Tag: giambattista Vico

Escaping the Vico Cycle: Elon Musk’s Starship and a new Trump administration will do it–the big view of world events

Its time to take a bigger picture view of our current political situation and to step beyond even the intent of global markets to crash America in an attempt to advance themselves, and to reset the clock from the point of view of the United Nations, into earthly communism showing a complete eradication of capitalism in all its forms.  There is a good, hard wired reason that many desire that.  Of course, it’s not a “good” reason, but from their point of reference, it all makes sense.  Before addressing the internal problems in America with the massive corruption of the FBI and its attachment and activism within the previous White House, ran by the community organizer, Barack Obama, we owe it to ourselves to understand why the hell anybody would think crushing America would even be a good idea.  The answer is rather simple if you pull back far enough to see it clearly, but in this case, we have to look at the entire solar system of our present residence to grapple with the problem then to understand the urgency for the forces fighting the onslaught for which human kind has decided to move against.  For the last 200,000 years, or even millions, humans have been confined to a cycle of thought known as the Vico Cycle, constructed by Giambattista Vico in his great book La Science Nuova and most explicitly utilized in one of the most difficult books to read in all of human history, Finnegan’s Wake.  I think it takes reading and understanding Finnegan’s Wake to truly grapple with the meaning of the Trump Presidency occurring in history at the same time that a person like Elon Musk is building a fantastic factory in Texas that is planning to build one of their new Starships, MK1s each week and soon every 72 hours.  Elon Musk is essentially building a railroad into space and he has a president who is willing to fight off the red tape of history to pave the way to do it and that is what has the Vico Cycle jealous and up in arms.

We’ve seen this kind of period in history before, when railroads crossed the unclaimed vastness of the American West, but at no point prior.  In literally every place around the world, tyrants and monsters always occupied unclaimed lands and territorial battles ensued which put all people in one camp of thought or another only to spend their entire lives boot licking one power or another.  In the modern sense, most of our governments yearn for that same type of approach to everything but they can feel people’s support for that Vico Cycle way of life fall away where everything goes through four basic cycles of existence, theocracy, aristocracy, democracy, then anarchy only to begin again anew.  Presently that is the global desperation, is to advance our cultures into the anarchy state so that the world can have a great reset of economics and global coordination so that everyone can be reborn into a new age theocracy.  If you talk to Bill Gates and George Soros and get to what they think is right and just, you will find these thoughts at their core beliefs.  In such a system the old age takes with it the dead who are on the same cycle of life personally, but its to be celebrated because a new rebirth of the whole thing leads to a chance to begin again.  Not for those who perish of course, but for society in general, and the organizers are of course poised to be the leaders of that rebirth.

Many don’t understand how with the freedoms unlocked in the American concept that massive innovations were unleashed in 19th century minds like Sam Colt and Thomas Edison—we’ll get into Edison and his light bulb in great detail in a later article—but with the railroad West a new way of thinking was born that divorced itself from the Vico Cycle.  The Indians were of course functioning from the Vico Cycle just as all people around the world had been, and that crash of conflict of course occurred in violent ways.  But innovation crushed essentially the imprisonment of the Vico Cycle and that led to where we are presently.  Throughout the last hundred years in America the old world of the Vico Cycle struggled to take over global politics with a move toward communism yet the ambitions of science and innovation had finally freed those with the courage to look at it from the Vico Cycle unleashing countless opportunities for mankind.  The most obvious clash of these ideas exploded on the stage after the first moon landing by Nasa back in 1969 which was followed by the Vico Cycle stand of Woodstock where a month later young people stripped off their clothes and had vicious sex and mind numbing drug abuse in the mud of a field listening to tribal music of a culture trying to hang on to a flow of life that had endured for thousands of years.

But now, with the technical breakthroughs of Elon Musk’s great technicians at Tesla and SpaceX we are seeing something radically new and different which has opened up all the raw emotions that have been pent up for millenniums.  SpaceX has already shown this past year what they can do with reusable rockets and how journeys into space can be done safely, and steadily without great discomfort.  Now with their Starships, essentially busses into space happening all the time, soon to be daily, the escape from the Vico Cycle will now continue the type of thinking that made America in the first place, but instead of it being westward expansion it will be to the moon, and Mars—quickly and before the end of Trump’s next presidential term, we could have a new technology and way of life that will be even more revolutionary than the internet was, or the invention of the personal PC.  The kind of world that the Starship brings to humanity will be the last dagger in the heart of the Vico Cycle which will have long lasting implications that people can see and fear, yet the trends of discovery are happening whether they like it or not.

The riots, the Deep State, the desire to focus on viral outbreaks that lock down economies are all in an effort to keep us all imprisoned to the Vico Cycle which the old powers control.  They may die in the process, but that path is understood throughout time.  Leaders rise and fall, rule and are ruled then they die only to be born again to judge the living and the dead—that is our own personal Vico Cycle.  However what is coming with Trump and Elon Musk’s Starship—along with many other inventions that are splashing through the patent office as we speak is a complete divorce from the Vico Cycle for something to replace it that has never been known to human kind, ever.  So, it is in that understanding that we must use to grapple with the elements of our times.  And to understand why there is so much desperation from those who are now calling themselves the political left.  They do want communism, but deeper than that, they want Giambattista Vico’s Vico Cycle.  They want to understand the cycle and their place on it because they are not adventurers and daredevils who thrive in bold climates and risk taking.  They are timid souls who just want to know what’s coming next, even if its death.  At least they can understand the steps and accept their fate.  But what comes with Starship and the next Trump administration is scary for them, and they can see that no matter what they do, the trends of life are against them, and there is nothing they can do to stop it now that the Vico Cycle is breaking and mankind is inventing something new for itself for what looks to be, the first time.

Cliffhanger the Overmanwarrior

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‘Fury Road’: Why the film is a work of George Miller genius

For all the reasons that Mad Max: Fury Road is a modern masterpiece on par with films like Citizen Kane, The Good, The Bad, and The Ugly, and Ben Hur is to look at the film itself.  In 1981 if anyone would have predicted that the maker of the Road Warrior would 30 years in the future create such a scathing representation of human culture nobody would have believed it.  Yet our current society has devolved to such a degree that the evidence of such a future nightmare is fast upon us which brings a sort of exasperation at the end of the film.  Fury Road is many things all at the same time; it’s a modern morality western on wheels and can be enjoyed as popcorn entertainment.  This part of it was clear already in the previous Mad Max films.  But, there was always a hint at something deeper, which a younger director in George Miller probably wanted to utter, but didn’t yet have the whole package ready to wrap.  Fury Road dives deeper into the well of the human condition seamlessly like all great works of art.  It gives the viewer more of what they already know, and dares them to step beyond their comfort zone in a way that Picasso’s cubic paintings did.  But then again, Fury Road is deeper than even that—it jumps headlong into the vast depths of James Joyce’s literary masterpiece Finnegan’s Wake to play at Giambattista Vico’s four cycles of civilization.   When it is said that Fury Road is the work of genius, this would be the reason, it is modern art evoked in some of the most provocative ways ever put to film, and it is done so in a way that at the end viewers will wonder what the just saw.  Was the movie just another summer blockbuster in superhero clothing, or was it the genius of a new religion after mankind has fallen back to its beginnings as it has so many times before?

If George Miller was not a fan of Finnegan’s Wake, and had a firm understanding of the Vico cycle, I would be surprised—because that is clearly the theme of Fury Road.  Human beings have devolved from a race that once put satellites into the sky to a society clamoring over water.  Anarchy has given way to a new theocracy and at the end of the move, the last line shown on the screen before the end credits read like the first sentence in a new book of Genesis.  I can’t say that I have ever seen a critic rating of 98% on Rottentomatos.com for a movie, yet Fury Road had virtually everyone who had seen it eating out of its hand—something that certainly would not have been the case in 1982 when the Road Warrior came out.  Some radio movie reviewers on the Friday of the film’s release were actually giving the movie 5 out of 5 stars—which is something else I can’t ever recall happening.  Even great films typically get a 4 or a 4.5, but many critics were giving Fury Road a full unfettered five stars essentially calling it a perfect movie.  I don’t think Fury Road is a perfect movie.  It was on par to me to all the great western’s I have seen over the years—but it has the added dimension of hidden sophistication that all viewers sense which hangs in the air at the end of the movie.  It touches something very primal in us all and hints at long suppressed beliefs touched for the first time perhaps in some people’s lives.  Yes, the Vico cycle is well at hand.   In a time where nearly every movie is a retread from the past society has forgotten that all these retreads came from a period when our culture produced these kinds of stories every couple of months.  Just like the mixed up cars in Fury Road are representatives of a previous society which mass manufactured them, they are assembled on the screen hodgepodged together in bizarre and imaginative ways that still evoke a lesser society that inherited something great from the past yet didn’t quite know how to sustain them.  Fury Road is a metaphor of itself in a very tongue in cheek way.  There seems to be a very firm knowledge from George Miller of what he’s doing as he is clearly an artist at the top of his game.

Other progressive reviewers saw in Immortan Joe a greedy capitalist regulating vast resources to enslave people.  To their minds Immortan Joe was the Bilderberg bankers and Illuminati currency manipulators of the current times and the revolution of the people to overtake such a greedy bastard is communism so everyone can have equal share in the wonders of water stored in his magical pumps within his fortress Citadel.  Yet again, Fury Road is a deeper movie than that—it cuts to a primal rage contained within every human being—the desire to be free.  Immortan Joe might have been slain, and a new government might rule in his place—but the results would be the same.  So long as mankind follows the trends of the Vico cycle whoever is in power will always seek to suppress those under their control.  The reason the film has such high critical ratings is because of things like this, where the kinds of topics that are really important to people are expressed.  But like all great works of art, those people are limited by what they can see.  They may not have the ability to see too far, so they only see representations of feminism, or communism as factors for redemption—but there is clearly more going on.

I thought the most powerful part of the movie was a quiet scene where the characters named brilliantly, Toast the Knowing, Cheedo the Fragile, and the Capable were watching a star filled night sky as they saw a satellite flying across their view from horizon to horizon.  They contemplated the previous culture that actually made such things that could talk to people across the whole of the world.  They wondered who killed the world.  It’s not global warming which has done the destruction.  It was the Vico cycle—mankind’s innate desire to advance and regress along its formulated parameters.

As I bought my ticket for Fury Road the attendant whispered to himself, “Max, great choice.”  He locked knowing eyes with mine.  “I loved it.”  And that was the general feeling of everyone I bumped into who saw the movie.  They realized that they were seeing something that was strangely important, yet they didn’t really know why.  It is our present story played out in a way that they can easily see no matter what vantage point of political reality they approach the subject—because the road all leads to the same place.  It doesn’t matter if the vantage point is conservative, liberal, deeply socialist, fascist, or manically religious it all ends up in the same place, the cycle of Giambattista Vico, theocracy, aristocracy, democracy, followed by anarchy which has persisted in human lives for as long as we have had breath.  Most of us want to be Max or Furiosa, but know that they will always ever be at best like the old lady in Fury Road, the Keeper of the Seeds.  Worse yet, most people will spend their whole lives begging for water, or allowing themselves to be harvested for their bodies–their motherly milk, or their blind devotion to a male patriarchy more concerned with their place in a masculine peaking order than in inventing satellites to go to space.  Even though the world has gone mad Max at least has not surrendered himself to its cycle.  In the end he is the hero who carries those who want to back to a hope of advancing their cause instead of just retreating from it. It was a brilliant film by a brilliant director at the absolute top of his game.  The above and below line talent in the picture are all at the peak of film making genius and if there is any justice Fury Road will win many Oscars in 2016.  But that in and of itself will prove just how valid Fury Road truly is.  In a free culture capable of making all the stories it can deem possible, it is a retread from the past that is evoking so much of a response in a culture that subconsciously seems to realize it is slipping back into the abyss of anarchy and theocracy.   They don’t understand why or how—but know that it’s happening.  And the only way they can measure that slide is with a good ol’ Mad Max movie which shows them the map of how it’s happening, even if they are powerless to stop it.

Rich Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

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‘Fury Road’: Rebelling against Giambattista Vico

I have a general assumption about mankind that is quite opposite of typical academia. Civilizations rise on the backs of innovative individuals and flourishing capitalism. They decline with more centralized control and absorption of individual achievement into the fabric of a collective society. When an unworthy king or bureaucratic democracy takes over the direction of economic enterprise and invention, a society is in decline. It is due to the hard wiring of human beings trained from their infancy to follow the Giambattista Vico cycle always witnessing societies fall only to be born again in a much regimented pattern. This holds true no matter what the society, whether it be the Mayan people, the Inca, the Mongol, the Roman Empire—all societies so far have followed the Giambattista cycle. This is why anybody with any honesty looks at George Miller’s Mad Max films and declares him a genius. It’s also why it was more than symbolic that Mel Gibson showed up at the premier of Fury Road, the latest Mad Max film now staring Tom Hardy. Studios didn’t want Gibson in the film as the Vico cycle declares that what’s old must be recycled to make way for the young and new. But Gibson showed up to give the young Hardy a bit of support because any Mad Max fan knows that Mel Gibson will always be the iconic Road Warrior. It all started with this movie.

Our current world is not very far from the world of the first Mad Max movie. Police are now being openly murdered and Vico’s final phase of anarchy is fully at hand. What happens next is the rise of a theocratic society followed again by aristocratic, then democratic rule, followed by chaos once again. In the film Fury Road we find that in the period between the first Mad Max film society has devolved into the rise of theocratic civilization. No longer is society concerned with missions to Mars or inventing a new iWatch—now the primary concern as it has been in the past is to establish a new deity figure for the society at large.

I have always loved the Mad Max character because he maintains himself throughout the entire cycle as a constant reminder into the phase of the Gambattista cycle from which everything was taken from him, his wife, child, friend, career—everything he cherished from that time. Unlike the rest of the world he finds himself standing up against the tide of regression. He is a representation in these Mad Max films as Nietzsche’s ubermensch-otherwise translated as the overman. Nietzsche’s ubermensch is one who has graduated from mankind and stepped away from the Gambattista cycle all together—and has decided to advance their life based on individual creativity.   But this is a dangerous road, Hitler tried to take Nietzsche’s ubermensch and advance Germany, but failed in his interpretation and instead moved his country into a Karl Marx inspired socialist democracy—followed by war defined anarchy, then back to a theocratic/democratic existence where it currently finds itself in a European Union—otherwise a democracy that is once again plunging into anarchy now inspired by the failing economies of Greece.   Mad Max is the figure who refuses to submit to these tides of the world.

I have no doubt that George Miller would agree with this assessment. He knows all too well what he’s doing. He’s not just making a popcorn action thriller with great car stunts and bizarre characters. He’s making a rejection statement against Gambattista’s famed cycle. He may not have set out to be conscious about that statement but rather let his intellect drive those elements of the story along as evolution of the various aspects of the story evolved, but based on the presentation of Fury Road, it is clear he understands what he’s doing all too well. It’s also clear why so many people are excited to see such an apocalyptic story and why after all these years it’s so close to the hearts of so many people. This is not a typical summer blockbuster film.

So, how excited am I for the upcoming Fury Road? Well, let me tell you, I have dedicated this upcoming Friday to seeing it. I will certainly be one of the first, and I will likely see it several times. I love the action, I love Mad Max and all that he stands for, but more than anything I love seeing the Gambattista cycle challenged. The world may have went crazy in relation to the advanced days of invention when oil was being produced to propel cars from city to city, to instigate the growth of economies of various trade. All that can and will fall apart within just a few decades of human development—just like the Maya abandoned their cities apparently very fast—as if they just evaporated. It’s not that such people abandoned their cities because they left earth for alien destinations, the people of Ur did not suddenly become equivalent to the Neanderthal after building hanging gardens and massive temples—they regressed because they emerged into war then reinvented theocracy starting the Vico cycle fresh again losing all that they had gained before. Mad Max is that personality in these George Miller movies who in spite of everything that he has lost and continues to lose, refuses to give up on his heroic past and be the last representation of a time when mankind was truly great.

How many people do you know who would at the drop of a hat become one of the mindless followers of some future attempt at theocratic rule? The current Muslim obsession is but the latest. How many maniacs would kill the masses for a chance at everlasting life in the hereafter because some slug of a wanna’ be king dictated that such a thing would bring redemption to the soul? The answer is probably everyone that you know. Most of the people shopping at the grocery and working in a corner cubical would gladly trade in their suits and ties for a thong and Mohawk if some skull inspired death cult instructed them that through worship of his heavenly presence that someday they too might rise up to greatness if only they adhere to the tenets of collectivism.   Miller’s brilliance is that he was able to see such a clear vision from our present age. It’s not easy to see that overweight school levy supporter buying meat at the grocery as a future sex slave to a blood thirsty cult fighting over the worship of water—but Miller does, and with a grand design. It’s not easy to see that corrupt politician kissing babies and whatever else as the skull wearing Immortan Joe hunting down the wives who are desperate to leave him. But in Miller’s films, it is quickly recognizable that most people we know under similar conditions would find themselves as some character in that wasteland. It doesn’t take much to forgo everything we have ever been and throw it away in exchange for basic human necessities, like food, water, and sex.

I am excited for Fury Road, but for reasons that go well beyond the visual spectacle. I love it for the rebellion against Vico. On one hand the Vico cycle is shown in all its brutal honesty, but through the character of Max—using almost no dialogue—Miller beholds the ubermensch—a character that launched the career of Mel Gibson who in almost every movie refused to buckle under the pressure of Vico to decline—but always to advance. Whether it was Riggs from Lethal Weapon or William Wallace from Braveheart, Mel Gibson started as Mad Max, that hero from the past who punched through the Vico cycle with the throttle down and the skill of a Road Warrior as the rest of the world attempted to drag him back into the Stone Age. That’s why Fury Road is more important than a four-year degree in college studying history and the Vico cycle. Because Fury Road shows through art the results of that path—and how treacherously close we always are to falling off the edge of reality into an abyss controlled by maniacs like Immortan Joe—or the Toe Cutter.

Rich Hoffman

 CLIFFHANGER RESEARCH & DEVELOPMENT

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Humphrey Chimpden Earwicker: Paris terrorism and the guilt that gives them strength

Humphrey Chimpden Earwicker was running for public office in Dublin, Ireland and was a prominent pub owner who carried a reputation as a great man. A husband and father of three–two boys and a girl he was a man on the rise.   That is until he was walking through Phoenix Park and noticed two young girls urinating with their pants down to their ankles and their sexual mechanisms exposed. Three soldiers spied Earwicker and would later provide testimony as to what they saw as a cod with a pipe approached the distracted celebrity with an inquiry as to the time. Earwicker feeling guilt for noticing the young girls quickly stumbled through an answer indicating guilt that was not justified.

Later the cod’s wife hearing her husband retell of the incident with a bit of flurry to his remembrance carried the story to the local priest. After all, her ear for the spittoon was a seduction that she had great notoriety for, and thus began the downfall of Humphrey Chimpden Earwicker. Soon after the priest uttered a slightly varied version of the story to Philly Thurnston who thus did the same to the next person, who did again to the next person, and so forth until all of Dublin soon knew of the encounter. A pub ballad was soon constructed at Earwicker’s expense called “as The Ballad of the Persse O’Reilly.” Earwicker was so shamed that he soon was locked up in jail—for his own protection, lost his public office, his reputation as a good man, and was put on trial. Eventually the men of the court having sympathy for Earwicker’s shortcomings—because they themselves were thus prone—found him not guilty and the family man and pub owner was somewhat restored once again to his life and daily maintenance.

Thus is the basic story of the main protagonist from the great novel Finnegan’s Wake written by James Joyce for reasons that have provoked the most astute minds of literature.   The purpose of the tale was not to just tell another sultry story of a middle-aged mind caught into the perversions of sexual indulgence by women at the prime of their seductive powers. It was to show a cycle that all societies go through as represented by Earwicker who is often just termed in the novel as HCE—or otherwise—Here Comes Everyone. Finnegan’s Wake is a heavily inspired metaphor of Giambattisto Vico’s cyclical theory of history which states that civilization always passes through four basic phases, a theocratic phase. An aristocratic phase. Right on cue it enters a democratic phase. Then once that cycle has run its course society drops back into chaos and anarchy. We presently throughout the world as seen most dramatically in the opening weeks of 2015 are witnessing the attempt of a theocratic order attempting to use chaos and anarchy to gain control of the world population through radical Islam to start the cycle again for mankind.

In a lot of ways Western Civilization has been undergoing this elusive menace for many years starting with the communist attempts for attention and world-wide expansion during the 1950s and 60s. Behind that mask was the Civil Rights movement who like the priest from Finnegan’s Wake took some of the collectivist uttering’s of the communist insurgents and added their own sprinkling of truth to the story under the guise of righteousness to further deteriorate into a quandary. Now society is so disarmed with guilt not completely justified, that it can do nothing but shut itself away from the world and hope that the courts will find them innocent—which of course they will. But, the damage to all reputations will have already have taken place and HCE—(all of us) will have to be born again and start from scratch under a theocratic order. In this case it is the Muslim who desires to set the new rules and have everyone bowing toward Mecca—or be decapitated as a surrender of individual sanctity in favor of collective identification.

The recent Paris attacks by young Islamic radicals are nothing more than the spreading of a new modern age “Ballad of the Persse O’Reilly.” Their military intention is to destroy the previous cycle of history and gain power for their order under the Vico cycle of an emerging theocracy. They are the girls in the park with their pants down urinating after a long night at the pub singing and dancing. The mechanism used to move society from one phase to another is guilt. Once a group of assailants can get portions of society to admit to “guilt” they can then control that person infinitely. This is what has happened in regard to racism and the progressive platforms. It was Republicans in the United States who put an end to slavery and started the Civil War to free men’s minds. But, using the same social tactics progressive radicals have demonized Republicans into inaction and thrown them in a metaphorical jail for being angry white guys old and outdated while the only people qualified to manage their “people” are boyz from the “hood” with crack sales on their resumes and baby-daddys from here to infinity as their family lineage. Like HCE, Republicans put themselves in jail to protect their reputations from the swarms of gossip and turned toward the law for help. But the insurgents have gained control of the law as well leaving no recourse but to stand on the sidelines and complain about the gross unfairness.

Finnegan’s Wake is a warning of this cyclical procession that has embedded itself in the human consciousness like a sickness destined to always destroy the grounds made among human kind. Humphrey Chimpden Earwicker couldn’t help but notice the young girls with their pants down showing their private parts to the world. Being a man of great reputation he was quick to catch his primal thoughts and get them under control.   But, the cod who asked the time assumed that Earwicker stuttered not out of self-regulation, but out of guilty yearnings, such as the cod likely struggled with. He needed to feel reconciled and momentarily superior so he passed on the story making himself the hero at Earwicker’s expense. The result of the book is to show that Earwicker was destroyed but rose again to return to the beginning of the story.

Yet my proposal and the purpose of this site is to step off that Vico cycle all together. It might be remembered that I had a bit of controversy once, which I considered to be equivalent to the court trial in the novel Finnegan’s Wake. When Scott Sloan asked me on 700 WLW in front of many hundreds of thousands of people to admit guilt and say I was sorry to all the fat-assed despots and levy supporters that I had properly identified, what he wanted was for me to play the role of HCE and put myself in jail awaiting judgment and forgiveness by my peers. Of course I refused because my opinions were my own and I felt no guilt for them. Just as HCE should have never felt guilt for walking through a park and noticing a couple of girls with their pants down. He didn’t pull down their garments and ask them to conduct themselves in such a way, so he should have never stuttered when the cod asked him the time. He had done nothing wrong. Yet, because HCE knew that there would be judgment cast upon him, he knew he had to be careful how he answered, so he made a mistake which then perpetuated itself into chaos—which is the aim of all these endeavors against logic. And so it is that no Christian, Muslim, or Buddhist should feel guilt for the plight of the modern communists behind ISIS, or the Sykes-Picot agreement after World War I, or for slavery in America that was ended by the American Constitution, not sustained and justified.

The enemies of our age are using guilt to destroy us dear reader. You would be advised to stop feeling guilt and allowing it to control your actions. You must first have convictions about things, and be willing to stand by them. If you do not, you will end up like poor Humphrey Chimpden Earwicker from Finnegan’s Wake. Society uses guilt to advance the Giambattista Vico cycles which ultimately always erase whatever progress we truly make as a society in the fields of philosophy, history, religion—even mathematics and science. America is a step off the Vico cycle, and its high time that those lucky to be born under its protections stop feeling guilty about their fortune and protect the philosophic advancements passed down to us for sanctuary. The human race is in our hands, and it cannot be surrendered to chaos and theocratic despots by simple unfounded accusations designed to invoke guilt—and thus surrender of the emotional high ground for which America sits. Be warned, and listen to the quandary of Humphrey Chimpden Earwicker for what it is—a warning to us all. Do not make the mistake he did and carry willingly the guilt of mankind just because a cod asked for the time. Give him the time if he asks for it, but don’t feel any guilt for what you see. All the girls of Phoenix Parks everywhere will do what they do. But those of us who are like HCE have a right and obligation to walk where    they do and not be steered away just because society has its own agenda and a desire to regress back into a theocratic rebirth—and loss of all human advancement thus gained.

Rich Hoffman

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