Tayler Swift’s “Blank Space”: A society of “players” destroying the hopes of young women

I don’t often engage in cultural/social activities but when I do, I enjoy them for the observations. If left to my own devices I would happily shut myself up in my home and read books from now until the end of the universe several trillion years from now and I wouldn’t bore of that activity one minute during that entire duration. But occasions do arise where opportunities for observations across the fabric of civilization can be observed and I take them so not to become so absorbed in thought that sight of normalcy is lost—but retained for the benefit of intellectual exercise. On such occasions I typically drink Guinness beer specifically because it is well-known that it is the life blood of the giant Finn MacCool in one of my favorite novels Finnegan’s Wake. I’m not a beer drinker by any other indication other than it is a way to assimilate with the culture at large—so for me to make such a compromise there has to be roots into a mythology that means something to me—and in that great novel Finnegan and the events following in his wake were driven by the lifeblood of Dublin, Ireland itself—Guinness beer.

So I was having one of these cultural exercises in a very nice restaurant. The company was good, the events of the evening were stimulating and purposeful but my eyes and ears were fixed on a stunning blond woman playing the piano across the room at the bar. Males loomed near her as women feigned admiration. It was a catchy game that persisted most of the evening just under the silent roar of a thousand conversations. But I heard her music even from the distance of twenty-five table tops and the barrier of a private room with a stoic view out into the world of fine dining. With the life blood of Finn MacCool arriving routinely to my fingers I listened to this young women carefully to assess the tap-root she was cultivating—filling her tip jar with a lot of money.

So why didn’t many of the women around her rip her off her bar stool and hang her on a cross right there in front of everyone? Such a crucifixion would have been the dictates of their jealousy as their men were fixed on the starving artist dressed as a nymph from ancient Greece. It was because she was singing songs inspired by contemporary pop culture which spoke of a lot more than an attempt at eye candy. The images were contrasting—in one hand which spoke to the males in the room, the piano player was a sex symbol inviting herself to be planted with the DNA of the male on the highest peeking order rung—so the fantasy of the males was to be that one who would gain such an advantage and status. But to the females, the songs the young girl sang were about issues most of them were having at that very moment with their own efforts at love and everlasting matrimony—or the hope of securing a mate willing to turn over their life to the doormat of “WE.” One particular song uttered from the young girl’s vocal exchanges was a dedication to Taylor Swift’s “Blank Space.” The girl sang the song with such conviction that she actually dropped a tear off her high cheekbones to fall into the lap of a sparkly dress. I could see the shiny tear even from my great distance, and it was painful to watch.

Like beer I don’t participate much in regard to pop music. The only time I listen to an FM radio or new music CD is when I pass by someone who is thus listening. I never choose it on my own simply because there is no room for it in my very busy life. I don’t like to think about the kinds of things that musical artists want me to think about in their music because often it involves love lost, love desired, or in the case of minority music these days—whose hoe someone wishes to bitch slap back into the stone age. But when it comes to Tayler Swift, I do lend an ear because behind her work is a struggling young woman trying to find all the things that 99.999999999999999999999% of females universally want as 12-25 year old girls—love and respect. Yet, women like the protagonist in the Tayler Swift song “love the players, and you (men) love the game. It is impossible to not look at any mass collection of human beings and see this struggle playing out between men and women, where women believe they can make a bad guy good for a weekend only to find the “Starbucks” lovers of their boyfriend wanting secretly to be next in line to fix the bad boy yearnings within their own loins. So they call the old girl in line “insane” as if they could hope to do better. It’s the fantasy of most women, either redeeming a bad boy into a good boy, or stealing away one from another women—and its not always sex that they’re after–but the mind.

There are many men these days who don’t wish to grow up to be the hero of Gunsmoke, Little House on the Prairie, or the latest Clint Eastwood film—but just want to be “players” from the Grand Theft Auto video game franchise. Young men these days want to be players—those specifically who play the field of females teasing them with serious relationships to get access to their sexuality only to throw them into their reserves like a fish caught upon a lake to either be completely devoured, or thrown back into the lake after their sport is done complete with scars from the hooks torn out of the female’s mouths.

In the music video to “Blank Space” you can tell before the song turns south toward tragedy that it’s headed toward a cliff of just another broken relationship. Tayler Swift is in trouble because the man she wants to love is playing on his phone as her head is in his lap. I thought this was a particularly powerful metaphor to the modern problem of “players” playing women for the sport of ruining their lives. From my vantage point of hearing the Tayler Swift song “Blank Space” from the neophyte at the piano bar there were a lot of phones out even as a perked up goddess sat across from them at a dinner table with fine wine poured into glasses lit like glittering treasure discovered after centuries of concealment. For those pathetic men, there should have been nothing better or more interesting than the woman in front of them with their make-up put on just like a model from Nordies. Yet the phones were out texting nobody something of even smaller importance. Perhaps the intended targets were a new would-be girlfriend, a secret homosexual yearning for their best bud, or even a mother who can’t surrender her bosom to the arms of another—younger woman.

Now that I thought about it, this whole cell phone deal is a major cultural problem. Nice young women who deserve the utmost respect from their potential mates should not have to put up with the shared attention of a douche-bag dude who won’t put their phones away long enough to spend time with their dates. If a man is texting someone else in the presence of a beautiful young woman who is interested in him—she’s wasting her time because the guy doesn’t want to be a husband, or even a dedicated lover. He just wants to be a player which is just a new kind a fishing that men have invented for themselves now that real fishing as a sport is losing its luster in the right of passage rituals often passed from one generation to another. Since most young men don’t even know who their dads are these days—they have no man to show them how to put a worm on a hook to participate in the game of catching fish—so they have turned the human need to their sexual outlet of snagging up females—playing—with them, then throwing them back.

The young girl singing was not crucified by the other females because she was singing about the pain most of the women were already feeling—but were politely covering up. It was easy for me to see since I have no desire to assimilate into that culture with any measure of approval—but always have an eager ear toward the next page of a book I’m reading comfortable from my favorite reading chair. I felt for the singer at the piano bar as well as the female listeners in the vast audience. But more than anything I felt for Tayler Swift who wrote and performed the song obviously from personal experience. Even with her fine looks, wealth, and talent—many of the men she is meeting as young saplings are nothing but players still addicted to their broken childhoods and their guardians of the breast milk waiting too long to pull the tit from the mouth of an insecure child. Abused from birth—those players have nothing to offer nice girls like Tayler Swift, or the girl singing one of Swift’s songs at a piano bar in Cincinnati on a cold weekend evening. By the appearance of the occupants at the many tables between my Guinness beer and the weary eyes of the singer were many players serving as nothing more than ornaments to their dates as their phones were out texting nobody about nothing as a would-be goddess stared at them broken-hearted across a table of immaculately prepared food and wine.

Even though I don’t do it often I enjoyed the blood of Finn McCool and like the wake from that great Irish novel by James Joyce—I sat there and watched a generation wash away before my eyes from the perennial uttering of a lounge singer. Sure it was sad, but then again, that’s why I don’t do that kind of thing very often. I wish young ladies like Tayler Swift had the opportunity to have something besides their latest mistake. But unfortunately society isn’t making anything but “players” these days.

Rich Hoffman

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Controversy Over ‘American Sniper’: Why evil hates the new Clint Eastwood film

The best part of the American Sniper film is that it has flushed out the counter insurgents within United States cultures—those who actively work against the ideas established in the Constitution to create an economy based on capitalism, personal freedom, and moral integrity. The popularity of the film has forced opinions to be mirrored against the radicals of American society and display the contrast. One of the typical and less profanity ridden examples of hate against the film is the article shown below from Salon.com–a left leaning publication. It seamlessly combines an attack on the integrity of Chris Kyle, Clint Eastwood, and the GOP in general into one dribbling hate fest. Have a look:

Much has been made recently about the inaccurate representation of Chris Kyle in “American Sniper.” We’ve learned that, despite the fact that the film depicts Kyle as a[youtuhero and a martyr, the real American sniper was heartless and cruel. Rather than anguish with moral dilemmas as we see in the film, the actual man had no such hesitation and no such conscience.

But to focus on “American Sniper’s” depiction of Kyle is to miss the larger problems of the film. In addition to sugarcoating Kyle, the film suffers from major myopia– from a complete inability to see the larger picture. And that is why criticism of the film has to look at its director, Clint Eastwood, and the troubling ways he represents a dark, disturbing feature of the GOP mindset.

In order to have the bigger picture we need to remember two key moments in recent Eastwood public appearances. The first took place in 2005 when Eastwood confronted filmmaker Michael Moore at the National Board of Review dinner, where both men were being honored. Moore was there for his documentary on U.S. gun culture, “Bowling for Columbine. Eastwood had “Million Dollar Baby.” After Eastwood accepted his award, he directed comments at Moore. “Michael Moore and I actually have a lot in common – we both appreciate living in a country where there’s free expression.” Eastwood then added: “But, Michael, if you ever show up at my front door with a camera – I’ll kill you. I mean it.” The tone was I’m sort of joking, but maybe not really joking, provoking nervous laughter from both the audience and Moore himself.

Eastwood said he would kill Moore if he showed up at his door. This was his response to a film that raised much-needed conversation about U.S. gun culture. Eastwood’s reaction tells us a lot about the way that some members of the GOP treat those with whom they disagree. If you don’t agree with me on guns, I’ll just kill you.

http://www.salon.com/2015/01/26/american_snipers_biggest_lie_clint_eastwood_has_a_delusional_fox_news_problem/

For many years these types of leftists have attacked the fundamental conservatism of American culture with accusations that silence opinion so not to be labeled in such a hateful manner. Socialist radicals just as they are taking over Europe, the Middle East, and every poverty-stricken nation throughout Africa, India, and China have successfully eroded away opinion against their schemes using the same methods and everywhere but America has it worked. In the United States the leftist strategy is certainly at work, but it has met with considerable resistance particularly from the type of Americans who love their guns, their country and their God. Chris Kyle is a danger to them because it gives those core Americans the knowledge that they are not alone and isolated in their thoughts and provides clarity to the true insurrection by socialist minority forces. These insurgents have been at work for many years as change agents against the American republic trying to force a conversion into a mass driven democracy guided by socialists. American Sniper is the movie of normal Americans, and they have showed up in mass to see it scaring the crap out of those insurgents hoping to remain undetected.

Clint Eastwood has had a battle with these insurgents for many years starting with his Dirty Harry films. Those cop drama movies were all about the changes happening in America through those change agents as Clint Eastwood’s character represented the last vestiges of John Wayne’s patriotism. Critics pushed on Eastwood throughout that series and in each film Dirty Harry addressed those issues. For instance in Magnum Force, the second Dirty Harry film Clint Eastwood dealt with the thin line between his character and the vigilantes who were cops who created a secret squad of assassins killing bad guys without any court process. It was essentially an argument between raw conservatism and fascism. In the Enforcer the story dealt with underground communist terrorists similar to the real life Weather Underground. Dirty Harry had a female partner which created conflict in the face to the severe danger being created by radical groups pressured by a political system to hire women to the force just for social satisfaction. In Sudden Impact everyone was against Dirty Harry as the character was forced to step away from the politics surrounding him. At the end of that movie when the killer was found, Eastwood’s character let her go—because there was no justice possible to rectify the situation. By the time the Dead Pool came out—which launched the career of Jim Carry—Dirty Harry was a celebrity just trying to live his life—but circumstances would not allow him to do so. Even with all the feel good publicity expected by Dirty Harry—in the end he had to turn toward raw vigilantism to solve the crime. Eastwood has always answered the leftist critics with his arguments in his most controversial films. He as done plenty of soft, non political films, but Eastwood has always expressed a lot about himself and his views in his movies. His best films are the ones where he is most controversial because the passion of his convictions comes out clearly which is why after all these years—he is still a beloved actor/director. Like a time capsule Eastwood has been there from the beginning and has chronicled the present insurgency in the topics of his films as they happened to our social tapestry.

So it is again with American Sniper which essentially returns to the topic of the very first Dirty Harry film. The fight between Chris Kyle and Mustafa in the film is the same as the one between Dirty Harry and Scorpio. American Sniper is an exploration of evil and what to do with it when you find it. What is the responsibility of America when evil is at their doorstep? That is the question that Eastwood answers in the film. And American audiences like his opinion and have voted with their wallets.

Evil is among us. It is at work and it forces us to look within ourselves to decide what to do with it. It’s not complicated—it’s rather simple. For Chris Kyle, because his upbringing and state heritage gave him the ability to detect evil as viewed by Christian orthodox—he had an advantage over those less fortunate throughout the world. After all, we are lucky to be born in America. It would stink to be born and raised someplace else—but we need not feel guilt about that to the point where we give the value of that benefit away just to make the rest of the world feel better about themselves. The insurgents among us feed off that tendency and make it into a reckless enterprise. Chris Kyle, like many of us are products of our environment—and those of us born on the winning team are lucky to be there. But we have a right to protect that value by projecting it elsewhere so that other little children not born under capitalism and freedom can taste what we love and cherish. If left alone—those other countries become cesspools of evil by default.

So the question remains, is it a higher morality to leave a country like Iraq alone as the terrorist evil there hell-bent on revenge for their arguments with Europe and a conflict that extends back to the Crusades—or should America sweep in to free people from the evil at work behind the broken ideologies of collectivism that is ever-present among the communist driven ISIS currently reeking havoc once again in Iraq upon our departure? Would Iraq be better off or worse off without all the CIA involvement, or the alliances formed due to oil companies in Saudi Arabia? If left alone, the entire Middle East, Israel included, would be a pit of communism and that is the real issue that leftists hate about American Sniper. If the traditional definition of communism is defined as evil because it robes individuals of their ownership and value and surrenders to the collectivism of the mob then it is easy to designate all terrorist activity as evil. They aren’t freedom fighters fighting against institutionalism. They are fighting in favor of institutional religion, politics and economic viability. And that makes them evil.

Evil likes to hide in the masses. Within collectivist systems where the value of the good is robbed to hide the degradation of the bad, evil can flourish—so it prefers collectivism over individualism because it can operate in a concealed fashion. Clint Eastwood made a movie in American Sniper that stares that evil in the face—and the leftists advocating that vile evil don’t like it. So they criticize the film, Chris Kyle, Clint Eastwood and anybody who expresses appreciation for the film hoping to push everyone back into the hole that they have been living in for years allowing evil to flourish. But this time it’s not working. And they are scared—as they should be.

Rich Hoffman

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Thank Charles Koch for Artistic Expression: Defending the “rich” from the 99%

I do happen to know of some organizations in the liberty movement that are funded by the Koch Brothers. I don’t blame those organizations one bit. As I write this Greece has just swept control of their government by extreme leftist socialists so there is a lot of current against logic that funding from conservatives like the Koch Brothers provides to keep those organizations in the fight. There are a lot of left-leaning organizations who fund the efforts of collectivism and what Charles and his brother Dave are doing is just a drop in the bucket compared to the efforts of George Soros, Warren Buffet, Bill Gates and the labor unions who advance like a disease political collectivism at a maddening pace. But Overmanwarrior’s Wisdom is not one of those organizations backed by the Koch Brothers. As a matter of fact in 2012 I cut all ties to such relationships after my group No Lakota Levy was applying pressure to not fight the good fight as aggressively as I wanted. At the time there were a lot of wealthy people affiliated with me. At no time did we exchange any money or did they do me any favors—and I made sure to keep it that way because when the time came to cut those ties, I could without stopping the fight at hand. So I have a very rigid policy on those kinds of matters. If Charles Koch offered me millions of dollars to do what I’m doing right now with Overmanwarrior’s Wisdom I wouldn’t take a dime of his money, because it might limit my freedom of movement on the battlefield according to my assessment of what needs to be done. So my work and his are vastly independent from each other—yet it isn’t.

I admire Charles Koch as an industrialist. Every day I drive by one of the Koch plants in my neighborhood and I wonder often what American manufacturing would be like if not for the Koch Brothers. They all by themselves are responsible for a vast amount of the wealth created in America and my only regret is that there aren’t twenty or thirty more people just like them. Often what happens to billionaires like Ross Perot, and Bill Gates over time is they go soft as the guilt of their holdings wears on their minds as their testicular fortitude fades a bit with age. For Charles Koch to say what he did at a conference on Saturday January 24, 2015 was quite extraordinary. People in his position don’t often defend themselves or their wealth as a creation of their own making the way he does which is worthy of a highlight. He stated to a packed room in public which ended up in USA Today:

“Americans have taken an important step in slowing down the march toward collectivism, Koch said. “But as many of you know, we don’t rest on our laurels. We are already back at work and hard at it.”

Koch said his vision is of a “society that maximizes peace, civility and well-being;” encourages hard work and ensures free speech and “free markets.”

http://onpolitics.usatoday.com/2015/01/24/charles-koch-warns-of-march-toward-collectivism/?utm_source=feedblitz&utm_medium=FeedBlitzRss&utm_campaign=usatoday-newstopstories

Bravo……………..I couldn’t have said it better myself.

I currently know a number of people who are considered “wealthy.” Most of the people I think of as friends are certainly in the upper portion of the 1% category. And the thing that drives me nuts about most of them is their susceptibility to the guilt that society applies on them to “share the wealth” they have made for mass consumption. They are obviously smart people because that’s how they obtained wealth in the first place. The people I know did not acquire their wealth the way typical Santa Monica or New York day traders do—like gamblers betting on value and happenstance. They earned their money through a creation process of a new sustainable business and investments in tangible assets. The result is that most of the people I most closely associate with are people of means. I am in a unique position to voice my thoughts about the guilt process that is applied to these types of people because honestly, my passions reside in artistic endeavors. So I don’t put myself in a position to have my tangible assets plucked apart by a flock of social looters—and could care less if I piss off those who believe in wealth redistribution. Much of what I do and say against left-leaning wealth redistribution through collectivism schemes is based on this inside knowledge. I have been on both sides of the fence and I understand extremely well the personalities involved. There is a reason I know mostly wealthy people as friends as opposed to those who believe in wealth redistribution. My values are more aligned with them than the social looter who believes that wealth is a finite resource that is plucked out of the air for equal distribution—and the wealthy are those who have hoarded that value selfishly.

So it does my heart a lot of good when I see those wealthy people fighting back the way I always thought they should. They give power to the social looters when they yield to the voices of radicalism—as I witnessed many times during my No Lakota Levy campaigns where protesting PTA parents threatened boycotts against businesses because they supported lower taxes. It was appalling the types of things that came out of the mouths of the typical levy supporter. But the indiscretions didn’t stop there—I saw the same radicalism from police and fire departments towards friends of mine just over the allocation of tax payer resources. I have heard much about the plush life of the 1% who fights against higher taxes because the belief of the other 99% believes that by taxing the rich that somehow the world will be a better place. The belief of such advocates is raw unfiltered communism disguised by a different name of progressivism. Yet if you took the 99% and gave them all the wealth of the 1% they would squander it away in a few short years because they do not have the same abilities to maintain that wealth.

Wealth in America is created. It is an artistic expression of formulating an idea from inception to profitable construction which directly creates jobs. It is an amazing thing to do—creating wealth—and those who can do it deserve to be honored, not chastised because they have a skill that others don’t have. Hating the wealthy is as ridiculous as hating another person because they are more attractive, or can throw a football further than the average person. The hate of the 99% against the 1% is jealousy and nothing else and the collectivism spawned from that activity is sheer evil. When the wealthy stop producing everyone suffers—mostly the 99%. When the wealthy are given a free canvas to paint upon, they create wonderful things. Tax incentives to a business are like paint to an artist. It gives the fledging entrepreneur more paint to work with—and the opportunity to create better masterpieces.

So to hear Charles Koch defend the right of the creative 1% to stand against the collectivist brutality of the 99% is 100% correct. Good for him. Instead of feeling guilty for his wealth the way Bill Gates does, and philanthropists like George Soros who is one of those scheming day traders—Koch is fighting to defend the system that he uses to create wealth, jobs, and products that make the world better off—and its about time.

Over the weekend I went to Wal-Mart with my wife, which is a rarity for me, because I don’t care much for crowds and chaos. A trip to Wal-Mart usually encompasses both. While there I couldn’t help but think of the recent attempts to unionize the popular retailer and consider the vast wealth of the Walton family. The Walton family is among the richest families in the world. Their wealth inherited from Bud and Sam Walton, founders of the world’s largest retailer, Walmart is extraordinary.^[1] The three most prominent living members (Jim, Rob and Alice) have consistently been in the top ten of the Forbes 400 since 2001, as were John (d. 2005) and Helen (d. 2007) prior to their deaths. Christy Walton took her husband John’s place after his death.

Collectively, the Waltons own over 50% of the company, and are worth a combined total of $175 billion (as of January 2015).^[2] In 2010, six members of the Walton family had the same net worth as either the bottom 28% or 41% of American families combined (depending on how it is counted).^[3]

http://en.wikipedia.org/wiki/Walton_family

That vast wealth created by the Walton family is providing low-cost goods to a huge demographic population in America and providing jobs to China that would not exist otherwise. They created wealth and on a typical Saturday afternoon the reason is on full display. Without the Walton family endeavors Wal-Mart would not exist and the people shopping there would be forced to pay 20% to 30% more for average items. Wal-Mart because of its vast purchasing power forces retailers to lower their prices which of course drive the entire market value down—a gift to the so-called “middle-class” and poor. Without that power, everything would be much more expensive and it would be unlikely that average homes could even hope to afford a flat screen 47” television. But these days, it would be difficult to find the home of a technically poor person that doesn’t have at least one such television. Thank the Walton family for enriching American society to such a vast extent, and they are not obligated in any way to “share” that wealth with any wealth redistribution scheme—because typical people will blow through the money like water over Niagara Falls. All the wealth in the world would be gone within a few years if given to the collectivism of the masses.

It’s about time that the wealthy start defending themselves and not feeling guilty about a $500 meal out at night with friends, or a round of golf at a posh country club. They should not feel bad because of a nice new car that is valued at $100,000 after installed options. Because they earned it in the same way that artists earned critical praise for a fine work painted upon a canvas. Building wealth is an art form and the wealthy are artists who build things that didn’t exist before their influence. I am happy to hear Charles Koch defending that value in public on a large stage knowing that the parasites have targeted him and his brother for years. He knows there will be back-lash over his comments, yet he made them anyway—and good for him. After all, only a handful of people in the world are capable of doing what Charles Koch does for a living. And he deserves to be paid for that productivity accordingly without an ounce of guilt.

Rich Hoffman

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India is Mad at Me: Homosexuality and Lord Hanuman

Yes, India is mad at me. One of my older articles continues to be one of the most popular as it gets passed around India from computer to computer due to my comments about the ridiculousness of Obama and his worship of the monkey-god Lord Hanuman. Occasionally the comment section on that old article is lively with opinions from the people of India defending their worship of Lord Hanuman. I am usually pretty fair about things unless they get profane. However of late, there has been an interesting resurgence that has been entertaining. For my readers here I am putting a small teaser below along with the link for review. One of the obvious conclusions when reading these comments is that obvious sexual repression comes out in the dialogue, which I brought up with very entertaining results.

I generally feel sorry for the people of India. It’s a dirty place full of ancient reverence from a people generally working an economy dependent on American call centers for their modern jobs. Their social collectivism in India, and passivity have guided them down a path toward economic destruction leaving millions of people desperately poor and turning toward mystics for some sign of hope. For them, Lord Hanuman is something they hope will give them some kind of redemption from their misery. The comment below comes from a guy who was very upset with me—and he wasn’t alone. The anger is that my article called into question the foolishness of any blind dedication to a monkey-god. The comment was full of broken English and profanity and was quite hilarious. You can see it below, when reading this comment think of Apu from the popular cartoon The Simpsons to articulate the voice.

https://overmanwarrior.wordpress.com/2012/08/21/obama-and-his-monkey-god-lord-hanuman-cleaning-the-excrement-out-of-the-white-house/

Submitted on 2015/01/24 at 5:27 pm

If you don’t consider religious beliefs for to be a good President then why are you writing this stuff against Hindu deity. You fuking morons are the people who fund terrorism. You like to do what you want then write against Christianity right and watch people fuck your ass. Write about ISIS and watch how your penis gets beheaded. You are the people who make Hitler, Osama. ruine world peace. Every bit of Osama’s life was America written and portrayed. You control over every aspect in the world. You erase History and write your own way.You people steal others bread , take innocent lives, and then make movies like Taken to show other countries as third class, fuking mess with religious beliefs except C I really want to fuckin slap u.

Fuking moron Shut up. Nobody here likes ur Omama You Mortar Fucker Shell licker. Through ur Ascaries infested Brain out and write peace. Your comment show how you took a turn when the guy said something about Christianity but rather you like bashing a demon God. You really don’t have privilege to write any religion Hindu, Islam Buddhism. I’m saying this because I’m an Indian . A Hindustani probably Hindu Muslim Buddhist Christian. I believe and practice all religion. White people always play divide and rule . That’s what britishers did in India.

Please you do die Miss One man warrior (A Chudal).Jesus save this world from this Chudal warrior. Look at your fuckin current status and then talk which is nothing except Hate.

overmanwarrior

January 24, 2015 at 8:45 pm

Sounds like you need a girlfriend to relieve some of that pent up stress.

Reply Edit

History Stinks

January 25, 2015 at 6:44 am

Miss one warrior Why would you care about my pent up dick? If you really care put that in your mouth ?

Reply Edit

overmanwarrior

January 25, 2015 at 1:40 pm

See, I knew you must have been some kind of homosexual type. I didn’t want to hurt your feelings, but that explains your comments. Only an ass pounder would think in the fashion as you. Sorry, dude I don’t swing that way. You might try the banks of your Ganges River. Since most of your women are trying to marry American men who actually have money, I can see why you might give up on that type of activity. But if you’re looking for a date–I can’t help you.

When I made the comment about the girlfriend it is a fact that the population ratio of males to females in India is 940 females for every 1000 males. That means that per every thousand men, 60 of them don’t have a female to mate with as a full-time spouse or girlfriend. So they will only have a few options—they can solicit a dirty prostitute, or become gay which involves more dirty options. Girls are so poorly treated in India that they have a low mortality rate to begin with, and for those who survive, they have an eye for American men just so they can escape from the poverty conditions of India—if they are lucky. So my comment to the frustrated commenter above is not out of context. For instance, in America there are more females from the age of 15 to 64 than there are males. Couple that to all the Russian, Indian, and Chinese women who are willing to trade their nationality for a chance to wed an American man—so to gain access to the freedoms and economic mobility of the United States—the ratio is actually higher for American men in selecting a female to mate with. So while I am sympathetic to people without those sexual options, it must be considered that it is the depravity of their economies which are the root cause of their belief in mysticism to begin with—they simply have no other option. For the poor in India dependent on a call center job stationed in America so that they can buy bread for the day—and the hottest women in their country prefers to be married to an 80-year-old American guy than to be exchanged for a goat within their village to marry some dirty, skinny, monkey-god worshiper—the resulting males have little choice than to become ass pounders or religious celibates.

Notice that the Mumbai skyline is just now starting to develop skyscrapers that have existed in America for years. Skyscrapers like profit in corporations are a direct measurement of economic success. India has done nothing to create a flourishing economy because they have mismanaged their resources for years and instead invested themselves heavily into the afterlife through mystical religions. The recent influx of economic investment is not from anything that India had done, but is because of corporations running from the high taxes of America and Europe for areas that still have good workers who will perform tasks cheaply. And in India, there are some great workers and wonderful attitudes toward enterprise. But their culture is one built on failure. I can understand the frustration that the males there have toward America-especially American men. After all it’s not their fault they were born in such a dusty armpit where women want to leave faster than rain falling during a monsoon. My problem with Lord Hanuman is that we have a current president from that part of the world who deep down inside thinks in the same way as the commenter above.

India is a third-world country stuck in ancient religions from a time when the Indus Valley was actually one of the world’s innovators. But that time has passed by and has left a very crowded country full of desperate people with little hope but to pray to a monkey-god for their redemption. When it comes down to fisticuffs sexuality always rises to the surface from a culture that has little option but to turn toward the dude next to them and ask, “hey mon—after we pray to Lord Hanuman and open up a convenient store—do you want to hook up?” Because the options are so limited in India—there really isn’t a better one. And for that, I feel sorry for them—but they made the situation for themselves by placing values in the wrong attributes socially. Their anger toward capitalism isn’t rooted in logic—but in a damaged ego that not even the Hindu gods of old can wipe away. They made the wrong decisions for their country and now they have little but dirt, foreign investment, and the sludgy Ganges River to direct their pride. That is so very sad, I almost feel bad enough not to point it out to them. But—not bad enough. India would be happier if they adopted more of the values of America—but since they haven’t, their circumstances are a direct result of their poor decisions. They might have spiritual “nirvana” but they typically only have bad things to look forward to on a daily basis, so it’s no wonder they can’t wait to die into a spiritual realm. Their life sucks.

Rich Hoffman

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Labor Unions in Decline: Knuckle-dragging losers, Obama and King Jayavarman II

“To give working families a fair shot, we’ll still need more employers to see beyond next quarter’s earnings and recognize that investing in their workforce is in their company’s long-term interest. We still need laws that strengthen rather than weaken unions, and give American workers a voice.” That is the advice of a knuckle dragging idiot whose entire world view was shaped by marijuana cigarettes, Marxists college professors and a parade of communists who wanted to screw his promiscuous white mother. Well, that idiot has been president of the United States now for a few years and even with the hard lessons about how socialism does not work, and managed economies by government infusion of their bureaucratic tendrils stifles creative enterprise instead of feeding it—Barack Obama still says really stupid things like that about labor unions.

Union membership in the United States fell to an all-time low in 2014, according to a government report released just days after President Barack Obama called for new laws to strengthen unions during his State of the Union speech. The Bureau of Labor Statistics reported that the union membership rate was 11.1 percent last year, down 0.2 percent from the rate seen in 2012 and 2013. This trend is part of a growing realization about unions in America and the kind of rhetoric uttered by major left leaning progressives like Obama and his personal friend Richard Trumka—that the concept of a labor union is right out of the pages of Karl Marx. Labor unions are essentially anti-American, anti-capitalism, and immoral toward positive growth toward productive enterprise.

The BLS report reveals that union membership is increasingly a thing of the past for most Americans, and is a status mostly relegated to government workers—which needs to be made illegal. The union membership rate for the public sector was 35.7 percent, and was just 6.6 percent in the private sector. As of last year, there were 14.6 million people working in unions.

Labor Secretary Tom Perez picked up on this point, and noted that the BLS report showed that weekly wages for union workers were significantly higher than wages for non-union workers. Union workers saw a median weekly wage of $970 in 2014, while the median wage for non-union workers was $763.

http://www.theblaze.com/stories/2015/01/23/u-s-union-membership-falls-to-record-low-in-2014/

Well……………….Tom, Barry, and Richard T and all the other slack-jawed old hippies and social parasites who utter such ridiculous nonsense with the wit of a cockroach—the reason labor unions are failing is because that $10,000 dollars per year difference in pay that union workers typically make above non-union workers is sapped directly out of the profit formula that most businesses need to exist. While the communist in people like Barak Obama, and Tom Perez point to the CEOs of various corporations and declare that they should give back their high salaries and bonus checks to “the people” of the “middle class” they forget that it takes leaders to drive companies and the workers toward profitability in the first place. Under the philosophy of Karl Marx the “workers” typically left to their own devices are often uninspired toward productive enterprise and are easily out produced by the rest of the world. Yet they command salaries that are higher for less work. That doesn’t make any sense and is the direct cause of why union membership is down.

If labor unions attached to government positions were made illegal that would go a long way toward solving many budget problems in the United States. The private sector has had to learn the hard way—yet the government sector workers have no reason to change their behavior from their point of view. They can now vote themselves raises as labor unions protect them from reality leaving the only option to eliminating their corrosive influence is to cut the positions all together. As Obama lectures that CEOs should distribute their bonus checks to the “middle class” he runs off to a golf outing on the tax payer funded Air Force One to live as if he were the king Jayavarman II of the Khmer Empire presiding over the majestic Angkor monuments. The drunkenness of power upon Obama’s mind is purely funded by tax payer looting provided to him through an army of union driven thugs at his feet providing support so long as they get that marginal pay increase just for belonging to a federal labor union. Labor unions attached to government work of any kind invites corruption of the highest order and are the root cause of the inflated tax payer funded budgets demanding reforms that never come.

Most of the time workers are not worth that $10,000 difference in pay that Tom Perez is talking about because the laws of a free market economy were ignored. The value is artificial and focused on the worker instead of the net result of the product produced by the endeavor demanded—which is a fatal flaw in thinking. Only government workers who get paid for showing up at a desk without the expectation of doing any real work, like Obama and Perez, could conclude such a ridiculous proposal—that companies function as ignorantly as they, and pay employees for unproductive work at values that are unreasonably high. In government when they need more money, they just raise taxes. So they assume in the private sector that the cost of goods and services can do the same to cover their margins. But it doesn’t work that way. When the world is competing with a global economy where many workers in those far away lands are doing work for $1 to $2 per day, its hard for the worker in the middle of Tennessee to justify their existence toward productivity when they expect to make over 100 times that amount for the same work.

This blind support for labor unions comes from people who have no idea how the world really works. They have been bred in a government backed vacuum to believe that jobs are created with tax payer money and that results are never to be expected. In many ways Obama is very much like the king Jayavarman II who started an empire in the region of Cambodia around 802 AD by declaring himself king of the world sticking a penis shaped rock in a slotted stone and asking the gods to give him immortal power. To prove he and his subsequent rulers were truly divinely led, they built all the monuments popular to the region—such as Angkor Wat. But guess what, they weren’t immortal or divinely influenced. They were just men who rose and fell within a few centuries of their climb to power. And so it will be for all government workers and their inflated wages they demand. Their large houses, boats, and lavish vacations paid for by the tax payers will be consumed and cast back to ruin the moment their lives are snuffed out by fate—and nobody will remember their efforts. Only through productivity does the work of ones enterprise live on in some fashion of immortality. No matter how much people like Obama take and give away—the value of what is looted is what suffers. What is taken is productivity and without it an entity dies one hundred percent of the time. That is why union membership is down. Soon, it will only be government workers who will be in them and the next great crises will be when people not in a union are asked to pay for more taxes to justify those in government still in unproductive unions. But the sympathy won’t be there. It’s already fading fast—especially after the scandals within the IRS over the last few years.

It’s only a matter of time before those union memberships decline as well. Because there is no longer sympathy for the unionized slug who expects to get paid for sitting around all day doing very little. The reason is not so much because of the money—it’s because of the effort. America as a nation was a productive place driven by capitalism. Without that productive edge against the rest of the world, Americans feel “average” and nobody likes that. The only way to be a winner is to out-produce your rivals around the globe, and the only way to do that is to do better. A union slug won’t be motivated to do better because they get paid regardless of the work performed. So it will be that aspect to their complacency which will eventually do them in. More union workers is a guarantee to have less work done at a higher cost—and that is not a recipe for success. People, no matter where they come from expect success—yet the labor unions work against that desire in ways that are happily putting them out of business.

Rich Hoffman

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A Case in Favor of the Kroger Marketplace: Sometimes the way to save something old is with something new

I was very much against the proposed Kroger Marketplace at the corner of 747 and Taylorsville Road in West Chester, Ohio. The opposition was because the people around the community didn’t want it and the developer didn’t seem to want to construct the buffer zone that was needed to appease the community according to news reports. The Kroger store was supposed to be a service to the community in a positive way, but the people who had moved in and around the area obviously didn’t want anything to do with it. So the trustees listened to the voters instead of laying down flat for the developers and the project halted, which I applauded. Now a different developer wants to build a Marketplace literally at the end of my street, and I am quite happy about it. So what’s the difference?

For several decades now the RT 4 corridor that runs a short way through Liberty Township, Ohio has been an optimal area for commercial and business development. When I arrive home after a long trip I cherish my hometown intersection of RT 4 and Liberty Fairfield Road which includes a traditional Kroger store that has been swelling over the years to a breaking point. Often my wife and I go to the strip mall where the Kroger currently exists and eat Chinese food at the little place there which I think is some of the finest in the country. On a Saturday, traffic is terrible because that Kroger is so swelled making further quests into the surrounding businesses unattractive.

The prospect of a 133,868 square foot Kroger Marketplace being built just up the road and diagonally across from the Elk Run golf course to replace the current one is very attractive just because the business at the old one is so robust that it demands an expansion. I purposely don’t like going to Kroger because it’s just too cramped. We typically get our Chinese food and go home because driving through and around the Kroger parking lot is just too cramped that it’s not worth it. One of the benefits of that particular intersection and the developments there is that everything is so spread out, so traffic is typically handled well. I’m happy to see a new Waffle House being erected next to the Taco Bell and LaRosa’s which is across from the McDonald’s and Skyline Chili. There are so many dining options at that intersection that it looks deceptively rural. But, I can get just about everything I need there. I can get my car repaired. I can purchase advanced firearms. I can get all my household maintenance needs between Tractor Supply and Ace Hardware. My wife and I frequently eat at the Frisch’s. Our banking is there, there’s a Hallmark. A Beverage Barn is run by a wonderful Indian family and were among the first in the area to special order Mello Yello for me directly, before the Coke Company resumed distribution back to the Cincinnati area a few years ago. There are so many positive developments that allow my family to do virtually everything we need to do within two miles of our home and I love it. But the grocery experience is just too inconvenient.

http://www.journal-news.com/news/news/public-hearing-for-new-butler-county-kroger-resche/njmb4/

The wealth of the area is conducive to the type of grocery experience that a Kroger Marketplace offers. I like the options offered in the other Liberty Township Kroger store which is a Marketplace—but it’s too far away to be considered convenient. So for me the Kroger Marketplace offers a fix to my present dilemma and the zoning for years has wanted to move in that direction at that particular location, the corner of Kyles Station and RT. 4. There are of course people who enjoy the view of an empty field, including myself. I still enjoy the sight of the occasional farming that takes place on that high hill which looks down into Trenton within the valley of the Great Miami River. But for business development, that particular location is one of the best in the area and is needed due to the value of the developments surrounding it.

There are homes around my property that are in the half million dollar range. The Elk Run Golf course I think is one of the nicest in the city—as it is very picturesque and classy. It’s a bit dated, but is due for an update which will only come if people continue to see the value in it. In a lot of ways the new Kroger will do a lot to bring the proper demographic of financial value to the area directly across from the golf course to appreciate what Elk Run offers as an asset of Liberty Township. Of that new demographic is the residents of the new Carriage Hill development which featured Homarama two consecutive years with homes upward of a million dollars in value. People who have homes like that don’t want to be cramped into a box full of dated architecture and limited shelf space. They want options, high-end cooking ingredients, and a shopping experience that is professional, and free of neurosis. The proposed Kroger Marketplace in Liberty Township is poised to provide all those options and more because the location, view, and proximity to so many family dwellings is just phenomenal.

The West Chester location was nothing like the Liberty Township location as far as placement and overall community impact. The West Chester location needed a developer that understood what the community was weary of. That particular intersection along 747 is very busy already as the Lakota school down the road really mounts up the traffic in the morning and afternoons. The homes in the immediate area already have to contend with a great deal of traffic on crowded roads. But in Liberty Township along RT 4, the road infrastructure is already built; it just needs the construction to begin.

As for the complaints, local residents won’t want to trade their view of a grassy field for a parking lot full of cars. I will be impacted as my wife and I enjoy evenings in our hot tub looking at the stars. The lights from the new Kroger will add to the light pollution which will dilute out more stars from our view. But it’s a small price to pay for the types of high-end food offerings that are typical of a Kroger Marketplace. I will gladly welcome the new development as it will greatly enhance my life and does what new creations are supposed to—it will improve life in the community. It will bring a fresh new awareness not just to the area, but to the legacy items currently already there and in a state of decline.

To this day the Western Row golf course is an empty field. The course died years ago before the spur of development along Mason-Montgomery Rd occurred and there are no takers to develop such a large plot of highly expensive real-estate now that the prices are through the roof. The property is too expensive for a golf course, and too large for more restaurants and small stores. So it sits in limbo. I would like to not see the same thing happen to Elk Run. I love the Elk Run property. I love the golf course. But because taxes are so high, it would be too expensive to privately own if the golf course fails in the future. And it’s too big to fill with business. It has taken twenty years to fill what has been built along that span of RT 4—so it’s not logical to expect Elk Run to fill with anything but more homes at some point. So for those who love green space and the scenery on top of the big hill in Liberty Township the best way to preserve it is to fully support the new Kroger Marketplace in Liberty Township. What’s wrong with a round of golf before a grocery shopping trip? Nothing at all. At the proposed location I would hope that the Elk Run golf course would enjoy new life from a new demographic support system instead of fading away into the sunset as an older generation moves on to greener pastures and a new generation perpetually looks for something new. Sometimes it takes something new to keep the old alive—and in this case, the new Kroger Marketplace will do just the trick.

Rich Hoffman

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‘American Sniper’ Review: A target only Clint Eastwood could hit

It’s been a few days and I’ve let American Sniper wash over me slowly. If I had written this review the day I watched the movie it would have likely have been one continuous glowing epitaph. It will go down as one of my finest moments in a darkened theater. I simply loved the movie. The acting by Bradley Cooper and Sienna Miller were particularly good as the leads of the real life Chris and Taya Kyle—as the rest of the cast was just fabulous. It was very easy to forget that the characters on the screen were actually in a movie. It was also easy to forget that the director Clint Eastwood shot most of the picture around California—given that most of the move took place in sets dressed up to look like Iraq. American Sniper takes you away into a bold story of masculinity, love, drama, and geopolitical circumstances on a scale that seemed as simple as a jazz piece, yet as infinitely complex at every level as the most involved, and beloved classic novel. It is truly a wonder of filmmaking exposition.

As much as I love Steven Spielberg as a director and still consider his Schindler’s List to be the pinnacle achievement in film—I think American Sniper just surpassed it as for very complex subject matter conveyed through raw brutality, hope, and cleaver strong characters toward a resolution not so cleanly wrapped up by the climax. During development for American Sniper Spielberg became hung up on the story inflating the script to over 160 pages. Due to budget constraints at Warner Brothers, Spielberg had to bow out with his hands up in frustration when the studio wouldn’t budge. Warner Brother knowing they had a big problem called up old reliable—Clint Eastwood—the ultimate minimalist director at the top of his game and asked him to take the helm—which he did. The result is likely the best movie in Clint Eastwood’s career—which has spanned over five decades now.

On August 5, 2013, Spielberg dropped out of directing the picture. By August 21, 2013 Eastwood signed on. Upon arriving at the script by Jason Hall, Eastwood immediately went into action. By March 14, 2014, Sienna Miller joined the cast. Principal photography began on March 31, 2014 in Los Angeles. In just six short months Eastwood had delivered a movie ready for production and whipped through the shooting schedule quickly so that by June the company was doing its pickup shots. The film was ready to present to the AFI Fest on November 11, 2014 just six months later. Eastwood had masterfully taken control of a very complex subject matter complete with grieving families, a high-profile lawsuit by Jesse Ventura, a murder trial, and a Hollywood community split in half politically by the subject matter to fly through the production in a way that lesser directors would have been terrified of—to deliver a sheer masterpiece to the movie screen. The only real knock to the movie is that the babies in the film looked like dolls, instead of real infants. Considering the liability of using real babies on a set—I can’t blame Eastwood for the decision. Other than that—the movie was stellar in every way.

I remember when Chris Kyle was murdered and was very aware of the book American Sniper because of the Ventura lawsuit. I had respected Jesse Ventura until I saw what he was doing to the widow Taya and I had my doubts about who said what against who during a bar fight between Kyle and Ventura. So I was turned off to the book waiting to see the evidence as time passed. When Ventura was awarded over a million dollars against the Chris Kyle estate my heart dropped because I wanted to believe that the person Glenn Beck spoke so highly of was everything he said he was. America needed a hero, and it looked like Kyle was just another inflated, propped up celebrity backed by cardboard supports. But, I trust Clint Eastwood. I know how he works. I knew how the Warner Brothers deal evolved—I knew how Eastwood came on board while reading American Sniper so I figured if there was a fraud in the story, Eastwood would sniff it out. So I watched carefully all of Eastwood’s interviews as he did promotional work for Jersey Boys over the summer of 2014 and was intrigued by his beard growth and even in how his stature had changed a bit to reflect the actor I had come to know two decades before. The American Sniper project was having a wonderful effect on Clint Eastwood. Here’s what I think happened.

In October 2013 Dina Eastwood filed for divorce which finally was granted on December 24^th 2014 ending 18 years of marriage. Eastwood did what most men do under those types of emotional escapades, he turned to masculine camaraderie to heal any misgivings he might have had at the time and buried himself into his work. Much like the subject matter in his films, Heartbreak Ridge, Kelly’s Heroes and even Where Eagles Dare, Eastwood found the subject matter of American Sniper soothing—and redeeming. His wife had run off with another man—an old high school buddy. Eastwood handled the situation calmly and in a manner very similar to how Chris Kyle dealt with his cheating girlfriend at the beginning of American Sniper. There was a subtle pain to the scene that was classic Clint Eastwood—and something only he is able to put on-screen.

Throughout the rest of American Sniper there were many similar scenes where the relationship between Taya and her husband Chris were strained. One scene was before the birth of their first son. Chris feeling like he should have been in Iraq shooting bad guys wondered why he was going to the shopping mall with his wife. The moment was broke up by the sudden birth of their son. It was a scene filled with pain, hope, and an earnest attempt to capture the essence of living daily life and all the obligations that tug on our souls. It was again only a scene that Clint Eastwood could have directed in an obvious male bonding experience he was having with Bradley Cooper who was a co-producer on the movie. American Sniper was more than a movie for all the people involved, Eastwood, the real wife Taya, Bradley Cooper–a role of a lifetime for him—and even the memory of Chris Kyle. They were all using the movie to heal themselves and thus their product is healing a nation who is watching this movie and instantly connecting to it.

There is a scene in Magnum Force where Clint Eastwood is on the shooting range for a competitive duel with his police force rival when his buddy “fatso” tells him he’s “never been smoother.” Eastwood’s Dirty Harry character in the movie was dealing with some really intense emotions about friendship, betrayal, trust in law enforcement and an egotistical boss seeded with corruption. Under hard emotional circumstances, Dirty Harry hit the shooting range like a well oiled machine. Eastwood understands that kind of thing and has put it in many of his movies. But in American Sniper his mastery of that well oiled machine has never been more evident.

Steven Spielberg would not have been able to make American Sniper. It would have been good, and likely would have come out like Munich. It would have been a decent movie, but not great. American Sniper took a person like Clint Eastwood to guide the complicated subject matter through a mine field off and on the screen to deliver a product to Warner Brothers quickly, cheaply, and efficiently. American Sniper from the onset was a real life expert shot that only a few people in the world could make leading to an ending that was much more metaphorical than it otherwise would have been.

Eastwood rarely uses slow motion in his movies. Yet when the shot was taken at the end of the film from Chris Kyle toward his ultimate rival—Eastwood slowed the bullet down so everyone could see it flying across the Fallujah cityscape. It was a shot that meant more than just a flying projectile intended for an assassin’s head. It was the story of American Sniper itself and in the end the bullet hit its target and a nation could finally breathe a sigh of relief. It’s not too much to say that American Sniper is the result of a long career by Clint Eastwood who was born to make this movie and perhaps this movie only. Eastwood had made a lot of great films—but American Sniper is the result of a new gear that no modern director possesses—and only he could wield. Warner Brothers is lucky Steven Spielberg backed off the project. They made the movie for a fraction of the budget but more importantly, it will go down as one of the best movies to come out of their studio in their long and storied history.

Long after the Academy Awards ceremony in the spring of 2015 takes place American Sniper will be a favorite movie—particularly among men. It speaks to a man’s warrior bound heart honestly. Over Christmas I was speaking to my father-in-law who had been hiding in his basement at his personal movie theater watching Mark Walberg’s movie Shooter—which is a story about a sniper who has to fight for his own survival against forces that have turned on him. He was down there as the rest of the family socialized for Christmas. But for him, the movie spoke to him much more powerfully than all the good tidings of joy centering on Holiday festivities. Shooter is a good movie particularly for gun enthusiasts—and he loves it. There is an honesty to it that cuts through all the B.S. normally associated with disjointed groups of people from all different backgrounds trying to mesh themselves into a cohesive family unit for the sake of photographs and memory. In the future, American Sniper will be the pinnacle achievement of such movies and will be many people’s favorite to view when they want to touch the face of America and the heart of a real warrior. For my father-in-law, it will be the movie he tucks away into his private theater to watch so to see the purity of what America was always intended to be. He’ll forget about Shooter. We’re not talking about a slack-jawed hippie when we talk about my father-in-law, but a former school teacher and multi-degreed academic who has late in life become quite a gun enthusiast.

American Sniper is a must see movie. Once it is seen, it will quickly become many people’s favorite war movie. It took the heroics of Chris Kyle to get it started followed closely by his tenacious wife. Then it was Bradley Cooper who produced it, gained all the weight to look like Chris and to get so close to the project that he knew the character inside and out and back again. But ultimately it took a heavy-hearted Clint Eastwood who took 84 years of life experience and a recent divorce to make a movie about men and the hard decisions they often have to make when life presses down hard. And in the end when regrets are demanded, they are refused the way testicular fortitude expects—with firmness that punches through death itself to the heart of honor we all crave to carry. American Sniper is more than a movie. It’s a philosophy that is uniquely American and it is one that will make future Fourth of Julys much more reminiscent of what the Founding Father’s always intended—and give reverence to the wonderful freedoms provided by the Second Amendment.

Rich Hoffman

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Another Kind of American Hero: Taya Kyle and how love can manifest resurrection

One of the reasons that I am most happy about the astounding support and box office numbers for the new Clint Eastwood movie, American Sniper is because of the redemption it is bringing to the widow of the slain military hero Chris Kyle—the most deadly sniper in US history. In the span of two years Taya Kyle has had to deal with the death of her husband, a defamation lawsuit by Jessie Ventura, and the ongoing circumstances of the trial of her husband’s murderer Eddie Ray Routh. It has been a painful period for her—the pressure would have crushed lesser people. But she held up and stood strong, and finally through Eastwood’s movie her husband’s memory has been given proper context and a bit of closure has finally become possible. It was commendable that she held it together when attorneys told her to let things die down before making too many public statements because of the upcoming murder trial. The movie was planned before Chris Kyle’s death, so it took a lot of emotional stability for her to continue with the project—which few are talking about. It had to be difficult. And when she was told to put a lid on her comments—she did what she felt was right to preserve her family’s memory—which is one of the most heroic aspects of American Sniper.

On Feb. 11, Eddie Ray Routh is scheduled to stand trial for killing Chris Kyle, the former Navy SEAL played by Bradley Cooper in the film. Prosecutors are seeking the death penalty for Routh, who confessed to shooting the deadliest sniper in American history and Kyle’s friend Chad Littlefield two years ago at a rifle range southwest of Dallas. Routh, a former Marine, plans to introduce evidence that he was experiencing post-traumatic stress disorder and mount an insanity defense, but the enormous profile of Kyle in the wake of American Sniper‘s success could present some complications.

The Warner Bros. film “is going to be an issue,” J. Warren St. John, Routh’s attorney, tells The Hollywood Reporter in an interview. “Can there be a fair trial?”

http://www.hollywoodreporter.com/thr-esq/how-american-sniper-could-complicate-764712

Then there was the Jessie Ventura case where the former wrestler, governor, and conspiracy theorists went after Taya just because her husband had damaged his ego in a best-selling book.

The Minneapolis Star Tribune explains…

In a section of his book called “Punching Out Scruff Face,” Kyle describes a confrontation with a “celebrity” at a 2006 wake for a Navy SEAL. He claimed “Scruff Face” made disparaging remarks about the war, the United States and President George W. Bush, provoking Kyle to punch him in the face.

Kyle later identified “Scruff Face” as Ventura.

In a federal trial last summer, Ventura won a $1.8 million verdict from the Kyle estate after convincing a jury that Chris Kyle had defamed him by writing that he decked Ventura in a bar after he made disparaging remarks about SEALs. Taya Kyle is the executor of the estate.

http://www.startribune.com/entertainment/movies/289097651.html

For Ventura it is obvious it was always about the money because he has done far more to damage his own reputation than the bragging rights of two military veterans in a bar arguing over the Iraq war. The differences between the two men are essentially the differences between Glenn Beck and Alex Jones. Taya is personal friends with Glenn Beck because their values about things are essentially aligned. Jessie Ventura is friends with Alex Jones because their values are aligned. Both are considered radical right-wingers, but they are ideologically as different as the sun and the moon. They only thing they really have in common is that they are both located in space.

Ventura made an absolute fool of himself during the trial. If the debate was with Chris Kyle, Ventura should have let it go upon his death. But to go over a grieving widow was below respectable, and he will always be known for such a gross embarrassment. And now that American Sniper is succeeding, Ventura is considering more lawsuits. It is simply unbelievable that a man would stoop so low—yet Ventura did. I think Ventura’s actions were unfathomable. No reputation is worth putting a widow through what he did. If Taya had emotionally collapsed after such an example of human vileness after the trial went against her—nobody would have blamed her.

But then came the murder trail of her husband and the concern that the killer was planning to plea guilty by reason of insanity. With all the popularity surrounding her husband it looked like Eddie Ray Routh wouldn’t be able to get a fair trial. So there was risk of messing up the trial if she continued to promote the film. But to her credit, knowing that there are serious flaws in the court process anyway—which lean in favor of Eddie Ray Routh by default—she would only get one chance to pay proper respect to her husband and that was through the Clint Eastwood film.

It really is an amazing story both on-screen and off. Through it all Taya Kyle has emerged as a hero in her own right. Her children are extremely lucky to have two parents who have provided them with such magnificent guidance. They have a hero to look up to in their father immortalized forever in the movie American Sniper—and they have a mother who has stood up to some very ominous opposition and tribulations to punch through to the kind of redemption American Sniper has given to her family. According to her husband’s killer she lost her husband to a man who simply wanted Kyle’s F-250 pick-up truck. Such a stupid loss of life over something so trivial would impact Taya forever. Fast forward to the present where pinheaded attorneys are telling her not to jeopardize the murder case by promoting American Sniper. Fortunately she has enough experience after getting burned over the Ventura case to know that she will likely not get justice in the Eddie Ray Routh case either. The best thing she could do for her husband was to get behind American Sniper—and let the legal world choke on itself.

http://www.nydailynews.com/news/national/sniper-killer-traded-soul-victims-new-truck-article-1.1255561

Taya’s story is only one of the many circling the American Sniper movie. Her heroics in the face of much misery is defiantly fuel behind the quality of the movie. Eastwood has obviously captured her spirit in his film—and it makes the movie much better. It is just one example of the kind of extraordinary feats surpassed to bring American Sniper to the big screen and why it is such a triumph to see the movie getting so much support from the public. Any other director but Eastwood would have been caught up in all the emotional drama and the film could have languished for years in development—because of all the legal cases pending. But because of Eastwood, filming started, concluded, and was distributed before the lawyers could find ways to stumble the project—which is another miracle in itself. Legal fights, grieving family members and a left-leaning Hollywood society violently against the end result. Only Clint Eastwood could have made the picture.

Like all parasites who want to suddenly hook their wagon to the star of the deceased Chris Kyle, Ventura is at it again claiming that because of his defamation suit against Taya American Sniper had a tremendous boost in sales—so he wants some of that money too. The link to the story is below. Ventura’s friend Alex Jones claims that Eastwood’s American Sniper is a giant hoax where the U.S. government is using its soldiers as propaganda pieces only to discard them when they cease to be useful. Jones utters that the whole project is designed to brainwash the American people that war is good for our society. But it is Taya who will laugh last as America has her back by supporting American Sniper at the box office. Living well is the best revenge, and because of her heroic stand against so many bullies after her husband’s death, she will get that redemption. And she deserves it.

http://controversialtimes.com/news/another-lawsuit-jesse-ventura-back-in-court-against-chris-kyle-american-sniper/

http://www.infowars.com/american-sniper-exposed-as-giant-hoax/

For every ticket sold in favor of watching American Sniper, a bad guy somewhere weeps. So for God’s sake, see the movie as many times as you can possibly can. Taya Kyle deserves the wind in her sails that will come from it. Yeah, Chris Kyle was and is an American hero. But, his wife in many different ways was just as heroic. And that is a truly magnificent story worthy of a sequel to American Sniper.

Rich Hoffman

Visit Cliffhanger Research and Development

‘American Sniper’: Breaking $105 Million on opening weekend and being a sheepdog

Is American Sniper the best Clint Eastwood film he’s ever done? Probably. Look, I’m a huge fan of Clint Eastwood so it would be hard for him to do wrong in my eyes. I knew he’d do a great job with the Chris Kyle story of the deadliest sniper in US history. I had the entire movie laid out in my mind before I even saw it, and knew it would be great. I know Eastwood’s directorial style so well that nothing really surprised me except that he’s currently 84 years old and can still make such vigorous movies of immense complexity appear so simple. He’s a jazz musician and a very wise old man who still has the heart of a 35-year-old lumberjack which was one of his odd jobs way back in the day before his acting career took off. He’s a man’s man and most women would succumb to his seductions even in his advanced years—and he knows it. He knows that hunger from women for real men and most of his movies embody that spirit in some regard—which is why women also like his movies. He appreciates that masculine quality in other men and knows precisely how to capture it on-screen. He did it marvelously in Heartbreak Ridge, Grand Torino, White Hunter Black Heart, even in Million Dollar Baby where the protagonist was a female. Eastwood has a way of getting to the primal raw nature of what it means to be a living human being from a free country. I probably have watched Eastwood over the years as closely as Bradley Cooper watched actual footage of Chris Kyle to portray him in this fantastic movie so accurately. Yet even so there were parts of the movie where you just forget to breathe because it was so spectacularly good. I think Clint Eastwood and only he could have made this movie. It was essentially an update of the very first Dirty Harry movie played out against the Iraq war—at least in how Eastwood approached the subject. It was raw, primal, honest, sentimental, and gloriously American in spirit.

American Sniper made $105 million dollars over the Martin Luther King Day holiday which far exceeded the box office predictions—by like $60 million. It broke every box office record there was for a January movie release, and even some in every other release month—even the Mel Gibson epic, The Passion, which seemed outrageously high at $83 million. I wasn’t going to see the picture until the buzz died off a bit—because I knew what to expect. But, when I read the box office take in USA Today Sunday morning that the film was trucking quickly by the $90 million dollar mark and not slowing down I knew something phenomenal was happening. Clint Eastwood had been tapping on the glass of a uniquely American concept for a movie for nearly five decades and he had finally struck gold with American Sniper. Eastwood didn’t star in the film at all, but unquestionably, he was there in the stellar performance behind Bradley Cooper and Chris Kyle himself. As Kyle whizzed in and out of bullets on the screen and paraded down Iraqi streets with his “Punishers” bearing the emblem of the popular character from graphic novel fame—Eastwood had hit the tap-root of American consciousness and had placed it on the screen for one of the first times in cinematic history. He captured and answered on the silver screen the debate of our day—should America have been in Iraq, what makes Americans free, and what does it mean to be a good person, father, husband, brother, friend and patriot? American Sniper was a movie that a majority of the people in the United States wanted to see, and needed to see through many years of guilt and embarrassment by politicians who have squandered away the pride of our nation. Eastwood captured that spirit in a bottle through the honesty of Chris Kyle, and unleashed it like a cyclone across American movie screens with the pent-up energy of a Tasmanian Devil.

It had been a long time since I had seen a movie sell out at the theater. The last time that I can recall was the 1997 film Titanic. So my wife and I planned to see the American Sniper during the playoff games late on Sunday January 18, 2015 figuring that it would be easier to get seats in our Cincinnati movie theater during that time frame. But just to be safe we arrived three hours early and discovered that the 3:30 shows were almost sold out upon our arrival. So we snagged our tickets, did some shopping to fill the hours from then until the movie began, and braced for an onslaught of movie goers lining up as early as 2:30 to be let in to see the film which showed an hour later. It only took about 20 minutes once they started seating to fill up the giant Showcase Cinema Theater from back to front with no spaces in between. I had not seen such a thing in years. American Sniper was having its “Chick-fil-A” moment—middle America was voting against Hollywood with a ticket for the Eastwood product—and they were doing it to a consensus of stunned industry insiders who were bewildered by the epic show of support for an R-rated war movie filled with profanity and drama. This wasn’t The Avengers or Transformers where children helped make up the audience. This was a strictly adult crowd showing up stone faced to support a rare piece of Americana placed before them by a legendary director depicting a real-life American hero.

http://www.thecelebritycafe.com/feature/2015/01/clint-eastwood-bradley-coopers-american-sniper-stuns-box-office-passes-90-million

I will likely give a more formal review after thinking about it for a few days—because there is a lot to cover. But for this examination, understanding the massive show of support for American Sniper is the key subject. What was it about the film that had people showing up in such an unpredictably profound way? Well, during the movie I thought a lot about what Liam Neeson said after his release of last week’s hit movie, Taken 3, where he stated after the terrorist killings in Paris:

“First off, my thoughts and prayers and my heart are with the deceased, and certainly with all of France, yesterday. I’ve got a lot of dear friends in Paris. There’s too many fucking guns out there. Especially in America. I think the population is like, 320 million? There’s over 300 million guns. Privately owned, in America. I think it’s a fucking disgrace. Every week now we’re picking up a newspaper and seeing, ‘Yet another few kids have been killed in schools.'”

http://www.huffingtonpost.com/2015/01/14/liam-neeson-america-guns_n_6472266.html

Then I watched Chris Kyle and the background he came from navigating house to house searches in Iraq and dealing which what was termed as sheer evil in the movie, and comparing the conditions of Iraq to those in America. Then it became quite clear why so many people showed up to support American Sniper. What made those barbarians in Iraq evil was that they allowed dictators to breed in their culture who then sought to spread that desire to the distant shores of America. Kyle said it in the movie, “You don’t want these people in San Diego do you?” Evil had to be fought on their soil and only there so that through passivity they didn’t end up in our back yard—as they have been doing more often under President Obama’s presidency. Terrorist cells were emboldened to attack New York under the lackadaisical watch of President Clinton, another Obama type liberal. It was eight years of 90s liberalism that gave those terrorists courage as President Bush was in his first year of office when 9/11 occurred. So a failure to bring in the kind of people who Chris Kyle represented to meet that evil far away from home to keep the fight away from the shopping malls, businesses, and industry flourishing under capitalism did not happen as it should have in the late 90s. Leaving the Iraqi people alone didn’t make them less evil. What made them evil was that they wished to impose their view of the world and understanding upon others through force which is the best definition of evil that there is. America wasn’t trying to impose its world view—it tries to free people from their oppressors. Liberals thought the war in Iraq was about oil, but it wasn’t. America has its own oil and the threat of using it is what is currently driving the prices down for our transportation costs. Iraq was always about confronting evil which America helped put in power—and had to rectify morally. For a society, an individual, or a political party to be evil, it must trample on the rights of individual thought and action to achieve its goal. People like Chris Kyle were raised to know the difference between good and evil—so he couldn’t turn away from it when he saw it. He felt compelled to kick evil’s ass wherever it was out of a natural inclination given to him by his upbringing. There are many people just like him being born and raised right now who think the same. Chris Kyle is a uniquely American type of man. You wouldn’t find him in Ukraine, or France, or anywhere in China because those cultures do not make people like him. He was born and made in America to recognize evil for what it is—and to eliminate it.

America is the freest place on earth. There is evil trying to embed itself in virtually every institution—but with free speech, and the right to bear arms, it is impossible for institutions to gain the kind of traction seen in Iraq, Iran, or China over their populations. The people in America simply won’t put up with it. Currently Americans put up with a lot, they put up with a terrible president in Obama, they put up with the entire leftist political platform points, and they put up with mismanagement of government from our schools all the way up to the highest levels of congress. But they have a breaking point and to ease their minds they have their gun cabinets in their homes to remind them if all hell breaks loose, that they are still in control. It is within that 300 million gun culture that families make heroic people like Chris Kyle. It wasn’t the military that made the man great. They simply refined the kind of man who Kyle already was. It was a father who told him there were three types of people in the world – the sheep, the wolves who prey on them, and the sheepdogs who protect the herd. His father further said, “and we aren’t raising any sheep, and we aren’t raising any wolves. Do you understand boy?”

America is the sheepdog to the rest of the world struggling to climb from under centuries of oppression. In American Sniper there isn’t one apology to the fact, which was so refreshing for the first time in a modern war movie. In the great war films of the past like the Deer Hunter, Apocalypse Now, Full Metal Jacket, and Saving Private Ryan there is always a bit of guilt associated with the actions of American troops—a questioning of whether or not they had a right to be involved in a far away land or not. In American Sniper there is no such guilt—there is only a resounding YES! Kyle as portrayed in the film signs up for four tours in Iraq against the wishes of his family because he felt it was his job to kill Mustafa, the Olympic sharp shooter working with the Al Qaeda forces. Al Qaeda had put an $180,000 bounty on Kyle’s head which Mustafa intended to collect. The entire film was essentially a cat and mouse game between those two rivals. Kyle felt he could not leave the battlefield with someone as dangerous as Mustafa on it killing American troops. It was impossible for his wife to understand at the time, but it was something Kyle as a man had to do, just as Dirty Harry Callahan had to hunt down and kill Scorpio in the 1971 cop drama. It was the same masculine necessity that uniquely only Americans seem to understand. And the reason they understand it is because they too have vaults of guns in their bedrooms, and can taste the kind of freedom that gives such ideas places to grow. People certainly don’t think that way in Ireland, England, France, or even Spain. They certainly don’t think that way in China, Russia, or anywhere in Malaysia, India, or even Australia. They only think that way in America because the gun culture gives liberty a place to sink roots and contemplate the effects of evil.

Most of the world suffers from indecision and political derision because they don’t have the ability to defend themselves from evil. They, like the Iraqi people, are left to always barter with evil to keep their loved ones from being killed or maimed. They don’t have the luxury to fight back against evil if the circumstances mandate it. For people like Chris Kyle, he learned how to spot evil, and stop it in its tracks from his family heritage driven in America by a gun culture. That is the reason that Chris Kyle was in Iraq, and why his “Punishers” were there to inflict justice upon evil as defined by common sense.

Eastwood with his big shoulders and typical brashness knew exactly what he was doing when he shot American Sniper. He knew the faces of most of the Hollywood elite would melt off when he showed the Iraqi people as savages who deserved to have their asses kicked if they were aligned with Al Qaeda. He knew that the progressive usurpers currently within American culture from the academic high towers of snobby scrutiny would decry him and his film to the end of the earth. But Eastwood like Chris Kyle was willing to weave through the bullets to “punish evil” as it is not only in Iraq, but in our own missteps stateside. Eastwood is shooting again not as the Dirty Harry character, but as one of the finest directors in cinema history and this time his targets are soothsayers like Seth Rogan, Michael Moore, and all the rest of the progressive despots who want to pave the flyover states with six feet of asphalt to bury the gun culture of America forever and the freedoms that come with it. To support Eastwood in this quest America showed up and surprised everyone with a show of force that has evil quivering in its boots right now from Hollywood mansion to mansion wondering what on earth they are going to do about the 84-year-old man who can out shoot them, out-wit them, and out-work them in every phase. Not even blockbuster film directors like James Cameron will be able to criticize the fabulous work of Eastwood or his newly found box office prowess. Because American Sniper is a statement from Eastwood to the future of his country—his movie will go down as one of the greatest war movies of all time. But more than that, it will be the defining film that articulates to the present and future generations what it means to be an American. We are the sheepdogs of the world. The sheep may not appreciate it all the time and the wolves certainly hate us, but we are what we are, and we have the guns to do the job because of capitalism. Pure and simple. American Sniper is made for the sheepdogs and by the box office numbers there are a lot of them hidden in the woodworks—and have always been there. They were just ignored by Hollywood as it was hell-bent on social change and reform. American Sniper has exposed those home-grown insurgents for the intentions they have always had.

American Sniper is like a nice shower after several days of riding in the hard desert. It felt good and clean to see such wonderful articulation of values which are uniquely American—without an ounce of apology. If you’ve seen it, go see it again. If you haven’t yet, what’s stopping you!

Rich Hoffman

Visit Cliffhanger Research and Development

James Holmes and ‘The Suffocator of Sins’: The fuel of conspiracy theory

Checking on the Holmes case in Aurora, Colorado, especially after the recent terrorist escapades in Cincinnati during the opening weeks of 2015, a status was needed as to when the so-called “Joker” theater gunman would actually go to trial. I said initially that the James Holmes case had all the signs of a false flag incident. That’s more than the typical Alex Jones conspiracy theory; it’s rooted in the behavior of the federal government in their prosecution process. The reason that there are all these conspiracies about the Illuminati, alien abductions, and government cover-ups extending from JFK to the present is because of the behavior of the authorities when pressed for answers is not satisfactory. That same sloppy manner was seen during the recent Cincinnati arrests and it is what isn’t mentioned that provokes the imagination to fill in the blanks leading to conspiracy. With the Holmes case it was obvious from the start—yet there wasn’t any real desire to do any hard reporting by the mainstream media. Likely, they feared that the attention span of the typical American wouldn’t want to pull back the 7, 8, or 9 layers of the story that held the actual truth. The rest is that they didn’t want retaliation against them either—as for the forces capable of making a Manchurian Candidate type assassin might turn their anger in the direction of any proper investigation. So that has left proper research to be left to the amateurs and proprietors of new media—such as in the video below. The following documentary by Mark Howitt is good—it’s a bit rough and it bounces around to seemingly disconnected theories—but the collection of news reports and information is worth its weight in gold. Howitt is certainly on to something important. I think there is several more layers to the story—but this documentary presents the essence for critical analysis. To understand the James Holmes shooter and the forces really at work against us, this video needs to be watched, so do yourself a favor and do that now.

In that video it was stunning to see clips of James Holmes as the honor student that he was, very connected to other people and well on his way into the fast track of success. It has a very stunning parallel to the Christopher Cornell case in Ohio where the supposed attacker was planning to join ISIS and turn his anger toward the government into violence and mayhem. The strangest problem regarding Cornell is that the typical ISIS sympathizer isn’t angry at the collectivism of government employment; it is toward the degradation of the West as seen from the perspective of the Middle East and the Sykes-Picot agreement after World War I. Cornell’s motivations seem—contrived—forced into an all too easy package complete with a ribbon on top. It is possible, as anything is in the realm of physical reality, but highly unlikely. Likely, Cornell has more in common with James Holmes than with the lunatics in Syria who are executing homosexuals, westerners, women, and anybody else who stands in their way without any fear of reprisal.

Holmes was a very intelligent, and integrated young man. Real interviews paint a picture of a very different kind of young person than the lone gunman obsessed with Batman movies. Specifically the infatuation Holmes had with the MTV personality Diggity Dave’s movie The Suffocator of Sins. That was a rather interesting tidbit to the story of a struggling future assassin trying to work things out in his head prior to becoming one of the biggest mass murderers in history. In The Suffocator of Sins a would-be hero finds Batman killed so he takes his mask and identity to become a resurrected Dark Knight. This is a very important attribute to the trial of James Holmes because it points directly to the kind of behavioral conditions that took place prior to the murders. However, since Holmes has not within two years even made it to trial yet—these psychological profiles have not been professionally examined for public consumption leaving only conjecture at this point. But it clearly shows the kid was struggling with something intense—which likely has a direct connection to the advanced neural studies he was involved in at college.

The point of the matter is that there are other elements to the story which have not been properly explored, and likely ever will. The source of the conspiracy is the question, why? For instance why hasn’t more been discussed about these conversations that Holmes had with Diggity Dave other than blowing them off as a publicity stunt for a poorly made, cheap movie by a Batman enthusiast, because the motives are highly relevant? Yet very few media outlets covered that story with any real seriousness. They were all too quick to wrap up the story with the booby-trapped apartment and the easy arrest of an incoherent James Holmes sitting in his car.

Then there is all this trouble about a second shooter. The Kennedy assassination has been mired in conspiracy for over five decades over essentially the same kind of thing. Do these gunmen act alone, or did they get help? There is still compelling speculation that there were others involved in the Kennedy shooting and until the report which has been sealed away since that time is revealed finally, that speculation will continue. In that regard the CIA is still insisting that a majority of the sealed documents about the Kennedy case remained sealed—which is odd behavior unless there is something there that they are embarrassed about? The speculation is that deceased agent George Joannides is a large reason for the continued sealing—as there are embarrassing aspects to the CIA involvement that will be revealed. All the people alive at the time will have to die off, and the CIA will have to change hands and be named something else before those records are unsealed—because the agency is protecting itself. Wouldn’t it be nice if you could do that dear reader if you were caught in some illegal action? When you control the law, you can control the punishment for poor decisions. So we don’t know if there was a second shooter, or if Lee Harvey Oswald was a Kremlin controlled assassin, or an agent of Cuba, or a false flag to cover up other issues where Kennedy wasn’t getting along all that well with the powers that wanted his seat. It’s all very murky to say the least. And here again, at the Holmes murder scene many years later are witnesses who talk about two gunman—one of them with a goatee. Well, Holmes didn’t have a goatee. The revelation of a second gunman was uttered on the spot quickly, but not mentioned much in the following days and law enforcement was very quick to mop up any reference. They found their guy in his car calmly, and it helped them wrap up the story quickly. Yet for nearly ten minutes there was plenty of time to escape, but Holmes didn’t even try. He then warned officers of the booby traps in his apartment. So why did he set them up if he didn’t have the heart to set them off—after all, he did just walk into a movie theater and shoot everyone he could dead. So why the sudden change of heart?

There are so many things that don’t add up, and the case is still lingering as if the state is dragging its feet on purpose—because they also know that there are things that just don’t add up, and the media does still ask questions they can’t answer. Because of where the case is now, the prosecution needs a nice clean case where Holmes admits to the killing but under mental ailments so that the evidence can be presented against that aspect only. But if the trial goes in another direction and all these open windows get explored, and testimony by Diggity Dave gets added to the mess, and the people at the scene who stated that there was a second shooter—well, then the case against Holmes isn’t so clean and the prosecution has some serious trouble in proving guilt—which is why it’s still in limbo.

These conspiracy problems seem to be increasing, not decreasing. The old tricks used by authorities to cap a case just aren’t working anymore because citizen journalism is doing all the work that the media should be doing and is uncovering the deep layers instead of just the surface stuff. That journalism may not be the most accurate, but at least the questions are being asked—which then require evidence that likely doesn’t exist because of the cover-up aspects of the case. Really smart people just don’t fold up and become mass murders without some kind of provocation—so the question remains—where did that provocation come from? Was it culturally, or was it because of something Holmes got into during his research? Was there a second gunman—who booby trapped the Holmes apartment not with the mind to maim officers—but to destroy evidence in the explosions set off by authorities—computer hard drives, paper reference to known accomplices, and other truths which needed concealment, because the same illusive behavior is being shown in regard to Christopher Cornell in Ohio? I smell a rat—don’t you too?

All this could be cleared up with just simple transparency on behalf of agencies like the CIA, the FBI even the ATF. But we have witnessed what happens in those government agencies when they are caught. The IRS recently destroyed their hard drive evidence implying their guilt during the Lois Lerner debacle, and the ATF actually had an informant that testified against the agency—who suffered much ridicule over the “Fast and Furious” scandal. The CIA is still covering up the Kennedy assassination—God only knows what else they are covering up that is much more recent—and relevant. Because they are hiding something—they are all guilty by association. The court of law may not be able to prosecute them for their crimes, but the public has and will continue. And the conspiracy theories will perpetually boil until the real facts of these matters is revealed without the cloak and dagger escapades of empire building federal employees up to no good for reasons unknown to convention.

Rich Hoffman

Visit Cliffhanger Research and Development

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