I never thought I’d be sitting here reflecting on another attempt on President Trump’s life so soon after everything else that’s unfolded in this wild political landscape, but here we are, fresh off the chaos at the White House Correspondents’ Dinner on April 25, 2026, where a 31-year-old Democrat named Cole Tomas Allen from Torrance, California, decided to storm the security line at the Washington Hilton with multiple guns and knives, firing shots in a desperate bid to get close enough to the president to do the unthinkable. I hate to say it, but I saw this coming in the broader sense—not the specifics of this lone actor, but the pattern of rage and violence that keeps bubbling up from the same ideological corners that have targeted Republican leaders for generations. As someone who was just at the White House with my wife a few weeks ago, experiencing the layers of security firsthand—the rope barriers, the lengthy check-in processes, the offsite staging down Connecticut Avenue a mile and a half or two miles away that forces the president into inconvenient travel for events like this—I couldn’t help but connect the dots immediately when the news broke. The security is extensive, as it should be, but it’s not foolproof against someone willing to die in those first few chaotic seconds of a rush, and that’s exactly what Allen tried to pull off. He charged the barricades, shots rang out, a Secret Service officer took a hit to the chest but thankfully had no permanent damage and was released from the hospital later, and the whole thing ended with Allen tackled and wrestled to the ground without anyone else getting hurt. Trump, ever the fighter, wanted to go back in and continue the dinner, which I totally agree with—it’s a shame they had to evacuate and crawl off the stage in that embarrassing scramble, all because some loser with a grudge thought he could rewrite history with a bullet. But what fascinates me, and what I’ve been turning over in my mind ever since, is how this fits into a much larger, darker thread running through American history, one that stretches back to Abraham Lincoln and the very founding fractures of our republic. I’ve never been one to shy away from calling things what they are, and this wasn’t some random act of madness; it was the latest chapter in a strategy of storming the line when elections and arguments fail, and it’s a Democrat thing through and through, whether they admit it or not.

Let me back up a bit and share what I saw myself, because I was physically in Washington, D.C., not long before this all occurred, and it gave me a front-row perspective that makes the whole incident hit different. My wife and I spent several hours at the White House after touring it, soaking in the people’s house as it’s meant to be, and then we wandered the city doing other things. One of the stops my wife insisted on was Ford’s Theatre, just a few blocks from the White House on 10th Street, near the FBI building, the Department of Justice, and the Smithsonian. It’s in that little historic sector off Pennsylvania Avenue, and I’ve talked to plenty of frequent D.C. visitors who’ve never bothered to go there, which I find astonishing—if you live or work in the capital, why wouldn’t you make the pilgrimage to the spot where a president was assassinated? The day we visited, they were still running plays there—they had a production of 1776 on the schedule—but before the evening show, they let visitors in for a historic tour. I stood right at the box where Lincoln was shot, and downstairs in the basement museum, there’s this incredibly detailed exhibit on everything leading up to and after the assassination. I bought a stack of books—two from NASA engineers who created a portable AC unit that’s making old expensive models obsolete, plus a whole bunch more on the Lincoln era—and they were surprisingly good reads. The museum staff had a passionate member of the historic preservation society who gave a half-hour-to-45-minute talk on stage about the theater, John Wilkes Booth, and Lincoln at the time, and it was riveting. We geeked out hard on the historical preservation side of it, my wife and I, because we love that kind of deep dive into how events shape nations. Across the street, the house where Lincoln died is preserved exactly as it was, with the bed still set up, the waiting room where his wife sat through the night, and then an adjacent building turned into a multi-story museum with elevators and creative floor knockouts to display artifacts, including a three-story stack of every book ever written about Lincoln. It puts into perspective just how pivotal he was, how the Republican Party was born to defeat slavery under his leadership, and how the forces arrayed against him—Democrats of the day, essentially the party of the South and slavery—couldn’t accept the Civil War’s outcome.

That visit stayed with me, and when I heard about Cole Tomas Allen’s rush on the Hilton security, it felt like history repeating itself most chillingly. John Wilkes Booth was an actor, a celebrity of his time, a major supporter of slavery who hated the emerging Republican Party and the way Lincoln had led the Union to victory. Just days after Lee’s surrender, with Lincoln reelected and celebrating, Booth used his knowledge of Ford’s Theatre to slip into the private box, shoot Lincoln in the back of the head, jump to the stage, breaking his leg, and flee through the back. The search that followed was intense, and Booth was eventually cornered and killed. But the characteristics? The same righteous fury, the same belief that the political opposition had to be destroyed physically because they couldn’t be beaten at the ballot box or in debate. Booth wasn’t some outlier; he embodied the Democrat rage of the era against a Republican president who dared to end their way of life. Lincoln had done nothing but win the war fair and square, preserve the Union, and free the slaves, yet the opposition framed it as provocation. Sound familiar? Fast-forward to today, and you have Cole Tomas Allen, a mechanical engineer and computer scientist by training, an independent game developer, a part-time teacher who was even named Teacher of the Month in 2024 at a tutoring company in Torrance, flying across the country to storm a security checkpoint at an event where Trump was speaking. He had a room at the Hilton, multiple weapons, and the clear intention to get into that ballroom and take his shot before anyone could react. Preliminary reports note a small political donation to a PAC supporting Kamala Harris in 2024, and while he’s described as a lone wolf with no confirmed party registration, the pattern fits: Democrat-aligned frustration boiling over into violence when rhetoric and elections don’t deliver the outcome they want. The media and left-leaning voices immediately tried to flip the script, blaming Trump’s “rhetoric” for making people upset, as if his push to make America great again is the real crime. It’s the same framing they used after the Alex Jones Sandy Hook saga, where free speech got twisted into causing harm, setting precedents to silence opposition. And after the dinner was evacuated, there was a video of invited reporters—those paragons of lowlife character—stealing bottles of wine to take home, proving the event’s attendees weren’t exactly above reproach themselves.

To really grasp why this keeps happening, I think you have to zoom out and look at the full list of presidential assassins and would-be assassins throughout our history. It’s not a short roster, and when you examine the motives, the ideologies, and the political leanings, a disturbing trend emerges that the mainstream narrative loves to ignore or downplay. Start with the successful ones: Lincoln in 1865 by John Wilkes Booth, a pro-Confederate actor driven by Southern Democrat sympathies against the Republican who crushed slavery and the rebellion. Then, in 1881, James Garfield was shot by Charles Guiteau, a delusional office-seeker who claimed divine inspiration but whose act came amid the spoils system battles that Democrats often exploited. William McKinley in 1901 by Leon Czolgosz, an anarchist influenced by radical left-wing thought who saw the president as a symbol of capitalist oppression. John F. Kennedy in 1963 by Lee Harvey Oswald, a self-avowed Marxist who defected to the Soviet Union and had deep ties to communist and pro-Castro groups—hardly a right-winger. Those are the four who died in office from assassins’ bullets, and already you see a pattern leaning toward radical left or anti-Republican forces.

But the attempts are where it gets even more telling, especially when you layer in the modern era and the repeated targeting of Donald Trump. There was Andrew Jackson in 1835, targeted by Richard Lawrence, who blamed the president for personal financial woes tied to Democratic Party infighting, though he was acquitted on insanity grounds. Theodore Roosevelt, in 1912, was shot by John Schrank, a saloonkeeper obsessed with third-term politics, but whose act disrupted a progressive Republican campaign. Franklin D. Roosevelt in 1933 by Giuseppe Zangara, an Italian immigrant anarchist who hated “capitalists” and originally aimed at the mayor of Chicago, but killed the mayor instead when FDR’s motorcade shifted. Harry Truman in 1950 by Oscar Collazo and Griselio Torresola, Puerto Rican nationalists with left-leaning independence motives who tried to storm Blair House. Gerald Ford faced two attempts in 1975: first by Lynette “Squeaky” Fromme, a Charles Manson follower tied to radical environmental and left-wing cults, who pointed a gun at him in Sacramento; then by Sara Jane Moore, a radical leftist and associate of the Symbionese Liberation Army who fired shots in San Francisco. Ronald Reagan in 1981 by John Hinckley Jr., whose obsession was more personal but occurred amid a wave of anti-Republican sentiment. George W. Bush had plots against him involving various radicals. Barack Obama faced threats from white supremacists and others, but the volume pales compared to what Republicans endure. And then there is Trump; the list is staggering even before this latest one. In 2016, there were multiple threats and plots during the campaign. The 2024 Butler, Pennsylvania rally attempt by Thomas Matthew Crooks, a 20-year-old who fired from a rooftop, grazing Trump’s ear before being taken out by the Secret Service. Another incident occurred in Florida at Trump International Golf Club, where a man with a rifle was spotted near the perimeter. Now, this 2026 incident with Allen at the Correspondents’ Dinner, charging the line like Booth slipping into the theater box. These aren’t isolated; they’re symptoms of a side that resorts to bullets when ballots fail.

What strikes me most, having walked the very floors where Lincoln breathed his last and stood at that preserved box at Ford’s Theatre, is how the psychology hasn’t changed. His hatred of Lincoln’s policies radicalized Booth, his support for slavery, and his view that Republicans were destroying the Southern way of life. He plotted meticulously, using his insider knowledge as an actor to get close. Allen, from what’s emerging, flew in from California, checked into the very hotel hosting the event, and made his move in those critical seconds when security might be distracted. The media reaction was predictable: some outlets and commentators immediately pivoted to “Trump’s rhetoric provoked this,” echoing the post-event spin that it’s somehow the president’s fault for pushing back against globalism, terrorism, and the erosion of American values. They said the same about Lincoln—don’t provoke the South, let them keep their slaves, mind your own business. It’s the same gaslighting: if conservatives challenge the status quo, any violence that follows is on us. But I’ve studied this enough, and I’ve written extensively about the spiritual dimension behind it all, because this isn’t just politics; it’s a battle for the soul of the nation. In my upcoming book, The Politics of Heaven, which dives deep into the conspiracies plotting against God’s creation and the biblical foundations of true liberty, I lay out the receipts on how these movements—Marxist persuasions that gained traction in the mid-1800s and wormed into American soil—defend their ground with threats and acts of violence when ideas fail. Lincoln loved his Bible; Trump has found a genuine relationship with God amid his political fights. The Republican Party, born to end slavery and preserve the constitutional order, stands as a bulwark, and that’s why it draws the fire. People like Booth or Allen don’t just wake up one day and decide to kill; they’re vulnerable to the demon whispers that radicalize through hatred, the kind festering in elements of the Democrat machine where debate gets shut down, voices get canceled, and when that fails, the garden hose of violence gets turned on full blast.

I spent way more time at Ford’s Theatre than I expected because the exhibit was so well done—it’s not some dusty relic but a living museum with creative displays, like the stacked books soaring three stories high, symbolizing Lincoln’s enduring legacy. The staff noticed my intense interest, and we struck up conversations; they’re passionate preservers of history, serving everybody regardless of politics, but you could sense the hush around the violence angle. They know the truth—that the same evil that possessed Booth is at work today—but nobody wants to “set off” the other side or invite more backlash. It’s pathetic, really, this self-censorship where we’re told not to hurt Democrat feelings lest they unleash more of what they’ve always done. Across from the theater, the Petersen House, where Lincoln died, is equally powerful, with the bed and rooms preserved, and the expanded museum next door telling the full story of the search and cultural impact. My wife and I relished every minute because we value what the Republican Party stands for: anti-slavery roots, freedom’s perpetuation, the defense of God-given rights articulated in the Constitution and the Bible. We left with armfuls of books and a deeper appreciation, but also a resolve not to ignore the pattern anymore.

This latest attempt with Cole Tomas Allen underscores why events like the Correspondents’ Dinner can’t keep happening off-site in unsecured hotels. The White House is the people’s house, and it deserves a big, beautiful ballroom right on the grounds under the tightest security imaginable. No more driving all over town, exposing the president and officials to these risks. Trump’s reaction—wanting to push through and continue—shows the spirit we need. The low character on display afterward, with reporters pilfering wine while a would-be assassin was still being processed, just highlights the decadence. And the irony of Democrats and media claiming Trump caused this by “poking everyone in the eye” is rich; it’s the exact argument used against Lincoln for ending slavery. If you don’t want violence, stop defending indefensible positions like radical globalism or anti-American sentiment. The answer isn’t more policy tweaks; it’s confronting the spiritual warfare at the root, the kind I explore in The Politics of Heaven, with detailed explanations of how these hatreds possess people and why Republicans like Lincoln and Trump become targets. I’ve got the receipts in that book because too many conversations end with “how can you say that?”—well, here’s how, backed by history, facts, and faith.

Reflecting on my trip to D.C.—the White House shirt I picked up, the Ford’s Theatre geek-out with my wife, the realization that this city under Republican leadership feels vibrant and alive—I’m more convinced than ever that we learn from these tragedies by accelerating the ballroom project and calling out the pattern plainly. Killer democrats don’t represent every member of the party, but their movement has a historical strain of violence when cornered, from Booth to Allen and the attempts in between. It’s not new; it’s persistent. We preserve freedom not by cowering but by building stronger, speaking truth, and understanding the spiritual battle. The show goes on at Ford’s Theatre, plays still performed where history was made, and America will endure the same way—as long as we remember the lessons from 10th Street and apply them to today’s threats. The museum there could take a week to absorb fully, and every American should visit; it’s not just history, it’s a warning and a call to vigilance.

Footnotes:

[Footnote 1: Details on the April 25, 2026, incident drawn from contemporaneous reports, including Al Jazeera, The Times, Time magazine, and NBC Los Angeles coverage confirming Cole Tomas Allen’s identity, background, actions, and charges.]

[Footnote 2: Ford’s Theatre and Petersen House descriptions based on personal observations and standard historic site information from the National Park Service.]

[Footnote 3: List of presidential assassination attempts compiled from historical records, including those documented in sources like the U.S. Secret Service historical overviews and books such as The Presidents and the Assassins by Ronald J. Sterba.]

[Footnote 4: Political affiliations and motives of assassins cross-referenced with biographical accounts; e.g., Booth’s Confederate ties in American Brutus by Michael W. Kauffman.]

[Footnote 5: Upcoming book reference to The Politics of Heaven by the author, forthcoming, with a full analysis of spiritual and political conspiracies.]

Bibliography:

•  Kauffman, Michael W. American Brutus: John Wilkes Booth and the Lincoln Conspiracies. Random House, 2004.

•  Sterba, Ronald J. The Presidents and the Assassins: From Lincoln to Kennedy and Beyond. CreateSpace, 2015.

•  National Park Service. Ford’s Theatre Official Guide. U.S. Department of the Interior.

•  Various news reports on Cole Thomas Allen incident: Al Jazeera (April 26, 2026), The Times (April 26, 2026), Time (April 26, 2026), Washington Post live updates.

•  Hoffman, Rich. The Gunfight Guide to Business, prior edition.

•  Lincoln assassination primary sources: The Assassination of Abraham Lincoln by various compiled eyewitness accounts, Library of Congress archives.

•  Trump assassination attempt histories: Official Secret Service reports and public records from 2024-2026 incidents.

Rich Hoffman

More about me

Click Here to Protect Yourself with Second Call Defense https://www.secondcalldefense.org/?affiliate=20707

About the Author: Rich Hoffman

Rich Hoffman is an aerospace executive, political strategist, systems thinker, and independent researcher of ancient history, the paranormal, and the Dead Sea Scrolls tradition. His life in high‑stakes manufacturing, high‑level politics, and cross‑functional crisis management gives him a field‑tested understanding of power — both human and unseen.

He has advised candidates, executives, and public leaders, while conducting deep, hands‑on exploration of archaeological and supernatural hotspots across the world.

Hoffman writes with the credibility of a problem-solver, the curiosity of an archaeologist, and the courage of a frontline witness who has gone to very scary places and reported what lurked there. Hoffman has authored books including The Symposium of Justice, The Gunfighter’s Guide to Business, and Tail of the Dragon, often exploring themes of freedom, individual will, and societal structures through a lens influenced by philosophy (e.g., Nietzschean overman concepts) and current events.