‘Secrets of the Demons’: Thank Matt Clark for more of ‘The Curse of Fort Seven Mile’.

Matt Clark from WAAM radio had been encouraging me to release more Cliffhanger stories. There are currently three published and available on the sidebar of this information site, but he was eager to see how the story continues. The Cliffhanger stories embodied in the overall work called The Curse of Fort Seven Mile is an endeavor dedicated to those with conservative leanings who have found themselves left behind in a world plunging toward the political left. For a conservative, music, movies, television and literature is absolutely terrible any more so an organization started with me years ago, Cliffhanger Research and Develop has cast forth the effort to resurrect what we love about classic pulp stories while firmly establishing a philosophy for the 22nd Century.517bSgL-wcL._SX331_BO1,204,203,200_

That goal is set so far out because it will take time. We are already a decade into the 21st Century and the temperament of our geopolitics is worse than ever. I have had the fortune to know several entertainment types at all levels of the industry and can report firsthand that it doesn’t get any better. Clearly the fine book The Naked Communist from 1958 has taken full root and is being implemented as we speak, and there is no coming away from that. Once something emerges into your overall culture, it is there to stay until a new static pattern replaces is. At Cliffhanger Research and Development we have no intentions on changing anything quickly. But we do intend to offer a correction to the current paralysis block by block, and of those lofty goals, the fourth Cliffhanger story in the Curse series is a foundation stone. The story is called Secrets of the Demons.

Evil is amok through the police departments, school houses and every political crevice of Fort Seven Mile. Labor unions, secret societies and drug cartels are revealing their deep plans constructed by a global menace; “The System” to unleash complete control over the human race. An era of chaos seems poised to unleash hopelessness into every home throughout the world, except for the emergence of a curse that refuses to submit. From the shadows comes a solitary savior who seems unstoppable and is threatening to shine light everywhere that darkness rules. In the wake of the masked avenger known as Cliffhanger, the town of Fort Seven Mile is uniting around the heroic obscurity. However the greatest mystery of all is the origin of this gallant madman who defies all odds at every turn. A race is on by the forces who wish to maintain control of mankind’s minds, and a lone reporter who is uncovering a carefully concealed secret which has been suppressed since the emergence of ancient civilization. The Curse of Fort Seven Mile is loose and the world will never be the same again.

Paperback edition

http://www.amazon.com/Secrets-Demons-Curse-Fort-Seven/dp/151883986X/ref=sr_1_1?ie=UTF8&qid=1446900914&sr=8-1&keywords=secrets+of+the+demons+rich+hoffman+paperback

Kindle edition

http://www.amazon.com/Secrets-Demons-Curse-Fort-Seven-ebook/dp/B017L0HS5Q/ref=sr_1_1?ie=UTF8&qid=1446855193&sr=8-1&keywords=secrets+of+the+demons+rich+hoffman

Yes, it is a pretty exciting story. We are very proud of it at Cliffhanger Research and Development and we are also happy to offer it in either a download option or as a printed product. image image imageAdditionally, we are offering several of our books in both formats because if you are like me, you still love an actual printed book. Many people these days download books to their mobile devices, but I’m still one of those old school types who love actual books. Mobile devices go out of date every few years or so but a book you can hold in your hands can last several lifetimes. It’s safe to say that by the time we get to that 22nd Century we will still love books, but the mobile devices we used early in this present century will long be outdated and replaced by something else.

My novel Tail of the Dragon has officially been re-released under full control of Cliffhanger Research and Development now. The new cover design reflects that ownership and is an important step in taking control of its future as a literary work. It is the greatest car chase story in the history of the world. There is no second place contestant. And the story is a classic tale that should appeal to conservatives. Of course these stories are for everyone. I have enjoyed novels and films that were done by bleeding heart liberals. I have been tolerant of their work and even enjoyed it. But they are not as tolerant of conservatives and much of the products of my imagination fall under that category of discrimination by highly radicalized media intent on using art to spread their liberal philosophy.51i5ms0yJvL._SX331_BO1,204,203,200_

As a preview of the Cliffhanger 5 story upcoming before Thanksgiving I can say that it has a direct tie-in to Rick Stevens from Tail of the Dragon. These literary endeavors are part of a large philosophy that I have been working on for a long time that step well beyond Nietzsche and Ayn Rand to a new level paramount to the role the individual human being played against the backdrop of the universe. To my eyes Plato opened up Pandora’s Box with philosophy leading all future democracies and republics toward an emphasis on collectivism—including our modern education institutions. But this has turned out to be 100% wrong and its time to address those issues with a future solution. Even though the Cliffhanger stories are pulp in their nature and may have a style similar to H.P. Lovecraft, or Johnston McCulley they are for me Jules Verne types of tales with a scope about them to shape the future—as he did.

Experience tells me that the big book publishers of our day and movie production houses are not equipped to deal with the type of material offered by The Curse of Fort Seven Mile—especially offerings like Secrets of the Demons. That particular installment is a combination of the third part of Ayn Rand’s Atlas Shrugged combined with Robert Jorden’s Wheel of Time novels and their supernatural revelations set against the backdrop of a reality shaped by quantum physics. I am very proud of Secrets of the Demons and the next installment upcoming. It may take readers several decades to accept some of the proposals, but readers here at Overmanwarrior’s Wisdom will find that their minds are prepared for the philosophic expansion they should expect from a paid product.

More than anything I have to thank Matt Clark for constantly reminding me of the importance that Cliffhanger can play in the modern marketplace. Its people from his generation that could most benefit from the efforts of Cliffhanger and the stories of those adventures—the first goal of commercial writing is to entertain. But at Cliffhanger Research and Development, we want to do more than that—and it should be quite clear from these literary offerings of the direction and mode of that effort. They would make wonderful Holiday presents and unique gift giving options for the person in your family who is yearning for something better than what the mainstream sources of film, music, literature, and television are presently offering. They are reflections of that old adage, “if you don’t like the way things are being done, then do them yourself.” At Cliffhanger Research and Development, we are, and we think you’ll enjoy the results and will find a home within their contents that is safe, enlightening, and supportive of whom you are as an individual.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

Listen to The Blaze Radio Network by CLICKING HERE.

Confirmation of what I’ve said about Modern Education: A six-year-old suspended for being a normal boy

This story made me so angry when I heard it that it’s taken me a few days to calm down about it. But it has made national news. Of course there will be a lot more on this story to come. Here is how the New York Daily News reported the issue.

 

A 6-year-old Ohio boy was suspended from school for three days after being spotted shooting an imaginary bow and arrow.

The boy was sent to the principal’s office for engaging in make-believe marksmanship during recess at Our Lady Of Lourdes Catholic in Westwood, Cincinnati.

Now, his dad Matthew Miele has slammed the school, who insist they have a zero-tolerance policy to any threatening gestures.

“I don’t see anything wrong with the way he was playing, ” Miele told WCPO News.

He notes that his son has never had a problem with discipline.

“The punishment is so severe that it’s hard, as a parent, to make this a teachable moment for our kid so that we can move forward.”

The school’s principal Joe Crachiolo was alerted to the incident after a teacher spotted him pretending to be a Power Ranger as he was playing outside with friends.

The parents say they encourage their son to use his imagination as much as possible, and are frustrated that their pleas for their son’s suspension to be reconsidered fell on deaf ears.

“I didn’t really understand,” said mom Martha, who spoke to Crachiolo after the punishment was handed down.

“My question to him was ‘Is this really necessary? Does this really need to be a three-day suspension under the circumstances that he was playing and he’s 6 years old?’ “

In a letter to parents, Crachiolo said the school has no tolerance for “any real, pretend or imitated violence.”

http://www.nydailynews.com/news/national/schoolboy-6-suspended-shooting-imaginary-bow-arrow-article-1.2424301

It is simply disgraceful. Testimony to all the negatives I have stated about modern education practices. The warnings have now manifested into reality.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

Listen to The Blaze Radio Network by CLICKING HERE.

Rodizio at Lunch in Liberty Center: Only $19.99 and defining the Metaphysics of Quality

It might be because I believe that advanced civilizations first erupted in South America a long time ago that I find the Rodizio at Liberty Center, Ohio so enchanting, but I love the place. It has become a personal refuge for me of late because I love the atmosphere, the enthusiasm, and the food—and I love the location. I previously wrote about a VIP night that I was a part of which can be seen by clicking here. But that was at night where the price per person was $33 dollars for the all you can eat full Rodizio experience—where they bring skewers of meat to your table in a very theatrical way and you eat as much as you want or can. Well, I wanted to try it out for lunch so I brought some people important to me to the place to see if the lunch was as magical as the dinner—and sure enough it was.

The night before I watched the very exciting Battle of Ohio at Paul Brown Stadium where the Bengals continued to have an impressive season. It was Thursday Night Football and the nation was watching. The night was long and the crowd was rowdy, but it was enchanting to watch the game from the Club section with the same demographic type of people who will enjoy the new Liberty Center. However, once the game was over, I shared with tens of thousands of other people a strong desire to get back to our cars and get on the road—which clogged up I-75 all the way back to West Chester. The highway really didn’t begin to move until we moved north passed the I-275 bridge. We were all going home from the Bengal game to the same place. It was well passed midnight and we just wanted to get to our beds. That was a persistent thought that I had all evening during the football game. Take away the Bengals, the Reds, the museum and an occasional theater play and there isn’t much that downtown Cincinnati has to offer. Sure they have nice dinner options, but downtown is such a pain in the neck to travel around. For the people who can afford it, such as the people in the Club section at the Bengal game, once the fun was over, they wanted to get back to their homes—north of Cincinnati in the suburbs of West Chester, Liberty Township and Mason.

For years I have enjoyed going downtown for the exotic experiences that you can have there, but have more than once been dismayed at how trashy it was. For instance, when you’re walking around with your date in front of Fountain Square with the Westin Hotel in the background, you want to enjoy the luxury and options of the setting, but then some dude walks by with his pants half down cursing up a storm looking like he just crawled out of the gutter—which most of the time he has, it tends to alter an otherwise good mood. You may have just spent $400 at Ruby’s Steakhouse and had an otherwise nice time until something like that happens. Cincinnati, because of the environment they’ve allowed to percolate just wasted your money on the experience you were trying to have. At the Bengal game, money flowed better so long as there was a set-up that allowed people who wanted to enjoy the game without a lot of ruckus to do so with a pretty decent guarantee that the exchange would be worth it. Those same people didn’t want to spend much time not getting to their car and were eager to get back to friendlier territory as soon as the drama of the game was done. So much of the imagery shown on the television of the downtown cityscape was an illusion, it wasn’t real. Downtown was dead because the people best able to support it wanted to get as far away as possible once it came down to putting money on the table for a nice evening. Snobby, sure it is and there is nothing wrong with that. People of value enjoy association with other people of value. If other people don’t share those values, then there will be tension, and in this day and age where political correctness is choking off our opinions, people vote with their wallets.

That brings us back to the wonderful Liberty Center downtown that is privately managed by the Steiner group which essentially gives people the Club option of shopping and dining. It has the same appeal as going to an NFL game in the Club and Box seats—it puts everything on a pedestal, keeps the riff raff at bay, and ensures that the money you spend will be worth as much as possible. And so far, I have discovered that the Rodizio is the best value of all those elements. It’s just a top class place—it reminds me of the type of place you’d find in South America without the language barriers, the sweaty hotels with half working air conditioning units, and the modern socialism that is crippling their current economy. When I walk into Rodizio each time, I think of the ancient cultures which seeded planet earth well before any established religion laid claim to history. There is an ancient truth to the place that first appealed to me. Now I find it sustaining to attend their salad bar which is only $12.99 for lunch including all the hot dishes, and pick from some very healthy selections of food prepared by a kitchen staff that really cares. But for lunch at only $19.99 you can have the whole Rodizio experience which is a business lunch bargain. So I had to try it out with those thoughts of the Bengal game fresh on my mind.

Yes Captain Hook was there and he personally cared for our table. We were very happy and the management at the Rodizio made it a very memorable experience.  Our waitress, Crystal was exceptionally professional and poured a lot of passion into our experience.  I had stated previously that I considered Rodizio a great business lunch option and it has certainly lived up to that assessment. This wasn’t a VIP evening, this was an actual business day in what I consider paradise—a well managed downtown where I don’t have to worry about my car, or nasty people ruining my investment dollars with degradation.  To say anything less would be dishonest just for the stylishness of being politically correct. Thus far, I don’t have to worry about wasting money at Liberty Center or Rodizio. If you are taking clients or associates out to lunch to impress them, you need the whole experience, the food, the atmosphere, the people—everything that your senses perceive. It all has to work or really you are just wasting your money.

The Rodizio crew understands that investment which is why I am so glowingly supportive of them. If Liberty Center were the kind of shopping destination that John Galt would have built from the novel Atlas Shrugged, then Rodizio is one of the unique places that would belong on the pages of that classic story for all the right reasons within it. It’s better than reality, which is what I feel each time I visit the Rodizio Grill. They do a good job of caring for their customers with an experience that is better than the reality of the outside world—the world beyond the parking lot of Liberty Center.

It’s not being snobby to enjoy nice things. For me it’s all about the Metaphysics of Quality. I love a quality experience and when variables create mundane results, I often resent whatever investment I’ve put into the endeavor—whether that may by time, money, or emotion. I don’t like to waste resources—so if I do something, I like to see a return on that investment in a quality experience. When I get that I do enjoying talking about it. There is nothing wrong with setting the bar high for yourself. There is nothing wrong with playing above your head, because it can make you a better person. And there is nothing wrong with eating the best food that you can for the best price in the best place. At Rodizio Grill at Liberty Center, quality is what the experience is all about. And with that, I’m pleased to report that they are the real deal, not just a flash in the pan. If you are looking for a good place to grab lunch, they should be at the top of your list.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

Listen to The Blaze Radio Network by CLICKING HERE.

Opinions of a Pothead: What they see in the mirror

In the 24 hours before the Election of 2015 this site had several thousand hits just on political issues ranging from Lakota school board candidates, Fairfield tax issues, and of course Issue 3—the pot legalization in Ohio. It was a little sad because many of those articles have been out there in cyberspace for weeks, but people were too consumed with other thoughts to pay attention—until right before the election. It was like a bunch of stupid college kids partying all week-long then the night before a big test cramming for it like a bunch of idiots taking caffeine pills to stay awake. The moment the test was over they were right back to their original stupidity getting drunk in the local bar and partying it up like it was the end of the world. Of course of those there were late comers who noticed I had very strong opinions against pot legalization in Ohio and left me comments. Some of them sounded like the idiot diatribes of a dog that had just consumed its own feces—incoherent and obviously had their brains destroyed by sustained marijuana use over time. But some were like that of the guy below. I don’t agree with this guy on much of anything, but at least he strung together a few sentences that could generate discussion.   Here is what he said:

JLeno thetonightshow.comx mrmeeseeks420@hotmail.com 83.32.44.167

JLeno thetonightshow.com mrmeeseeks420@hotmail.com 83.32.44.167

Submitted on 2015/11/02 at 10:25 pm

I think it’s great that you have your own opinion and are expressing it and all, but why don’t you present any solid info to back up your hatred? I got the impression that the whole article was just you stating your dislike of pot and the people who smoke it without providing any real evidence. You say that people aren’t really living their lives because they smoke a mind altering substance but have you ever considered that weed actually helps people to approach subjects from a different angle and offer a different take on things. Before I smoked weed, I lacked empathy and was very closed-minded. Since then, I’ve gained a new perspective that has allowed me to admit that I am wrong and take other people’s feelings into account, apparently unlike you who seems to just go around hating on a group of people who never hurt anybody. I don’t know what has to happen in a guy’s life to make him so resentful towards such a small thing that has proven time and time again to be less harmful (and more beneficial) than many legal drugs (such as caffeine and alcohol). I know you’ll probably disregard this because I’m a “filthy pothead” but I really don’t think your hatred of people who decide to ingest a natural substance is fair.

People advocating pot use always attack the amount of evidence presented in making an argument against it. I did present plenty of arguments in my article against Issue 3, but explaining it to a stoner is like trying to tell a person suffering from Alzheimer’s where their car keys is. You can show it to them on the kitchen table and they’ll act like they heard what you said, but two hours later they won’t remember anything you said, because their short-term memory centers in their brain has been destroyed and they can’t remember anything that happened five minutes ago. They can remember things that happened decades ago, but not things that happened that day because long-term memories are stored in a different part of the brain. Short term memory is one of the first things to go and pot heads have that in common with Alzheimer’s patients. I make that statement based on my own comparison, not some doctor who is behind Issue 3 and threw their name behind a study to the contrary so that they can get into the business of prescribing it to their patients.   I see nothing good about marijuana use in any fashion and I’m against it for every reason—pain relief, social bonding, even as a material for making rope.

The next things these stoner types attack is the uptightness of the typical “conservative.” Their assertion is that if only we’d get stoned with them that we might “mellow out” and see the world from a different perspective. No, marijuana is a mind altering substance. If it helps users see the world differently it’s because it changes the way a human brain thinks rationally about something. Losing rationality is not a beneficial attribute to the human condition or the maintenance of a republic. Lacking empathy is not a bad thing when people of value are surrounded by people who lack values. Being empathetic toward other human beings is not an admirable trait if the person receiving the empathy is a scum bag. Empathy is not a value if the sum of the scum exceeds what a viable society can withstand without collapsing. Ten scum bags and one person of value is not a good ratio and pot makes too many scum bags and not enough people of value tipping the scales of value toward the scum bag leading to a declining civilization. Being “mellowed out” while all this is going on makes you a pussy, not a valued citizen.

Pot heads often refer to people like me as being “closed-minded.” I consider that a compliment. Having an open mind is not necessarily a good thing when there are people within collective organizations that want to impose on you their values and expect you to assimilate to their shared beliefs—which may or may not be good. My mind is impervious to hypnotism, scary dreams—I don’t have them, or suggestions under coercion—such as threats of violence, torture, social manipulation or other mechanisms of tyranny against the individual. To those who want to penetrate that mind to inject their values, they will prescribe that my mind is closed—which it is–for the same reason that I lock the doors to my house or car—because I don’t want easy access to the contents within from those without. I don’t want just anybody inside my property and I feel even stronger about the contents of my mind—so it’s not open to others for manipulation. I like my mind and I protect it from those who want to damage it. For that reason I don’t get drunk and I don’t do drugs. And I don’t let doctors give me a lot of mindless prescriptions. Most of the time I completely ignore a doctor’s advice if they are recommending a prescription—because I don’t want a foreign substance influencing my thoughts. Would I be more fun to “party” with if I did drugs—sure—but that is not a valuable trait. So I’ll remain closed minded for the same reason that I lock the doors to my car—because I don’t want hippie scum bags and rotten bastards molesting my property. My mind is my property and I will continue to protect it.

What that commenter is saying about himself, which speaks true of everyone who falls for the pot lure—which is most people reading this article is that he’s a conquered person. Out of every 10,000 people there is typically only one person who feels about it the way I do. Even religious fanatics typically have a background with the drug. They only speak against drugs as born again Christians—but at some point in their past they tried pot, likely as a high school kid, probably in college, or in other social gatherings. They disgust me too. For me there is no wiggle room on the issue. People who have taken the drug have allowed themselves to be conquered by its lure and in most cases that is irredeemable. I know a lot of people who have used pot, and I do grow to like them occasionally. But it always tells me that they were at some point in time weak people and that is something I will never respect. They can say that my mind is closed—that I’m a conservative hater. But what they are really mad at is the reflection in the mirror. They surrendered their mind to a conscious altering substance, and they can never again claim to have the sanctity of an original thought. And that makes them feel guilty even when they are surrounded by several million other idiots who have traveled down the same path.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

Listen to The Blaze Radio Network by CLICKING HERE.

The Liberal Radicalization of Disney: How progressive voters are built from youth

As I wrote this article it was during the election night of 2015. One year later we’d be electing the next President of the United States and several congressional and senate seats. As Ohio decided whether or not to legalize marijuana caving in to the endless amounts of money spent by progressive groups funded by George Soros types to essentially dumb down the public to the extent that there is no resistance to their global efforts—I can’t help but think of the American Indian who was given easy access to liquor to make them more easily conquerable. Pot advocating by progressives is intended to lower the morality of our nation so that we can be more easily conquered by global interest. It’s very clear that is the intention behind the effort and the money propelling it—the goal is to dismantle traditional America through drug induced emphasis followed by a progressive oriented government school program. And that radicalism is certainly present in the entertainment industry. That was the basis behind a discussion I recently had with Matt Clark on his WAAM radio show in Ann Arbor, Michigan. The topic was Star Wars and the Disney Corporation and how both were being shaped by progressive influences.

Lately I have been less interested with elections because they don’t have much effect currently. For instance, in Ohio if marijuana fails, it is a 100% chance that it will be back on the ballot likely within the year, just like school levies, and the casino issue from a few years ago. These idiots will keep putting it on the ballot until it passes—they will continue in spite of what voters indicate—their goal will be to wear down the public until they cave—so the effort should be viewed as a military exercise, not a democratic endeavor. I don’t see much hope in any of these elections until we get personalities in office who will stand up for the republic concept. Paul Ryan is a perfect example of this whole effort—he was elected a Tea Party darling, but has now moved toward establishment protector. He’s the new Speaker of the House based on his past reputation as a reformer, not as a current conquered personality. The process of lobbyists destroys good people and leaves us all yearning for authentic personalities which is too infrequent. I hope for a Donald Trump to shake up this mess. Without him, or someone like him—I don’t have much hope for the future of politics.

But I do find hope in Disney and the new Star Wars property, which Matt and I discussed in a way that should be very useful to all concerned minds. Disney doesn’t hear enough good criticism from their customer base to navigate by, and I sincerely hope that articles like this one, and the radio content that Matt and I provided helps them. The same lobbyists who bend politicians backwards, and constantly advocate on behalf of marijuana are those who push Disney as a company to move always to the political left—or to be threatened with lawsuits, boycotts and other types of radicalism designed to destroy a traditional social position. Disney out of all the production companies out there is best poised to stand for traditional American values, but there is a real risk that nutcases within the Disney organization will start populating Star Wars with gay characters and progressive tripe just to appease the elements of evil that are so prevalent in our present society.

I spent the last three articles on this topic because it is one of the most important of our time, a major movie is coming out that will touch just about everyone’s life in some way or another. But these filmmakers are not George Lucas of the 1980s, the conservative Ayn Rand type of dystopian individualist—it is the evolution of a tight group of friends from Kathy Kennedy all the way through Steven Spielberg who have mellowed over time and are now quite liberal in their activism. Wealth and the California culture have tamed their once conservative spirits. For instance, one of George Lucas’ best films is THX-1138 which was essentially a movie version of Ayn Rand’s Anthem. Lucas would not make a movie like that now—but when the first Star Wars came out, he was very much a limited government advocate where his Rebel Alliance would have been considered Tea Party Patriots in our contemporary world. Over time George become more like Darth Vader than Han Solo which was certainly reflected in the prequel films.

I actually think that Disney has become so radicalized that there is probably talk behind closed doors that two gay characters should have a legitimate romance in a future Star Wars movie. The reason Matt and I covered this topic on the radio is because there have been threats from more conservative groups looking at the new Star Wars and seeing the alarm signs that the new heroes are a woman, and a black guy, and the villains are mostly white males. While having women and dark-skinned protagonists isn’t a big deal to me, I can see why people would be concerned—because it certainly strays from the original formula—old white man, young white man, middle-aged white man, hairy beast that is a male—and a mouthy feminist. Then of course there are two male droids—unless R2D2 tries to pull a Bruce Jenner. Even worse is Kathy Kennedy’s comments to a women’s summit recently shown above where she specified that her goal as a CEO of Lucasfilm was to put more women in the movie making business.

Kennedy said she had been recently to a taping of a Saturday Night Live and noticed that most of the camera operators were men, not women. She attributed this to a possible union rules issue and bosses who hired men over women—which is a typical progressive belief. She went on to say that her goal was to inspire women to become more camera operators and behind the line talent. That was interesting. Then, if you consider recent statements by Carrie Fisher to the new young actress Daisy Ridley to not to allow herself to become sexualized in the future Star Wars films there is plenty of evidence that some serious progressive radicalism is percolating on the horizon of one of the most powerful entertainment vehicles in the history of the world.

What these old women represented by Fisher and Kennedy don’t understand about people is that a fair number of women want to be sexualized for the attention it gives them, and that the reason for that attention is biological. That is part of what made the original Star Wars films so powerful. Princess Leia went from a radical feminist to a conquered love interest. By the third film she was in a hot bikini looking very sexual and it went down in history as one of the most memorable costumes in history. If Kathy Kennedy thinks that she’ll expand the market share of Star Wars by going in reverse, she is sadly mistaken. Han Solo conquered Princess Leia through testosterone induced masculinity. When Lucas tried to soften the Han Solo character up for Return of the Jedi into being a nice, understanding equal to Princess Leia, the story doesn’t work. What did work was the metal bikini that Carrie Fisher wore. So there is a real risk that Kennedy is going to screw the whole thing up. I think people will still enjoy the movies, but they won’t be in the same passionate way. If Star Wars gets softened under progressive influence, there is a real risk of the whole thing being destroyed and with it, a major ray of hope that traditional families across the world have as an entertainment option that is safe for their children.

My interest in all this isn’t just because I like Star Wars or Disney. It’s because the release of this film is nearly on scale with the Biblical Armageddon. When this movie is released, it will soak up so much of the news cycle and the Christmas shopping efforts ahead of the Holiday that people will forget that Santa Clause and Jesus are central to the festivities. Star Wars will be all-encompassing. This is one of the biggest things to happen in our lifetimes. I know it’s only a movie, but it’s not. It’s much more than that. Only time will tell how well Disney navigates through this mine field. I’m not ready to boycott Disney over any of this. But if they try to cram gay rights, feminism, and gun control down our throats the way that marijuana, high taxes, and democratic tyranny through corrosive elections have been imposed on us, then I will drop Star Wars in less than a second as an entertainment option, and I know millions of others will as well. This year it’s not the elections that will determine our future—it’s a movie that comes out next month. And the fate of humanity literally hangs in the balance. We’ll see.

When the first Star Wars films were released, Nancy Reagan had a program urging children to say “NO” to drugs. Marijuana was used by kids—lots of kids, but it had a stigma against it imposed by the righteous forcing it underground. Now progressive parasites have put marijuana into the mainstream and they are seeking to break down the pillars of conservatism in Ohio hoping that all blocks of a delicate electorate will topple. If Issue 3 fails, activists will be right back at it for 2016, or 2017—however long it takes for them to impose their conquest. The foundation for the cause of that erosion comes from a lack of resolve established in the human understanding of good versus evil in a very black and white type of way. That is why Star Wars and the condition of Disney are more important than many of the ballot issues up for discussion during the 2015 election. If Disney fails and with it, Star Wars—there isn’t much for good-hearted people to put their effort behind. That is the risk that is before us and the merit of the pre-election coverage on WAAM radio with Matt Clark. The results of an election are less important than the condition of the minds of the people who vote in them. Cultural events, like the opening of a new Star Wars film and a corporation like Disney that was built on family values says a lot as to how elections will be conducted in the future—and that is what is at risk presently.

If you haven’t yet watched all the videos on this article, you should do that now, then read this article again.  It’s all very important to our future.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

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Robert Tracinski, Rich Hoffman and Matt Clark on WAAM: Why ‘Star Wars’ is better than ‘Star Trek’

Matt Clark had me on his show to actually co-host with him as we spoke to Robert Tracinski who writes for The Federalist. He had written an interesting article about how it was unlikely that J.J. Abrams could screw up the new Star Wars film, The Force Awakens, so long as he stuck with the formula. There were some condescending aspects to Tracisnski’s article which I was willing to overlook, because he was right about a lot of things. But more than anything Tracisnski had been dismissive of the original trilogy as not being very good—which I thought was odd. So I was eager to talk to him. It only took a few moments into the interview however to learn the root of his issues—he was a Star Trek fan and had only come to Star Wars through his children. His position was that Star Trek was philosophically superior to Star Wars and that these new movies were kid stuff that he was enjoying with his children. Listen to that interview here:

I don’t care much for Star Trek, to me it is the United Nations in space. While Robert Tracinski is not a liberal and is a pretty committed Objectivist, which is Ayn Rand’s philosophy—it was clear to me quickly why Robert didn’t like Star Wars much in his article. I disagree with him on a number of topics regarding the formula of Star Wars, or its appeal. I think the Star Wars films are deeply philosophical; especially The Empire Strikes Back—much more so than Star Trek. I mean, people are not lining up across the world to see the latest Star Trek movie, and Star Wars isn’t as popular as it is because it’s just adults living out their childhoods once again through a movie. It’s more complicated than that. As we were talking to Tracinski, because of his background with Ayn Rand I kept wondering if I had met him someplace before, so I wanted to cut him some slack. Everyone comes to things in their own time and if he came to Star Wars late in life through his kids—so be it. One aspect that Tracinski got right in his article was the perception that Han Solo is the key to the franchise—so I stuck to that topic in our conversation.

Matt and I spent the first segment of his Saturday WAAM show talking about Disney and their progressive activism with a gentle warning about messing with the formula of Star Wars and the impact that might have on their massive investment. Matt and I love Disney—the Uncle Walt version. I love that Disney is a family friendly entertainment group—so I am willing to overlook a little of their liberal activism. Something that Robert Tracinski did bring up on his show that was true.  George Lucas and Steven Spielberg were the best conservative filmmakers coming out of the 80s. I personally think they were both seduced by Bill Clinton in the 90s and have lost their minds since. The reason their early films were so successful was because they all had conservative leanings to them. Once both directors had achieved their monstrous success and essentially stepped away from the Objectivist roots of their film careers, their movies started making a lot less money. Without question George Lucas was at least attracted to Ayn Rand in his early days—when she was at the height of her influence—and Han Solo was a character that represented that struggle within George. As he become more liberal with age and success—perhaps feeling a little guilty that all his liberal employees were constantly berating him for his capitalist tendencies, he softened up on his stance for individualism and began to accept collectivism to a much higher degree, which was clearly represented in the prequel  films—which were noticeably absent of the Han Solo type of character.

Where I disagree with Tracinski about the prequel films is that I don’t think George Lucas ever intended those films to be successes. They were dark movies about the failure of a Republic—and have great political merit to them. They are very philosophical from the position of how poorly constructed philosophies can destroy a body of government. Even though Lucas had been moving to the left—politically, his message about the failure of groups to detect evil, and how institutional failure is indicative of all government cycles is powerful stuff that set the stage for some pretty deep storytelling. As much as people dismiss the prequel films as silly, they are important in the larger scope of the intended message. The movies did lack heroics on the scale of a Han Solo, but that was on purpose. A lot of characters including Yoda and Obi-wan Kenobi made mistakes that they spent the rest of their lives correcting. So the films were never supposed to be heroic repeats of the original trilogy. For that story Han Solo was the savior, he kept Luke alive, married his sister Leia and that set up the events of these new films. Solo is an Ayn Rand character and Disney even with all their activism against conservative causes—can’t ignore that the magic of Star Wars isn’t Luke Skywalker, or anything about the Force—it’s about Han Solo’s position against hooky religions and ancient weapons not being as competent as a good blaster at your side.

Just a few days before Matt and I had our radio show together Harrison Ford was on with Jimmy Kimmel dressed up for Halloween as a hot dog. It was a funny segment and of course Ford was asked about the new Star Wars film. I thought his comments were interesting to say the least. He stated that nobody would be disappointed—at all. That was a remarkable statement considering what’s at stake. He knows the potential cost of over-anticipated hype—so his comments had me very curious in relation to Disney’s strategy going forward. Han Solo is going to be playing a larger role in Star Wars than he has in the past largely because the character tests well demographically. His children will without question be the subject of the new stories but Disney will find every opportunity to insert a younger Han Solo into the movies at every juncture. To be successful at that, Disney will have no choice but to adopt the obvious aspects of Han Solo’s Objectivism view points—his natural conservatism and love of capitalist endeavors if they want Star Wars to continue being successful.

After Matt’s show I spent time at my children’s house going trick or treating with my grandkids—and kids. Late into the night my oldest daughter and I spent time talking about Han Solo and how it seems obvious now that Disney will find a way to put him in the stand alone films as much as possible just to use him as a springboard to success. Like Robert Tracinski and I spoke about on Matt’s show, without Han Solo, I think the Star Wars saga crashes and burns. If they try to turn him into a sacrificial collectivist Disney will lose a lot of money because people will reject the premise. The ticket buying public will only accept the Objectivist Han Solo—and nothing less—the hero who acts in his own self-interest. Even though the moment at the end of A New Hope was intended to show that Solo was able to act for others, the need to save Luke at the last moment was out of Solo’s self-interest because he was starting to like the kid. Like I said, Star Wars is a lot more philosophical than people give it credit for, and I’d think that as much as Tracinski likes Ayn Rand, that he’d prefer Star Wars over the United Nations in space—Star Trek and all that “needs of the many outweigh the needs of the few” crap. Screw Spock and his pointy ears—he’s a damn collectivist. Solo is a rugged, gun slinging individualist who acts out of his own self-interest. That’s why Star Wars is better than Star Trek.

We’ll see what happens, time will tell. It was a good conversation that was worth listening to, especially given what Star Wars will mean when it opens in a few weeks. There will be no escape; the opening of The Force Awakens will impact just about everyone no matter where they live. It will be impossible to not notice something about it as the merchandising around Christmas will be everywhere. Just watch the Duracell commercial shown above. Star Wars will literally be everywhere in just a few weeks of this writing. There will be nothing like it ever—history is being made both commercially and philosophically. The question will be whether or not The Force Awakens will be as anticipated on the 19th of December as it was on the 18th after people start seeing the movie. To be as successful as Disney needs it to be people will need to see the film several times. And to have that kind of power over the mind of fans—Han Solo will have to be a part of it with an Objectivist approach—otherwise the whole thing falls apart. It’s not the lightsaber battles and space antics that make Star Wars so great—it’s the Objectivist leanings of its basic premise:

Han Solo—“marching into the detention area is not what I had in mind.”

Luke Skywalker—“but she’s rich.”

Han Solo—“How rich?”

Luke Skywalker—“More wealth than you can imagine.”

Han Solo—“I don’t know, I can imagine quite a bit.”

Luke Skywalker—“you’ll get it.”

Han Solo—“I better!”

Luke Skywalker—“You will!”

Han Solo—“Alright kid, what’s your plan?”

That’s Star Wars—it’s an Objectivist love fest designed before George Lucas was overly liberalized. It’s also why twice during the broadcast with Matt that I uttered to his millions and millions of listeners—“Han shot first!” When Lucas changed Star Wars in 1997 to have the bounty hunter Greedo shoot at Han first in the Mos Eisley cantina fans were angry. It was a liberalized mistake for Lucas to cave under the pressure from the liberal film community to make Han Solo not appear as such a blood thirsty killer. But Solo acting out of self-interest shot first because that is the nature of his character—he’s an Ayn Rand survivalist and the heart of what makes Star Wars great.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

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The Best Thing About ‘The Force Awakens’: John Williams

Matt Clark and I over the weekend did a rather important show about the new Star Wars picture and the radicalism of Disney from its employees based on an article I wrote several weeks ago. You will be able to listen to that broadcast on WAAM radio soon. However, Matt had on a guest that was late to the call at the bottom of the hour and needed to fill some time while his producer got him on the phone. So we had to come up with a bit of off-script content to bridge the gap. I brought up something I had been thinking about a lot in anticipation of the new Force Awakens Star Wars film based on persistent fears that the expectations were just so high. There was a real danger of walking away disappointed. I realized after a lot of thought that the primary reason I was looking forward to the new Star Wars film was for one simple reason—I want to hear new Star Wars music from John Williams. Everything else is literally secondary. To understand why, watch this old 20/20 segment about John Williams from 1983.

I was a strange kid—which should have been assumed based on a casual reading of my millions and millions of words. There are a lot of people who get paid decent amounts of money for writing far less than I do about far, far fewer topics. Yet I know that I have to write otherwise my head would explode with too many thoughts. I have too many hobbies, too many passions, too many philosophical quandaries that reside at the root of politics that if I don’t get them out and onto some kind of page to look at I may well explode with enthusiasm. So I have to write because I opened the door to something when I was very young that I have never closed. I only wanted to be one thing when I grew up—but I was caught between two worlds really. There was no other job that I wanted to be involved with than a director of movies. The trouble was I also had a pretty powerful physical aptitude. Creative types tend to enjoy escaping from reality and creating what they do in a vacuum of contemplation—whereas I didn’t. I wanted to be in the thick of reality at all times, which flew in the face of the film industry. But at age 13 in 1983 when that 20/20 episode came out on John Williams I wanted to be a film director so that I could work with people like him. What I learned eventually, and much later that there really isn’t anyone like John Williams, the great composer and conductor for some of the most powerful and important movies our American culture has ever produced. So that 20/20 episode was very important to me—I watched it over and over again on a new device called a VHS video tape. I had recorded it and showed it to every member of my family whenever there was some gathering trying to share with them the passion I felt for John Williams music. Most of them didn’t understand.

John Williams is the most important musical personality of the millennia—more so than Beethoven, Mozart, Bach or anybody else. Many years later as I worked at Cincinnati Milicron in Oakley, just north of downtown Cincinnati I listened to all those composers religiously on NPR radio while I worked as a tear-down person for rebuilt machine lathes. The other workers had a typical unionized approach to work, they watched the break clock closely—paced out their day making sure not to produce too much too quickly, and they listened to a lot of classic rock. I wasn’t adverse to rock and roll—there is a certain magic to it blaring from a radio in a machine shop—a freedom that is healthy and defiant in all the right ways—but its not very intellectual. Rock music is very linier—which has never been something I was interested in—rock music equals a can of beer resulting in unstable personal relationships. I enjoyed it for its ambiance, not for the lifestyles that draped off it—the limited vision of the world and lack-luster ambition typical of its fans. So I listened to my radio tuned to NPR’s classical station in Cincinnati and listened to the greats for hours on end while I worked. I was the only one who did this within the entire facility which eventually was dismantled and is now covered by the upgraded development occurring around the Rockwood shopping complex. I have always thought that if more people listened to that classical station with me that the employees would have been smart enough to see the writing on the wall years ago, and Cincinnati Milicron would not have eventually closed down their Oakley facility—but that’s a story we’ve covered before. For this purpose, I considered classical music to be the supreme type of music a human being can listen to—and among them at the very top is John Williams. There is nobody better—and I’ve listened to them all.

Most classical composers wrote their music for some play centuries before they ever appeared on NPR radio. So to me it was not deficient to look at John Williams as one who will eventually surpass the memory of all the obvious musical minds in the future. Movies are modern plays, so a film score is tomorrow’s classical music that will play on NPR radio in the future, all the time. These days however if anybody happened to look at my iPod they would only see two primary names on the entire 10G device, John Williams and Hans Zimmer. There are a few others, but 95% of my iPod is filled with those two musical film composers. Of those two, Hans Zimmer is clearly the student of the master, John Williams. I don’t see them as comparable in any way—other than they both make music. Nobody writes music like John Williams—I listen to him nearly every day in some fashion or another and I never get tired of the way he strings together compositions.

As we were sitting at the bottom of the hour trying to get Matt’s guest on the air, I thought about why I was eager for The Force Awakens by thinking about what I liked most about the recently released trailer—the final one before the film opens on December 18th. It was the scene from a series of clips where the Millennium Falcon was entering hyperspace from the inverted direction speeding into blue light accompanied musically by an upgrade from the previous Han and Leia theme. That was fresh music made just for this trailer and it was stunning in how it helped invoke curiosity. John Williams understands just the right notes to put on a page for what is happening on the screen. The way he tells stories through music is extraordinary, and it was his music that I wanted to hear most regarding the new film.

I meant it when I said it on the air, the Disney Company could put hand puppets on the screen for The Force Awakens and I wouldn’t care so long as I had yet another opportunity to listen to a film score by the great John Williams. He enjoys making swashbuckler type of compositions and really thrives in the type of story that Star Wars is, so it typically brings out the best in him. If the story is not something I can get into, I will at least enjoy the John Williams music—which is what I am looking forward to most. It’s not often that the entire world will attend a musical concert that is classical in nature. Literally the entire planet will be attending a John Williams concert when The Force Awakens opens just ahead of Christmas 2015. And there is nothing negative about that.

Music doesn’t need language—it transcends social limitations and reaches for the pit of our very souls for understanding. Based on that 20/20 clip, it was obvious then that John Williams was on a crash course with destiny as the greatest composer of all time—at least over the last 1000 years—because there has been nobody like him ever. He’s just the right mix of everything musical. No matter how much I listened to Bach, or Mozart on NPR radio, when they would occasionally put on some John Williams music—from any movie—it was clear that a master had assembled the notes. With that in mind there isn’t much Disney can do to ruin Star Wars so long as John Williams is the man behind the music. Star Wars will always be good so long as the music from those movies are made by the 83-year-old composer who was always ahead of his time and is the best that ever occupied nostalgia. Film music is considered low-brow entertainment among the art critics of our day—but that’s because they’re in the back of the train. Eventually those art analyzers will catch up to what I’m saying today—that John Williams is the primary reason that millions will love the new film and it will be the largest and most diverse opening to an orchestral concert in the history of earth—and that is enough to give anyone goose bumps because the impact it will have on shaping our future generations will be paramount. I suspect that The Force Awakens score will be the grand fortissimo to a long and prosperous career.   But more than that, it will be the last act of a brilliant mind, who would rather write alone all day behind a piano than do anything else—which is why he has been and will always be the greatest.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

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Sergio Leone at Liberty Center: Taking a step back to the lessons of classic spaghetti westerns

The very first movie I can remember seeing was A Fistful of Dollars when I was four years old. I had seen it a year before on Channel 19 but it was something I had watched with my mom while she canned tomatoes. Our house didn’t have air conditioning but I didn’t care. Our television back then was color, but it barely had good enough reception to see what was going on through the static. But when it did Sergio Leone’s westerns were the coolest thing on television and I watched them in pools of my own sweet as my first conscious memories. If it could be said that I had a primary influence on my life it was in those moments of watching Leone westerns with my mother well before I ever turned five. Back then all I remembered of A Fistful of Dollars was the end where Clint Eastwood chained a steel chest-plate to his chest hidden under his poncho and taunted Remon Rojos to aim for his heart. Each time a bullet struck Eastwood he’d fall down but keep getting up again until he closed in on the villain with honor and killed him with a great final standoff. I used to watch the entire film not understanding anything anybody was saying just so I could see that ending over and over again. Back then there were no DVDs so you’d have to wait for it to come back on television at some unforeseen time. So I learned to read by going through the TV guide and looking for old Sergio Leone westerns looking hoping A Fistful of Dollars would come on again. To learn more about Leone as a person and director watch this fantastic documentary on him to understand why I enjoyed his work so much.

Sergio Leone had more influence on me as a result of those continuous viewings than I’d typically give credit. Because I was always looking for A Fistful of Dollars I’d sometimes confuse the films with For A Few Dollars More, The Good, the Bad, and the Ugly, and Once Upon a Time in the West because I learned that they were directed by Sergio Leone which was easier to remember than the title of the movies. So I watched them all often disappointed that they weren’t the one where Clint Eastwood kept getting shot, yet continued to get back up. Sergio’s impact on cinema was incalculable. He directly influenced the Star Wars films and literally hundreds of future directors, actors, cinematographers and many others not even in the show business industry. His westerns were stunningly passionate yet dystopian. He did so much with so little money that each frame of film was made as if it were his last. His use of sound effects, music and the visual medium of film is something that very few directors were ever able to achieve. He was simply stunning.

Like me Sergio Leone loved classic American westerns, which were a primary export to his home country of Italy. Unlike me, he didn’t live in the United States, so when he met Americans for the first time coming to Rome as conquerors after World War II they didn’t live up to his expectations and the director sought to reconcile that disappointment with his westerns. After all Leone was living in a Marxist oriented European mindset looking to the West with a bit of hope—but the people from that land were less than valiant which put his unique spin on the American western—famously known as the spaghetti westerns.

That disappointment was never more clear than in Once Upon a Time in the West where the primary villain was the clear-eyed Henry Fonda—the star of many American westerns. He was a classic bad guy cast against a break-out role for the young Charles Bronson. The anger I felt toward Fonda because of the scene where the hired gun for the railroad tycoon known as Morton killed the land owner McBain and his children with a brutal hanging was excessive. That anger lasted most of my life, because I have since seen that type of evil firsthand. Sergio Leone as an Italian who was in love with the image of America was poised to make films that criticized the western while at the same time relishing in them. Leone captured the raw personality of evil in his films in a way that nobody else had or has since—never with such grandiose passion. But for me, the trilogy of films that embodied the “Once Upon” films, which would make eventual stars of many actors were not the best work of Leone. As he became older and had attended several film festivals, he leaned more toward Marxism—which was the home philosophy of Italy. The hope of his youth had left his films by the time he made Once Upon a Time in America. More and more Leone was obsessed with the evils of crony capitalism as if to justify his Marxist leanings which essentially helped fuel the Hollywood insurrection more toward the political left.

Quentin Tarantino who is about to release the modern western The Hateful Eight, which I’m eager to see and shares with me a love for Leone leans more toward the later part of Leone’s career as opposed to the front with the Fistful of Dollars trilogy. Most of Hollywood for that matter saw how Leone turned the American western on its head and thought that prevailing trend was “high art.” So they turned their eyes to Europe and made movies that punched even deeper holes into the American mythology of the Old West. But that approach was misguided and doomed from the start. While I really enjoyed Leone’s later work, especially his Once Upon the Time in the West, it was his Dollars films that I think are the hopeful musings of a would-be capitalist and his yearnings for the kind of America that it should have always been—as represented by the self-reliant individualist Clint Eastwood. Tarantino pays many tributes to Sergio in his films, but he never quite gets it, which I’m sure will be a continued problem in his The Hateful Eight. Tarantino is a broken person because he loved the wrong Leone.

But I didn’t, I saw through that conflict before I was age 7 and was beginning to understand these strange western films from a foreign director who couldn’t even speak English. People like Tarantino and his producers at the Weinstein Company gravitated toward the Marxist Leone, not the hopeful treasure hunter of The Good, the Bad and the Ugly—where the good guy played by Clint Eastwood gets the treasure, gets his revenge, and rides off into the sunset alone. He does the same thing in For A Few Dollars More and to a lesser degree in A Fistful of Dollars. In that first film released in 1964 Eastwood has more of a classic showdown with the bad guys as he comes back to town to save a friend of his from hanging. Hanging in these western films which are now 50 years old represented the brutality of unjust application of authority and the abuse of the strong against the weak. In those films Eastwood played a classic avenger, which he would go on to build a career on. Smartly, Eastwood turned down the role of the lead protagonist in Leone’s Once Upon a Time in the West—which was a brilliant film wonderfully shot, but did not have the capitalist message that had made Eastwood such a superstar. Good move on Eastwood’s part because even though Sergio Leone had larger budgets to work with and studio backing that he never dreamed of a decade before—like George Lucas his vision began to be tainted as his hope for America moved from tradition to progressivism. When most of their Hollywood friends were jealous European sympathizing Marxists and are all left-leaning at film festivals, the lens of their vision changed from hopeful capitalists to regulated Marxists. As a result the American public generally began to reject Leone films whereas critics began to praise them—because they were moving toward the left as well. American however stayed center-right and just stopped paying attention to Leone.

This was on my mind because I was shopping with my wife at Liberty Center and couldn’t help but notice a fashion trend that was emerging—perhaps 40 years too late, but it’s emerging. The influence of Leone’s spaghetti westerns is rising into the mainstream as many of the high-end clothing designed for affluent types look like they are coming straight off the screen of Leone’s classic westerns. This is a great thing as they are not the type of westerns that Tarantino loved, but the kind that I did. America is slowly beginning to wake up to the sleep it has been under and is turning back to its origins—sharing that bright-eyed hope that Sergio Leone once had that America could be a place for personal gain and intact justice. Clint Eastwood’s character in the Leone westerns never had doubt in himself and was always able to slug through any situation presented to him. He just kept getting up and up which my four-year-old eyes never forgot. That movie is as part of me as anything else is and it all started with my mother watching that film with me knowing that it would somehow be important. That’s why she’s such a good mom. She launched me in the right direction which apparently the rest of the world is just starting to understand—perhaps not deeply, but at least emotionally as it is started to show itself in our fashions.

For a long time I’ve had the hunch that all aspects of American culture needed to go back in time to that precipice of history to when A Fistful of Dollars was released, and start over. Instead of hating the crony capitalists Rojos as a reason to steer society toward Marxism we should focus on the capitalist that played both sides against the other for the personal gain of reward while doing good for those around him as a natural by-product. In those days nobody in the world understood capitalism better than Sergio Leone and his good friend Ennio Morricone. America should have listened then. But it’s not too late. I saw several women standing at the corner of Bales Street and Haskell who looked like they stepped right off the set of For A Few Dollars More. They may not have been aware of it, but it was obvious to me that the fashion designers for their clothing were clearly fans of early Sergio Leone westerns likely for the reasons I just mentioned. European Marxism has taken the world nowhere. So its time to re-evaluate our philosophy and to step back to that very first film, A Fistful of Dollars and see it through the eyes of its maker—and not make the same mistakes going forward. I received the message the first time, and I have never looked back and been with any doubt. Tarantino and the modern films schools have it wrong—they need to go back to Leone and understand what it was in the beginning that made him so great—and its not that he cast Henry Fonda as a villain.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

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Americans Still Support Guns and the NRA: Firearms should be as common to wear as blue jeans

Yes it is good news to those of right mind, something the slack-jawed losers, the liberal malcontents, the communist gun-grabbers don’t want you to know dear reader, that a Gallup poll conducted on October 7th through the 11th confirmed Americans have a favorable opinion of the NRA. Even better 52 percent of the respondents polled—which 56% considered themselves political moderates—opposed stricter gun laws. This is quite contrary to the type of rhetoric that carpet munching liberals—such as Hillary Clinton have been advocating when she said in May of 2015, We’re way out of balance, I think we’ve got to reign in what has become an almost article of faith that anybody can have a gun anywhere, anytime. And I don’t believe that is in the best interest of the vast majority of people.” I say “carpet muncher” not to be mean, but as she stands against the NRA in every way possible, she is quite an animated advocate of gay and lesbian rights and will go out of her way to support “transgender rights” as if those types of people were common place. They may be in her neck of the woods, but not in mine. I know a lot more people who carry guns and use them as a way of life than I do gay people. So she obviously runs with a different crowd than I do and if those people happen to be women while her husband is running around in the Caribbean with his wealthy friends having sex with underaged girls, what’s a girl supposed to do? Chew on some well-sculpted carpet and get mad at the NRA because they tend to oppose people like her legislatively, and morally. Well, in spite of her type or radicalism, the public hasn’t turned on the NRA.

I was eating at a restaurant the other day with my wife—we have known the owners for years, and they have a son who spends a lot of time at the place while they conduct their business. He’s often over in the corner playing video games on his laptop—and over the years I’ve watched him grow up. As I ate my food he was playing a first person shooter of some kind and he was really into the action. He’s a nice kid, gets good grades and is likely going to grow up to become a phenomenal young man because he has parents who really love him—and we all know how much that makes a difference in the life of a young person. But he was shooting hundreds of targets on his laptop with a wide range of guns, and he was having a great time doing it.

Video games, movies, and guns go together like butter on popcorn. Young Millennials love guns because of video games—which have become their primary exposure. If people like Hillary Clinton were successful at getting Hollywood to stop putting guns in their movies, or programmers to take guns out of their games—sales would plummet. So Hollywood liberals donate millions of dollars to Democrats—sliding money into the purse of Clinton like a guilty man in a gentlemen’s club slides a twenty into the G-string of a 20-year-old girl because she showed him her snatch. They want to shut that politician up to their industry so they can make money—with guns. Guns satisfy a primary need that human beings have of being in control of their own destiny, so they are still popular in movies, and very popular in video games—and that’s not going away.

While public schools have listened to idiots like Hillary Clinton and tried to keep kids from playing “gunfight” at recess, kids have tuned out of school and tuned in to their Playstations at home for some wonderful online gunfights that are a lot cooler than what I had when I was a kid using sticks for guns. These days virtual gunfights are so much more fun, and most kids play them. Those kids may pay lip service to the liberals at their schools without making the connection now, but in the not so distant future, they will grow up, have families, and vote—and they’ll be gun fans—likely more audaciously than I am now, because they get to play with them in the mythic environments on a daily basis.

So I’m not sure who Hillary Clinton and her gun-grabbing Democrats think are going to listen to their desires for more gun control. When those young people realize that they can buy guns of their own someday and get a concealed carry permit, they’ll do it, and they’ll love it. But here’s where the trouble starts–because people like Hillary Clinton have also spent much of their lives destroying the family structure of traditional Americans. Back in my day I shot guns with my dad, and grandparents—and I learned to respect them within my family environment. Kids today who have access to more virtual guns than I even knew existed when I was their age–don’t have intact family structures. Too often kids deal with two and three marriages between their parents and there are step brothers and sisters and all kinds of messed up conditions that have been caused by the government tampering with the lives and thoughts of the masses with progressive experiments. Kids are still playing “gunfight” just as I did, and kids will always want to play in that fashion because there is a human need for it. But unlike in my time, or those who came before me, modern kids don’t have the family structure to learn to respect firearms. That means that Hillary Clinton types of people have screwed up in two ways, they had tamped with the American family and contributed to its demise and they failed to address the human need for firearms in our education systems by denying that it exists. Those two things have proven to be detrimental to our modern age.

The National Rifle Association is dedicated to not only preserving the Second Amendment, but in educating gun owners about the proper handling of them. They are a truly wonderful organization that seeks to put American value in line with firearm ownership in a way that really public schools should be doing on their own. Rather than publicly funded schools advocating gay rights, and transgender roles to make Hillary Clinton fans happy, they should use the confiscated money they receive in taxes to educate children into the kind of society they really want—not the one that they seek to impose on people. Kids should be taught about firearms in public school and even learn to care for them—because guns are part of American culture—more so than most anything else that could be taught in school.

There would be nothing wrong with kids learning to target shoot during gym class, or learning how to reload ammunition in shop class. Proper history should be taught about the importance of the American frontiersman into changing the way human beings viewed themselves and a thorough study of the firearms of the early 18th century deserves some attention. For instance, Simon Kenton used to be able to reload is musket while on the run as the Shawnee were constantly harassing him for his land claims made along the Ohio River Valley. It took a lot of skill to do what he did and kids ought to be playing games featuring him at recess—instead of just naming a county in Northern Kentucky after him and calling it respect. If schools taught that kind of thing—I just might support a school levy. But why should people tax themselves into oblivion just so young people can learn a bunch of progressive crap that is useless to them. Because we know what happens to people who follow progressive philosophy—they end up miserable and dependent on government and end up spiteful and broken as grownups. An education system that teaches that kind of garbage should be rejected.

The NRA is an important organization in American culture. My membership card is one of the things I carry around with me every day that means a lot to me. I keep it right next to my Second Call Defense card in my wallet and it gives me hope that America isn’t lost each time I see it. In spite of all the progressive attacks against the NRA, Americans still support it, and I’m inclined to feel that the support will grow in time because of young people growing up after playing so many video games and wanting to know the truth about firearms as they re-educate themselves after a generation of slander. Hillary Clinton’s view of the world is a dying carcass. I can see a need for American women to wear their guns about them the way that they do earrings and high heels—to accentuate their natural beauty and roles within society.   I can see a real need for guns to become as much a part of people’s lives as blue jeans and t-shirts—because in America, guns are what make us great—and free. And it is the NRA that stands for that freedom as the gun-grabbers from the rest of the world try to work their malice to no avail as the people within the United States still support their firearms as well they should—against a tide of opinion that has not been successful in removing them.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

Listen to The Blaze Radio Network by CLICKING HERE.

 

Liberty Township’s Rodizio Grill: The perfect place for a business meeting–be sure to see Captain Hook

imageCaptain Hook isn’t just a pirate from the famous Peter Pan stories; he’s also the head chef at the Rodizio Grill at the new Liberty Center. On a VIP night he came to my table with his curled up mustache and eager attentiveness to inquire about the assessment of his food by my wife and me. It was a packed house and the girders of political and economic support behind West Chester and Liberty Township were there as the restaurant owners smartly wanted the buy-in of the community’s leaders before opening to the public. After two soft openings just ahead of their grand opening—a VIP dinning experience where everyone in the new restaurant was on a full court press to impress put their best foot forward and they were eager for some input.   So what did I tell Captain Hook, I’ll save that for the end? First you’ll want to know what Rodizio is, why it’s unique, and why having it cuddled away inside a very intimate part of Liberty Center is excessively important to the continued economic development of the region.image

Rodízio (pronounced [ʁoˈdʒiziu] in Brazil) is an all-you-can-eat style of restaurant service in Brazilian restaurants. In most areas of the world outside of Brazil, a rodízio restaurant refers to a Brazilian style steakhouse restaurant. Customers pay a fixed price (preço fixo) and the waiters bring samples of food to each customer at several times throughout the meal, until the customers signal that they have had enough. In churrascarias or the traditional Brazilian-style steakhouse restaurants, servers come to the table with knives and a skewer, on which are speared various kinds of quality cuts of meat, most commonly local cuts of beef, pork, chicken and sometimes exotic meats. While not as popular, there are other rodízio style restaurants in Brazil, such as ones serving pasta or pizza, where various pizzas and pastas are brought on trays. Rodízio style sushi restaurants are also common in Brazil.

Most rodízio courses are served right off the cooking spit, and are sliced or plated right at the table. Sometimes they are accompanied with fried potatoes, fried bananas, collard greens, black beans, and rice (served buffet style).

In many restaurants, the diner is provided with a colored card, red on one side and green on the other. Accordingly, the servers will only bring more meat if the card is flipped to the green side.

Rodizio Grill, The Brazilian Steakhouse, offers over a dozen rotisserie grilled meats, perfectly seasoned and carved tableside by Rodizio Gauchos. The grilling process is traditional to the Southern part of Brazil, specifically in Sao Paulo. The Rodizio Gaucho, in dress and our carving method, is what you would find if you were dining in Porto Alegre, Brazil.

As a result of the slow roasting and seasoning process, the rotisserie grilled meats melt in your mouth, satisfying even the most discriminating taste buds.

https://en.wikipedia.org/wiki/Rod%C3%ADzio

http://www.rodiziogrill.com/menu/

It was a pouring rain at the end of Gibson which migrates into a roundabout in front of Dillards, Pies and Pints and the entrance to the indoor portion of the Mall called The Foundry. We didn’t care if we were getting wet in a late October rain as leaves fell off the trees and littered the pavement. Liberty Center is an adult playground and my wife and I had been playing hard. She had just found a nice outfit at American Eagle and was very happy about it, so we entered the Rodizio Grill to a welcome best foot forward effort that was admirable. Of course the hostesses were friendly and all the managers were there to greet us. They were working hard to make a great first impression and they were successful. But as they took us to our seat my assessment was that the true test of the place would come many months later after the hype had died down—if they still exhibited the same energy. A VIP night is one thing—having the same passion every other day is quite something else. So I was skeptical as we took our seat and said hello to half a dozen other people also invited to the event that we knew.

For around $33 per person you get the all you can eat deal which is what Rodizio is all about. Our waitress explained it to us so we were excited to begin at the gigantic salad bar located toward the back of the room in the middle of the action, just ahead of the kitchen. At the window behind the bar were a small army of Gauchos getting fresh meat off the grill to hit the dinning room. My wife and I filled our plate and headed back to our table impressed with the massive selection of options that had so far been presented.

At Rodizio they put a block that looks like an hourglass, green on one side and red on the other at the end of your table. When you are ready for the Gauchos you flip it over so that the green side is up. When you want them to stop coming to your table you flip it to red. When you are done for the evening, you put it down on the table on its side. Very simple, yet there is a feeling of excitement in flipping it over to green because it’s like turning on a faucet. You really don’t know what’s going to happen, what meat the Gauchos will present first or who will bring it. We had five Gauchos assigned to our table, so there was a bit of randomness about the dinning experience that was certainly exciting. With a bit of a laugh we turned the block over and the Gauchos launched as if poised like snakes from the corners of the room and rushed to our side.

The Gauchos cut off various cuts of steak, chicken, pork, fish and even glazed pineapple which was amazingly delicious—much more so than I would have expected. It was all very exotic and obviously prepared with a lot of meticulous care. There were even cuts of glazed ham prepared in the same way as the pineapple—it was a carnivores dream. That was the first thought I had about the place, eating all that meat of different types invoked in me my inner T-Rex which is a nick-name that a lot of people who don’t like me often use to describe my temper. Sometimes during business you want to invoke that T-Rex and some red meat is good for bringing that kind of attitude to a deal you’re working on. That was the first thought I had about having power lunches at Rodizio, is that it puts you in that carnivore mood—which is good when that kind of mindset is needed. The endless supply of the meat is another aspect of that carnivorous rapture. If I had that much steak at a place like Jags in West Chester it would have cost $500 dollars. If you like to eat steak, and good steak at that, it’s hard to go wrong at Rodizio. When you are trying to close a deal or accomplish some difficult business endeavor, I can easily see a need to have lunch at Rodizio either with the people you are working with, or by yourself just to put your mind in the right condition. A little trick I use when I’m under pressure is I purposely eat red meat on the rare side, and Rodizio had several skewers of meat cooked just that way. It was delicious and invoked in me that T-Rex spirit that is often very helpful under pressure.

That’s when I had the next thought about Rodizio–it was essentially the perfect place to have a power meeting with clients. Often when dining with potential business partners, adversaries in business, or associates there are awkward pauses that are persistent with people who have little in common with each other but the project they are working on. For instance, I hate those meetings because I hate small talk. I love to go on and on about giant heady subjects with great enthusiasm, but not everyone is like that so I often have to turn off the afterburners to the point where I get really bored with the people I’m eating with. Not good when you’re trying to do some team building. Usually at these types of meetings you conduct small talk before you order drinks, usually it’s about sports. Then you order some appetizers and continue talking about sports. Then you order the entrees and are about done talking about sports because people usually have different teams that they like and you’ve exhausted all the topics that are safe without making them mad by that point. At Rodizio they have a natural solution to that problem. When you turn the block to green, the Gauchos flood your table side forcing the interaction of all your clients. Customers have to help pull the meat away as the Gauchos cut it, not in an awkward way, but one that is engaging and those awkward moments of silence with clients is filled with activity—constantly. If you want to talk about a serious subject to close a deal or make a point, turn the block to red, throw your issue on the table, then turn it to green again to get the action moving again while they simmer on your proposal. Rodizio has the ability to be a very powerful alley in the world of business, and I hope that area sales reps use it fully. Rodizio is your friend, trust me!

I watched Captain Hook, which was the actual nametag he was wearing, carefully tend to all the cooks in the kitchen and inspect the Gauchos as they worked the room. He paced around the salad bar making sure that everything was just perfect, and it was. So when he asked me what I thought about his food I told him that if he put the kind of love and care into the food that he had on this VIP night, he’d have a hit that this area would spectacularly support. Getting food of that quality in those quantities coupled with the ambitious service is an experience people will pay a lot of money for. Hook clearly had by natural inclination an understanding of the Metaphysics of Quality making me very excited about the dining experience at Rodizio not just for the VIP meal, but the future of Liberty Township. Clearly the appeal is a primal one cultivated into refinement. What’s not to like about endless supplies of meat cooked over an open fire? It’s good for romance, its good for business, its good for a mind in need of a primal charge. And Captain Hook was there to make sure everything stayed on the upside of quality. A good chef is the key to a restaurant, and the Rodizio at Liberty Center had one, and his name was Captain Hook. When you go, make sure to tell him what you think, because he cares.

The cost of the meal for two was around $100, which wasn’t bad for a quality experience. It’s about $66 for the meal, another $30 for drinks. Then there is the tip and the deserts which were so good I would think seriously about going there just for a drink at the bar and some desert even with Graters right around the corner. Their deserts were on the upside of good in comparisons to other deserts around the city of Cincinnati.   I’d put them on par with the best so they are worth the expense if you can muster the room in your stomach—which at the point where you put the block on its side to call it quits, there won’t be much room for more food. If you take your time to eat, likely you might manage some desert which is advisable. But don’t try to cram a trip to the Rodizio before a movie. Make sure to make the dinner at Rodizio the feature attraction of your day, because that’s what it deserves. Go after the movie. It takes time to appreciate the food, and to give your body time to enjoy it all. I happen to know that the tickets at the new theater are very reasonably priced for the luxury setting, so a night at the movies and dinner at the Rodizio will stay under a few hundred dollars—which is perfectly reasonable for a destination environment that might only be experienced on an out-of-town vacation. Of course the Cobb Theater at the other end of Liberty Center has their own fine dining options, which is why their ticket prices are so reasonable. But be sure to plan a trip to Rodizio often, not just a few times a year. I saw nothing but positives—a lot of ambition, a great product, a psychologically primal supplement and a bargain even at an above tier restaurant experience—which is what is expected at Liberty Center. I was invited to the VIP event to say nice things about the place, but it’s not hard to find enthusiasm for it. All I had to do is look at Captain Hook and witness how the rest of the staff fed off him—and it was obvious that Liberty Township had yet another fine treasure—not from a pirate, but a hell of a good chef. I will go back many times, but the most effective visit will be those business oriented dinners—because Rodizio has a setup that will make some of the most unpleasant meetings team building exercises constructed around the primal need for meat and the satisfaction of it cooked over an open fire while surrounded by luxury.

Rich “Cliffhanger” Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

Listen to The Blaze Radio Network by CLICKING HERE.