The Woke Museums of Washington D.C.: Why the Museum of the Bible is different

I’m sure I will visit the new museum that just opened in Cairo, Egypt, which cost over a spectacular $ 1 billion.  I love museums and have been to several around the world.  They are to me like books that tell a story about a significant moment in history, and there are always interesting things to consider in the context of a museum that assembles information to put forth a point of view.  I’m sure the new one in Egypt will be fantastic.  However, in that context, the Museum Center in Cincinnati, I think, is great as well, and it’s a place I like to visit frequently for many of the same reasons.  However, for me personally, the Museum of the Bible is a very special place in Washington, D.C., and one of my favorite destinations.  There are many great museums in Washington, D.C., including the Smithsonian and the National Geographic Museum, both of which are located there.  So when President Trump called out the various woke museums like the Smithsonian as targeted to change their ways as part of his reform of Washington D.C. culture, what is he talking about?  And I would point to the Museum of the Bible as the answer, as it was created by very passionate people, such as the ownership of Hobby Lobby and many others, who put forth a lot of effort to make the place really something special.  But why was it so much better than the other area museums for which Washington, D.C. is known?  Well, it all comes down to wokeness and how modern political spins on information provided tend to water down the experience for everyone.  And people don’t like it.  However, the Museum of the Bible is remarkably free of any woke influences, and this is noticeable upon entering and leaving, a place that has truly captured the spirit of what a museum should be and the impact a good one can have on visitors. 

The Museum of the Bible is just a few blocks away from Capitol Hill and the Mall, home to many well-known museums.  But on the way to it, when walking through the parking garage just to the west of the main entrance, a woman of color was in the elevator with my wife and me, and she noticed a particular glow of enthusiasm from us, and she asked about it.  “You guys are going to the Museum of the Bible,” she asked, smiling.  “Well, yes, we are as a matter of fact,” I said.  “How did you know?”  She was smiling, but she was a rough-looking, large woman with neck tattoos who looked like she had been living in an urban jungle for quite some time.  However, she said that the Museum of the Bible was her favorite place and that she was happy for us to experience it.  Now this wasn’t just a bunch of people happy about a museum dedicated to a religious experience.  The Museum of the Bible is dedicated to the most significant literary achievement ever produced on earth.  But it’s the way it’s presented that carries the most significance toward lasting appeal and makes it more than just another museum for most people.  I was very impressed with it.  It wasn’t trying to convince me of anything, as most museums saturated with wokeness do.  It was just proud of what it was, and it offered to let people share in that pride without pretension.  It enables you to enjoy it for all its glory without further explanation. 

And that’s what makes The Museum of the Bible special: it lacks woke references.  It wasn’t about being close to God or unashamed of biblical references that the outside world might attempt to impose on free minds.  It was authentic and put together with a genuine love of the subject, and was just a bit more than the usual museum because of it.  The displays are good, but more than that, the architecture, down to the kind of paint used, was very well put together.  The people working there came across as genuinely loving the place; they weren’t just workers fulfilling mandates for a paycheck.  I also noticed that the museum in the basement of the Capitol Building had just been reopened, and it was really good, which surprised me coming out of a recent Biden administration where wokeness was a big issue.  It was a nice museum, and my wife and I spent a lot of time there watching votes from the House on the big screens in real time.  It was put together well by people obviously passionate about the subject matter.  So the common theme here is not religious, but passion.  And once propaganda of a modern political nature is infused into the subject, people have a natural revulsion to it.  That is one of the significant criticisms of the Smithsonian and National Geographic, which have been trying to present a Charles Darwin view of science, despite evidence pointing to many other contributing factors.  It’s the authenticity of the presentation that elevates sentiment to a higher status.  And woke presentations that are filled with modern political propaganda are something that people naturally reject.  Evidence is what museums put forth.  However, interpreting that evidence in a way that advances a political narrative, if the public is not naturally inclined to agree, is a sure way to push people away, which is what has recently happened to Cracker Barrel and many other trusted commercial endeavors that have tried to embrace woke trends.  The public naturally rejects them.

The Smithsonian and National Geographic are both dedicated to science, which I love to see.  But they are terribly woke and progressive.  And the Smithsonian has been accused of censoring evidence, such as the massive amount of evidence that giant skeletons in the mounds of North America indicate a society that predates what many call Native Americans.  The real native Americans go back much further than the Indians of modern politics, and people can smell a phony that the Smithsonian is trying to steer evidence toward a political sentiment, and that is the case that America was built on stolen land from indigenous people.  And rather than let the evidence tell the story for itself, the museum tells you a fake story, and you are supposed to accept it.  And museums that push civil rights issues from a Democrat perspective, when it was Democrats who were slave owners and it was Republicans who stopped slavery, come across as phony because the material presented attempts to glaze over the facts that are culturally well known.  And that is why woke doesn’t work and why Trump is pushing woke behavior away from everything he can, especially woke museums like the Smithsonian.  America has a rich history, and museums should tell the story without the desire to steer the public in a direction that validates certain political views.  If there were giants on Earth in the form of very tall people, predating what we call “Indians,” then let’s discuss that and examine the evidence.  However, suppose we propose something that contradicts logic. In that case, the public will be uncomfortable and even resistant to enjoying it, which is the problem with ‘woke’ everywhere it is presented, in music, movies, restaurants, and even museums.  Wokeness as a propaganda tool was never going to work, and when we see things like The Museum of the Bible, which is wonderfully woke-free, we reward them with our time and attention.

Rich Hoffman

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