Tag: Joker

Warnings from the Joker: Where life reflects art and art reflects political intentions

I warned everyone in October of 2019 about the movie the ‘Joker’ stating that it was a calling card to violence and mayhem. Of course by the time the Academy Awards came out in the spring, when the Covid-19 lockdowns were at their highest and most maniacal, I already knew what was going to happen because the forecast was revealed in our art and entertainment as a society. That movie directed by Todd Phillips and distributed by Warner Bros. made over a billion dollars for what many considered an art film. My wife cried hard at the end because she is a nice person who couldn’t understand the level of evil displayed in that movie, which clearly was meant to empower the disenfranchised into radicalism to instigate them to be soldiers of Marxism in America to overthrow the previous culture and usher in the mess we are seeing now in an election year where the stakes are literally life and death in their consequences. I place on Todd Phillips’ head the responsibility for the youth who have taken to the streets to protest violently this year of 2020, because it’s a fantasy introduced to them by the ‘Joker.’ And so it goes that the Joker himself deliver this very cryptic diatribe that is emerging as a cultural response to the Covid-19 shutdowns and the Marxist insurrections of Black Lives Matter. I couldn’t have said it better myself.

The danger of the ‘Joker’ of course was that the movie reflected a popular sentiment that the comic book world was playing around with. For many years we had characters in society who would put on a mask to invoke justice where legal mechanisms were not possible. Zorro comes to mind in the realm of the western, and Batman was a natural extension of a Zorro update. Of course, the primary villain of the Batman characters is the Joker who brings to storytelling the dangers of “below the line thinking” as we talk about it in the business world. “Below the line thinking” of course is a victimization cycle that often has to be overcome before any organization can be successful, or a country for that matter. “Below the line thinking” is a victimhood status where a person lets things happen to them, instead of taking measures to be in charge of events that are occurring. A proper country or organization could be said to be functioning from “above the line thinking” where participants are openly taking responsibility for their lives and the events that spawn from them. Batman is a proactive character where the Joker always plays the victim who sees victimhood in others and is always trying to exploit it for the spread of chaos. What makes the Joker evil is that he seeks to do this so to cover his own feelings of inadequacy.

To say that the ‘Joker’ was just a movie is to ignore all the elements of our modern age that inspire vast portions of our American population and those around the world to victimhood. In an age where most families are broken and the kids born in them are depressed and suffering from the ill effects of terrible parenting people of today can’t relate to the good ol’ cowboys of yesteryear. Kids aren’t growing up wanting a Red Ryder BB gun because they saw their favorite cowboys using such a gun on the western frontier to fight bad guys, they want to have a baseball bat with nails in it, or they want to be the Joker, because as victims in life, that is how they plan to disguise the pain they feel about things, by bringing everyone else down under the line of sanity because its not so lonely there. For children with major daddy issues who lost that portion of their childhood development because they were raised by a single mother or even worse, by nobody at all, they are now the ANTIFA radicals and the Black Lives Matter Marxist not so much looking for solutions to the evils they see in the world, but they simply are looking for company, much the way the ‘Joker’ was in the Phillips movie.

It had been happening for years in Hollywood where the political left was helping to shape this culture of “below the line thinkers.” In the 90s I refused to watch the Fox television show, ‘Married with Children’ because it was so ridiculously anti-family that I felt it was doing irreparable damage to our American culture, and I was not wrong. That sit-com opened the door for producers to exploit the victims of society and make them not feel so bad for being ‘below the line people’, lazy dads miserable in their marriages, slutty moms who were middle aged dried up flowers who wanted more than anything to return to the full bloom of adolescence where every bee wanted to pollinate them just for walking down the street, and children who were completely overly sexualized to live for nothing but the pollination process of reproduction, and nothing else. This was not the age of ‘Eddie’s Father’ or ‘The Andy Griffin Show’ where every episode was about returning the characters by the end to an “above the line” resolution. Under the new leftists of Hollywood, they were intent to tear all that down. I know that personally because for a period of time in my 30s I was intent to make a career in Hollywood and I attended several social gatherings to mold such an experience. I wanted to make movies like ‘Dirty Harry’ and ‘Raiders of the Lost Ark,’ they wanted the ‘Joker,’ or some version not yet made, but conceived under drunkenness, prostitution, and crime. I couldn’t be a part of that. So knowing a bit of the inside trading that goes on, it was clear to me what Todd Phillips was up to along with his producers, including Bradley Cooper, the guy who made ‘American Sniper’ such a great movie, who wanted to obviously shake off the stigma he had in Hollywood circles by making what they considered a “right-winged masterpiece.”

Liberalism itself is very much what Joaquin Phoenix portrayed as this new “Joker” in the 2019 film. His Joker was a product of liberalism, just as much of today’s youth is, and this film made it acceptable to yield to that “below the line” thought process. Why try to be better as a person when you can hide in a mob of activism and rip down everything that makes you feel bad for not being so good. Rather than look up at all the “above the line” symbols of America, the ‘Joker’ made them feel it was alright to tear all that down and to sink it below the line. And in so doing, they would destroy America as a symbol of hope for the rest of the world. That was what the ‘Joker’ was about, and it was obvious that it was going to touch a social nerve with its big box office. And what followed was no surprise, it inspired just enough “below the line” thinking to destroy the economy over Covid-19 shutdowns and race riots ironically where wearing a mask to disguise our individual identities was suddenly popular. The masks made pretty people just as ugly as everyone else and the “below the line thinking” that our public schools has been producing suddenly had a voice of chaos and insurrection. If they couldn’t be a part of that American culture, they could tear it down just as the ‘Joker’ did. And that romanticized fantasy for many is what is driving the violence and terror of this very tumultuous election year. The goal of that tumultuous activity is of course what the Joker in that above video was articulating, a complete destruction of our American society. And nothing short of that.

Cliffhanger the Overmanwarrior

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Why ‘Richard Jewell’ was a Great Movie and ‘Joker’ Wasn’t: With awards season upon us, getting the best that be obtained

As I said in my review of Richard Jewell, the movie—it was an important film that every Trump supporter should see. For that matter, everyone should see the new Clint Eastwood film as it tackles an obscure truth that we live with every day, the nature of power to corrupt those worst to rise to the top of institutionalism. In a society that values perpetual bootlickers and places them in the highest ranks of institutionalism, it should never be questioned why things go wrong yet they do, and that is the precise point of the film. I think its important to mention that it was distributed by Warner Bros. which is the same company that produced Joker, which I thought was the most destructive film I have seen in a long time. In many ways this is the answer to the questions brought up in the Joker and its nice to see our 1st Amendment hard at work. These are the types of choices that we should have as a free society.

I have serious doubts however that Richard Jewell will win any Academy Awards which obviously the studio is hoping to get nominated for. The real-life performances provided in Richard Jewell were certainly worthy of awards, but the politics of the matter is the problem. This film was certainly a direct offering to the 60 million and more Trump voters who have been wanting for a long-time options from the kind of world that went after Richard Jewell cruelly, and unjustly. Even with all we know about our modern FBI and its connections to the Department of Justice, what we have read through the direct text messages of Lisa Page and Peter Strzok which could have easily have been the plot line of Richard Jewell, we are still reluctant to name the beast and call a spade a spade. The point of the movie was a good one, and worthy of best picture of the year for Warner Bros. but the question is one that no institutionalist wants to ask. Rather, they will prefer the Joker’s anarchy to the legitimate questioning of power through constitutional means offered by Richard Jewell.

I generally only have time to talk to really smart people professionally, so it amazes me during the holidays every time, when I get a chance to talk to normal people—people who care more about Ohio State football than the trivial complexities of Freudian legalizations wrapped with the bows of institutionalism which ultimately had a love affair with Karl Marx a long time ago and are still spawning children of thought to this very day. I don’t enjoy talking to those kinds of people with small talk because they don’t care about the big things in life, and for me, those are the only important things. Big things. It was simply stunning to hear so many normal people not understand why Nancy Pelosi is holding back on sending her impeachment votes to the senate, or how people don’t understand the relevance of what Peter Strzok did in the FBI, or the nature of James Comey the former FBI Director who was drunk with power, conspired with anti-Trumper John McCain to attempt a coup right in front of our faces, and expect not to get caught. For many, they just don’t have the mental horsepower to think about such things so they don’t even try and it never ceases to baffle me to their lack of curiosity.

But then someone like Clint Eastwood comes along and nails it with great simplicity pulled into focus in a way only a master storyteller could. Richard Jewell is a far better film not just politically, but ethically than Joker even without the fancy soundtrack and dynamic cinematography. The ultimate question is asked, and the protagonists provide the answer through the direction of the story, which in this case is even more difficult because a lot of the players in the story are still alive and it was true. Can we trust our media, can we trust our government, and the answer is no. Should we move toward anarchy and throw the baby out with the bathwater as they did in the Joker—of course not. That is what made the Joker a cheap shot where Richard Jewell was a true examination to a very modern problem within our functioning republic.

There were several very powerful moments in the film including at the beginning when the attorney friend of Richard Jewell gives him a hundred-dollar bill and says it’s a quid pro quo which everyone should know by now what it means. Jewell says he understands the meaning of the term and its then that Watson Bryant says that he expects in exchange for the Benjamin that Jewell will not become corrupt with power as he fulfills his dream of becoming a police officer. And in several scenes behind Bryant is a sign that says, “I fear my government more than I fear terrorists.” Bryant’s girlfriend and assistant is from Russia and is always there to remind him that likely the government is lying to protect itself as she is the first to believe the story of Richard Jewell’s innocence. And of course, at the end of the film when Jewell finally sticks up for himself, when he leaves the FBI interrogation with Bryant behind him smiling the door to the glass room closes with a the camera fixated on the reverse image of the FBI logo. This was a film that openly questions our government and for that, the Academy should be applauding. Unfortunately, most members of the media culture are precisely like Olivia Wilde’s character of Kathy Scruggs.

It’s movies like this that ultimately educate those who don’t read many books and are not intellectually curious about the world around them. They just want their chicken wings and their Bowl game football to distract them from moment to moment without the impediments of questioning the validity of it all. Trump supporters have been questioning things for a long time and that 60 million number is growing. Hollywood doesn’t necessarily want people questioning things, but I did find it extremely interesting that Leonardo DiCaprio was one of the producers of Richard Jewell. I always watch the credits of a new movie at the theater to the very last one, because there is a lot to learn from doing so, and what I see happening in Hollywood is a change in focus. Even when a terribly irresponsible movie like the Joker is made and the executives at Warner Bros. are betting chips on several potential winners that may be politically opposed—they all make money for the studio which is the name of the game, a trend can be seen emerging. I don’t think Richard Jewell would have been made before the Trump election. Nobody would have understood how to play the parts because our assumption of behavior would not compute the evil it takes to behave the way the FBI and the media did.

There was a scene where Bobi Jewell watched on television the terrible things that Tom Brokaw said about her son and in many ways that was a very powerful scene because that was all of us watching television every day. A few years ago we looked at figures in the media and we liked them until we have witnessed them turning on us over the 2016 election and it has been shocking, even very painful. People who don’t pay much attention to these things do so for the same reason that the Jewell family did, even if they were desperately naive. Bobi Jewell told her son to work hard at defending justice and he believed it whole heartedly, like most of us do and when faced with the terrible evil that those working in the media and the FBI are just as flawed as the worst of us, it is a grim reality that hits home painfully. And that is the essence of this great movie Richard Jewell. It tackles a great pain with a youthful buoyancy found only among very high intellects, but it doesn’t talk down to anybody. Its just a story that has a hard truth attached to it, and for that, it deserves the best awards that it can get. But to ol’ Clint Eastwood, I would think that the best reward he could receive is that people watch the movie and learn something from it. If not at the theater, then when it streams soon from our home televisions. And that is something that every single American should do at least once.

Rich Hoffman

The Anti-Trump Joker Film: Todd Phillips activism will be rewarded by a Hollywood culture that wants terriorism

Now that I’ve seen the Joker there is no question in my mind that Todd Phillips made the film as an anti-Trump message and his anti-capitalist message will be rewarded with Oscar nominations, and awards. I’ve said it before in regard to how Hollywood operates and the kind of social activism they sponsor. Its not so much the box office that many actors regard as their highest honor, it’s the path to get an Academy Award. Most actors don’t think they can ever be taken seriously until they’ve won one and it is that yearning which keeps Hollywood marching along the lines of social activism. So when we talk about mass shootings and generally bad behavior that we see in society, yet no responsibility is ever placed at the feet of those who are actually responsible, the path to get there is just in the types of projects that brought Joker to be. For women in Hollywood, the message to them is that they must present themselves on screen in the nude, and it is then and only then that they will be taken seriously. For the men, they must show themselves to be disasters of imperfection and flawed to the core of their being. And that is why actors who have played the Joker in the various Batman movies have done so well with awards and this latest one starring Joaquin Phoenix is no different. It would not be surprising to see him get a best actor award for his performance in the Joker. He did a fabulous job, no question about that. But why we consider it fabulous is where the disagreements are and how actual terrorism is usually at the heart of that decision-making process.

Most of the actors in Hollywood have received awards of some kind for dressing as a terrorist clown and updating the mythology. Actors like Jack Nicholson, Heath Ledger, and even Luke Skywalker himself, Mark Hamill have all done praised work of the super villain of the DC Comic universe and that attention does not go unnoticed. The message clearly to actors is, especially white, male, actors is that if you want to get attention, you must do acting not in the moral stewardship of John Wayne, for which Hollywood was built, but on the deranged lunatic, like the Joker villain. This trend goes a long way in Hollywood including in one of the best westerns I think has ever been made in Once Upon a Time in the West. In that film, it was a big deal that Henry Fonda, the perpetual blue-eyed good guy, was the crazy killer and ultimate villain. Hollywood loves and always has loved, to make good people into bad people, even though box office numbers favor good guys who stay good guys. In this world of the “woke” it is the villains that are getting all the attention because to be entirely honest, the people who make movies in that culture want more people like themselves in the world so they don’t feel so lonely.

The giveaway to the Todd Phillips Joker is that it wasn’t the Joaquin Phoenix character who killed the future Batman’s parents, it was an inspired mob. And in the grandiose way that the film ended there was a quiet message to the masses to go out and conduct themselves as the Joker had because the world from the liberal eyes of Phillips is so unjust. But he’s not alone, most everyone working in Hollywood feels the same way, and so does the media. They would never admit in the light of day, but at the bars of Glendale under the warm night air with their arms around their dates, they will say quite openly, “F**k those Trump voters out there over the mountains, in that 2000 miles beyond to the shores of the Atlantic. Let’s kill them all the way good ol’ Charlie did. We won’t have the blood on our hands, and we’ll hide the terrorism behind free speech and destroy them all with their own Constitution since they love their guns so much.” But in their media events, on the show with Ellan, or The View, they will be called artists of great consequence and be told how compassionate they are for the plights of the poor and downtrodden. And after the next mass shooting, which they had inspired by their “artistic” work, they will be quoted for their positions on more gun control managed by the same government that caused all the tension.

It’s the same lunatics that have called Robert Mapplethorpe’s work “art,” while praising The Rocky Horror Picture Show as a true representation of the human soul. Most working in Hollywood are not good at anything else in life so they hate the good family man, the business leader, the titan of industry. Most of the rejects who fled to Hollywood the way gold panners headed west during the Gold Rush was to make money any way possible. They will prostitute themselves in any fashion to get a shot and their moral ethics is part of what ends up getting hired by studios built by the same types of people. People who left their families to make a lot of money in show business, to be whatever someone told them to be so they could get an invite to the nice parties of Los Angeles social life. It isn’t the clean-cut moralist who gets their script bought by a studio ran by people who would rather put hundred-dollar bills in the G-strings of strippers at gentlemen clubs than hang out around the house raising their children. Most producers want writers and actors around them who think the way they do, and much like the Joker played by Joaquin Phoenix they are lonely and would love more company. So they make movies to recruit more people to think the way they do and if it leads to killing people along the way, there is a secret little smile that they have in the back of their minds every time it happens, because for them its revenge.

To provoke that activism the Academy of Arts and Sciences gives out their Academy Awards to social activists and actors who help them sell degeneration to the masses, ultimately so that they don’t have to be alone in life. They truly do want a world like the end of the Joker where Antifa types are running around terrorizing those who want to hold onto that traditional idea of America. They of course don’t say they want to kill anybody, but look at the silence given to Antifa when they physically beat up Trump supporters just for wearing a red Make America Great Again hat in public. Where did that antagonism come from, that spark for violence? It came from Hollywood and its products, in attitudes evoked from the Academy of Arts and Sciences and from filmmakers like Todd Phillips.

Like Charlie Manson they don’t do the killings directly. But they inspire them and while Phillips was cutting together this Joker movie, you can almost hear his voice calling out for people other than him to go out into Trump country and do the work of the Joker. Recently Mark Hamill, the nice guy Luke from the Star Wars series but occasional Joker in the animated series put out a really ugly Tweet toward Ivanka Trump for letting her kid dress up as a stormtrooper. His hatred for the Trumps was truly remarkable and was insight into how these Hollywood types really think of the people who voted for Trump in the last election, and who continue to want an America built by the Constitution. Actors who play characters like the Joker get praise because Hollywood wants more of that type of character because deep down inside they want the school shootings, they want the violence in Chicago, and they want the destroyed families for all the same reasons that Arthur Fleck did. Because they are hurting and they don’t know how to articulate it, so they want to lash out at those they think have victimized them. And in Hollywood, that behavior gets awarded, so they get a lot more of it.

Rich Hoffman

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Mike DeWine Caving into the Real Life Jokers: When evil gets their way on gun control and the good cower with appeasment

One of the reasons I continue to be angry at the Joker film is precisely due to the way the media and even Governor DeWine has attempted to advance gun control in the state of Ohio. For all the artistic sentiments of the Joker, and why I have been talking about it so much is because it clearly tells the story of how liberals view the world. In it, Arthur Fleck is given a gun by a co-worker for free, because this friend supposedly wants to keep the professional clown from getting beat up so much. The gun then ends of getting Fleck fired from his job when it accidently falls out of his outfit while performing for cancer kids. Then while being beat up on the subway by rich, Wall Street types, Fleck uses the gun, because he has it, to kill the three attackers which puts him on a path of psychopathic violence and murder. The short story is that it was access to the gun that made the Joker, and very little else. Then of course when such things happen in real life we expect pink Republicans like Mike DeWine to side with liberal mayors like the gun control advocate that claimed fame after the recent mass shooting there to push for more gun control—and the media applauds as all that activism takes place right under our noses and is sold to the stupid with films like the Joker.

I expect the Ohio House to destroy Mike DeWine’s “Strong Ohio” gun control measures which go way to far in expanding background checks and trying to create a path to removing guns from people who may be harmful to themselves or others as defined by friends and neighbors. With the amount of gun shots and bullwhip cracks that come from my house on a daily basis, DeWine’s gun control bill could mean trouble for me from nosy neighbors and family members who may be “concerned” about my sanity—because I believe strongly in the Second Amendment and like to shoot guns a lot. The spirit of the law does nothing to cause mass shootings because the real issues that inspire such terrible conditions were actually displayed quite brilliantly within the story of the Joker—an activist Hollywood culture that takes no responsibility for the violence of their films and hides their political activism behind “art.”

There was a scene in the Joker at the end where a murderous Arthur Fleck told Robert De Niro’s late-night comedy commentator that his murders weren’t political, that he was just doing them for the enjoyment of it. Yet moments later the Joker was being placed on the hood of a police car after he shot De Niro point blank in the face on live television making him a hero of the downtrodden. A riot broke out and it was the Joker who was its leader through his murderous actions, and it was clear that the message of the film to all the troubled souls out there like the real life Arthur Fleck might follow in his footsteps stepping from fiction to reality. Such a story could certainly be told of the extreme gun hating mass shooter in Dayton Connor Betts.

I certainly let everyone I know close to the Governor, which is quite a few people by the way, know how I felt about the intentions of his red flag law proposal and to his credit he did back off. Not just because what I said on Monday October 8, 2019, but thousands of people like me who enjoy shooting and make guns a fundamental part of our American lifestyle based on good legal necessity. But it wasn’t enough for USA Today, The Dayton Daily news or The very liberal Cincinnati Enquirer, the headlines against the governor was that he wimped out and didn’t go full “red flag” but instead proposed a “pink slip” system which places mentally ill Ohioans in hospitals for up to 72 hours. Well, why would we do that, especially if we’ve seen the Joker.

The core of the problem is in how we define mental illness, which I would seriously indicate could involve every single person who calls themselves a Democrat. Then of course if Democrats were in power, they would call every single Republican insane. The definition of such a thing largely then becomes defined by perception and it is a means to taking guns from citizens, then it becomes very dangerous. The trouble with everything that Mike DeWine proposed is that it is anti-Republican and it hurts me to say it, but he should have never even put his name next to a proposal of Democrat radicalism. Any gun control measure is a suggestion for more government expansion, more money for mental illness, more hospital care, more cops, more monitoring agents when the ones we have now don’t do enough as it is. It doesn’t deal with the real problem which is liberalization as defined in the movie Joker.

When liberals empower others to blame their issues on society, or “fairness” in general, the are creating a path to action for the next mass shooter. By studying all the recent mass shooters, we can see that most of them were outright Democrats, or just plain anarchists. Most of them abused drugs and came from homes without a father. Clearly those are the kinds of things that we should be thinking about, but we aren’t instead the violence is provoked by the left, especially in movies and political positions shown in the Joker, and it is they who advocate for the gun control to fulfill their aims of eradicating the American Constitution into a more United Nations friendly document. The political left is completely invested in this topic and it shows in their products. To see the level of hatred that Hollywood and the mainstream media in general has for gun ownership in America just go see the Joker. People might say that the messages are subtle, but to me they are as obvious as Chevy Chase’s Christmas lights on his house in National Lampoons Christmas Vacation. The Joker movie was an outlandish example of liberal viewpoints against guns and how to manage mental health and was an open call to send other psychotic dissidents into the streets to do as Connor Betts did, and that is to kill people with guns so that governors like DeWine would cave in against their base and create laws liberals want.

Honestly, I’m tired of all those losers trying to step into my life and to change it with feelings of guilt, shame and the subtle threat of violence. Movies like the Joker and the countless hours of victimization programing we see on CNN, NBC, ABC and many others cause these problems. While seeing the Joker I noticed another Harley Quinn movie was coming out, which is the Joker’s girlfriend, and Disney is doing Maleficent 2. Hollywood continues to try to make the bad guys good and with it they give truly disturbed people an excuse to snap and go on mass killing sprees, then when it happens, they don’t apologize and ask for forgiveness. Instead, they take their money to some tropical island and demand for more gun control where losers like Mike DeWine get suckered into trying it. I guess I’m grateful that in Ohio we have a strong Republican House and Senate. Because if not for them, Mike DeWine would be a runaway train of liberalism and big government expansion.

Rich Hoffman
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‘Joker’ Movie Review: The best movie that should have never been made, Todd Phillips owns the next mass killing

My impression of the Joker film by Todd Phillips is that it is the best movie that should have never been made. It was brilliantly directed, edited, and written. The acting was fantastic. The cinematography, the soundtrack, all the technical parts of the movie were just superior. And from the vantage point of the Hollywood bubble it was an interesting insight into how they view the world, so its worth seeing. I think everyone should see the Joker, especially since it is now out there in the world. To put it mildly, I loved hating it. At the end of the film I felt as if Hollywood had slapped me in the face and tried to steal from me and I wanted to lash out at them. But I was grateful for the insight into their minds, because that was very valuable. Joker is that kind of film. It was the most articulate exploration in film of mental illness that I can think of in any movie, and it stacks up with some of the great movie classics in film quite boldly. But with all that effort to tell the story of a mentally ill person who has fallen through the cracks the way countless homeless people do in real life, the point of the movie was to insight revolution on the scale that launched communism in the streets of St. Petersburg in 1917. The film is quite bold in making that announcement and the way Todd Phillips presented the movie, it was a cry for action into other mentally ill people who are out there stuck between the cracks. He made this movie for the anti-Trump ANTIFA types and was trying to do nothing short of provoking an insurrection of anarchy in our city streets using this movie as the guidepost. The next mass shooting that happens I personally will place the blame at the feet of Todd Phillips, the writers and director of this masterpiece of chaos and destruction.

A few years ago, a movie like this would never have been made, and most studios would have inserted some logic into the director’s view of this story to protect the corporate image of Warner Bros. But in these Trump hating days of the Hollywood bubble, the producers and studio executives hate President Trump as much as Todd Phillips obviously does. When Madonna threatened to blow up the White House with Trump in it during her famous speech that got her into all kinds of trouble, Hollywood allowed Phillips, Joaquin Phoenix and Robert De Niro to make their anti-Trump films exactly the way they wanted to without restriction, and to make a splash around the world that would put an end to elections where people like Trump were getting elected. At the end of the Joker, Joaquin Phoenix is dancing on top of a police car as ANTIFA type terrorists dressed in Joker masks are burning everything in the city streets with a mob worshiping him while all the action was in slow motion and playing to a seventies inspired soundtrack trying to tap into the hippie days of that volatile period of American history. They weren’t shy about it, kill the rich, because they have it coming.

Yet I saw in it beyond the brilliance of the story to the real mental illness of the Democrat Party itself which was on full display. The story of the Joker complains about inequality and government funding for mental health to extreme degrees, and quite effective from their liberal perspective. I will say not to embarrass her, but my wife cried hard at the end of the movie and she spent a considerable amount of time talking to the theater attendants about how she couldn’t believe that people hated America so much as the filmmakers of the Joker. They of course were kids and had no idea what she was talking about. But she couldn’t stop herself. The hatred shown in this movie was just too much for her and she couldn’t believe people were so deranged from reality. Most people I observed left the theater not in such a state as they were better at concealing their feelings, but they weren’t happy. One of the best examples of that mentally ill view of the world was where Zazie Beetz’s character knocked on the door of Arthur Fleck’s apartment wanting to know if he was following her around the city stalking her. She was a very pretty woman and the fantasy of the left is that such a young lady would be in such a dire straight and even asking out such a loser as Fleck on a date. In the real-world Sophie Dumond would use her looks to land a nice mate with a good job, not some stringy haired loser without any money. In the real-world beautiful women like Zazie might care about people like Fleck, but they certainly wouldn’t date them. The movie Joker is filled with these little idealistic homages that if analyzed correctly show the true insanity of the movie’s viewpoint.

Every liberal assumption about the world was revealed, an extreme hatred of the rich, the need for social programs made by exploring not only the mind of Arthur Fleck but his tragic mother Penny Fleck. And the film goes on to essentially say, there are more crazy people in the world than the rich, contrite, sane, and we outnumber you. Only in reality the mob at the end of the movie comprised of thousands of protestors all dressed in clown masks and in real life, it would be a fraction of that amount. Most of those dumb kids would be home playing Playstation, not out performing Antifa violence. And that radicalism certainly doesn’t have any power to flood over into outside the city limits where space allows people to get away from the rats of mismanaged cities and liberal policy failures. Like the Joker’s girlfriend in the movie, the hope for a mob is just a fantasy, in real life only the real losers would be participating, which is the future of ANTIFA, the Trump impeachment attempts, and the election of 2020. It all makes sense to Todd Phillips and his filmmaker buddies from within the Hollywood bubble. Joker is for them the Democrat fantasy unleashed, and it is good for the rest of us to see it so that we can know how they think.

Even though much of what is in the Joker is interesting, and a fantasy from the liberal point of view, the call to hate filled action cannot be mistaken. To try to hide such intentions behind a comic book character and to call it as a “character study” is beyond reckless. I think people will die because of this movie and violence will become standardized, even justified by real life Arthur Flecks roaming around out there in the world who watch this movie, put on a clown mask and kill people by saying, “you have it coming.” Because you’re rich, beautiful, or even sane and that because they want a world of equally insane people, they have a right to kill you the way the Joker did. A movie like this is dangerous because there was no good guy there to stop the Joker the way that type of insanity is handled in a traditional Batman film, even as it was in Suicide Squad where Batman made a small appearance in the film. This movie had the future Batman only as a victimized little boy, the Joker was unchallenged, and presented in a very romantic fashion that mentally deranged people would certainly find attractive. And I felt it was all very intentional, and an attack on me personally as an American. And for that, I’m just a little pissed off. Yet, happy to see a truth through film that was not quite so obvious before I saw this movie. Its nice to see how the enemy thinks and by his own actions, Todd Phillips made himself an enemy of America with a sheer hatred that not even many terrorists would feel. Which made him the perfect director for this diabolical work of art that is even more vicious than maybe he even intended but was truthful in all its derangement. While its true this movie should have never seen the light of day, it ultimately has, and you should see it. It is what the political left has in mind for our world, and we should all know the truth of that ambition.

Rich Hoffman
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The Joker: Todd Phillips activism is obvious, the villians are not the 1%

Everyone is talking about the Joker, the new comic book movie from Todd Phillips who set out to shake up the world and lured the very good actor, Joaquin Phenix out of retirement to perform the role. Critics are crazy about it, and conservatives understandably are very concerned as the direction of the film is clearly justification for the type of violence that we are seeing currently out of Antifa. I have not yet seen the film, but know enough, especially after watching the review from a person I respect in Grace Randolph seen below to get a clear picture of what’s going on. The allegory is clear, the Joker was a victim of a cruel society who decided that he’d either kill himself or kill other people. And the main perpetrators of his victimization was the father of Batman himself Thomas Wayne. There are many other contributing factors but ultimately, it was Thomas Wayne who serves very much as the Trump-like villain from the perspective of the Joker and without question there are many millennials who are reacting to the film the way Grace has in her review, feeling quite a lot of sympathy for Arthur Fleck—the character who eventually becomes the Joker.

I think movies like this are always good to play with and I admire all the ambition. On the business side the movie is a brilliant strategy, they kept the cost down, but they have all the quality, and obviously they have great buzz. I’m sure when I do see it that I’ll like it. However, the tragedy is that it obviously is a story that is intent to explain away evil from the perspective of victimhood and will undoubtably inspire others to yield to their sorrows and behave poorly in real life becoming maybe not so much the Joker, but the parasites who follow him in the fictional context and who do eventually kill Thomas Wayne and his wife in the film, which gives birth to Batman through the son Bruce. From there we all know the story, but how it mimics real life is what has everyone talking and that is the concern of our topic here.

In yet another Hollywood example the story telling perspective coming from within their view of the world is that the rich should be taxed and are ultimately evil. As members of the top 1% of society if is people like Thomas Wayne who are ultimately out there hurting everyone with their greed and climbs for power with a ruthless view of the world they control, and in the wake of their existence creatures like the Joker are born. To interview any Antifa member or really any Democrat today—especially the writers of Saturday Night Live, this Joker film is the Hollywood protest to the Trump administration and what they perceive is created by wealthy billionaires who look down their noses at battered personalities like Arthur Fleck and eventually get what they have coming to them for their lack of compassion, therefor becoming the murderous thugs of terrorism.

And I have no doubt that was what drove actors like Joaquin Phoenix and Robert De Niro to this relatively small budget drama, was the political activism that would cascade off it. Todd Phillips as the director knew what he was doing, he has stated that he made the Joker film because this modern woke culture has spoiled comedy, and he’s not happy about it. As the maker of the Hangover films which I can’t stand, he feels he needs to address the situation and from his perspective within the Hollywood bubble he came at this subject with some interesting diatribes. However for many others working in and around the film, this is clearly and anti-Trump character study and a call out to what they are calling “the resistance” to put an end to his administration and to all those of us who elected him.

In the Batman mythology I have always liked the Wayne family and wanted to know more about Bruce Wayne’s parents. This version of the Joker villain from that mythology obviously turns that perspective on its head. Thomas Wayne is alluded to be the actual father of the Joker due to an illicit affair leaving the mother of Arthur to go insane with grief. And of course there is further evidence that money corrupts and has driven both Thomas Wayne and his wife to sheer evil due to their love of wealth sneering down their noses at the downtrodden. Given what Todd Phillips has said in public it is clear that what he is really feeling was illustrated in the film’s ending where it wasn’t the Joker who killed Thomas Wayne and his wife, it was the mob that he had inspired who did, and that is the dangerous message of this film.

Rich 1% types are all bad and need to be eradicated is the message. Thomas Wayne was originally supposed to be played by Alec Baldwin who has been playing a parody to Donald Trump on Saturday Night Live and Phillips wanted more of that in his film. Supposedly due to scheduling conflicts Baldwin didn’t make it, but the intention cannot be overlooked. Todd Phillips made a movie using the Joker as a character to inspire his own mob of anti-Trump troops and Hollywood quickly got behind the effort for the activism projected. They hope to do just as the Joker did, inspire the downtrodden to rise up and lash out against the corrupt politicians and their rich double lives, and to bring villainy to the American way of life using the excuse of victimization to drive their lust for revenge.

However, these kinds of stories never do the wealthy justice or truly grapple with the actual reality of these interactions. It is all too easy for those who are lazy in life to blame their circumstances for their predicament rather than overcome those oppositions with hard work and prudence. And that should be the story with the Joker, but as we all know, that character is the supervillain of Batman, so he was never supposed to be a good guy. But Hollywood is using that excuse to make an anti-capitalism film aimed squarely at the millennial generation and to put them into the streets as Antifia members, or whatever the latest version will be for the purpose of changing the political landscape. So people have a right to be angry at this film. But I would say that rather than be angry, make films of your own. The message can go both ways. Nobody should embrace their victimhood. They should instead seek to overcome that status for the benefit of all. Without question the new Joker film is an attack on the way of life that Trump voters support. But don’t do as they do and claim that it isn’t fair. Stories are perspectives and it doesn’t take much to tell a story that criticizes productions like this Joker. Who cares that Arthur Fleck was molded by a society that treated him poorly? The real story and the one that often doesn’t get told is that the 1% are in the extreme minority because they don’t accept their victimhood and that is how they get rich, because they don’t sit around crying about it. And they aren’t bad people as portrayed in the embodiment of Thomas Wayne but are elements that people should and could easily try to live up to. Because ultimately, the difference between Bruce Wayne and the Joker is that Batman sought to use his position to do good, and to be just, and to overcome his sorrow, not to yield to it. That is what makes him a member of the 1%, and that isn’t a bad thing, everyone should aspire to be thus.

Rich Hoffman

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