s whispered that soon, if we all call the tune,
Then the piper will lead us to reason.
And a new day will dawn for those who stand long,
And the forests will echo with laughter.
If there’s a bustle in your hedgerow, don’t be alarmed now,
It’s just a spring clean for the May queen.
Yes, there are two paths you can go by, but in the long run
There’s still time to change the road you’re on.
And it makes me wonder.
Your head is humming and it won’t go, in case you don’t know,
The piper’s calling you to join him,
Dear lady, can you hear the wind blow, and did you know
Your stairway lies on the whispering wind?
And as we wind on down the road
Our shadows taller than our soul.
There walks a lady we all know
Who shines white light and wants to show
How everything still turns to gold.
And if you listen very hard
The tune will come to you at last.
When all are one and one is all
To be a rock and not to roll.
I’m not going to explore if that song is a sweet lullaby to “satan” or if it is a dedication to evil when played backwards—but I am absolutely certain that it was created in direct tribute to the Thelema occult—as framed by Aleister Crowley and finally brought the O.T.O activity out of the shadows, and into every bedroom in America—every car stereo, every drug induced stupor. The music of Led Zeppelin and many others which followed did much more work for the occult than thousands of secret society temples like Cincinnati Masonic Center or the O.T.O. in Pasadena where high priests spend copious amounts of time mixing semen with menstrual blood to old Latin chants praising Lucifer. Not exactly a fun night on the town. As old Masons listened to the new music from followers of Aleister Crowley either loosely, or with great dedication, they were naturally resentful. The magick created by millions of stoned couples having sex to Led Zeppelin from their beds did considerably more to invoke the negative spirits of existence than the orgies arranged by Jack Parsons and L.R. Hubbard at the O.T.O. temple in California, or any high degree Masonic invocation, and it certainly angered the old guard.
What makes these groups evil and what I learned from the Cincinnati Masonic Center connecting the dots from my first impressions many years ago of Led Zeppelin’s influence over young people through song is that the whole movement was just a mask for collectivism. When William Howard Taft lumbered his fat ass through the halls of the Cincinnati Masonic Center he was helping Teddy Roosevelt usher in progressivism behind the mask of altruism sponsored by his Masonic temple. Behind the name of progressivism was a mask hiding the European push for communism in much the same way that Masons wear a mask of goodness dedicated to God, and turn the Bible inside out and into a cult nightmare behind that mask. The casual members peer at the closed doors with yearning wondering what’s behind them, and once they are let in and given higher degrees of Masonic authority and have been disgraced in front of their superiors during initiation ceremonies for the purpose of bonding them with their brothers in fraternal partnership, it’s too late for objective opinion. Such things stayed a secret for many years until Aleister Crowley broke ranks with them and stepped out on his own to create the O.T.O. church. Once the mystery was let out and set free into popular culture massive amounts of evil is now upon our culture as the Masons greedily look on in resentment hoping that nobody noticed. The result is that membership into the Cincinnati Masonic Center is down—so far that they now rent their once secret rooms to the public. They have to so to justify such a large piece of real estate in downtown Cincinnati. The temple used to be a place of power and control in the heart of the city—but now it is just a relic where a few old farts and misguided youth try to keep the whole charade alive after the internet has exposed their century old secrets.
The evil comes not from the different interpretations of Biblical scholarship but in their desire to use collectivism to invoke advantage. The Masons, the members of the O.T.O., Aleister Crowley, Jack Parsons and L.R. Hubbard wanted to gain advantage through collectivism, and is what makes them vile. It’s not that Aleister Crowley wanted to smell the farts of his lovers thinking to appease some spirit, but that he sought to use people as a sacrifice to invoke fortune for either himself, or the collective will of humanity as defined by him. And to a much lesser degree, but very similar was the actions of the Cincinnati Masonic Center—and the intentions behind the song “Stairway to Heaven.” As the end of that song proclaims—-“When all are one and one are all,” the aim is not individual value or endeavor, but the collective sacrifice of everyone to the aims of social benefit as a mess of altruistic premise. The way to heaven is not in self-responsibility, or personal merit, but in yielding to the premise of the “greater good” as defined by those who are standing in a robe spreading their own semen across a table and dripping their blood into it to invoke a reaction of collective benefit. But instead of heaven the doors to life open into hell—as it is spread across the whole world by the chants of fools so cowardly that they require the help of spirits to carry them from moment to moment.
I left that vile temple as discreet as I had arrived under the bright moonlight of a large moon and headed straight for a little diner on Monmouth St., in Newport. At that hour the strippers, drug addicts and homeless converged on the place about the same time as my arrival and I waited patiently reading Joseph Campbell’s Hero with a Thousand Faces ignoring them the best I could. I had seen what I came for and needed some food at 3:30 AM. As I sat and ate quietly until the sun rose again I watched and listened to all the dregs of society around me and I had a thought—that they were much better people than the scum bags across the river at the Cincinnati Masonic Center. Because as terrible as the three strippers who sat behind me where—and the countless sins they committed every single night of their employment, they at least were free to live as individuals. They like me were free of ties to a secret society or the demons who expect payment for disturbing their inter-dimensional utterances. The participants of occult that I witnessed returned back to their lives, their homes, and their masks to live in bondage to their social image designed to appeal to the greater good. They are so lowly and pathetic that a typical gutter whore is of a much higher representation of individual freedom and thus spiritual enlightenment—because at least the individual is free to act on their own—where as the occultists are forever in bondage to the collective nature of evil for the rest of their lives. They may live comfortable lives and obtain great social power, but they are essentially in chains attached to them through Latin chants and vile magick. Like Jimmy Page says, “’cause you know sometimes words have two meanings.” And so do those who claim to only want to sell a record, perform charity, or dedicate themselves to altruism.
This isn’t even the worst of it. Tomorrow we will deal with Jack Parsons and how his schemes infected America with a sickness that it has never overcome and he did it with occult ritual on an epic scale.
One of the best aspects of Ayn Rand’s philosophy of Objectivism is that it deals with reason, and is built by observed conditions. It does leave open the possibility for unknown potential—but until proven, they cannot be considered. This generally leads to the truth of most any situation. However—not all of them—which is why I am not an Objectivist. There are mysterious interactions which intersect our dimensional space that cannot be rationalized away until more evidence is gathered. On more than one occasion I have had enemies who have locked themselves in rooms filled with candles, and all forms of black magic hoping to call against me assistance from beyond the grave. From these rooms would emerge chants against my name and demons certainly answered the call—I have met them in all their glory. I have had these enemies wish bad health to me and my family, bad luck, full-blown possession that would haunt our home and our dreams. Fighting these entities has been quite challenging. After 20 years, we’ve gotten pretty good at understanding the who, what, why, when and where of them and I can report that demons really aren’t to be feared once understood that they are just beings like anybody else. The only real advantage that they have over our four-dimensional world is that they can move freely through it somewhat concealed. But they often lack intelligence and if they do not have fear as an ally, they have little real power. They can invoke cellular decay, negative thoughts, and other forms of quantum terrorism—but these things can be countered with a healthy mind that knows what to look for.
However this has not stopped otherwise weak, and broken people who lack such healthy minds from looking for an advantage over their peers with the assistance of black magic and ceremonial indulgence. And in recent history the most successful of these occultist experimenters was Aleister Crowley who has indirectly reached the lives of virtually every human being in the world through musicians who dedicated themselves to his Thelema religion. If you have heard and loved a Rolling Stones song, you have admired the indirect work of Aleister Crowley’s religion of Thelema—which has been often labeled as “satanic.” However, the truth of the matter is that Crowley did not recognize the devil because to do so would be to recognize his opposite—God—and that wasn’t going to happen. Crowley had as a boy wanted to grow up to be like his evangelist father but when his hero died at a very early age, Crowley’s anger at God turned to a wrath that would embrace the heart of pure evil launching against the entire 20th Century and all our lives through artistic endeavor, the philosophical concept of Thelema.
ThelemaKoine Greek:[θélima]) is primarily a philosophical law, which has been adopted as a central tenet by some religious organizations. The law of Thelema is “Do what thou wilt shall be the whole of the law. Love is the law, love under will.” The law of Thelema was developed by Aleister Crowley, the early 20th-century British writer and ceremonial magician.[3] He believed himself to be the prophet of a new age, the Æon of Horus, based upon a spiritual experience that he and his wife, Rose Edith, had in Egypt in 1904.[4] By his account, a possibly non-corporeal or “praeterhuman” being that called itself Aiwass contacted him and dictated a text known as The Book of the Law or Liber AL vel Legis, which outlined the principles of Thelema.[5] An adherent of Thelema is a Thelemite.
The Thelemic pantheon includes a number of deities, primarily a trinity adapted from ancient Egyptian religion, who are the three speakers of The Book of the Law: Nuit, Hadit and Ra-Hoor-Khuit. Crowley described these deities as a “literary convenience”.[6] The religion is founded upon the idea that the 20th century marked the beginning of the Aeon of Horus, in which a new ethical code would be followed; “Do what thou wilt shall be the whole of the Law”. This statement indicates that adherents, who are known as Thelemites, should seek out and follow their own true path in life, known as their True Will[7] rather than their egotistic desires.[8] The philosophy also emphasizes the ritual practice of Magick.
The word thelema is the English transliteration of the Koine Greek noun θέλημα: “will”, from the verb θέλω: to will, wish, purpose. As Crowley developed the religion, he wrote widely on the topic, producing what are collectively termed the Holy Books of Thelema. He also included ideas from occultism, Yoga and both Eastern and Westernmysticism, especially the Qabalah.[9]
According to Crowley, every individual has a True Will, to be distinguished from the ordinary wants and desires of the ego. The True Will is essentially one’s “calling” or “purpose” in life. Some later magicians have taken this to include the goal of attaining self-realization by one’s own efforts, without the aid of God or other divine authority. This brings them close to the position that Crowley held just prior to 1904.[48] Others follow later works such as Liber II, saying that one’s own will in pure form is nothing other than the divine will.[49]Do what thou wilt shall be the whole of the Law for Crowley refers not to hedonism, fulfilling everyday desires, but to acting in response to that calling. The Thelemite is a mystic.[48] According to Lon Milo Duquette, a Thelemite is anyone who bases their actions on striving to discover and accomplish their true will,[50] when a person does their True Will, it is like an orbit, their niche in the universal order, and the universe assists them.[51] In order for the individual to be able to follow their True Will, the everyday self’s socially-instilled inhibitions may have to be overcome via deconditioning.[52][53] Crowley believed that in order to discover the True Will, one had to free the desires of the subconscious mind from the control of the conscious mind, especially the restrictions placed on sexual expression, which he associated with the power of divine creation.[54] He identified the True Will of each individual with the Holy Guardian Angel, a daimon unique to each individual.[55] The spiritual quest to find what you are meant to do and do it is also known in Thelema as the Great Work.[56]
Just like any religion, most things about Thelema sound sensible—and even healthy. It is hard to argue against the premise of “doing what one wills.” Heck, I have lived my life in much the same manner. Even Ayn Rand seemed to be saying much the same thing—and she was a devoted atheist. So it is easy to conceive why Aleister Crowley had so many followers. Even the sensible Barbra Bush—the mother and wife of two American presidents had a mother who found Crowley appealing and his philosophies beneficial. They partied together in Paris in what was likely a sex magic ritual. Like many college students who come from nice families and backgrounds, there is a sadness to see the perky little girl who used to baby sit children and had hopes and dreams of growing up to become a princess puking into a garbage can gang raped by dozens of young men unable to locate her cloths after attending a party where intoxication and sex were the dominate activities. The same can be said of the followers of Thelema who followed Crowley into a type collective society where individualism was thought to be the pursuit, but in reality the congregation of followers willing to submit themselves to the high priest of black magic is what the real desire is—and within that premise sexual abuses from the mass orgies occur meant to appease demons to bestow upon the practitioners good fortune. Many good, rational people have found themselves under the religion of Thelema on the bottom of a pile of naked bodies during rituals designed to throw off convention. They get into such things thinking they are following an “individual will” when really demons are hungry for their purity. Once that purity is given up, the body of such people are cast aside like a used sock and new victims are sought out—a new generation of willing minds.
Hillary Clinton is an old “flower child”—growing up in the 1960s where radical political Marxists and communists were sprouting up like flowers in May. Behind the flower children was the religion of Thelema where free love, free drugs and a free mind became the dominate culture driving influence. Rock music followed Crowley’s lead and spread the message to millions creating the hippie—which would forever attack the sanctity of the typical American. Once a woman takes off her top in a group of people how can she ever tell their daughters not to do such a thing? Once a woman allows multiple sex partners into their life—how do they tell their daughters not to do the same and still maintain their authority as a wise parent? Once a woman does drugs to “free her mind” she cannot tell her children not to do the same—so in many ways Aleister Crowley’s religion of Thelema opened the door to the hippie to spread the dark practices of Thelema to mainstream young people who would grow up to have no parental authority among the next generation leaving them open to be instructed by the state through public education. Without strong parents, children have been more vulnerable than ever to the practices of Thelema which does not come to them from sexual orgies in a Thelema church, but in orgies from drinking parties, rock concerts and other primal activity unregulated by any parental value. The parents were stripped of their value by the work of Thelema. This is why Hillary Clinton had no sense of wrong when her husband Bill had oral sex with a White House intern. To Hillary it was just sex, it wasn’t love, it wasn’t for power—it was just two people enjoying each other. It was just “flower child” sex—and to Clinton, there was nothing wrong with that. She believes these things because she is a descendent of Thelema thought processes which paved the way for the counter-culture generation which has caused so much modern-day damage.
The danger is not in what starts in the beginning—it’s in what it does to a mind in the process. For people who followed Aleister Crowley directly into Thelema they discovered that the purity of their lives was removed from them, their sense of possession, their belief in individual sanctity, their belief in solid individual values as the Helter Skelter cult, Jim Jones and dozens upon dozens of similar cults emerged following the basic teachings of Thelema. Rituals were sold to the public as individual salvation, but the high priests in nearly every case were raw collectivists openly supporting communism and the actuality of the efforts were the breakdown of individual will to the benefit of the collective. That is not YOUR wife—it’s our wife and we can all enjoy sex with her. It’s not YOUR mind, it’s OUR mind and we all have a right to it. This is not your money—it’s OUR Money—it’s communism over individual will. In the case of Thelema—the individual will of the participants is sacrificed to the gods for the benefit of all.
Aleister Crowley however got everything wrong where Ayn Rand was on the better path. They both declared to cast away God. Crowley because God had taken his father from him, Rand because she couldn’t prove the existence of God—she held out hope—but could not confirm or deny. Both got their basic premise from Nietzsche’s Beyond Good and Evil and worked from there. However with Crowley, he brought much evil to the world directly through his dark Thelema rituals and concepts of collective sacrifice that somehow he rationalized benefited individual will. All it really did was destroy the purity and value of millions upon millions of human beings—and for the will of all that is truly evil—only they have benefited.
Tomorrow we will deal with the specific churches of Thelema occultism and explore how the one in Pasadena California brought the dark arts to the film industry behind the mask of communism.
The Overmanwarrior 